I’m sorry, Clanker, but there’s just no saving you

I’m still hiking around in this overpopulated landscape, chipping away at Rare Replay. I got the massive collection of games digitally back in the heyday during E3 for watching some streams via Microsoft’s Mixer app, and it’s been interesting seeing a lot of the games within it because, for the most part, I was never involved in a lot of Rare’s work growing up. This is probably because I never had a Nintendo 64, where the company seemed to shine brightest, and I also never touched a ZX Spectrum, where a lot of the company’s work started, under the divine name of Ultimate Play the Game. So far, I’ve dug deep into Jetpac and Gunfright, noodled around with the ultra difficult Battletoads, and not really touched anything else much other than to pop Achievements for basically opening each game once. Go me.

Look, I’m never not in the mood for a good collectathon, and I’ve always heard good things about the Banjo-Kazooie series. My first and only experience with the franchise was with Banjo-Kazooie: Nuts & Bolts on the Xbox 360 some years back, which, while it certainly had a number of items to collect, focused more on customizing vehicles and winning races and building the strangest contraptions this side of New Jersey. Not my forte; I’m no engineer. On a whim, I decided to see what Banjo-Kazooie is truly all about. Turns out–frustrating camera controls and the worst underwater swimming section I’ve ever dealt with, but more on that in a bit. Plus, Jiggies.

Ultimately, Banjo-Kazooie is a mascot-driven platformer developed by Rare and originally released for the Nintendo 64 in 1998. It follows the lighthearted story of a bear named Banjo and a bird called Kazooie as they try to stop the plans of the evil witch Gruntilda, who intends to switch her beauty with Banjo’s sister, Tooty. Yes, those are all their real names. The game features nine nonlinear levels where the player must use Banjo and Kazooie’s wide range of abilities to gather jigsaw pieces, along with other collectibles, to get closer to taking on Gruntilda. Along with the jumping and climbing, there’s challenges like solving puzzles, accessing out-of-reach areas, collecting items, and defeating enemies that wish the duo harm.

I was going to initially say it’s mostly mediocre platforming, but than I hit a wall in the game. In Clanker’s Cavern, you have to free him from his chain that is hooked at the bottom of a low pit. It’s a long swim down there and, logically enough, it’s a long swim back up there. Most gamers would agree that water levels suck. Swimming underwater in these levels sucks even more, with the bonus possibility of running out of oxygen to make things even nastier. Clanker’s Cavern is the second level of Banjo-Kazooie that focuses on water, with Treasure Trove Cove being the first, and it contains its own demon in the water. However, in Treasure Trove Cove, you never have to deal with the fear of running out of air. In Clanker’s Cavern, that’s your biggest fear as you swim down to free stupid ol’ Clanker.

Right. At the bottom of this deep underwater pit is a key hooked beneath Clanker’s chain. To release him, you have to swim through the keyhole three times. Seemingly simple, yes, but that’s where they get you. Like I said… it’s a long swim down and a long swim back up, and if you don’t nail swimming through the keyhole perfectly each time, your chance of seeing blue sky diminishes rather quickly. Now, there is a fish called Gloop in the area spitting out air bubbles to give you a bit of a reprieve, but once again, grabbing them takes precision, and that’s not one of Banjo-Kazooie‘s bright spots. The swimming is slow and somewhat floaty, if that makes any sense, and I refuse to try and save Clanker anymore.

Perhaps I’ll just move on to Banjo-Tooie and pray that nothing similar to this level exists in that game; still, I’m sure I’ll find something just as annoying to battle with, but until then, may Clanker continue to be chained up against his will.

2017 Game Review Haiku, #68 – Gunfright

Rounding up outlaws
One crosshair duel at a time
Deadly residents

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I can’t believe I’m still doing this. I can’t believe I’ll ever stop. These game summaries in chunks of five, seven, and five syllable lines paint pictures in the mind better than any half a dozen descriptive paragraphs I could ever write. Trust me, I’ve tried. Brevity is the place to be. At this point, I’ve done over 200 of these things and have no plans of slowing down. So get ready for another year of haikus. Doumo arigatou gozaimasu.

I’m floating in a most peculiar way in Jetpac’s space

Y’all should know by now that I’d  do nearly anything for a free game. Some things I won’t do include swimming with sharks, eating an entire jar of mayonnaise, or going on one of those roller-coasters where you are dangling in the air from shoulder straps, your feet inches away from smacking into something solid and breaking into a thousand pieces. Otherwise, so long as I don’t end up in a lot of physical pain, I’m game.

And so, during this past week of E3 2017 shenanigans, there was a chance to earn Rare Replay, No Time to Explain, The Final Station, and a bunch of other digital rewards for zero dollars by simply watching Microsoft’s press conference live through Mixer, its streaming service formally known as Beam. Alas, I was too late to catch the conference, but there were other chances to participate throughout the week.

Of all those goodies, Rare Replay is the “game” I was most excited to receive; it’s a big collection of Rare’s history, a company that, after reviewing its portfolio, I have actually had little contact with, but appreciate their humor and love of colorful graphics from afar. I think I have only ever played one Rare game found in the collection, and that was Banjo-Kazooie: Nuts & Bolts. Outside the collection, I’ve enjoyed Marble Madness, Donkey Kong Country, Donkey Kong Country 2: Diddy’s Kong Quest (sorry, not you, Donkey Kong Country 3: Dixie Kong’s Double Trouble!), and that opening level repeatedly on an emulated copy of GoldenEye 007 (please don’t arrest me). So there’s a lot to try out for the first time in this collection, and I have no intentions of playing through it in chronological order, but I did start it all off with Rare’s first game Jetpac, back when the company was called Ultimate Play the Game.

Jetman’s plight in Jetpac is one that pre-dates Groundhog Day, the film, by about ten years, but surely was an inspiration to anyone thinking about what it meant to be stuck in a time loop, repeating the same day and tasks again and again. Jetman must assemble his rocket (which spawns in installments scattered around the map) and fill it with a select amount of fuel before taking off to the next planet. This procedure is then repeated, over and over, with no end seemingly in sight. In addition to this, Jetman has to defend himself from the planet’s native aliens, which a varied and have different attack patterns. Some move diagonally, and others lock on to the tiny astronaut and follow him around the screen. He’s got a ray gun that shoots horizontal lasers for defense, and things like gems can be collected for bonus points.

By and far, my favorite thing about Jetpac is its wraparound world. You go to one edge of the screen, cross over, and appear on the other side. This is extremely handy when trying to avoid a group of enemies or make a shortcut to the rocketship. I’m sure this wasn’t the first game to do this, but I’m too tired to look up when Mario Bros. came out versus this game. Regardless, it works, and I have to say that, some 34 years later, the game plays pretty great. Jetman is pretty quick to move around, and the only problem I had was with collision on the platforms, which made him bounce back, often right into an alien enemy I was trying to avoid. The repetitious gameplay gets old, but one has to remember that this came from an era of high scores and bragging.

Thankfully, Rare Replay throws in some additional things to do, both in their milestone quests and snapshot features. Milestones are things like “kill X number of aliens” or “fill your rocketship up with fuel X times” while snapshots make things a little more tricky. One took away Jetman’s laser gun, forcing you to maneuver on your own quick wits, and another tasked him with completing five wraparounds in a row without dying. I happily completed all of these and popped every Achievement related to the title.

There are other games in the Jetpac series left to try out in Rare Replay, but I don’t know what I will tackle next. I suspect I’ll save some of the collectathons for later in life, when I have the time and am in a find shiny things kind of mood. Either way, I highly recommend you check out Jetpac and to not be put off by its age or graphics, of which I think the latter is pretty cool. The sound effects department is lacking, but I absolutely love the bright, crisp colors–the blurry screenshot above doesn’t do it justice, I know–and there’s a surprising amount of strategy and skill involved in bringing canisters of fuel to and fro. Certainly more than I expected when first launching it, and it’s always great to see where a company started. Here’s hoping Sea of Thieves incorporates some elements from Jetpac, like bringing bits of grog back to your ship one glass at a time until there’s enough to get the entire crew wasted and off to some other island.

2017 Game Review Haiku, #59 – Jetpac

Rebuild your rocket
Collect parts, fuel–defend it
Love the wraparound

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I can’t believe I’m still doing this. I can’t believe I’ll ever stop. These game summaries in chunks of five, seven, and five syllable lines paint pictures in the mind better than any half a dozen descriptive paragraphs I could ever write. Trust me, I’ve tried. Brevity is the place to be. At this point, I’ve done over 200 of these things and have no plans of slowing down. So get ready for another year of haikus. Doumo arigatou gozaimasu.