The world is ripe for digging in SteamWorld Dig 2

While playing I, Hope and growing extremely more disinterested and disappointed in the whole thing, I began to tinker away at SteamWorld Dig 2. This was a seemingly sleeper hit for many last year, and I, like many, wish I had played it sooner. It was like experiencing polar opposite games, where one game was just learning how to program jumping code for the main character and then the other game was able to flawlessly nail the feeling of feet lifting off the ground in order to reach a higher platform. I know I shouldn’t compare the two, as they are vastly different in countless ways, but I can’t help it, considering I would use SteamWorld Dig 2 as a feel-good chaser after dealing with some frustrating areas on repeat in I, Hope.

Let’s start at the start. SteamWorld Dig 2‘s story takes place between the events of SteamWorld Dig and SteamWorld Heist, of which the latter I have in my Steam library, but have not checked out yet. Following Rusty’s disappearance at the end of SteamWorld Dig, Dorothy, a robot who he had befriended, travels to the mining town of El Machino in order to search for him. Along the way, she comes across Fen, a remnant of the Vectron that Rusty had previously fought, who joins Dorothy as a navigator. While searching the mines for Rusty and hearing rumors of him turning into a monstrous machine, Dorothy comes across a group of humans led by Doris, who claims that mysterious machines are triggering earthquakes. From there, Dorothy is off to investigate.

The gameplay is quite similar to the original SteamWorld Dig, but much more refined. The loop is very much the same–dig deep underground, collect gems and materials, unearth the terrors of the underworld, and return to the top to cash in your collected goods for upgrades to help you better navigate this “platform mining adventure forged in Metroidvania flames.” Those are the developer’s own words, but man do they nail it right there. You’ll also unlock fast travel points along the way, so you can hop to and fro with ease, and some areas will require backtracking once you acquire a certain ability or perk, such as the jetpack or grappling hook.

I ended up taking a long break from SteamWorld Dig 2 because of the time I spent in the hospital and a growing general disinterest in playing many games on my laptop, but coming back to it months later is a breeze. One of my favorite elements is related to cogs. All of Dorothy’s tools are upgradeable with cash earned from excavating gems, and additional features are upgraded with cogs, which are found for the most part in secret areas or puzzle rooms scattered around the map. So, for example, for your pickaxe, you can use modification cogs to unlock Hunter’s Edge, which gives +5 extra XP per enemy killed with pickaxe, or Bounty Hunter, which nets you a cash prize for taking out enemies with the pickaxe. What is super awesome about this is you are not locked in to any of these mods and can switch them out freely at will, similar to Functions from Transistor.

Graphically, SteamWorld Dig 2 is a pure delight, especially on my laptop since I sit so close to the screen. It reminds me of a Saturday morning cartoon, all bright and bouncy and safe to absorb. The robot designs are fun and imaginative, and there’s more to talk to here than the first game. The game’s soundtrack is strong, especially the song that plays in El Machino, which is important, because you’ll be returning there a whole bunch for selling goods and upgrading your gear. Sound effects are solid, especially the noise of you collecting gems and materials, which you’ll be doing a lot of; Dorothy’s pickaxe attack against an enemy is also quite pleasant.

I’m making no promises that I’ll see SteamWorld Dig 2 to its conclusion in 2018, but that’s okay. This is a gaming experience worth savoring and dipping back into now and then to get just a little further down the hole. I fully expect Image & Form to come out with a SteamWorld Dig 3 or another spin-off like SteamWorld Heist, as this world and its characters are too good to not do more with them. I’ll be ready, whenever they are ready.

Paul’s Preeminent PlayStation Plus Purge – Super Motherload

It’s been a couple of years since I played SteamWorld Dig, but, especially given that SteamWorld Dig 2 released this year to good praise, I think about that game often. Not because its story resolved in a way that left me lost and wondering, nor because steam-powered robot Rusty’s journey to rebuild Tumbleton was so distressing that it has forever left me scarred, but rather because that game was both a lot of fun and super, duper relaxing. Like, mega chill. I now have a greater understanding of why dogs like to dig, and the answer is simple–it is because digging is fun. Allow me to further back this claim up by talking about Super Motherload.

Let’s momentarily leave this trash-dump of a planet of ours and head for redder terrain. Set on Mars in an alternate Cold-War era, Super Motherload is a 1- to 4-player couch co-op digging adventure. Yup, a digging adventure. The game’s storyline was written by Image Comics’ Kurtis Wiebe and features a fully voiced cast of Soviet and American characters, with some aliens to boot. Also, it’s procedurally generated, which means no playthrough is ever the same in terms of how and where you dig down. The goals remains to go deeper, and you do that by purchasing powerful upgrades and supplies for your mining pod. These range from faster drilling speed to a large inventory space to taking less damage when you inevitably bounce it against a wall going too fast.

I put more time into Super Motherload than I initially expected to, something like eight to ten hours. Especially when this feature is meant to get in, grab a bite, and get out. So that certainly says something about the game. I really enjoyed digging deeper underground, gathering items and mix-and-matching them with the smelter in specific orders to create better elements, for more moolah. Finding the next base was also extremely rewarding, and I loved the freedom offered here, in that, if you wanted to and had enough fuel, you could just descend, descend, descend. Still, the game wants you to load up on stuff, return to base, upgrade what you can, and do it all over again, inching further forward each time. Actually, that’s not what the game wants, but what it rather is–a relaxing push deeper. Well, until the final boss.

Alas, I was unable to beat Super Motherload. I got all the way to the end boss fight after many hours of upgrading, exploring, and so on, but there’s seemingly no way for me to beat it. See, the fight is two phases repeated multiple times. The first phase is you zipping after this large machine as it shoots up towards the closest base, and you need to quickly follow it as lava is rising beneath you. Once you are at the base, the next phase begins, where you need to dodge it and drop bombs to deal damage. Rinse and repeat for each of the bases going back to Mars’ surface. The problem is I quickly ran out of bombs and money on the first base, and with no money or bombs or other way to get more resources due to the aforementioned lava, I could do very little save for hide in a corner until boredom set in. The switch from a super relaxing time to extreme action and emphasis on early preparation and inventory management–in terms of bombs–was one of the most off-putting experiences I’ve ever dealt with in videogames.

The good news is that, if I do get the itch to play more of this type of game (minus its final 15 minutes) and returning to SteamWorld Dig isn’t cutting the cheese just right, I can grab Super Motherload on Steam. Though me-thinks I’ll either go back to SteamWorld Dig or try out its sequel before I do that. Either way, that’s another PlayStation Plus title tried and uninstalled.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.

2015 Game Review Haiku, #2 – SteamWorld Dig: A Fistful of Dirt

Investigate mines
Unearth secrets long buried
Dig, dig, dig, dig, dig

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From 2012 all through 2013, I wrote little haikus here at Grinding Down about every game I beat or completed, totaling 104 in the end. I took a break from this format last year in an attempt to get more artsy, only to realize that I missed doing it dearly. So, we’re back. Or rather, I am. Hope you enjoy my continued take on videogame-inspired Japanese poetry in three phases of 5, 7, and 5, respectively.

Mining my experiences as a cowboy steambot in SteamWorld Dig

I’ve never gone very far underground in my thirty-one insipid years on this planet we share, and that’s fine. A few family vacation one-offs where we’d explore a cave with a tour group or something like that, but never any personal expeditions. Much like the ocean, the underground is terrifyingly expansive and filled with too much unknown. Also–very dark. There’s a 2006 horror movie called The Descent that seems like the most scariest thing possible, as it follows a group of British spelunkers down into the deep dank depths of some labyrinthine caves in North Carolina; on top of that alone, they get pursued by flesh-eating monsters. No thanks.

If I was to go underground, I’d hope it would look more like SteamWorld Dig, all colorful and bouncy and peppered with kooky characters like Lola, who runs the bar in Tumbleton and acts as a respawn point, and Hank “Cranky” McCrank, a repairbot who helps you upgrade your digging tools. I mean, just look at the game’s hero Rusty; with his cowboy hat and big, green metal hands, he appears more than confident to handle whatever is lurking deep beneath the town, and so I’d go with him, though still not too far down.

The story here is slight, but solid enough to give Rusty a reason to dig deeper into the mineral-infested ground. Rusty the steambot wannabe-cowboy has inherited his uncle Joe’s mine after Joe apparently lost his life plunging into its depths for secrets. Naturally, curiosity screams, and Rusty takes up the call (and pickaxe) to continue his uncle’s journey. That’s it for now, and the characters aboveground in Tumbleton are essentially menu options and quest-givers at this point, but that could all potentially change down the line.

There’s a cycle to Rusty’s cavernous adventuring, and it is thus: dig down into the mine, gather as many minerals as you can hold, return to town, sell your stash, purchase upgrades to help you dig deeper, gather more resources, and survive longer. Much like Rogue Legacy and Spelunky, it has that “one more run” vibe to it, because even if you don’t get far or gather too much, every piece of trashium or copper sold is all feeding back into making Rusty better, stronger, more awesome, which promotes sojourning a wee further. You can really only go so far as your tools allow, and eventually you’ll run out of lantern light or hit dirt you can’t dig through yet. Or maybe even some tough critter-crawly enemies. Either way, you have to hightail back to sunlight, and you can either climb back up the hole you dug or find a fast travel point along the way.

On your way down below, you’ll also come across special cavern entrances that basically lead to a platforming section or ability-testing area. You can find some good valuables in these spots, as well as new abilities, like special drill arms, wall-jumping, or boosting upwards from a stationary position, which uses steam, a finite resource to also keep an eye on. These aren’t very tricky so far, and often give you a reason to travel up, left, or right rather than simply down all the time.

Right. I’m one of those crackpots that thinks Super Mario Bros 2 is a more enjoyable time than Super Mario Bros 3, and a favorite section of mine is when you have to travel downwards through layers and layers of sand. You do this by digging, by hitting the “pick up object” button, and the Princess–who else would you even bother playing as, honestly–will lift the sand beneath her feet away, causing her to fall into the next line. Keep doing this, and eventually you’ll get through it. You make your own path, and the enemies will even follow along it just like you. That same idea applies to SteamWorld Dig; how you dig down to the caves or map indicator is customizable, but you also have to be thinking about reverse directions too, about what would make it easier for Rusty with no light to find his way to Tumbleton. Unfortunately, returning to the surface, especially once you really get deep down, is where things become less fun and more of a slog. I thought I read that the underground is randomly generated, so if that’s true, the replayability is at least very strong with this one.

For those with a PlayStation 4 and subscription to PlayStation Plus, SteamWorld Dig is a freebie for the month of November. Even if it wasn’t free, I’d heartily suggest checking it out. So long as you don’t mind a whole lot of digging.