Games Completed in 2011, #37 – Professor Layton and the Last Specter

I bought Professor Layton and the Last Specter back in October 2011 and had to almost immediately give it over to my wife, after her curious levels reached a brand new high. She ate up the game and then had to keep quiet as I finished my playthrough, which I did slowly and in small pieces. Not my fault. Some other heavy-hitters came out around the same time, as well as my continued quest to beat Chrono Trigger. Plus, that little mini-RPG thing London Life was fairly distracting. But I did see it through the end, solving the mystery of the ravenous specter and the disquieted town of Misthallery.

In Professor Layton and the Last Specter, which is set before the other games in the franchise, Hershel Layton and his new assistant Emmy Altava head off to Misthallery after receiving a concerning letter from an old friend. Seems like a mysterious monster–a specter, if the townsfolk are to be believed–is rampaging through the town at night. There, they meet a young boy who is able to predict where and when the specter will strike next. And the plot gets more complicated–and spoilery–after that, so there’s my summary. You wanna know more? Play the game, you puzzlin’ fool.

Story-wise, just like Professor Layton and the Curious Village, twists and turns aplenty. But this time, things get sadder. Even made my wife cry. I’ll be honest and say I didn’t cry, but can understand why she did; it’s like, you know what’s going to happen to your equestrian partner in Shadow of the Colossus, you can feel it in your gut from the very beginning, and then you still feel sick and shocked when the moment hits. There was some confusion towards the end of the game, where a revealed character implies he already knows Layton intimately, but maybe that’s a detail I’m missing from not playing games #2 and #3. Or it’s just a big tease to come for further prequels. Either way, whatever. Mystery solved, new friends acquired, and puzzle skills enhanced by +15.

As it is a Professor Layton and the Adjective Noun title, all is where it should be: puzzles, high quality animated cutscenes, minigames, hidden hint coins, so much dang charm, oh so creepy characters, and infectious music. I played Professor Layton and the Curious Village right when it released, but never touched the other two games, putting a span of a few years between my first adventure and this new one. Surprisingly, not much has changed–and that’s okay. It was a little like going home.

As for the minigames, unfortunately, they are not as much fun as the ones in Professor Layton and the Curious Village. Maybe the inclusion of a massive minigame–Professor Layton’s London Life–is to blame. What we have is the following:

• Miracle Fish: Bouncing fish around an underwater room, trying to collect a number of  bubbles in a locked amount of time. Trial and error is ultimately one way to solve these, though a few of them are extremely tricky. I did the majority of them.
• Miniature Train: Players must lay out train tracks on game boards of increasing difficulty that will allow a toy train to go from a starting point to the finish line while passing through every station on the board. These were too frustrating to be fun, so I did the first one and never went back.
• Puppet Theatre: A group of puppets perform short plays, and players must help them fill in the blanks with words they collect during the main game. I really enjoyed doing these and trying out different phrases in hopes of getting it right. The plays themselves are cute and down in a nice art style.

The puzzles in Professor Layton and the Last Specter range from super easy to super hard, with the super easy ones sometimes being a mindf*ck in the way that it will seem so easy that you will start second-guessing yourself. Boo to that. But the game’s pacing and charm are top-notch, and I loved being able to play for a half hour before bed, knocking out a few puzzles and progressing the story, but being able to stop for the night and pick it up the next day. You always get a summary of what’s been happening, and if you ever get really lost, you can re-read Layton’s journal for extremely detailed retellings.

I am looking forward to the first iteration of Layton on the 3DS, as well as maybe picking up the other two–hopefully for cheap–over the year for when I need a little more puzzlin’ in my life.

^_^ will shout at you until you are a smiling fool

I can understand that this blog post’s title might be a little confusing to read, but that’s how it is. Like Prince’s unpronounceable Love Symbol #2, ^_^ is a name that’s easier to type than say outloud. In my mind, I refer to it as Smiley Face or The Wererabbit, but your mileage may vary. However you want to say it can be argued this way and that, but one thing is clear: y’all need to play this.

I discovered ^_^–and subsequently further work by Ben Chandler–from the Gnome’s Lair blog, which focuses its coverage heavily on point-and-click adventure games, a genre that I’ve been enjoying more and more thanks to my recent times with Monkey Island 2: LeChuck’s Revenge and Broken Sword: The Shadow of the Templars. Initially, I was attracted to ^_^ by a single screenshot, which, almost immediately, made me want to click on everything, from the cart to the crow to the coatrack. Turns out that single screenshot makes up the entire space of the game, so it’s a relief that it is simply gorgeous. The lighting on the grass from the lamp is worth noting.

So, Julian is a wererabbit–the first of his kind, too–but wasn’t always that way. He’s trying to get a witch to help change him back, but first, he must retrieve her hair, which keeps running away from her. Also, there’s a verbally-challenged vampire and enough jazzy records to keep one from selling their ol’ gramophone for one of them newfangled cee-dee players. Yeah, it’s kind of weird and random, but cohesively sound, with a clear goal to achieve. Puzzles involve a lot of clicking and dialogue options and using the right item from your inventory at the right time and place. Standard adventure game stuff, but it’s all very charming here. My favorite running gag within ^_^ is all the shouting, which also nicely plays a pivotal part in getting that magical hair back to its master. The small addition of a screen shake each time is quite effective.

I played for about an hour last night, getting stuck a couple of times. ^_^ is no walk in the park, or a walk outside a witch’s house at that. Trial and error will get you there, as well as paying attention to how the game operates early on. Generally, if Julian uses a certain trick to advance the plot, he’ll do it at least once more before credits roll. Oh, and speaking of credits, Chandler handles them as nothing more than in-game dialogue, which I found pretty amusing and appropriate. After that, the game ends. It literally shuts itself down, leaving you left to stare at whatever image is gracing your desktop, heartstrings tugging for just one more thing to click on.

^_^ is a charming short story, with many moments worth remembering. The graphics and animations are surreal and surpass many quote-unquote professional games of the same ilk, and the funny moments are genuinely funny. Play it for the vampire tongue-twisters and all the shouting and the revelation from where the game gets name. Play it because it’s freeware, but made with skill and style. Play it.

Games Completed in 2011, #35 – Broken Sword: The Shadow of the Templars

Initially, my mother bought Broken Sword: The Shadow of the Templars for her Nintendo DS. I thought it might be something she’d like, a mix of puzzles and story, with a laid-back pace and friendly presentation to it, and so I suggested it. Alas, my suggestion was wrong, as I discovered during one trip home that she never got further than the first few screens before giving up. I asked to borrow it, always curious about the point-and-clicker. After playing some, I could see why she struggled–the puzzles were a little tricky, and a lot of figuring out where to go next was based, at least for me, on stumbling rather than solving. But I continued on, in sparse chunks, because I’d get stuck a lot and move on to something shinier. Eventually I wrapped up the plot, earning George a silly smooch and me another game for my Games Completed in 2011 list.

The plot can be summed up like this: American tourist George Stobbart is chasing down a clown after he sets off an explosion outside a Paris café. As simple as that sounds, things eventually get out of control, and George finds himself, along with journalist Nico Collard, deep in a conspiracy involving the Knights Templar.

Gameplay involves using the stylus to tap around the bottom DS touchscreen for things/people to investigate, pick up, or  tinker with. When it comes to chatting, there’s chatting. Plenty of it. George is a confident and socializing sorta chap, and has something to say for everything. The same can be said about the NPCs in Broken Sword: The Shadow of the Templars, as every single character George spoke to reacted differently to the used tissue he was carrying, and at that point, the item was mostly meaningless, just a thing in his pocket. In that way, the writing is fantastic, with an attention to detail and actual facts of history and making characters really feel unique, even if George himself got creepy now and then.

This version is actually the Director’s Cut, which features new puzzles and then some new animations by artist Dave Gibbons (of Watchmen legend). Considering I’ve never played any previous version of Broken Sword, I couldn’t tell new from old, but it all looked great. The character portraits when speaking with someone offer up a wide amount of expression and detail, and pixel-hunting isn’t made all the much harder by low-res and dark screens; locations, which range from France to Ireland to Syria to Scotland, are colorful and designed to be navigated through with the touch of a style. You can press down on a selectable item or place to get more options, such as observe, talk, pick up, and so forth.

At one point in Broken Sword: The Shadow of the Templars, George comes to own a hand buzzer. It’s a prank item, intended to give someone a little shock after shaking his hand. You can select it as a topic of discussion with everyone, but nobody ever falls for it–that is until a certain someone does. Saying any more would be spoilery, but man, it was pretty great to finally see the buzzer in action. The game is peppered with these wonderful moments, where an item you’ve been carrying around for days finally shows its quality.

Broken Sword: The Shadow of the Templars is intelligent and brimming with charm, telling a story that is, many years later, fresh and gripping. Take that, The Da Vinci Code! There are moments of frustration in terms of cryptic puzzles or lack of a clear destination, but those are easily rewarded with new, fantastic characters to converse and unexplored content. I think it works well on the Nintendo DS as a portable game, thanks to a “save any time” feature, and George’s notepad is great for catching up on all things plot after disappearing for too long of a time. I definitely recommend it for fans of Monkey Island or Sam & Max, or if you’re a history buff; I now know more about the Knights Templar than ever before.

Games Completed in 2011, #28 – L.A. Noire

I don’t think I’ll ever forget my L.A. Noire experience. It’s up there with Limbo and the featureless boy’s early jaunt through the forest, with Fallout 3 and leaving Vault 101 for the first time, with finishing a level in Super Mario Bros. by clinging to a flag pole and drifting down, fireworks praising your accomplishments. This crazy creation from Rockstar and Team Bondi is a mix of genres and games and most definitely not another skin for Grand Theft Auto IV fanatics to wear. It’s also unlike anything I’ve ever played, and it’s “motion scan” facial animation work has ruined everything that’s come before it–and possibly everything else after it. Deus Ex: Human Revolution may be all shiny and futurized, but it’s impossible not to cringe during cutscenes where characters are talking to each other.

You play as Cole Phelps, a detective trying to do what’s right, as well as avoiding the horrors of his past, namely his time spent at the battle of Okinawa during World War II. It’s the late 1940s, and Los Angeles is yours for the scouring; as the city begins to thrive with post-war opportunities and jazz and all things that encompass film noire, so does crime. Scoundrels and scum really earn their nicknames in L.A. Noire, committing horrific crimes, most of them against women, and it’s up to Detective Phelps to piece together what happened from clues, inspecting the crime scene, and interviewing key witnesses or suspects.

It’s a point-and-click adventure with astounding production values. As you search a crime scene, a deep, whomping bassline plays, letting you know you’ve not yet found everything. As you drive around the city–or let your partner take the wheel–you’ll go over the case’s details while listening to remixed versions of tunes by the likes of Ella Fitzgerald and Louis Jordan, Lionel Hampton & His Orchestra, Dinah Washington, Louis Jordan, Gene Krupa, and Billie Holiday. By far, the music is the strongest factor for immersing one’s self in a period lost to time and technology. Nobody writes songs like these anymore.

It’s a game that demands you pay attention. To play detective. Sure, the musical sound clues make it a little easy for finding actual clues at a crime scene, but it’s up to you, you playing Cole, to determine what’s actually important, where to go to first, what questions to ask witnesses, when to get tough and accusatory, when to lock up the guilty. There’s even one mission during the Homicide desk where you’ll be traversing all across L.A. based on cryptic poetry, having to use your eyes and knowledge of the city to get you where you need to go. Genuinely rewarding, by the completion of it.

Unfortunately, L.A. Noire is quite disappointing come the end. The developers pull a Metal Gear Solid 2, and you’re suddenly no longer playing as Cole Phelps. Sure, there’s a story reason for it, but it felt a bit like a betrayal, as well as clearly foreshadowed what was to unfold. And what unfolded was trite, a death not needed, not justified. Cole bites it saving Elsa, the woman he cheated on his wife with, which didn’t make him a terrible man, only all the more human. Then there’s a funeral scene with some cryptic accusations tossed at minor characters. After that and credits, strangely, you can hop back into the game to look for newspapers, golden film reels, cars, locations, and missed unassigned street missions–as Cole. Yeah, it’s a videogame all right.

That said, it’s a fantastic one, and I encourage all to experience, even if, like me, you really hate the Grand Theft Auto franchise. Most of the time you can’t even take your gun out of its holster, and L.A. citizens are pros at hopping out of the way of reckless drivers. And you can skip all the action sequences if they are too tough or not your thing; it’s a story game, where the story overshadows the game, and the game exists only to strengthen the story. There really is nothing quite like it.

George Stobbart is dirty, makes me laugh

The other week, Tara and I spent most of the afternoon moving stuff into our new place. Since I got out of work earlier than she did, I arrived at Grimmauld Place first, did what I had to do, and had a good hour or so to kill until she arrived. Thank goodness I never go anywhere without my Nintendo DS 3DS!

It’s been some time since I played Broken Sword: The Shadow of the Templars (first half-hour review here), and I had a hankering for something other than my usual go-to titles (Dragon Quest IX, Pokemon White, Let’s Golf! 3D, or Scrabble). I couldn’t quite remember where I had stopped plot-wise, but I do remember that I had just finally broken free from the restraints of only exploring Paris, arriving in Ireland outside a pub and schmoozing with the locals about a ruined castle–that’s also haunted. Oooooh. I did not actually enter the pub back when I saved the game for the last time, which was around the six-hour mark, so it was a great re-starting point, entering a bar with lots of people to talk with and lots of new items to pick up. Eventually, George learns a heap of new information and leads, and we’re back to Paris to see what Nico’s up to. Mostly spoilers.

Back to George, and the game decides to suddenly get really funny. I mean, it’s been decently funny from the get-go, but when George infiltrates the hospital and has to pretend to be a competent doctor amongst an array of incompetents….it goes to a whole new level. Exhausting dialogue options has never been so humorous.

Plus, this little bit of inner dialogue happens later on in a church:

Sorry for the shoddy camera work. I had to resort to using Photobooth on my Mac, holding my 3DS up at an angle I can only describe as awkwardly decent. If you can’t make out the text, George is talking about the firm buttocks of young ladies. In a church. Ya dirty boy.

I’m kind of stuck on a tripod puzzle at the moment, and it’s basically “steal a tripod,” which is not as easy as it sounds. While online looking for better screenshots of the above moment of glory, I discovered that Ireland is like only the second place out of six or seven locations that George and Nico will be visiting during their search for shadowy Templars secrets and killer mimes. And I’ve played for six-plus hours so far. This is a long game. I hope to finish it soon, but if I continue to only nip away at it in bite-size increments…it might take a good while. Hmm. So long as George continues to voice his dirty thoughts, I’ll make a more of an effort then.

Games Completed in 2011, #18 – Back to the Future: The Game – Episode 1, “It’s About Time”

Taking place six months after the conclusion of Back to the Future III, Back to the Future: The Game – Episode 1, “It’s About Time”–from here on out known as BttF EP1–does a wonderful job of keeping the story strong and inventive, as well as recreating that special wonder that made the trilogy such a blast. Heck, they even managed to snag Christopher Lloyd to provide the voice-over work for Doc Brown; alas, we get a new kid trying to do “the Marty,” and it’s mostly fine. Throw in contributions from Bob Gale, co-creator, co-writer, and co-producer of the original film trilogy, and you’ve got gold nurturing gold.

Telltale Games is known for their episodic adventures with the Sam & Max series, and the same formula is applied here, with five episodes representing a full season. The first episode was released for free to everybody with an Internet connection back in early April, and I greedily downloaded the game as quickly as possible. Still, it took me several weeks to actually install the thing and play it, but once I did, I played it all the way through, giddy to be back in this universe.

It’s May 1986, and Doc Brown is nowhere to be found. The bank plans to sell off all of Brown’s items at an estate sale, which Marty is very upset over; however, without warning, the DeLorean reappears at Doc’s house with Einstein in it, as well as mysteriously single shoe. This shoe will be the clue to unraveling what happened to Doc and where–or should I say when?–he is. I won’t say much more as it quickly leads into a spoiler zone shortly after that.

As a point-and-click adventure, BttF EP1‘s puzzles were disappointingly easy, but that did not detract from how great the story was, as well as the character interaction and dialogue. I laughed out loud several times, and, despite having no mirror in front of me to confirm this, suspect I was smiling for the majority of my playthrough. Plus, I was playing a new game on my Mac–that never happens. It ends on a cliffhanger, and I’m definitely curious about the other episodes, just not in a rush to buy ’em. However, I do now have a hankering to watch the films again; yes, yes, even the third one.

Onwards to another quest for magical treasure

Over the weekend, at my niece’s and nephew’s first birthday party, I was chatting with my friend Kevin, one half of Math the Band, and he tipped me off to a game he absolutely loved, and I was surprised to learn it was for the…Nintendo Wii. Usually, that sort of thing doesn’t happen. The game turned out to be called Zack & Wiki: Quest for Barbaros’ Treasure, and it’s a point-and-click adventure driven by the desire for super booty. Hmm…that sounds a little familiar. And yeah, I know, both touch upon monkeys as well.

So, the very next day, I was out and about at the mall, trying to ignore what day it actually was, and I found Zack & Wiki: Quest for Barbaros’ Treasure for $9.00. I decided to play pirate and be daring and give it a whirl, even though buying Wii games still feels a little shameful these days. Anyways, once home, I checked over at The First Hour to see if this was something I could do some early minutes coverage of, but it seemed like Greg Noe already took care of the game: first hour review and full hour review. I was a little bummed to see he had not fallen in love with the title as much as Kevin seemed, but I popped it into the Wii anyways and played for about 30 minutes.

It’s not bad. The music is nice, but the sound effects that Zack and Wiki make after every single sentence is maddening, and I’m going to have to either play with the game on lower volume or straight up mute that option. I died twice, which is always a rare yet refreshing thing in point-and-click games. I love all the colors and cartoony item design and zany characters, as well as the amount of shiz there is to collect. Not sure how much I’m gonna enjoy waggling the Wiimote for each level, but 30 minutes didn’t drain me. Right. I’m pretty cautious, as it seems this game is the case of “love it” or “hate it” and maybe I don’t ever want to get to that place where I have to stand my ground. We’ll see how it goes, or if I ever even remember to play it again. That happens a lot with Wii games for me…

In a span of three days, I purchased two pirate-themed games. That’s pretty amazing. Don’t bother arrrrguing the point either or ye be walking the plank before the sun sets.

Games Completed in 2011, #13 – Monkey Island 2 Special Edition: LeChuck’s Revenge

So I beat this game. Big Whoop, right?

Monkey Island 2: LeChuck’s Revenge is a game I wish I had played sooner. Like, maybe when I was in high school or back when I dreamed of being a plucky wannabe pirate. Alas, I only discovered it after a Special Edition was created, released for the Xbox 360 Arcade, and then put on sale a few weeks ago. Don’t worry; I’ve already said three Hail Marys and two Our Fathers, and even then I know that’s not enough repenting yet.

In this sequel to The Secret of Monkey Island–which I’ve also not played yet, grrr–Guybrush Threepwood is searching for the legendary treasure known as Big Whoop. Unfortunately, during this hunt he unknowingly resurrects his arch-nemesis LeChuck, who he defeated in the previous adventure, as a zombie. There’s also some mini-plot thing about a love interest named Elaine Marley, but that never seemed like a vital focal point of the game. This Big Whoop search will span several islands, taking Guybrush back and forth as he collect items, solves puzzles, and interacts with a host of memorable, charming characters.

This Special Edition is more than just a re-skinned game. Besides the updated artwork, which is simply gorgeous, there’s re-worked controls to help players not familiar with the SCUMM engine get along much easier. Right-clicking on an item or person brings up a wheel of options, such as LOOK AT Wally, TALK TO Wally, or even the dreaded PULL Wally. That might seem like a weird option, but I suggest selecting it, as now, thanks to the addition of voice acting, every selection elicits a smarmy response from Mr. Threepwood. And the voice acting is stellar, with every character having a strong personality that is instantly captured upon speaking. My personal favorites include Wally B. Feed, Largo LaGrande, and the constantly quieting librarian. You can even listen to this awesome voicework with the original, retro graphics and gameplay. Another addition that long-time fans are probably super excited about is that Monkey Island creators Ron Gilbert, Tim Schafer and Dave Grossman recorded commentary to go with the game as you played; I did not give this a listen yet.

The puzzles range from obviously easy to eye-stabbingly frustrating, and for those that need an extra nudge in the right direction, two new features can be used: a hint button and item highlighting. I didn’t use either to unlock Achievements come the endgame (I know, I’m a whore), but they are there if need be. For the tougher puzzles, mainly all of Part II, I had to use the Internet every now and then. Some of them hurt my head, and some of them proved almost impossible, like when you had to give LeChuck a hanky a split-second before he zapped you with some voodoo magic. That one took me at least fifteen tries to get the timing right.

Monkey Island 2 Special Edition: LeChuck’s Revenge is both a fun and funny game. Entering a new screen and clicking on everything is thrilling, and I mean that as seriously as possible. I just wanted to know what Guybrush thought about everything, whether it was a stool, a parrot, or even monkey playing a piano. Exploration and an eye for detail is what’s important here, and while the story felt a little rushed during the final showdown, it was wonderful to experience. I have the need now for more point-and-click action, and it looks like I’ve missed out on quite a collection of SCUMM-based games. However, I’ve been warned to steer clear of Escape from Monkey Island. No promises, but I will certainly try.

Fun and funny times with Guybrush Threepwood

Why did nobody tell me that Monkey Island 2: LeChuck’s Revenge was one of the funniest pieces of videogame medium ever to be crafted? Well? What’s your big excuse?! Don’t tell me it’s because you lost your monocle either.

In truth, I guess I always knew it was a bit funny, seeing as it always came up in gaming forums and such as a good time. Yet I never got to play it, or any other entries in the series, and dang it, I’m now totally kicking myself. The writing is top-notch, with some of the best dialogue choices ever to be selected. Seriously, Tara and I spent minutes trying to decide if we wanted to Guybrush to say “I’ll BE back!” or “I’ll be BACK!” These things matter, people. And while the voice acting is new for the special Xbox Live remake and done with great personality, the writing remains the same text that was typed up way back in, uh, December 1991. It takes coconuts to do some of the things LucasArts did here, but without ’em, Monkey Island 2: LeChuck’s Revenge would be a less special game; the fact that you can basically make Guybrush beg and plead for a shopkeeper’s item despite never getting it is beyond the call of duty, but oh so wonderful.

The game’s funny, but somewhere in the middle of Act II, the one where you have to find four map pieces for Big Whoop, I had to trade in laughing a few times for Googling walkthroughs. Some of these puzzles are just plain obtuse, and I have to imagine it was a real struggle eons ago when your best solution was to just click everything and then click everything on everything. More in-game clues would’ve been appreciated, and I’m not talking about the brand new hint addition, which I’m not using in order to unlock an Achievement come the credits. Speaking of those delicious pingers, here’s a couple Achievements I’ve unlocked too that I find to be pretty great:

Old School (5G): Switched to classic mode at least once

Five Minutes Later… (10G): Allowed Guybrush to die.

Call 9-1-1 (10G): Called the LucasArts helpdesk when walking through the jungle on Dinky Island.

All right, so we’re on the home stretch now actually. The final island, which is a mess of jungle paths. Just finally ended my little talk with Herman. Now I gotta take down LeChuck…again?

Free “Back to the Future” episode from Telltale Games

Remember how I said I had downloaded five games yesterday? Well, let’s adjust that number and call it…my oh my, six games. Yup. Shortly before the day was to end, I learned that Telltale Games, makers of the Back to the Future adventure games for the PC/Mac, were releasing the very episode “It’s About Time” for free. For zero Microsoft Space Bucks. For absolutely nothing. No April Fooling about.

All you have to do is register to the website and then the download is yours. Simple as that. I will have to give it a try later after I brush up on my time displacement and find enough plutonium to achieve 1.21 gigawatts. I know I got a bunch of it around here somewhere…