Survive three different planes of platforming in Mutant Mudds

Don’t let Mutant Mudds‘ colorful sprites, cute critters, and bouncy tunes fool you; this is one tough cookie. Well, technically it’s a platformer. And a serious test of one’s patience and ability to soldier on. Also, don’t be surprised to know there’s a story behind all that jumping, hovering, and shooting: Max, the blonde-haired, glasses-wearing main protagonist, is sitting in his living room playing videogames when a large meteor suddenly hits the planet. A TV news station then reports that there’s been a “Muddy” invasion. Equipped with only his water gun and jetpack, Max takes it upon himself to stop these Mutant Mudds…by collecting, um…y’know, end-of-level Water Sprites and gold diamonds. The stuff mutant piles of mud(d) hate the most.

Originally, I played a bit of Mutant Mudds on my laptop, using an Xbox 360 controller, as I find platformers extremely difficult with mouse and keyboard. I did not get very far though, maybe only earning 10 to 15 Water Sprites. But then, thanks to a swell promotion from Nintendo for purchasing both Fire Emblem: Awakening and Shin Megami Tensei IV with a set time period, I came into $30 worth of eShop money, just begging to be spent. I purchased Attack of the Friday Monsters! and Super Mario Bros. 2 some time back, but stopped there, unsure of what else to get. Then, without warning, I realized I needed two very difficult puzzle platformers for on-the-go gaming, and so I bought Mutant Mudds and VVVVVV; I’ll write about the latter later.

Anyways, I’ve actually done much better playing on the handheld than the PC, completing all the main levels in Mutant Mudds and collecting 20 Water Sprites and all the gold diamonds. The game actually uses 3D smartly, and I turned it on in several spots to help differentiate between the three planes of platforming. After completing the main-ish levels, I opened up four more levels dubbed “In Space No One Can Hear You Screaming In Frustration After Getting Hit By That Mud Monster That Spits.” At least that’s what I’ve been calling them. I’ve actually completed the first of the four new levels, but after many, many attempts, I just don’t see myself beating the rest. Timing is so essential, both in landing your jumps and moving fast to beat the ticking clock, and Max can only take three hits before its lights out; I thought level 4-4 was masochistically tough, but these space levels are that and then some.

While I avoid dying in space–and no, I’m not talking about Alfonso Cuaron’s Gravity–there are a couple other ways to distract myself in Mutant Mudds. Within each level, there are two alternative exits. One takes you to a mini-level stylized after the Virtual Boy and another goes to a place paying love and homage to the Game Boy. There are no gold diamonds in these, but if you complete them you can still acquire a Water Sprite at the end. These are nifty, and I’ve done a few, but finding the alt exits in the main level seems to require a specific power-up equipped, and I refuse to use anything other than the extended hover item. That’s right. I refuse.

I might try the lingering, menacingly taunting three space levels a few more times here and there, but don’t expect a “just beat” haiku any time soon. Which stinks, as I’m pretty close to the end.

Lastly: vanishing platforms can burn in Hell.

Grinding Down’s Chrono Cross week – Music

The Chrono Cross soundtrack is simply legendary. I’ve been listening to it for years and have certainly spent more time nodding along and tapping my foot to tracks like “Termina – Another World” and “Fragment of a Dream” than actually playing the game, which, for those curious, took me just under 40 hours to see to completion. That’s saying a lot because, to drop some truth bombs here, I dislike a lot of videogame music, especially a lot of 8-bit and 16-bit stuff. It all sounds too–and forgive the phrase here–videogamey for my tastes. When I want music, I want music–strings and soaring climaxes and tempo changes and so on–and composer Yasunori Mitsuda delivers the goods seemingly effortlessly, drawing on old world cultural influences and alternating between bright and dark themes.

I’ve actually touched upon the game’s soundtrack before, back when I did a 30 Days of Gaming meme thingy. Remember that? Of course you do, ya loyal, devoted reader who I haven’t yet scared away with all my Chrono Cross jabbering this week. Anyways, here’s a link for the lazy. I will now try to think of some other things to talk about.

Over the many years of my preponderant existence, I’ve come to appreciation a couple other videogame soundtracks, but not many. Dark Cloud 2 has some solid tracks and ranges from dark, unsettling and nearly off-putting carnival-like songs to slower, prettier pieces like “Starlight Temple” and “Veniccio Coast”. Radiant Historia came with a bonus CD, as did Shin Megami Tensei IV, which I burned onto my computer and listened to a few times. And then there is Fez and Bastion, the two most recent examples of game soundtracks I’ve found myself listening to and enjoying separate from the time I spent finding cubes and shards, respectively. Supposedly Journey has a great one too, but I’ve yet to play it (though I do own it now thanks to a recently stellar sale on PSN). Other than that, a lot of music in games these days is kind of forgettable; certainly it does the job of setting the mood and blocking out background silence, but it only exists for then and there, never meant to be listened to again, unless you play that part over again.

I love that, for every town and place you visit, there are two themes: one for Home World, one for Another World. Some vary quite differently from one another, while others are strikingly similar. Take, for instance, Arni, the first town–well, it’s a fishing village if you want to get specific–that players will experience in Chrono Cross. In the Home World version, you can almost hear the waves crashing against the docks, feel the sea-carrying wind against your face, and be quite content with the day, as the song is both pretty and peaceful, perfect for running around and talking with your neighbors. In the Another World version, a piano riff takes center stage, playing nearly the same guitar part found in the Home World version, but this time it is slower, softer, maybe even a little unsure–which reflects perfectly on Serge because, at this point, he has now traveled to a different realm where he no longer exists and is looked upon as a stranger. The music pairs up like this in a couple other spots, but this is my favorite.

Thankfully, the battle music never really grows old after hearing it a couple of hundred times. I can name some other games where I’m sick of hearing the same battle theme minute after minute after minute: Ni no Kuni, Dragon Fantasy – Book 1, and Kingdom Hearts. Sometimes, a few battles are fought using drastically different songs, but for the most part it’s the adrenaline-pumping, button-pushing beat of a truly epic battle theme. Granted, it pales in comparison to Chrono Trigger‘s battle theme, but that kind of isn’t a fair fight.

It’s difficult to find something to truly dislike about Chrono Cross‘ original soundtrack; the entire compilation isn’t perfect, as some songs are too dreary to handle, but it is brimming with a sense of hopeful continuity, and that reminds me greatly of a large bedroom, once my sister’s, where I’d sit on the floor in my pajamas on a gloriously sunny Saturday afternoon, just a foot away from my television, slotting Elements and listening to this strange, colorful world, feeling somehow right at home. It stirred me then, it stirs me now, and it will continue to be an important part of my life, no matter which realm I end up in.

Getting lost in a digital Tokyo brimming with demons

If the Minotaur boss didn’t put you off on Shin Megami Tensei: IV, then getting to Tokyo for the first time surely will. I have to imagine it’s a stopping point for many. To be honest, I put the game down a couple weeks ago after first arriving in the largest metropolitan area in the world, unsure of where to go and with little desire to look up specific step-by-step directions. That’s not how I play. Unfortunately, the game does a very poor job of indicating where you are to go next while at the same time giving you dozens of doors to open and places to enter and explore and demons to fight to keep you busy for long enough that you don’t even realize you’re technically going nowhere.

Some soft story spoilers in this paragraph, folks. When you first arrive in Tokyo, you are hot pursuit of the Black Samurai, who everyone believes did some bad things back in the Kiccigiorgi Forest countryside. I am with everyone, though I bet there’s going to be a twist as to who the Black Samurai actually is. Previously, all overworld exploration was done via menu selection, such as Castle Entrance or Lake. You then explore the dungeons in a traditional third-person perspective. However, all of this changes with Tokyo, where you now explore using a zoomed-out overhead map; other sub-areas on the map, just like dungeons, are explored traditionally. On the overworld map, demons are represented as pixelated squares that still make a beeline for you when spotted, and you can interact with exclamation marks to enter buildings or other areas. Right away, you are given a lot more freedom to explore–and places to explore–than ever before, and that can be a bit daunting. Your first goal is the underground section below Ueno Station, which is your new hub for Tokyo, providing a shop, a bar, and lots of unclean people to chat up. From there, your next main quest is to find the military base, which I can’t seem to do by naturally stumbling across it.

So far, I’ve done a sidequest about killing a demon at Shinobazu Pond, as well as unlocked another fast travel terminal after another tough demon boss that can quickly wipe your entire team out in a single turn if you don’t pay attention to the Press Turn system. I’m mainly running around the Ueno District though, picking up respawning relics, selling them off for sweet, precious Macca, and leveling up my odd assortment demons. It’s progress, but a different kind. On occasion, I fuse, but that’s still a pretty scary process.

One neat thing I got to recently try out was the StreetPassing functionality for Shin Megami Tensei IV. Thanks to that new relay system that just went live and a few trips to Walmart, I’ve gotten a couple of StreetPasses from others playing this difficult JRPG. Anyways, you get a collectible card from other players and, if they choose, a free demon attack during a battle. I was able to call on three StreetPassers during the boss fight to free the fast travel terminal, and it helped a lot. Hope to pass more players this upcoming weekend at Tampa Bay Comic Con!

But I don’t know where to go next, Shin Megami Tensei IV. Wandering aimlessly is okay for a bit, but not forever. Please help.

SMT IV’s Minotaur boss is one loud wake up call

After dying four times during the tutorial section of Shin Megami Tensei IV, I’ve succumb to the blurry darkness a bunch more since then. Probably too many times to keep counting, actually. For a few of those deaths, I revived myself by paying Charon a hefty sum of Macca; other instances saw me just reload to an old save, losing a bit of progress, but keeping me out of downward spiral of debt. I now have the option to use Play Coins to return to the land of the living, but asking for nine is a bit too steep for my shoes, especially when I need to conserve them for Animal Crossing: New Leaf and Find Mii II. So yeah, life as a Samurai is hard, which I should have expected from my earlier time with Devil Summoner Overclocked, but I didn’t realize just how fast and cruel the Press Turn system can be, despite how enjoyable it is when it operates in my favor.

It all becomes clear when you reach the Minotaur boss fight, a few levels deep in Naraku. He’s weak to ice spells like Bufu, and you can get quite a few hits in before it is his turn to attack, but once he does…well, he wipes out my team in a single sweep thanks to the Press Turn system and smirking. I’m not sure exactly if I’m doing anything wrong specifically or chuck it up to bad luck, but it’s been a roadblock for sure. I’d say I’ve taken him on maybe five or six times now, just reloading an old save instead of going into debt with Charon. Boo and grrr and I’ll get you yet, you disturbing piece of Dali-esque artwork.

Until I’m strong enough or lucky enough to beat the Minotaur, I’m grinding and doing side stuff. Like collecting gryphon tails. And downloading free items from the store. No, wait. I’m actually downloading the quests that will allow me to gain these items, but they still require work/items, like 10 or so Life Stones. Every now and then I pop into the Cathedral of Shadows to see what I can do with fusion, but that place is scary and I’m always worried that I’m going to waste a good demon unit to create a subpar one. Right now, I’m rocking…you know, I can’t remember their names specifically and don’t have my 3DS open to check. Hmm, one is the weird connected horses beast. The other looks like a boar. I’m sorry, I just don’t have space in my brain to remember what these crazy critters are called, not when that information is fighting against Game of Thrones theory details and all 108 Stars of Destiny. Also trying to save up all my App points so I can buy the “recover MP while walking” one, quickly followed by “recover HP while walking” right after it–those seem like must-haves.

I’ll be back soon, Minotaur, to try again. If you have any handy tips on how to knock him out fast, please share. I don’t want this to be a permanent roadblock.

Died four times during Shin Megami Tensei IV’s first hour

So, yesterday, I picked up Shin Megami Tensei IV. At first, I couldn’t find it on the shelf at my local GameStop, not realizing that SMT IV got the special Atlus love, seeing it packaged it with a nice art/strategy book and soundtrack CD, placing it in a larger-than-norm 3DS box. Regardless, I got my copy and was able to play around an hour or so last night before I passed out before I could even enjoy the absurdity that is the Feedback Booth on Antiques Roadshow. Anyways, Atlus’ new role-playing adventure is cool, but I died four times and am not even out of the training tutorial thingy yet. Looks like it’s gonna be Devil Summoner Overclocked all over again.

SMT IV begins with a booming voice telling you that your choices will not just affect yourself. Yeah, that’s obvious. We call that living. And then, suddenly, your first choice is upon you: name the protagonist. I deleted Flynn and typed in Pauly. What happens next is unclear, but has you running around a destroyed landscape speaking with some folks that say cryptic things. It’s probably a dream. When you speak to a young girl who asks you to revive her, you are transported elsewhere, to the Eastern Kingdom of Mikado. Your buddy Isshachar introduces himself and tells you a bit about the Gauntlet Rite, which allows people to become Samurai.

To cut to the chase, Pauly is successful in becoming a Samurai. Afterwards, he meets some other graduates: Walter, Jonathan, Navarre, and Isabeau. Under the stern guidance of a man ironically named Hope, we five must endure some training exercises in Naraku, the Hall of Flame. These are basically tutorial stuff, which help you learn the basics of moving around an environment, how your chit-chatty menu device Burroughs works, and various aspects of combat (press turn, recruiting, leveling up). I was able to get through the first few quests just fine, but the last one–well, I assume it is the last one–which involves finding a specific item for Hope has consequently kicked my butt four times in a row. That’s because there’s a boss guarding the item, and it’s able to wipe out Pauly and company in two turns. We’re either underpowered, it’s either overpowered, or the game is just ridiculously hard from the get-go.

Now, when you die in SMT IV, you are transported to the Underworld. The Nether Realm. The Deadlands. I dunno. It’s a place of lost souls, and a man named Charon there will offer to revive you to the point just before where you died…for a price. Basically, some of your Macca, maybe about 75%. If you don’t have enough, he’ll still revive you, but put your bill on a tab, which you’ll have to pay later. I think I saw a forum thread somewhere mentioning that you can eventually use Play Coins too. The second time I died I was taken elsewhere, since Charon was busy sucking souls or something, and offered the ability to now change the difficulty level. Two more deaths after that have just resulted in a large tab.

I’m really looking forward to more demon recruiting though, as that aspect seems completely zany and random and wonderful. That’s where the real quirk shows up so far, followed by Burroughs calling me, “Hot stuff.” Recruiting is a multiple choice guessing game, wherein you might gain a friend, make an enemy, or just cause a demon to run away. I’ve not had much luck, getting only a…you know, I don’t really know the names of these demons. One is two centaurs joined, another is a gooey zombie, and the other is some kind of creepy doll. Have not opened up the ability to fuse and stuff, but I’m sure that’ll be soon enough.

A rough start, but I’m not deterred. Tonight I will do some more grinding and running back to the barracks to rest up and heal for free before I try to take on the item-guarding boss again. Ideally, I’d like Pauly to be around level 6, as well as my team of demons. That said, I need to recruit a few more, especially one with some healing magic. Don’t know if those thrive in Naraku or not. We’ll see, SMT IV. Pray for my soul.