Today’s the day you can open that Bundle in a Box

A few weeks ago, I swore off indie game bundles. Not entirely, but certainly for that bubble of time, as a bunch of game-touting bundles had come out all at once, as if some madman in his madman fortresses, after drinking way too much madman juice, decided to release every rabid hound he had on the poor villagers down below and laugh wildly as he reaped the benefits. Yeah, I’m sure that doesn’t really convey what I want to convey, but basically it felt like too much in too little of a time.

That said, I knew in my heart of hearts that I’d come back, and that would basically happen with the mysteriously Bundle in a Box, a package steeped in slow-revealing secrecy, but sounding of supreme promise, as it did announce that its first package was going to be themed, and that theme, ladies and gents, was to be point-and-click adventure games. Yes, the revolution is in full kick.

Anyways, Bundle in a Box‘s first bundle includes the following: The Sea Will Claim Everything, Gemini Rue, Metal Dead, The Shivah, Ben There, Dan That!, Time Gentlemen, Please! and–for the first time ever–the downloadable version of 1893: A World’s Fair Mystery text-adventure, which was previously only available as a physical product. That’s some good stuff there, and I’m particularly stoked to see two products from Wadget Eye Games, as I absolutely loved the Blackwell titles to death, pun totally intended. I’ve actually had access to a few of these above titles, but never through Steam, and if there’s something I can appreciate, it’s having all my games in one tidy list, ready for launching.

Bundle in a Box is also doing things a little different than what consumers might have already experienced through events from Humble Indie Bundle and Indie Royal. There’s a constantly decreasing minimal price and bonuses like soundtracks and “making of” ebooks are unlocked after a specific amount of bundles are sold. Money goes towards two fantastic charities: The Hellenic Centre for Mental Health and Treatment of Child and Family and The Indie Dev Grant.

So go forth, adventurers: http://bundle-in-a-box.com/

It’s the first click of many great clicks to come.

Level 1-11 in Bit.Trip RUNNER is a real Bit.Trip BUMMER

…but I only say that out of the frustration that comes with a brutally old-school videogame like Bit.Trip RUNNER. It’s not a total bummer; in fact, it’s extremely addicting and full of musically magic moments; it’s only a bummer in that if you mess up once on level 1-11 “Odyssey” as you attempt to pick up 93 pieces of gold–yes, 93–or avoid numerous pitfalls…it’s back to the start for you and the never-tiring, always perky CommanderVideo.

And you try again, naturally, getting a smidge further into the level, but still end up missing a key jump because you hit the space bar one-ninth of a second too late or couldn’t remember quickly enough if you were supposed to slide under that bouncing block or hop over it. All right, so you try again. And again. And again like eight more times, stubbornness in your eyes and hands. Eventually, carelessness slips in, and aspects of the level you had already perfected now become just as difficult, with it all coming to a glorious head in accepting defeat and failure.

At least, that’s how things went for me. And the folks at Giant Bomb, based on their Quick Look skills. But yeah, Bit.Trip RUNNER‘s motto is basically, “Okay, one more try.” It’s hard not to say it, not to want to go again. The solution is so simple, and you always see your mistakes. Like, you know you could have gotten farther if you timed your jump better, so go again and this time plan your jump better. Except it doesn’t always work out so easily, especially as the levels get longer and full of more stuff. Precision reflexes are key, and for those that don’t have them, they must be earned, worked toward, like calluses from playing the guitar. I am getting there, but it’s not going to happen over night.

Need further proof about how far I am versus how many times I’ve retried levels, over and over and over? Well, see here:

RUNNER.UP: Jump 1,000 times

But I’m not done with you, level 1-11. Not one bit (pun intended). I just need a breather, but I’ll be back soon, and then you and are I going to make sweet musical completion together. Though part of me is nervous because the level after 1-11 is…a boss fight. I have no idea how those are played out, but imagine it’ll be no run through the park.

Hacking and slashing greatly outweigh looting in Hack, Slash, Loot

Don’t let the Skyrim picture above confuse you too much because I’m actually going to talk about a little unassuming game called Hack, Slash, Loot, which I got as part of a recent bundle from Indie Royal. Alas, that game doesn’t do well in terms of screenshots and me throwing stupid text over it, and so I typed in “loot” into Google and found the above. Such is the way the cogs turn behind Grinding Down.

But yeah. Hacking, slashing, and looting. The game promises all three actions, but really only delivers on two, and those two are technically interchangeable, which results in one out of three. I’m not a school teacher, but I know a few, and I can imagine the type of letter grade a score like that would translate into. Despite that and a few other major faults, there are parts that I really do like about David Williamson’s independently developed roguelike that skimps on graphics and strives for missed dice rolls. There’s just something really charming beneath its brutally difficult skin.

Hack, Slash, Loot begins with choices. You have to pick a class, and they range from a Human Saracen to a Woodland Elf Archer. I went with a wizard most of the time. Once you’ve decided who you are, you need to figure out what to do, and there are six different quests to pick from: Journey to the Kimon, Mask of the Boy King, They Dwell Beneath, Dark Hearts and Evil Minds, Battle for Stormrise, and Tower of the Magus. These differ in terms of conflict and goals, but you will ultimately end up in a dungeon, killing monsters and searching for stronger weapons and gear. And each dungeon is randomly generated, making every quest, every adventure, new and unpredictable. In fact, one dungeon spawned my character in a room with two monsters right next to me, which helped to earn me this Steam Achievement:

Wooden Spoon: Die in less than 20 turns

Sweet, delicious failure!

But randomness is good, and it’s one of the reasons that I can go back to Diablo II, Torchlight, Dark Cloud 2, and the grottos in Dragon Quest IX today, in 2012, and still have a fresh experience. The graphics are retro and not distracting, with sprites taking center stage, which makes exploring the grid-based map easy. There isn’t much on the map, just a few candles and coffins, but it all looks good and recognizable. Again, I’m a sucker for this kind of stuff, but gameplay will always trump graphics for me, as it has to be fun to play, otherwise I’m just wasting my days.

That said, there is little loot to look for and the difficulty of Hack, Slash, Loot is more than enough to put someone off–it’s pure frustration. Healing your character does not happen in a conventional way; there are no spells or potions to regain health; instead, you have to loot tombs for scrolls which, may or may not, heal your little hero. This makes taking on more than one enemy at once a very dangerous situations, and I swear my character misses more times than he hits. Same can be said with enemies. It is a lot of missed dice rolls, which does not make for exciting combat; it just then feels luck-based since stats are not as visible as they need to be.

I never really got far in Hack, Slash, Loot, but I had a good time clicking around and trying out different weapons. Ranged weapons like staffs and bows were better for staying alive longer, but it was only time before I ran out of health. It was something to do while hanging out in bed, dog-sitting and watching Frasier. I just might go back again and hope that the next random dungeon is better suited…

Turning over a new leash with Bulletstorm

Let me just get this out there, so y’all understand that when you see me crawling out of an alley, begging for money and smelling worse than the rotten remains of a Stygia mutant previously eviscerated by the “Rear Entry” skillshot, it’s because of this: Steam sales. They will be my undoing, as just about anything heavily discounted suddenly becomes interesting in front of my eyes. And I do mean anything.

Take, for instance, the crude and callous first-person shooter Bulletstorm. I absolutely disliked the demo, ultimately saying this:

Bulletstorm is irrefutably juvenile, and the demo is all I probably needed to experience…ever. And for fun’s sake, here’s some phrases used affectionately during the demo to hit home their target audience: pasty, bean bag, butt hole, and, the new cult favorite, dick tits.

Right. So, why then did I buy a copy of the game over the weekend for the PC? Why have I been unlocking a lot of Achievements in rapid succession? Why am I–and this is almost troubling to admit–having fun kicking mutants into slow motion and then shooting them in half? Well, because Steam was selling it for $5.00. And at that kind of price, Bulletstorm is a blast.

At its boyish heart, Bulletstorm‘s story is about revenge gone wrong. Grayson Hunt is looking to kick his former commanding officer General Sarrano of the Confederation of Planets in his nuts and then shoot him in the head. This is because Sarrano used Hunt and his fellow friends to assassinate innocent people by telling them they were corrupt evildoers. Unfortunately, trying to ram Sarrano’s spaceship with Hunt’s spaceship brought both vessels down on the planet Stygia, which is infested with mutants and monsters. But Hunt’s no quitter, and so he’s crawling across the planet’s dangerous grounds in search of the man that made him mad. He is helped by Ishi, who is now part android, and Trishka, a former member of the elite squad Final Echo.

Gameplay involves moving forward through a level and racking up points by using creative kills against the many, many mutants that want to ruin your very existence. Headshots are boring, and so one must look for other ways to create mayhem: tossing an enemy of a cliff, dropping them on some spikes, shooting them in half, setting them on fire, and so on. Points let you buy ammo and upgrade weapons, so the more creative you are, the stronger your guns will be, which in turn let you get even crazier. It’s a system that works and reminds me of the way weapons upgraded in Ratchet & Clank: Up Your Arsenal. You also use a hi-tech leash that can grab objects and throw them around though I prefer sliding into enemies and then kicking them off ledges the most–really helps conserve precious ammo. Occasionally, gameplay gets mixed up, with Hunt controlling a huge, Godzilla-like monster or trying to just escape a section of the level under a time limit; otherwise, it’s still just a lot of shooting.

Also, what’s kind of nice is that, unknowingly, Bulletstorm on Steam counts as a Game for Windows Live thing, meaning I can play it logged in as PaulyAulyWog and earn Achievements for my actual Gamerscore. Think this is my first GFWL experience, and it’s all good in the skillshotty neighborhood. Here’s a few that I unlocked that are not tied to completing story chapters:

Master of Disaster (40G): Earn 2000 points or more at once

Disco Inferno (10G): Kill all enemies without leaving the dance floor in the city outskirts

No Man Left Behind (20G): Kill all enemies while escaping from the collapsed building

Currently, I’m somewhere in Act 4. Second chapter? Third? Don’t really know what that means in comparison to the overall game, but it feels like midway through. Maybe even more than that. I’m sure it won’t take long to finish up, as we’re definitely getting closer to wherever Sarrano is hiding. Again, for $5.00, this is a good time; however, if I had bought Bulletstorm at full price on Day One…I would definitely feel otherwise. And there you go.

Not your typical hero in Hector: Badge of Carnage

I don’t remember when exactly, but there was a sale on Steam recently, and for the low, low price of $4.99, one could get all three episodes of Hector: Badge of Carnage, a smarmy point-and-click adventure game from Telltale Games. That price seemed absolutely right, and my curiosity had already been flicked upwards after watching Giant Bomb do a Quick Look. Unfortunately, at that point, the wife and I were knee-deep in helping ghosts move on to the afterlife with the Blackwell games–and I just couldn’t sneak away to anything else until all four of those mysteries were solved. So I bought the package, downloaded all three episodes, and promptly ignored them for the time being.

But we finished those ghosty chronicles up, and now I’m ready for my next set of adventure games. Trust me, I have plenty to choose from: Gemini Rue, Jolly Rover, Beneath a Steel Sky, basically everything from the recent AGS Bake Sale, and a number of miscellaneous projects from Ben Chandler (City, Airwave, Heed, and so on). Whew. That’s uh…a lot of adventure games–and counting. I am sure I missed a few. In fact, I know it for certain; I am just too lazy to name ’em all. But the glory of being played next goes to Hector: Badge of Carnage, mostly because the tone and vulgar humor is the polar opposite of everything I’ve been playing recently, not counting Saints Row: The Third. It’s a refreshing if inappropriate breath of fresh air.

Originally, I began this post as a means to get some early impressions out, but  I didn’t finish writing it until today, and I went ahead and beat Episode 1 – “We Negotiate With Terrorists” over the weekend. So, yeah. This is now kind of a mix of impressions and final thoughts, with a magical haiku review to follow soon.

Hector: Badge of Carnage (Episode 1, “We Negotiate With Terrorists”) is, besides a really long title, a point-and-click adventure game set in the seedy spot of Clapper’s Wreake. A terrorist with a sniper rifle has locked himself up in some building and taken hostages, and it’s up to Detective Inspector Hector to fulfill the crazy man’s demands. And they are as so:

• Fix the clock tower
• Help tourism flourish
• Close down the local porn shop

Actually, those aren’t terrible things to want from a place one might call home. I think we were all expecting something more akin to a boatload of money, a helicopter to escape on, and the promise of being set free. This terrorist is trying to make the world a better place; shame he keeps shooting cops in the face whenever they creep near. But anyways, off Hector goes to solve these many mysteries, and the answers aren’t too difficult to unravel so long as you remain open-minded and try everything. And I mean everything–giving a blind guy a doped-up homeless man as a sexual bribe is not as far-fetched as it sounds. At least, not in this game.

If you do get stuck, Hector: Badge of Carnage features two hint systems, both of which are fantastic. One is Lambert, a fellow T.W.A.T. member, who you can ask questions at; the other is an actual hint menu, which can literally tell you what to do or be as vague as you’d like, with nudges in the right direction. I used both of these, and they really help to keep the player immersed in the game without feeling like one is cheating using a blatant walkthrough guide. I had particular trouble figuring out how to demolish the porn shop until the hint system showed me that I had missed doing something specific with an item I had picked up earlier on. Thanks, hint system. You saved me from getting frustrated and never coming back.

Besides the crude and sometimes confusing humor, the other aspect of Hector: Badge of Carnage that really appealed to me is its look. There’s a sharpness to the animation and art style, and the cutscenes are nicely put together. Reminds me of Penny Arcade, with bold lines and quirky character designs. As is always the case with point-and-click games, discovering a new screen or place to click around on is always a treat, and here it is no different. Upon finding the porn shop, I literally stared at the screen for a few minutes, soaking it all in, all the nasty visuals.

The only negative I can really throw at Episode 1 – “We Negotiate With Terrorists” is that it ends on the worst of worst cliffhangers. There is literally no conflict resolution after meeting the terrorist’s demands, which works for the episodic format, but bugs the bleep out of me. But I’m in for the long haul, and have already begun Episode 2 – “Senseless Acts of Justice”, which is going well so far and keeping up the tradition of toilet humor and toilets as plot devices. I’ll let you know how it all turns out.

Reading books and stealth-killing mudcrabs like a true Dovahkiin

Recently, Bethesda put word out about yet another patch to one of their patchy videogames–this time, Elder Scrolls V: Skyrim–and usually I just glance these over as all they ever contain are a long list of fixes to buggy quests, many of which I can’t actually recall by name alone. However, something was different this time around, and included in this batch of bug-squashing code was the addition of new kill animations for melee weapons and stylized kill cameras for ranged weapons, such as bows and magic. To that, I say: about…freaking…time.

Being the meshuggenah man-boy that I am, I immediately turned on my Xbox 360, downloaded a patch–note that I said a patch, not the patch–and began traipsing across Skyrim, searching for my first kill. Found some bandits in a cave and shot them all down from afar in single hits…with no cool camera action. And with an Archery skill of like 78 or something. Hmm. What gives? This sense of confusion went on for awhile until I went back to the pooter and realized that the patch was only for PC/Steam, and even then, it wasn’t available yet.

Boo.

Nonetheless, I was back in the realm of Skyrim, looting, looking, and living. Checking my stats, I noticed that I was four dragon souls away from 20 and…one skill book away from 50. Surely I could find one more measly skill book, and then I remembered a small hideout right near Whiterun that I had discovered while playing the game on Steam the other night. It was guarded by some bandits and a lonely horse, but otherwise, no trouble–and there was definitely a skill book there. Off I went. Tra la la. All was going to plan until a freakin’ FROST DRAGON SHOWED UP AND TRIED TO ICE ME! After cooling off, I looted the hideout and walked away with one more book in my ever-growing bag of shtuff.

Honestly, I don’t need an Achievement to tell the world I’m a reader, but here it is regardless:

Reader (20G): Read 50 Skill Books

Also, the latest patch just went live on PC/Steam, and so again, I headed back on in, dying to see a ranged weapon kill camera in action. And so it happened. Um…I shot at a mudcrab from quite a distance and watched, in slow motion, as it thunked back into the water, an orcish arrow deep within its shell. It was both lame and exciting, and clearly something that should have been implemented from the very start.

And now I wait for the Xbox 360 version to get updated before I go about finishing up some more quests. Heck, I might even get married soon or pick a Civil War side. There are no limits to my wandering.

Ain’t no broken cog in this machine called Cogs

There’s another Indie Impression up over at The First Hour, and it’s constructed around the steampunk-inspired puzzler known as Cogs. A number of the site’s writers put down their impressions and thoughts, including me, and it seemed like many enjoyed their time, even if they believe the game is better suited for a mobile phone than a PC platform. Seeing as I still live in the Dark Ages and use paper cups tied to strings to make long-distance calls, I like having it on Steam, as I can quickly move a puzzle around with the click of a mouse. But enough from me here; if you want my thoughts on building rockets, blowing steam, and turning cog wheels, head on over to The First Hour.

And here are some Steam Achievements, just because:

Apprentice: Complete 10 levels in Inventor Mode

Aptitude: Earn your first triple-gold award

Tinkerer: Earn 100 stars

Evidently there’s one for completing a puzzle in under five seconds. Yeah, sure. Okay, cogheads. Maybe if you’re like one of those androids from Ghost in the Shell, but I am not. Gah, now I’m depressed about my lack of robotics. But yeah, Cogs. It’s a puzzle game, and a fun one at that. I’ll be back at it some time soon, for sure.

Starting Shank’s story of sadistic and senseless slashing

The story of Shank: gang kills former gang member’s wife, said man kills everyone in the gang. At least that’s how I assume this will all go down. I’ve only just begun, but I mean, yeah. It’s all there. I’ve seen Kill Bill plenty of times to know what a tale of vengeance looks like. And I guess that’s fine. Really, this could be the story of a man named Shank that suffers from dementia and whittles pretty birdhouses during his flex time at Brookside Senior Citizens–so long as it looks this pretty.

As an artist, I love a game that revels in its artness. Like Prince of Persia and Bastion and Limbo and Odin Sphere and so on. If it looks hand-drawn, I’m in. If it’s colorful or has hints of cross-hatching or bold, thick outlines, I’m also in. Highly realistic graphics are uninteresting to me, and only help to make me feel more uncomfortable when shooting people that look like real, honest-to-goodness people in games like Call of Duty or Battlefield 3. No thanks. I’d prefer to blast apart something with tentacles.

But man, Shank. It’s a visual treat and like playing an episode of something—Samurai Jack, perhaps–on Cartoon Network or Adult Swim. You control Shank in 2D, moving from left to right and jumping up and from platforms; the background goes deeper than that, with details like graffiti on buildings and telephone poles and a dreary and muted skyline that look absolutely gorgeous, especially to see it all in motion. Character models pop in that they are much more colorful and animated than everything else, slick with polish and personality. And story beats are covered in dramatic cutscenes and smaller scenes that actually take place directly during gameplay, which is a fun little trick that keeps the game’s pace frantic and fun.

Playing Shank on normal allows for unlimited continues and nicely placed checkpoints, which means I can just try again after Shank gets overwhelmed by too many goons. Which happens a lot. See, I have to learn to not get locked into a crazy-cool 15x combo when baddies are also standing behind me. So it’s a learning process, seeing what weapons work best and when to grab someone and how to toss grenades and so on. There’s a surprising amount of depth here, and I can’t even begin to imagine anyone playing without a gamepad. Like, really. It has to be nigh impossible.

Hmm. Okay, it’s Steam Achievements in your face time!

Just Getting Started: Take out 20 enemies

Making a Name for Yourself: Take out 100 enemies

The Wrong Guy: Defeat El Raton

My hands cramped up during the moving train level due to too many dogs and not enough health drinks, but I’ll be hopping back into it soon. It’s fun and fluid and immensely stylized and even though I kinda know where it’s all going it sure is a blast juggling enemies with knives, guns, and a chainsaw finisher. The only complaint I have with Shank is that the developers gave names to all the dog enemies, and it is ten times more hard to chainsaw a mutt’s face off when you know he’s called Thrasher to someone. Poor, poor, mutilated Thrasher. You probably didn’t mean to be so evil.

The story of a robot boy in a cave and an evil doctor killing rabbit-like humanoids

Unfortunately, I did not get to participate in the Indie Impression for Cave Story+ as I was, at that time, an insane man, trying to pack for MegaCon 2012 and make sure I had all things with my minicomics straightened out before leaving for Florida or else I’d be totally boned. Which stinks, as I have played it both on my laptop (with and without a gamepad) and on my Nintendo 3DS and definitely have a few thoughts on the little indie darling that could, but now they go here, instead of over there. Right, well, time to level up and share some words…

Cave Story+ is surprisingly simple, and it’s surprising in how many times it surprises you. As the game’s  title implies, there’s a story here, and it does a great job of presenting emotion via the varied portraits of Mimigas. Seems like a girl named Sue is missing and you, a baseball cap-wearing robot who awakens in a cave, are off to find her. Along the way, you’ll learn of an evil doctor who is terrorizing the local village and killing rabbit people with sickening glee. Stumbling across special moments seems natural, but whenever the game cuts back to the man locked in the room trying to instant message with his computer, it all slows down and feels iffy.

Gameplay is fluid and fast, with your little robotic hero leveling up and leveling down within seconds of one another thanks to the swarms of enemies that want to inflict damage and destruction upon your very body. On occasion, a jump might feel a little floaty, but otherwise, everything is crisp and can make for some crazy tense scenarios where you are just shooting at everything that moves while trying to reach a save room as quick as possible. As you kill enemies, they explode into experience points (or hearts or ammo), which will upgrade your current gun as you collect them, turning a wimpy pea shooter into something more deadly. This is an addicting hook for sure, and leveling down is like the worst thing in life.

Currently, our hero is on a mission to get some jellyfish goo for…somebody. Names are a little hard to remember in this game except for Sue. Don’t know why that is.

And now for some Achievements from Steam, many of which are basically freebies:

Pea Shooter: Obtained the Polar Star!

Don’t Get Lost: Obtained the Map System!

Wanna Fight?: Defeated Balrog!

A Gift from Santa: Obtained the Fireball!

I have to wonder if I’ll beat Cave Story+ first on my laptop or my 3DS, and whether or not I’ll beat it more than once. Seems like there’s multiple endings, and I do like multiple endings. Either way, it’s fun and easy to pick up, especially if you are somewhat familiar with Mega Man and/or Metroidvania romps; you just gotta pay attention as there are one-hit kill creatures and spikes all over the place, making every jump and maneuver essential for surviving.

Ghosts, grueling headaches, and retro graphics in The Blackwell Legacy

Another day, another little game discussed over at The First Hour for its new Indie Impression series. Just kidding. They have been nicely spaced out, though I’m sad I missed my chance to write about Cave Story+, but I was in crazy con-prepping mode and didn’t have an ounce of brainpower to spare elsewhere. Oh well. I do have thoughts on that game, especially considering I ended up buying it for my Nintendo 3DS despite having a working copy on Steam–I guess Skyrim is no longer the only game I now have doubles of–just to have gamepad controls, but I’ll write something up later on it, whether here or there or in your underwear. Wait, what? Nevermind.

Anyways, the game up for discussion this week is The Blackwell Legacy. It’s a point-and-click adventure game, no doubt. You point, you click, you observe. The mechanics are by-the-book, so it’s the story that really shines here, and from what I can gather, it’s a good mystery to unravel. Like a mix of The Sixth Sense and The Ghost Whisperer and maybe, uh, The Truth About Cats and Dogs. Rosa really reminds me of Janeane Garofalo. Plus, just like in L.A. Noire, you have a notebook of clues to try out on everyone; I love elements like that. You can read my quick thoughts on it, as well as Greg’s and Steve’s by clicking that link in the first sentence. Seems like Steve completed the whole adventure, while Greg and I only dipped our toes into the puzzle-limned water. I’ll be going back to Rosa this weekend as it’s a relaxing time, and I’ll need some relaxing after stressful car stuff is (hopefully) taken care of.