Can’t say if I love Katamari Damacy or not, but its soundtracks absolutely rock

I’ve never played Katamari Damacy or its sequel We Love Katamari, but both games sound great. And by that, I don’t mean their plots are unique and stellar, their characters true works of art, going deeper than just rolling bags as flesh and bones. No, I mean these games sound great.

I use Grooveshark for streaming music while I edit text all day long, as it’s a better choice than burning CDs onto my work laptop or downloading a bunch of crap from the Interwebz. Much easier to just stream a huge playlist and never look back. The other day, tired of my listening staples, I decided to see if Grooveshark had any videogame-related tunes, and was pleasantly surprised to see that, yeah, they got a ton ready for groovin’ to. I played some Suikoden II, some Metal Gear Solid, and a few tracks from Chrono Cross (I touched upon how great its soundtrack is here). Then, for no reason other than pure curiosity, I looked up Katamari Damacy.

The Katamari Damacy series is the kind that I, unfortunately, judged before playing. Not that I even ever got to play it. I judged before I even played it and continued to judge it even after never playing it for several years. Shame on me, right? Maybe. I wrote it off as weird, kooky, too left of center. Gameplay involves rolling a ball called a “katamari” covered in an adhesive substance to collect objects until it is big enough to become a star in the sky. You’d think that with my love for Marble Madness, any game involving ball-rolling would hook its tethers in me deep. You’d think.

But yeah, Katamari Damacy tunes on Grooveshark. I added a bunch to a playlist, no specific order, and continued editing. However, I had to quickly stop editing as several of the tracks were of the ilk that demanded I do more than just listen to them. These were weird, but catchy weird. Kind of like the first time I delved into Passion Pit. A strange mix of electronica, jazz, pop, and even country. Yuu Miyake, of Tekken and Ridge Racer fame, wanted music surely as unique as the game, and I think he succeeded and then some. Each song goes for gold, trying to be more quirky and eclectic than the last, and they never stray into unlistenable territory.

I won’t bother listing tracks and talking about them specifically as there seems to be unclearness on what each track is actually called. I’ve found several varied names for the same bouncy pop number. Might as well just make up my own titles. In fact, my favorite song from Katamari Damacy‘s soundtrack is “Paul, the Wonder Hobbit”; what’s yours? That said, I might just have to track down a copy of either the first game or its sequel. Yeah, I still don’t know how much I’d love playing the game, but rolling a ball around to many of these tunes seems like a natural thing to do now that I’ve heard what’s on display. The problem is that with each trip to GameStop, there are less and less used PlayStation 2 titles on shelves to buy, and I’m not one to buy online, especially with all my latest mailing woes. Until then, I’ll just keep streaming the songs.

For the love of spritework

I’ve been thinking about sprites lately–no, not those kind–and why I absolutely love them, mainly to the point where a new game in 2011 with classic spritework is much more appealing to me than, say, just another modern title with all the latest tech, such as fancy lighting, particle effects, draw distance, and so on. Yup, even more than Elder Scrolls V: Skyrim. It’s hard to say if it’s all based on nostalgia or if it’s the artist in me appreciating that these moving images and interactive items on-screen were hand-crafted to be as is, to be simple yet recognizable, to still be able to stir emotions.

For nostalgia’s sake, I definitely grew up on sprite-based games. Earthbound, Super Metroid, The Legend of Zelda: A Link to the Past, Secret of Evermore, Mega Man X3, NHL ’94, Breath of Fire II, Secret of Mana–really, the list could go on. Blame this on the fact that the SNES was my first console ever, and that I ate up a lot of games on it. It’s where I became a gamer, grew my skills; I knew only sprites, and I had a hard time letting go. I think a lot of us did.

One of the first games I ever played on my PlayStation 1 was Beyond the Beyond, a strangely named RPG that I had rented for a few days. It tells the story of Finn, a young, unexperienced knight caught up in an ancient war between the Beings of Light and the Warlocks of the Underworld. Fairly traditional, and not just in story–the game, despite being released on an advanced console, looked like something one would play on their SNES. I was excited about this. I wasn’t ready for the future, for 3D gaming, for stuff like Battle Arena Toshinden and movable cameras. It wasn’t a great game, but it looked like what I had already learned to love, and that was enough for me to give it a try. I also fell hard for Suikoden and Suikoden II on the PlayStation, both of which feature gorgeous spritework paired with fantastic tunes.

When I moved on to the PlayStation 2, there were significantly less sprite-based games for that system. Maybe because that console had finally gotten a strong grasp on 3D gaming. A few still got my attention. Odin Sphere was repetitive as hecktown, but dang is it a beauty to behold. Marvel VS. Capcom 2 got a lot of play at friends’ houses. Can’t really think of others, unfortunately.

I’ve recently picked Chrono Trigger back up on the Nintendo DS and am enjoying traveling through time again, even if I’m rubbish at it. This is a game that’s eternal. It looks fabulous, just as it had when it released in August 1995, just as it will in twenty more years, and another thirty after that. These sprites are colorful and charismatic, eye-catching, easy to get. Only can sprites make a giant tick-boss look freaking amazing.

And now, in the current era of gaming systems–Xbox 360, PlayStation 3, Nintendo DS/Nintendo 3DS–I’m still always on the lookout for good ol’ sprite-based games. And they are still coming out, especially on the handhelds sideline. Really looking forward to Professor Layton’s London Life, which is a bonus add-on for Professor Layton and the Last Specter, coming out this October. It’ll be unlocked from the start, promises over 100 hours of gameplay, and basically screams, “Hey, you like Earthbound? Here’s a new Earthbound!” Mmm mmm, looks delicious.

I dunno. Maybe it is just the artist in me appreciating art over connect polygons. Maybe it’s seeing something that can last a lifetime and beyond. Maybe I just miss being a kid, holed up in my room, a SNES my closest and most constant friend. Do you love sprites or new games still rocking sprites? If so, why? Speak up, Grinding Down readers. Maybe we can get to the bottom of this.

30 Days of Gaming, #21 – Game with the best story

Suikoden told the story and struggle of one Tir McDohl, a young boy growing up fast in a big world where politics and war meant ultimately the same thing. On top of dealing with betrayal and unfairness and the death of several close friends and all that jazz, young McDohl also learns early on that he’s destined to be the Tenkai Star, a prophesied hero fated to unite the 108 Stars of Destiny, bringing forth a new age of prosperity. Heavy stuff for just a lad.

Suikoden II, taking place three years after the events in Suikoden, is basically that plus more. More betrayal, more scheming, more large-scale battles, more heartbreak. The Kingdom of Highland is invading the City States of Jowston. The player controls Riou, a soldier of the Highland Army’s Unicorn Brigade. Together with his childhood friend Jowy Atreides, the two of them will get swept up in the seedy underside of the Dunan Unification War.

The greatest aspect of Suikoden II‘s yarn is its fair and rounded treatment of relationships. You truly believe that Riou and Jowy are great friends with a lot of history, and as the plot unravels it becomes clearer and clearer that the two will not see eye to eye on everything. Plus, each is given half of a True Rune, demanding that they work together for its full potential to be realized. Still, their separation is no surprise, but it’s still just as crushing. Jowy ends up working for Luca Blight, “the Mad Prince,” a villain as villainous as they get, and starts to move up in rank as Riou begins to build his own army and plans for stopping Highland. As things really get heated and the battle rages on, Jowy betrays Blight, revealing that he is trying to bring peace to the land, and that he never believed Riou could do it so he set out on his own to accomplish the task. There’s some bitterness there, as well as relief.

You also believe that Riou and his sister Nanami love each other, all the way to the end. Two other characters with a great relationship? Old-time favs Viktor and Flik, of course.

There’s multiple endings, too. Three, I believe. Here’s how my one and only playthrough concluded. At the end of Suikoden II, Riou returns to a spot where he promised Jowy they could meet up if they ever got separated. The climb back to where it all started is hollow and eerie, with not a single sound to be heard. The two converse and then you’re given a faux choice whether to duel or not. Regardless, you’ll have to fight it out with your once BFF. Once Jowy is weakened, you have another choice, this time a real one: take his half of the True Rune or don’t. I did, knowing full well this decision would kill him, but not sure what made me want his Rune half; maybe his betrayal and murder of Anabelle still stung deep down. After that, Jowy makes his peace, and it’s montage city until the credits roll.

The story is smart, sophisticated. The battle plans make sense, and Luca Blight, while being a little over-the-top, is exactly what one fears in a villain–intelligent and passionate. It was clearly crafted with care, and it’s a story I will care about myself for as long as I can.

30 Days of Gaming, #20 – Favorite genre

If you thought the answer to this topic was gonna be racing or cooking sims, well…you’ve clearly not been paying much attention to Grinding Down. I’m all about the roleplaying games, but it did take me some years to really get into the genre and stay there, as many JRPGs almost ruined me, as they have almost ruined others before me. Thankfully, standout titles like Suikoden, Suikoden II, and Final Fantasy VII literally blew my genitals, taking me from teenhood to manhood in a matter of dozens of hours, thanks to intricate plots, fantastic battle systems, soaring sounds, elegant pacing, light grinding, addictive gameplay, and endings that still resonate with me to this day. Plus, y’know, they let me play a role in their worlds.

I’ve always been a big reader, and much of the credit can go to my sister Bitsy who, from an early age, passed along books she had already read to me. Many of these turned out to be fantasy novels–works by Mercedes Lackey, Piers Anthony (oh my), and Anne McCaffrey–and it wasn’t too hard to leapfrog from them to more “adult” work, devouring things like The Belgariad series by David Eddings, The Sword of Shannara by Terry Brooks, and stuff by David Gemmell. Throw in the classics like Tolkien’s Lord of the Rings and the entire Discworld series, and well, I was hooked on stories.

And here comes along a genre of videogames that promises epic stories…and more! The majority of RPGs, more often than not, at least five or ten years ago,
were fantasy-themed. Sure, there’s the occasional sci fi-themed RPG, and many could argue that Final Fantasy VII is more space and metal frames than swords and dragons, but these videogames gave all their love to royalty and kingdoms and knights and dragons and magic spells and small-time villages trying to make ends meet before war destroyed everything everywhere. So I ate it up, even the bad meals like Beyond the Beyond and SaGa Frontier. It didn’t matter–I just wanted to be in a realized world, growing as a character, growing into a story.

Character customization is not as important to me as character crafting is. Whenever a new RPG begins and you’re given the chance to mold how your dude or dudette looks, I click around, raise their cheekbones, lighten or dark their skin, find a cool beard, and call it a day. I can easily see that hours upon hours can be spent noodling with dozens of options, but that’s not important to me. Once we’re in the game, spending skill points or focusing on this spell or deciding what kind of armor Mini Paul will wear are the bigger decisions.

While RPGs are my favorite genre, this also can be problematic. On average, a RPG can take around 30 to 40 hours to complete. However, having an addictive personality, I end up playing most RPGs for double that. See: 130 hours logged so far in Dragon Quest IX, over 100 hours for Fallout 3, eighty+ hours for Fallout: New Vegas, and so on. Playing more than one RPG at a time is like juggling balls of fiery acid with no gloves, and yet it’s something I simply can’t avoid.

Last year, I needed a break between some RPGs I was eating up, and so I picked up Mini Ninjas for the Xbox 360, thinking that an action title would be a good change of pace. I completed the game in under five hours. That’s it? I’ve played prologues in RPGs for longer than that (think Suikoden V, people), and I was a bit taken aback at how much quantity I look for in a game these days. Quantity over quality, especially when discussing bug-ridden games like the Fallout series. I don’t care how broken they are…there’s so much stuff to do to distract me from such bummers.

But yeah, RPGs. Love ’em. Always will so long as they continue on, which we all know they will. Can’t wait to see how big and massive Elder Scrolls V: Skyrim is gonna be, as well as the multiple choice quiz that is Deus Ex: Human Revolution. Sorry, upcoming Cooking Mama 4 for the 3DS…I DON’T GIVE TWO STEAMED CAULIFLOWERS ABOUT YOU.

REVIEW – GameSpite Quarterly 8, the PlayStation Era

The Sony PlayStation was a system that got me through high school and carried its weight during the early college years; it was a system that seemed to be everything anyone could need, with a library certainly bigger than anticipated, and the power to steal hours upon hours away from my life. Many of my favorite titles call home to the 32-bit console that could: Suikoden, Suikoden II, Jumping Flash!, Blood Omen: Legacy of Kain, and so on. It holds a special part of my soul beneath its silver lid, and that’s me being as honest as possible via a blog post. The dang thing means a lot to my growing up, my dealing with problems and friends and loneliness, and it was also a ton of fun to play, to invest in. I even decked it out with special stickers that came with early issues of PSM, a magazine that I subscribed to for a super long time because I enjoyed reading about my new toy and what it might be handling in the future. It’s been some time since I’ve read anything PlayStation-related in print form, too, which is my way of transitioning to the next paragraph.

The latest issue of GameSpite Quarterly, a simultaneous print and online zine by Jeremy Parish and pals, is all about the PlayStation, making it an instant buy for me, and I’m all the happier for it. The book arrived, and I at first couldn’t tell if I’d ordered, y’know, a book or…a brick. At around 435 pages, this is actually a tome, and there’s plenty of content to absorb, which is what I did over several days. It’s got that potpourri feel to it thanks to numerous authors writing varying articles about strikingly different titles and subjects. In the span of a few pages, GS8 goes from talking about how “mature” Sony got with its advertising to coverage of retro games like The Raiden Project and Final Fantasy Anthology. Content flows in a loose chronological order by game release dates, but at times feels a bit of a mish-mash effort; I’d have preferred a section devoted to game reviews and another to musings and features, but that’s just little ol’ me and my need for everything to be ordered and grouped and properly connected.

As previously mentioned, the library for the Sony PlayStation is huge, and it’s no surprise that not every game gets covered in GS8. I’m sure many frog fans are going to be saddened to learn that there are zero words devoted to Frogger 3D and Frogger II: Swampy’s Revenge. And some titles that I actually wanted to read about deeply, such as Star Ocean: The Second Story, Metal Gear Solid, and Chrono Cross, were only given a single paragraph of love. Disappointing, sure. Blockbusters like Final Fantasy VII and Tomb Raider get the expected amount of coverage, and I particularly found myself immersed in Tomm Hulett’s “The 7 Deadly Sins of Xenogears,” a religiously in-depth analytical look at a game I never got to play. For the most part, the majority of the games covered get a small amount of text to go along with a huge, pixelated screenshot. Sometimes this works, and sometimes it doesn’t (Baby Universe).

Not surprisingly, Parish’s love for quirky and less-loved titles takes the limelight here, with games like The Misadventures of Tron Bonne receiving eight pages of praise. Missed out on that game way-back-when, but it sounds pretty neat and has me only more excited for the forthcoming Mega Man Legends 3. My only other complaints are minor, but a second round of copyediting would have done wonders; as I read, I spotted a number of typos, as well as a lot of inconsistencies (if you’re devoting an entire issue to the PlayStation, you should stick to one spelling of it only). Otherwise, GS8 is so full of content and pages to flip through that the good outweighs the disappointing, and even though the entire book will make its way online over at GameSpite eventually, the printed form is still worth pursuing. Seeing that much content bundled and bound is impressive, and if you were at all a fan of the PlayStation it’s a no-brainer buy. Cracking GS8‘s spine is the easiest way to time-travel back to the good ol’ days of 3D polygons, memory cards, and games built around FMVs.

30 Days of Gaming, #9 – Saddest game scene

I’ve been struggling with this topic from the 30 Days of Gaming meme for a bit, and I didn’t want to just cop out and say that, obviously, the saddest moment in gaming for me is when my absolute favorite character unfairly sacrifices himself for the greater good. I already wrote about that. So I had to think, think, think, and all I kept hearing inside my head was a cold, solid thud. Over and over. Thud. It wasn’t inspiration falling down, giving up, calling it quits, ready to rest in eternal darkness; it was Nanami.

Suikoden was all about politics and war. Suikoden II threw a third ingredient into the mix, a healthy dose of friendship. This showed up in the form of the main character and Jowy, as well as the main character and his adopted sister Nanami, a fiesty, good-hearted girl that more than often spoke on his behalf. She’s a worry-wart, caring deeply for everyone she comes in contact with, as well as a highly trained martial artist; later on in the game, when she learns that her brother and Jowy are both commanding opposing armies, she pleads with them not to fight. However, love keeps her around, keeps her by her brother’s side, all the way to the end when, in Rockaxe Castle, she falls trying to protect those she cares about from being ambushed.

Thud.

You can hear the horrible noise at 1:30 of this video:

And the part that makes it so sad is just how sudden it happens. Nanami skillfully deflects every arrow but one, and then she’s down for the count. No stagger, no moment of shock–just a body giving away. There isn’t even time to comprehend what happened because Gorudo and his men shout “BOSS BATTLE!” and away you go, desperate to get back to your big sister, to try and save her. Which doesn’t happen.

It really doesn’t take long in Suikoden II to forgot that the main character and Nanami are not related to each other. Some of her last words touch on this, how she was so happy to have a family. To even be Jowy’s friend.

Just like with Gremio, Nanami can be saved. However, it’s a little more complicated than simply collecting all 108 Stars of Destiny so I’ve never seen it accomplished. And never will. Nanami has always–and will always–end with a spiritless thud.

30 Days of Gaming, #2 – Your favorite character

I grew up in a small, New Jersey town known as Smithville, which is historic, quaint, and brimming with flesh-biting bugs in the summer. It’s the sort of place many know not, and I’m okay with that…mine forever more, as they say. I lived on a street that “ended” with two cul-de-sacs, and it was the kind of place where families raised their kids together at the same time, meaning I grew up with my neighbors’ kids at pretty much the same pace. We were all right around the same age, same grades, same what-have-yous. We hung out after school and on weekends, we went to planned BBQ parties, we fought with each other and made up, and had to deal with bullying and betrayal and boring bus stops in the morning. And through all of this was our parents, watching over, making amends, playing host to sleepovers and carpools, and one parent stands out to me especially in terms of today’s 30 Days of Gaming post: Mrs. B.

Mrs. B and her family lived directly across the street from my house. My family and hers were very close, as well as strangely similar in terms of kids; she had two daughters and a son, same as my mom and dad, and we were all pretty much four years apart too. We were destined to interact with each other. Anyways, Mrs. B worked the nights at the KayBee Toys in our local mall, and her son mentioned to me one day that she was able to get some great deals on the latest PlayStation games thanks to her employee discount. I believe he got Frogger 3D and Tony Hawk’s Pro Skater that year for Christmas. Luckily, I was able to work out a deal between my mother and Mrs. B to obtain a copy of Suikoden, a game coming out shortly before Final Fantasy VII that impressed me greatly from a preview article in some long-lost gaming magazine. As a youngling, I didn’t purchase many games so the ones i bought had to matter. I don’t remember where I got the cash from, but I do remember handing it over to Mrs. B with boyish excitement. And then I waited, and waited, and waited, and finally the game came back to me with a nice little note, too.

Suikoden is a game I can talk about for many paragraphs, but we’re not here to talk about the game itself. Instead, a single character from it still lives in my head, falling down countless times, truly living up to his Star of Destiny, churning my stomach into knots. Yup, my favorite character is Gremio:

Servant to the McDohl family after one of Barbarossa Rugner’s Six Great Generals, Teo McDohl, saved his life, Gremio helped raise the general’s son Tir. He ended up playing both the role of a servant and a parent since Tir’s father was constantly away and his mother died some time after giving birth. He becomes a permanent party member for much of the beginning of the game as Tir escapes pursuit and begins to build his own rebellion army. At one point, Tir and company rescue a famous doctor from the prison operated by Milich Oppenheimer, another one of Barbarossa’s Six Great Generals. Before escaping, Milich traps everyone in a room and releases flesh-eating spores, which threaten to consume the entire party. Gremio is able to open the door, granting everyone freedom, but then locks himself in the room, afraid to let the spores get out. Here are his final words to Tir:

“Young Master, can you hear me? I’m sorry I can’t protect you any more … But now that you’ve grown up, you no longer need my protection. Young Master…You make me proud. I wish Master Teo could see you now. Young Master. I think it’s time to say goodbye. I can’t see anymore. Young Master. I’m proud of you. Promise me you’ll always follow your heart. That is my first, and final…request…”

In battle, if Tir’s health falls too low, Gremio will actually protect him from further damage by using his own body as a shield. Outside of battle, all the way to the end, he continued to protect his young master, no matter what the cost. It’s no wonder why Gremio is the Tenei Star (Heroic Star). What’s really sickening is that Milich can be recruited after all this to join Tir’s fight in the Gate Rune Wars.

Aerith’s death in Final Fantasy VII did not affect me as much as Gremio’s did. Both were surprising, sure, but his more so. It did not feel like a “great character death” sort of moment, just another prisoner rescue mission. I even remember loading him up with the best items before getting ready to leave the prison, only to not have lost just him, but everything he was carrying. Tir already loses his father early on in the game, and then shortly after he loses the man he called both father and friend. Suikoden is all about tragic losses actually.

I didn’t find out that Gremio could be resurrected before the final battle for many months. To do so, you simply have to recruit all 107 other Stars of Destiny, which, at the time when there was little Internet access and only magazine features to go off of, was very difficult. But I did it, and seeing him and Tir reunite just as the emotional cup overflowed really cemented his potency in my mind. It only made defeating Barbarossa all the more sweet.

Gremio is the sort of character easy to bond with. He’s caring, careful, and stubborn where it counts. He also makes a mean special stew. Thanks, Mrs. B, for letting me get to know him, if only for a little while.

Purchase of the Month April 2010: Borderlands

I headed into GameStop after work today unsure of what I wanted to buy for my purchase of the month for April 2010. A Nintendo DS game? Some older PS2 titles? A lot of games have been bouncing around my head lately, and naturally I want to play them all, but price is also an issue with me. Generally, I don’t like throwing over $60+ for a new game (sorry, Final Fantasy XIII), and so after some looking around I saw that Borderlands was specially marked down thanks to tax season for only $39.99. Greg Noe seems to enjoy it, and I trust his judgment considering his favorite game of all time is my favorite game of all time(Suikoden II). OF ALL TIME. Plus, I’m a sucker for just about any cel-shaded game. Hopefully it’s not too fast-paced and overly shooty (not a word), but the RPG elements and tons of loot should keep me satisfied until the cows come home. Can’t wait to play later tonight…

Insert epic orchestra score

“An opportunity missed is an opportunity wasted.” – Seed, Suikoden II

That’s a good quote from one of my all-time favorite games to try and get this ball a-rollin’ again. The lack of steady content can be blamed on many things, but mostly this: time. I won’t go into a long tirade where I am all wah wah this and wah wah that. I’ll just sip this water, take a deep breath, and prepare to take this videogame blogging thing to a new level.

Pun intended.