You gotta swim to survive in Subnautica

I was lucky enough to get a copy of Subnautica from the Humble Freedom Bundle back in February of last year before they ran out of keys for it. However, I didn’t even install it until two weekends ago, kind of waiting for it to finish up treading water in Early Access and release as a full-as-full-gets-these-days game to play. This way I don’t know what has improved or changed or stayed the same, and all I see is a crashed spaceship and an endless amount of ocean to explore, same as you or your brother or your brother’s mother, most likely your mother too. Right…I’m ready to dive in, even if my lungs are not.

Subnautica begins with a bang. Well, more accurately–a crash. You have smash-landed on alien ocean world, and the only place to explore is down beneath the waves. In the distance is your spaceship, on fire and full of radiation, and though the game never explicitly says you should go back there, one feels the need to get inside it and see if there is anything salvageable, figure out where things went wrong. But first, you’ll need stuff, like food and water and gear, if you are to survive Subnautica‘s shallow coral reefs, treacherous deep-sea trenches, lava fields, and bio-luminescent underwater rivers. You’ll also need to manage your oxygen supply as you explore kelp forests, plateaus, reefs, and winding cave systems, and the water is teeming with life, both helpful and harmful. No one ever said swimming was easy.

So far, I’ve put about two hours and change into Subnautica and don’t have a whole lot to show for it. That’s okay. I’m in no rush, so long as I can continue to catch plenty of bladderfish and peeper to sustain myself and various meters. Actually, I have made some better oxygen tanks, fins to swim faster, a repair tool, and a radiation suit, but there’s plenty more to craft via the fabrication panel inside your still-floating escape pod and I haven’t really left the safety of the initial area.

Here’s the problem I am dealing with: I’m not certain exactly what I should be going after and why. I mean, like Minecraft, which is perhaps the only other “survive” style game I have an association with, the goals are sometimes up to you. Clearly, you want to survive as a general rule of thumb and keep your health, food, and thirst meters healthy and high, but after that…you decide. Maybe you also want to construct a better submersible craft to explore the ocean depths or are interested in cataloguing the various fish and underwater life you come across using your scanner to learn more. Ultimately, I do wish the breadcrumb trail was clearer as even a quest log of sorts would help; right now I feel like I’m stumbling my way to progress, and even that is coming about through mere happenstance and not any specific action I took. For instance, I knew that creating a repair tool was important because there were two things inside my escape pod that couldn’t be fixed without it, but then I struggled to find cave sulfur and had to look up a guide outside the game for it, which was frustrating.

Visually, Subnautica is delightful and terrifying. Granted, again, I’m still only in the starting area and suspect there is much more to come, but the variety of underwater alien life balances itself well between recognizable sea creatures and straight-up weirdness. Every new fish or piece of coral is a fun surprise, and you can generally tell whether something will bite you in the face or not. Exploring at night is extremely unnerving because, not surprisingly, it gets dark, and you only have a flashlight and flares early on. The game runs well enough on my laptop, with just a little pop-in here and there, and I’m thankful that you can play it with a controller too.

I recently tried to get ABZÛ running too on this new laptop of mine, but it seems like that one is real heavy on resources, even on the lowest settings I could find, and so I’ll just have to wait until I magically get a copy on Xbox One or something. Surprisingly, when you search the keyword “underwater” on Steam, you only get a handful of games covering this topic, and most of them are horror titles or VR experiences, which, look, I get. I’ve seen enough of Sir David Attenborough’s The Blue Planet to kind of know what lurks in the dark depths of our planet’s oceans. Still, I like exploring underwater areas in a more leisurely fashion, like with Treasures of the Deep, or the time my sister Bitsy brought home a copy of Endless Ocean: Blue World and played for a bit, and it was so relaxing–not boring–that I dozed off.

So I’m going to stick with Subnautica a bit more because it is definitely my speed, but also in hopes that it really opens itself up more and dangles some carrots before my face to keep me pushing forward for reasons. Besides, I’d really like to see one of those time capsules for myself that are all the topics of discussion these days.

Grinding Down’s Top 10 Pumpkins in Gaming

I tried to get this post done long before Halloween hit, but life got in the way, and I got distracted and well, here we are now, a week into November. Thank goodness that November is also a month where pumpkins are totally topical and appropriate, so my post about 10 cool-as-heck pumpkins in videogames remains relevant. Whew. Also, it’s finally beginning to feel like fall here in New Jersey, though I’m sure, like a leaf detaching from a high-up branch and heading gently and quietly to the earth below, its journey will be short and quickly forgotten.

Also, here’s the pumpkins Melanie and I carved a few days before Halloween that almost instantly went moldy due to the high temps here in the Garden State:

I’ll let you figure out which one I did.

And now, some other cool-as-heck pumpkins!

10. King’s Quest

There’s a dark cave full of hungry wolves blocking your progress at one point in that new take on King’s Quest, and to get through it, you need a very strong and bright light to keep the beasts at bay. Eventually, you discovered you can purchase a magical blue ball of fire from the eccentric Hubblepots in town, but need some kind of vessel to hold it. A giant pumpkin from the local garden will do just fine, and it’s both silly and awesome to watch Graham hoist the heavy thing over his head and march through the illuminated cave with newfound confidence.

9. Fallout 4

Fallout 4 is a world without holidays, despite the Christmas surprise, where radiation and destruction are the focus. Still, time exists, and time passes, and you are from a long-lost era where holidays were a big deal, something people centered around and made special. Remember, the bombs dropped around Halloween. The plastic pumpkin is a reminder of a simpler time, of dressing up not to better protect yourself against raiders and swipes from a legendary Deathclaw, but to go door to door and collect candy. There’s not many of them out in the wild, but seeing one still gives me pause. Also, it can be broken down into individual components for use in crafting, so it is not just a piece of cosmetic dressing.

8. Clayfighter

I did not play a ton of ClayFighter in its heyday, being more of a Street Fighter II dabbler and a Mortal Kombat on-looker, but see here, Ickybod Clay is a punderful name for a ghost with a jack-o-lantern head. You just can’t beat that. Also, he can teleport and throw balls of ghost goo at his opponent, which irrefutably makes this is one excellent use of a pumpkin.

7. the Legend of Zelda: Breath of the Wild

For some reason, I’ve not come across many pumpkins in my playthrough of The Legend of Zelda: Breath of the Wild, so I use them fairly infrequently in my cooking sessions. But when I do, the results are always supreme. Here’s a tip: combining them with some type of meat will get you a meat-stuffed pumpkin that can restore a ton of hearts.

6. Final Fantasy VII

Okay, this might be a stretch, because I can’t seem to find any official ruling on whether the hilariously named enemy Dorky Face from Final Fantasy VII is a pumpkin-headed shuttlecock, but it sure does look like a pumpkin-headed shuttlecock to me, and so it is making the list. You fight a bunch of them in the Shinra Mansion in Nibelheim, and their main attack is called “Funny Breath,” which causes confusion. Huh. I wonder if they’ll show up again in the Final Fantasy VII Remake, which is obviously never going to come out.

5. Costume Quest 2

It should come as no surprise that pumpkins are prominent in both Costume Quest and Costume Quest 2, games highly passionate about pumpkin time. I decided to go with the latter title, if only because it is somewhat fresher in my mind because of what I did with it during last year’s Extra Life event. Also, all the Achievement artwork is carved pumpkins.

4. Minecraft

There’s something about a square pumpkin that honestly cracks me up. Thanks, Minecraft. Keep on being square.

3. Borderlands 2

Look, I’ll just come out and admit it, but the only DLC I played for Borderlands 2 was the first one called Captain Scarlett and Her Pirate’s Booty. I had a good time with it and have continued to dabble in the game, but never got any more additional content. Which is a shame, because it sounds like Tiny Tina’s Assault on Dragon Keep is a lot of fun, and the smaller add-on called T.K. Baha’s Bloody Harvest is ultra-fitting for this post. Zombie T.K. Baha, last seen in a piece of DLC for the original Borderlands which I also did not play, sends players off to fight Jaques O’Lantern, a giant pumpkin boss who gives out new character customizations as rewards for being beaten. Sounds cool to me; however, Borderlands 3/Borderworlds needs a gun that endlessly fires giant, flaming pumpkins. Please make this dream a reality.

2. Stardew Valley

Ugh, I really do need to pick Stardew Valley up again and at least see it through to when grandpa is supposed to visit or whatever. Yet, after completing the community center, I feel like I’ve done the thing. The big thing. Anyways, that’s a topic for another post. Pumpkins are big in the game, especially during the fall season. They grow 13 days after being planted and are one of three crops that might produce a giant crop version, along with cauliflower and melon (see above). After Starfruit, it has the second-highest per unit base price of all the normal crops, which makes it important if you are looking to be rolling in a coin bank. Oh, and you can also make a jack-o-lantern by combining a pumpkin and a torch to keep things spooky year-round.

1. Animal Crossing

Jack, the self-proclaimed Czar of Halloween, is a character from the Animal Crossing series–except for Wild World–who loves candy, naturally. Especially lollipops. He appears once a year for Halloween, from 6:00 PM until 1:00 AM the following day. Jack distributes spooky furniture to the player, which can only be obtained through him, and it is all very orange and pumpkin-themed, and I believe I got every piece for my copy of New Leaf, but it’s been many years now since I played, so I can’t confirm this. I’m also scared to look for fear of getting sucked back in. Either way, he’s a real cool gourd-wearing dude.

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I’m sure there are lots of other cool-as-heck pumpkins out there in videogame-land. How about you tell me of the ones you love or think rock. Please do so in the comments, and I’ll try to respond before any of them get moldy and start caving in on themselves.

2017 Game Review Haiku, #15 – Minecraft: Story Mode, Episode 1 “The Order of the Stone”

EnderCon goes wrong
Find legendary people
More like Choicecraft, hurr

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I can’t believe I’m still doing this. I can’t believe I’ll ever stop. These game summaries in chunks of five, seven, and five syllable lines paint pictures in the mind better than any half a dozen descriptive paragraphs I could ever write. Trust me, I’ve tried. Brevity is the place to be. At this point, I’ve done over 200 of these things and have no plans of slowing down. So get ready for another year of haikus. Doumo arigatou gozaimasu.

Perishing is progress for Temple of Yog’s tributes

Let’s get the nitty-gritty out of the way: I’m buddies with Lee Bretschneider, the artist from ChudChud Industries and main pixel-morpher on the company’s first release Temple of Yog, which dropped on the Nintendo Wii U’s eShop last week, alongside something called Mimecrass. Real quick aside, spellcheck suggests the following instead of nitty-gritty, which I find amusing–bitty-gritty, nutty-gritty, natty-gritty, titty-gritty, and ditty-gritty. Also, I paid for Temple of Yog with my own hard-earned digital dollars, so don’t go thinking I’m on the take here. The last and only free game I got for review purposes was Monster Tale…a game that had you looking between two screens in the middle of all the action. Hmm, coincidence.

Temple of Yog‘s lore is thick with murky ancient history and told through a somewhat difficult font to read. Here’s what I’ve grokked so far: after Ao the Original, the leader of a small band of villagers, sacrificed himself for the greater good, things have been pretty good for said band of villagers. They found refuge outside a large temple’s base, finding great returns in terms of ripe fruit and fresh fish. The settlement prospered in the Zenith Portal’s protective glow. However, in appreciation for the temple’s generosity, the villagers provide a sacrificial offering via someone‘s life. Depending on how great of a warrior this someone is will affect how the village continues to grow.

Basically: get as far as you can and collect as many Boon points before you die so that you can upgrade your different classes to be stronger, better, more prepared for the next run. Think Rogue Legacy, but without the castle or hereditary traits. Or replace the castle with guilds. It’s a twin-stick shooter, so you move your character with the left stick and fire magic projectiles with the right. Everything you kill and do earns you Boon points, including moving on to the next area, which means players that can’t help but clear out every enemy in both the Light and Shadow realms will benefit the most. Right, there’s two realms, which you can switch between at will: one is on your TV screen, and the other below on the Wii U GamePad. However, you can only linger in the Shadow world for so long until your meter drains.

Before heading through the Zenith Portal to begin racking up Boon points, you’ll have to pick one of four classes: Holy Augur, Cult of the Magi, Livid Blade, or Rogue’s Nest. Each has their own stats and special abilities, and I’ve tried every one now, but found that I’m only interested in the Holy Augur guild. Why? Its special power is healing, a necessity when making headway through a jungle full of dangerous creatures. They also have fantastic reach. I’ve spent a lot of Boon points enhancing this guild the most. As you explore, you can find special items–like boots that make you move faster–as well as crystals that will give you side objectives for a chance to earn extra Boon. I wish there was more of the latter, or that the crystals showed up more frequently, as it gives me something to work towards, other than just eventually buying the farm.

Look, I’m not great at Temple of Yog. This has been my best run yet, getting as far as fighting the first giant wolf (warg?), but Fromage the Beloved hit the ground fast with one bite from its snout. Turns out, you should attack wolves from behind. Since the floors are randomly generated, some areas are tougher than others. I’ve encountered empty Light worlds, a Light world with one static plant monster, and then another filled with six to seven spiders, all bent on spitting in my face. This randomization greatly affects, at least for me, how far I’ll make it in a run. It also helps feed the “one more run” mentality.

Not every element here is a worthy sacrifice. This might be a problem only specific to me, but I had to “pause” the game a few times during runs, either to get a phone call or clean up surprise kitty cat vomit, and my natural inclination is to hit the “+” button. Nope. That doesn’t pause; it automatically sacrifices your character, and yes, I did this a few times before learning from my mistake. Still, when you are in a world where everything wants to murder you, a pause button would be welcome. I’ve also spawned inside a spider or right next to a spider when moving on to a new level, which is not ideal. Lastly, I play with the Wii U GamePad in my lap, which makes looking down at it and away from the TV screen a dangerous and unnerving task. Others might be better at it, but I’m still hesitant to do it often.

So, this first slice of Temple of Yog falls under the label of “The First Epoch,” with three further updates forthcoming next year. Early investors, like me, will get those for free, but others will have to suffer with the game’s base price increasing with each new add-on. Regardless, I’m going to keep playing, because death is progress, even for meager Boon points, and, theoretically, I’ll only get better as the guilds grow stronger and can take on and dish out more damage. Let’s check back later when I can take down a clutter of spiders like a pro.

Also: Temple of Yog‘s soundtrack is killer, probably something like 805,967 in Boon points. Sacrifice gladly accepted.

The good, the bad, and the grind of Dragon Fantasy (Book 1)

So, I beat Dragon Fantasy (Book 1) recently, as well as earned all of its Trophies, which makes it the first game on my long list of mostly untouched PlayStation 3 games to have a shiny 100% next to its name. No Platinum Trophy though, but that’s okay. Maybe I’ll get my first Platinum somewhere else, like say Ni no Kuni or Grand Theft Auto V. ::runs off laughing maniacally::

Anyways–it’s pretty good. As I mentioned before, Dragon Fantasy (Book 1) really is an old-school JRPG with a few modern conventions tossed in for good measure. Now, I would not say I have true professional gamer experience with the classic RPGs of yesteryear, though I’ve dabbled in the early Dragon Quest and Final Fantasy games enough to know what they are about and how they helped shape the roleplaying genre as a whole: straightforward plot, tough fights, and a whole lot of grinding. Muteki Corporation’s celebration of all this sticks to its guns….er, swords, and it’s kind of a mix of good and bad, though I was still able to find a lot of enjoyment in this 16-bit fantasy realm of nostalgia.

Dragon Fantasy (Book 1) is basically split up into three chapters (and an intermission), which can be played in any order, though I went with linear; any other way felt wrong.

Chapter 1 focuses on the character Ogden, who is a washed-up former hero trying to get back into the business of saving the world from great evil. You’ll travel solo across the map looking for magical pieces of armor. I found this chapter to be the longest and most dull in terms of gameplay, and since you only have one member in your party, fights are pretty tough and it takes a while before Ogden has the upper hand. Expect to use a lot of Herbs.

Chapter 2 is all about Prince Anders, brother of Prince Marlon, who one saw kidnapped at the beginning of Ogden’s adventure. Well, he wasn’t kidnapped exactly, and you’ll eventually see Anders discovering an important artifact. This chapter is extremely short compared to Ogden’s, probably made easier by the fact that you have a bigger party for those never-ending random battles. I actually missed two Trophies related to this chapter and had to pop back to it for twenty minutes or so.

Chapter 3 introduces two new characters to the journey: Jerald and Ramona, a thief and his niece. They are trying to escape the eastern desert empire of Sandheim, but first need to save up enough money for passports. After some grinding and stealing and plot twists, the two of them end up robbing a ship that the heroes from the first two chapters are using, thus bringing everybody together for, what I assume is, further adventures in Dragon Fantasy (Book 2).

Lastly, there’s a whole intermission chapter devoted to praising Minecraft and its creator Notch. It’s totally throwaway though the monster-recruiting ability is a nice change of pace, and I found it to be a bit overly gushing, and heck, I like Minecraft. You can skip it, unless you want all them Trophies, like I did.

My favorite thing about Dragon Fantasy (Book 1), besides its punny names and comedic writing, is how you can push a button to speed the game up. I’m no mathematician, but it felt like maybe three times as fast. It helps make the grind less of a, well, grind, but you still have to pay a little attention as you just can’t button-mash your way to higher levels here as your attacks miss often and one needs to constantly before of how much HP the characters have left. However, after a bit, even with the game on ultra-speed, the music and random battles, which happen just about every three to four steps, can become grating. Mostly because, with time sped up, you will hear the first few notes of the overworld map, then the first few notes of battle music, then the first few notes of battle victory music, and then back to the overworld, only to rinse, lather, repeat for all eternity. That said, I found myself playing the remainder of chapter 2 and chapter 3 (and that intermission) on mute, listening to a podcast or a playlist.

I’m not quite ready to move on directly to the SNES-inspired Dragon Fantasy (Book 2), but when I get that itch for some classic RPGing, warts and all, I know where to look.

Master Architect says a house is a machine for living in

Actually, Le Corbusier said that, but what does he know–he didn’t spend countless hours fast-traveling and staring at the same ol’ loading screens in Skyrim‘s Hearthfire DLC to gather the numerous and welcome-to-encumbrance building materials, such as clay, quarried stone, and iron ingots, to build three houses that are void of character and personality and truly, without a doubt, not worth all the effort. Really–don’t bother building your own house, especially if you’re already pretty far into the game, wherein you likely already own a home in one of the many cities, such as Breezehome in Whiterun or Honeyside in Riften. Those cost the same base price as your own plot of land, but require a whole lot less work, giving you more time to kill that bandit leader in Cave X or find your twentieth Jazbay Grapes.

Housing in Bethesda’s games has always been a pesky business. For Fallout 3 and Fallout: New Vegas, you had a few options to call home, but they were not very exciting. In the former game, I shacked up in Megaton, covering my bed in teddy bears and the shelves with rare trinkets–if I could figure out how to properly move and place an item via an Xb0x 360 controller. Your only other choice was staying in Tenpenny Tower, which came with some neat themes, but required going through a lot of load screens to simply access. Too much waiting, not enough storing of loot, if you asked me. For New Vegas, pickings got even slimmer. Some hotels offered a permanent room, and if you felt like going through a lot more loading screens, you could keep your prizes in the Lucky 38 presidential suite. Strangely, your best place to call home is at The Sink, a futuristic homebase brimming with goodies. Oblivion had a few homes that you could earn through quest completion as well, but I never really used them as once you joined a guild, that became my place to store stuff and rest comfortably.

You could always find places to…let’s call it…squat. Abandoned houses or shacks that seemed ready to be yours, but at an invisible risk. See, while they might have containers or places to store you treasured treasure, there was no was to know if that container was safe or would respawn its contents in a few day, thus erasing yours completely. Unless you used the Internet, of course, but that’s never fun. I’d rather sell off items than lose them to a coding abyss.

So, unfortunately, while the three houses in Hearthfire look pretty cool once totally complete–that’s Lakeview Manor, Windstad Manor, and Heljarchen Hall–they are not fun to build and require, at least for me, a ton of back and forth, as I’m not the sort of character who just carries around 100 iron ingots at a time. You spend a lot of time looking at menus or watching your character mine for quarried stone, which is as exciting as it sounds. And after all that, you really have little input over how your house turns out. Sure, you can place tables and chairs and barrels and weapon racks, but they go where the game designer decided they should go. All you are doing to spending your materials to place it there. Your house is not your vision. And that’s a big bummer. I was hoping to be able to have a trophy room that was filled with my kind of trophies, like a thousand scattered troll skulls, presented in my way. Instead, no. It is a model home, and nothing more. Again, you might as well purchase a house in one of the cities, which is a model house too, but cheaper and easier to fill in.

You can also hire a bard for your house, as well as make any follower a steward. The steward helps a lot in ordering building materials for you which go directly to the chest by the workbench, but only to that chest. If you need that clay for your other house, you best make room in your inventory. The steward can also bring in animals or furnish your rooms completely for a small fee. It’s okay, but came across as very robotic, especially when one is ordering piles of wood after piles of wood after piles of wood.

In short, I wasn’t expecting Minecraft, but definitely some more flexibility for creativity. I mean, I couldn’t even pick the place to build my house, ruining my dream of shacking up right next to the Thieves Guild.

But yeah. This is one Achievement definitely earned with stubbornness and patience, backed by a numbing soundtrack of clinking hammers and thumping hammers:

Master Architect (10G): Build three houses

Here’s hoping that player housing changes quite dramatically in Fallout 4 and whatever the next Elder Scrolls ends up being. Here’s hoping…

Five things I still need to do in Skyrim

At the same time that I splurged on Mark of the Ninja–more on that fantastic stealth-stabby game later, I promise–I also picked up the second DLC item for the Elder Scrolls V: Skyrim. It’s called Hearthfire, not Heathfire or Healthfire as I’ve been constantly seeing it misspelled across the Internet in the days since its birth, and it only costs 400 Microsoft Points. The low cost is low because there isn’t actually a whole lot of content in the pack; it basically gives you three spots to build a house of your own, and then you have to grind for materials like iron ingots and nails and chopped wood to actually build it and fill it with items. I’ve only just begun filling my Lakeview Manor with storage barrels and shelves to place my filled grand soul gems. Nothing terribly amazing, and it seems like this kind of Minecraft-esque stuff is better suited for somebody just starting out on their adventure to rid the realm of evil dragons than me currently who already owns a house in two different holds.

But at least I’m back in the game for the time being. Finishing up a few quests while selling some items and emptying my digital backpack of potions I’ll never use–like anything related to breathing under water for X seconds. And so, I got to thinking, and here are five things I’ve yet to do in Skyrim after playing the game as one single character for upwards of 95 hours.

Ride a horse

Look, if you could hop on a horse and ride it in first-person perspective all while still wielding a bow and arrow or sword and magic spell…then yeah, I’d be all for that. I play these Bethesda games in this perspective and this perspective only; moving out of it breaks immersion and really comes across as just goofy and dangerous to one’s safety. But no, if you get on horseback, you must ride in third person, and that’s not for me.

Get married

Haven’t really given it much thought, to be honest. From what I can tell, being married in Skyrim is a bit…old-fashioned. You gain a spouse who makes you food and takes care of your home. Great. Not really. I’m curious to see if I can adopt a child without being married after I finish building my house; if not, I guess I’ll go hunting for a favorable partner. Vex sounds ideal /sarcasm.

Find the Dark Brotherhood

Please note there that I said find, not join. I haven’t even been contacted by them yet, and I guess for that to happen I’d have to openly murder somebody who didn’t deserve it. Like, not a bandit cave leader or blood dragon. Hmm. That’s not really how I play, so it is unlikely this will every happen on my first character. Maybe if I ever roll a new dude, but that might not happen for a long time–if ever. I know, call me crazy. Except you should know I never did many Dark Brotherhood quests in Oblivion either. So there, fantasy murderers.

Learn any spell above the novice level

I’m no Harry Potter, y’all. When I need healing, I use a potion or eat some cheese. When I need to weaken a foe, I poison my arrows and loose them from afar. I’ve done the occasional spell to clear webs or gain entrance into the School of Magic, but that’s been it. Not my style of combat.

Kill a giant

Everybody did it at the beginning of the game. You see some mammoths and head over to check them out. Then a giant comes stomping at you, swings violently with his club, and sends you flying into the sky with one hit. Instant death. Lesson learned. Since then, the only times I’ve come across giants has been in groups of three or four, and I’m scared to take on one for fear of three more seeking revenge. Plus the mammoths, too. So, yeah. All those giant’s toes in my bag? I stole them.

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So, those are my things still to do/things to never do in Skyrim. What about you? What have you not done yet in a world that seems to never run out of quests or ways to occupy your time? Catch a butterfly?

Humble Indie Bundle is back to it with the Humble Voxatron Debut

I didn’t expect to purchase the latest and greatest from Humble Indie Bundle–which, when announced on Halloween, was simply Voxatron Alpha–but then they went and threw in two more games, specifically Blocks That Matter and The Binding of Isaac, both of which I’ve seen in action thanks to GiantBomb‘s Quick Looks and found appealing. To get all three games, you have to pay above the average price, which at the time of purchase, was $4.75. My lunch at Panera Bread earlier this week was double that (turkey artichoke panini and broccoli and cheese soup for the curious). Included in the purchase are two soundtracks, as well as the promise of further updates for Voxatron Alpha, a game not fully complete yet, hence the alpha-ism.

It’s all good either way because I’m pleased to announce that all three games run–and run amazingly–on my Mac. My Macbook’s torrid history of trouble playing newer games has been steadily documented here on Grinding Down. Knowing that, I continue to try, and as each game loaded up, I held my breath with worry. Would it load at all or just quit to the desktop? How unbearable would the lag be? So many questions, none that would ultimately be answered. Every game loaded without a hitch, and plays very smoothly. This warmed my gaming heart and fingers immediately.

Of the three, the one I played the most of after installations were done was Blocks That Matter, a cute puzzle-platformer that has some elements of Minecraft to it. You control a tiny drillbot and are trying to rescue your creators by navigating through each level to a magical portal at the end. The trick is in figuring out how to use the blocks you collect to build new platforms. The other two titles, Voxatron Alpha and The Binding of Isaac, are interesting, if very chaotic. A lot of runnin’ and gunnin’ if you know what that means. Maybe I just need to get used to the controls more. Both require fast response skills, and sometimes that’s harder to do–at least for me–with a mouse and keyboard than a gamepad. We’ll see if I can get any better at ’em both.

If past bundles are any indication, there’s the strong possibility of Jeffrey Rosen adding more games to this bundle before it closes for good. Since I’ve already bought in, hopefully that means I’ll get further perks for free, such as soundtracks, additional gamey games, and pivotal updates, which is always nice. If anything, these bundles are just a great way to show support for indie game development, something I’m growing increasingly aware and curious of, and whether or not I love every game I buy, I still like to be involved.

Can’t escape smiling at this Ludum Dare game called BATHOS

If it wasn’t for Notch, I would have never even known about this crazy thing that recently took charge, known to indie game developers worldwide as the Ludum Dare. Basically, participants develop games from scratch in a single weekend–that’s 48 hours, okay–based on a theme suggested by community. This time around the theme is escape. Browsing through the 500+ finished entries is a bit daunting; some of them really do look great, and others…well, not so much. Unfortunately, a good chunk of them blur together.

The first submission I clicked on to check out was BATHOS by Johan Peitz, mostly because it looked like a SCUMM title, and those experiences always pull at my heartstrings. Seriously, there’s a Maniac Mansion vibe here. I’m super pleased to announce that the very first Ludum Dare title I’ve tried…is a winner! Well, in my book. I’m sure Notch’s entry is stellar too, but I haven’t attempted it yet, considering I barely understand Minecraft still, and I’ve been playing that for several weeks now. Anyways…

In BATHOS, the player wakes up in a supervised prison cell, naturally wanting to escape. The door is locked, but he quickly discovers many keys in his tiny, depressing cell room. Surely one of them will work on the door. And that’s it. Find the right key and get out of there. It sounds simple, but it took me about fifteen minutes on my lunch break to figure out, and the solution is delightful, obvious, turning this little indie bit of Flash wizardry into something truly charming. The graphics are clean and unobtrusive, and the game controls smoothly. There’s only so much our pixelated hero can do, but it all works. Picking up keys that don’t work and flinging them under your bed never felt so good.

One of the definitions for bathos is “an anticlimax,” and yes, Johan Peitz’s take on solitude, yearning, and escape most certainly is that. However, it might be the first time something so ludicrous has made me smile.

You can play BATHOS in your web browser by clicking this very sentence. Or, if you’re looking to download it for Windows/OSX/Linux, go here…just don’t read any of the comments below otherwise you’ll spoil a perfectly genuine gaming experience. And remember, this was created in under 48 hours. To me, that’s mighty impressive–and gives me hope that maybe one day I could make a videogame, too.

Bouncing around the cosmos with Osmos

I think it’s safe to assume that I’m going to be talking about many of the indie games I’ve recently added to my collection over the last week or so. It started with just five darlings from Humble Indie Bundle 3, but that list quickly expanded as bonus games were added to the collection, including everything from a former bundle, one that I missed out on when it released in December 2010. Let’s just make things simple and list ’em all, okay? Okay, good. Glad to hear you’re a fan of lists, too. Ka-ka-kaboom:

• And Yet It Moves
• Atom Zombie Smasher
• Braid
• Cogs
• Cortex Command
• Crayon Physics Deluxe
• Hammerfight
• Machinarium
• Minecraft (free for a limited time)
• Osmos
• Revenge of the Titans
• Steel Storm
• VVVVVV

Yes, I put them in alphabetical order. You wanna make something of it?

Anyways…thirteen games. Probably half don’t work on my crappy Macbook. I dunno. I haven’t spent too long trying to see. I do know that Atom Zombie Smasher, Cogs, and Crayon Physics Deluxe definitely don’t work. Will have to try others later. I really really really hope Braid plays as it’s something I’ve been interested in for a long while, having heard it’s a great puzzler and a great story.

One game that does work on Mac OS 10.5.8–and plays extremely well–is Osmos. It’s an ambient strategy game set in outer space, giving the player control of a tiny mote which is trying to grow bigger by absorbing larger motes. You do this by bouncing/pushing the mote across the galaxy; however, moving the mote makes it lose some of its shape, getting smaller and smaller, making each click vital to its very survival. You better be hoping you’re moving towards another mote you can absorb, otherwise it’s best to just restart the level. As Isaac Newton would say, “For every action, there is an equal and opposite reaction.” This actually leads to a surprising amount of strategy.

Oftentimes, strategy can equal stress. You plan and plan and plan–and then everything goes wrong, leading to last-minute decisions to save your skin or keep things together. I didn’t really find that to be the case with Osmos though. It’s actually quite hard to plan ahead; the level starts, you see a mote nearby, try to click over to it, and then watch as it is absorbed by an enemy mote, turning it red, turning it deadly. You have two options: try to click away or just charge head-on, meeting death, which is the quickest way to restart the level. Other levels require you to be big enough to absorb a specific mote or chase down this one mote that is constantly avoiding you. Can get quite challenging, but even after failing like seven times in a row, I was having fun, learning, and just enjoying the all-around chill vibe the game’s soundtrack evokes.

I especially like zooming out using the mouse-wheel. Really gives off a great sense of size and wonder, and strengthens the idea that we’re all just tiny motes in a vastness, desperate to get bigger, hungry to get big.

Have only done the first few levels, having gotten to the point where I can decide my mote’s path. Looking forward to more Osmos, especially after chatty titles like Bastion, horrible vehicle sequences in Half-Life 2, or simply pure boredom on my Nintendo 3DS.