The good, the bad, and the grind of Dragon Fantasy (Book 1)

So, I beat Dragon Fantasy (Book 1) recently, as well as earned all of its Trophies, which makes it the first game on my long list of mostly untouched PlayStation 3 games to have a shiny 100% next to its name. No Platinum Trophy though, but that’s okay. Maybe I’ll get my first Platinum somewhere else, like say Ni no Kuni or Grand Theft Auto V. ::runs off laughing maniacally::

Anyways–it’s pretty good. As I mentioned before, Dragon Fantasy (Book 1) really is an old-school JRPG with a few modern conventions tossed in for good measure. Now, I would not say I have true professional gamer experience with the classic RPGs of yesteryear, though I’ve dabbled in the early Dragon Quest and Final Fantasy games enough to know what they are about and how they helped shape the roleplaying genre as a whole: straightforward plot, tough fights, and a whole lot of grinding. Muteki Corporation’s celebration of all this sticks to its guns….er, swords, and it’s kind of a mix of good and bad, though I was still able to find a lot of enjoyment in this 16-bit fantasy realm of nostalgia.

Dragon Fantasy (Book 1) is basically split up into three chapters (and an intermission), which can be played in any order, though I went with linear; any other way felt wrong.

Chapter 1 focuses on the character Ogden, who is a washed-up former hero trying to get back into the business of saving the world from great evil. You’ll travel solo across the map looking for magical pieces of armor. I found this chapter to be the longest and most dull in terms of gameplay, and since you only have one member in your party, fights are pretty tough and it takes a while before Ogden has the upper hand. Expect to use a lot of Herbs.

Chapter 2 is all about Prince Anders, brother of Prince Marlon, who one saw kidnapped at the beginning of Ogden’s adventure. Well, he wasn’t kidnapped exactly, and you’ll eventually see Anders discovering an important artifact. This chapter is extremely short compared to Ogden’s, probably made easier by the fact that you have a bigger party for those never-ending random battles. I actually missed two Trophies related to this chapter and had to pop back to it for twenty minutes or so.

Chapter 3 introduces two new characters to the journey: Jerald and Ramona, a thief and his niece. They are trying to escape the eastern desert empire of Sandheim, but first need to save up enough money for passports. After some grinding and stealing and plot twists, the two of them end up robbing a ship that the heroes from the first two chapters are using, thus bringing everybody together for, what I assume is, further adventures in Dragon Fantasy (Book 2).

Lastly, there’s a whole intermission chapter devoted to praising Minecraft and its creator Notch. It’s totally throwaway though the monster-recruiting ability is a nice change of pace, and I found it to be a bit overly gushing, and heck, I like Minecraft. You can skip it, unless you want all them Trophies, like I did.

My favorite thing about Dragon Fantasy (Book 1), besides its punny names and comedic writing, is how you can push a button to speed the game up. I’m no mathematician, but it felt like maybe three times as fast. It helps make the grind less of a, well, grind, but you still have to pay a little attention as you just can’t button-mash your way to higher levels here as your attacks miss often and one needs to constantly before of how much HP the characters have left. However, after a bit, even with the game on ultra-speed, the music and random battles, which happen just about every three to four steps, can become grating. Mostly because, with time sped up, you will hear the first few notes of the overworld map, then the first few notes of battle music, then the first few notes of battle victory music, and then back to the overworld, only to rinse, lather, repeat for all eternity. That said, I found myself playing the remainder of chapter 2 and chapter 3 (and that intermission) on mute, listening to a podcast or a playlist.

I’m not quite ready to move on directly to the SNES-inspired Dragon Fantasy (Book 2), but when I get that itch for some classic RPGing, warts and all, I know where to look.

2013 Game Review Haiku, #30 – Chrono Cross

A boy must travel
Between worlds, fight the Darkness
What a vague ending

–

These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

Getting lost in a digital Tokyo brimming with demons

If the Minotaur boss didn’t put you off on Shin Megami Tensei: IV, then getting to Tokyo for the first time surely will. I have to imagine it’s a stopping point for many. To be honest, I put the game down a couple weeks ago after first arriving in the largest metropolitan area in the world, unsure of where to go and with little desire to look up specific step-by-step directions. That’s not how I play. Unfortunately, the game does a very poor job of indicating where you are to go next while at the same time giving you dozens of doors to open and places to enter and explore and demons to fight to keep you busy for long enough that you don’t even realize you’re technically going nowhere.

Some soft story spoilers in this paragraph, folks. When you first arrive in Tokyo, you are hot pursuit of the Black Samurai, who everyone believes did some bad things back in the Kiccigiorgi Forest countryside. I am with everyone, though I bet there’s going to be a twist as to who the Black Samurai actually is. Previously, all overworld exploration was done via menu selection, such as Castle Entrance or Lake. You then explore the dungeons in a traditional third-person perspective. However, all of this changes with Tokyo, where you now explore using a zoomed-out overhead map; other sub-areas on the map, just like dungeons, are explored traditionally. On the overworld map, demons are represented as pixelated squares that still make a beeline for you when spotted, and you can interact with exclamation marks to enter buildings or other areas. Right away, you are given a lot more freedom to explore–and places to explore–than ever before, and that can be a bit daunting. Your first goal is the underground section below Ueno Station, which is your new hub for Tokyo, providing a shop, a bar, and lots of unclean people to chat up. From there, your next main quest is to find the military base, which I can’t seem to do by naturally stumbling across it.

So far, I’ve done a sidequest about killing a demon at Shinobazu Pond, as well as unlocked another fast travel terminal after another tough demon boss that can quickly wipe your entire team out in a single turn if you don’t pay attention to the Press Turn system. I’m mainly running around the Ueno District though, picking up respawning relics, selling them off for sweet, precious Macca, and leveling up my odd assortment demons. It’s progress, but a different kind. On occasion, I fuse, but that’s still a pretty scary process.

One neat thing I got to recently try out was the StreetPassing functionality for Shin Megami Tensei IV. Thanks to that new relay system that just went live and a few trips to Walmart, I’ve gotten a couple of StreetPasses from others playing this difficult JRPG. Anyways, you get a collectible card from other players and, if they choose, a free demon attack during a battle. I was able to call on three StreetPassers during the boss fight to free the fast travel terminal, and it helped a lot. Hope to pass more players this upcoming weekend at Tampa Bay Comic Con!

But I don’t know where to go next, Shin Megami Tensei IV. Wandering aimlessly is okay for a bit, but not forever. Please help.

SMT IV’s Minotaur boss is one loud wake up call

After dying four times during the tutorial section of Shin Megami Tensei IV, I’ve succumb to the blurry darkness a bunch more since then. Probably too many times to keep counting, actually. For a few of those deaths, I revived myself by paying Charon a hefty sum of Macca; other instances saw me just reload to an old save, losing a bit of progress, but keeping me out of downward spiral of debt. I now have the option to use Play Coins to return to the land of the living, but asking for nine is a bit too steep for my shoes, especially when I need to conserve them for Animal Crossing: New Leaf and Find Mii II. So yeah, life as a Samurai is hard, which I should have expected from my earlier time with Devil Summoner Overclocked, but I didn’t realize just how fast and cruel the Press Turn system can be, despite how enjoyable it is when it operates in my favor.

It all becomes clear when you reach the Minotaur boss fight, a few levels deep in Naraku. He’s weak to ice spells like Bufu, and you can get quite a few hits in before it is his turn to attack, but once he does…well, he wipes out my team in a single sweep thanks to the Press Turn system and smirking. I’m not sure exactly if I’m doing anything wrong specifically or chuck it up to bad luck, but it’s been a roadblock for sure. I’d say I’ve taken him on maybe five or six times now, just reloading an old save instead of going into debt with Charon. Boo and grrr and I’ll get you yet, you disturbing piece of Dali-esque artwork.

Until I’m strong enough or lucky enough to beat the Minotaur, I’m grinding and doing side stuff. Like collecting gryphon tails. And downloading free items from the store. No, wait. I’m actually downloading the quests that will allow me to gain these items, but they still require work/items, like 10 or so Life Stones. Every now and then I pop into the Cathedral of Shadows to see what I can do with fusion, but that place is scary and I’m always worried that I’m going to waste a good demon unit to create a subpar one. Right now, I’m rocking…you know, I can’t remember their names specifically and don’t have my 3DS open to check. Hmm, one is the weird connected horses beast. The other looks like a boar. I’m sorry, I just don’t have space in my brain to remember what these crazy critters are called, not when that information is fighting against Game of Thrones theory details and all 108 Stars of Destiny. Also trying to save up all my App points so I can buy the “recover MP while walking” one, quickly followed by “recover HP while walking” right after it–those seem like must-haves.

I’ll be back soon, Minotaur, to try again. If you have any handy tips on how to knock him out fast, please share. I don’t want this to be a permanent roadblock.

Died four times during Shin Megami Tensei IV’s first hour

So, yesterday, I picked up Shin Megami Tensei IV. At first, I couldn’t find it on the shelf at my local GameStop, not realizing that SMT IV got the special Atlus love, seeing it packaged it with a nice art/strategy book and soundtrack CD, placing it in a larger-than-norm 3DS box. Regardless, I got my copy and was able to play around an hour or so last night before I passed out before I could even enjoy the absurdity that is the Feedback Booth on Antiques Roadshow. Anyways, Atlus’ new role-playing adventure is cool, but I died four times and am not even out of the training tutorial thingy yet. Looks like it’s gonna be Devil Summoner Overclocked all over again.

SMT IV begins with a booming voice telling you that your choices will not just affect yourself. Yeah, that’s obvious. We call that living. And then, suddenly, your first choice is upon you: name the protagonist. I deleted Flynn and typed in Pauly. What happens next is unclear, but has you running around a destroyed landscape speaking with some folks that say cryptic things. It’s probably a dream. When you speak to a young girl who asks you to revive her, you are transported elsewhere, to the Eastern Kingdom of Mikado. Your buddy Isshachar introduces himself and tells you a bit about the Gauntlet Rite, which allows people to become Samurai.

To cut to the chase, Pauly is successful in becoming a Samurai. Afterwards, he meets some other graduates: Walter, Jonathan, Navarre, and Isabeau. Under the stern guidance of a man ironically named Hope, we five must endure some training exercises in Naraku, the Hall of Flame. These are basically tutorial stuff, which help you learn the basics of moving around an environment, how your chit-chatty menu device Burroughs works, and various aspects of combat (press turn, recruiting, leveling up). I was able to get through the first few quests just fine, but the last one–well, I assume it is the last one–which involves finding a specific item for Hope has consequently kicked my butt four times in a row. That’s because there’s a boss guarding the item, and it’s able to wipe out Pauly and company in two turns. We’re either underpowered, it’s either overpowered, or the game is just ridiculously hard from the get-go.

Now, when you die in SMT IV, you are transported to the Underworld. The Nether Realm. The Deadlands. I dunno. It’s a place of lost souls, and a man named Charon there will offer to revive you to the point just before where you died…for a price. Basically, some of your Macca, maybe about 75%. If you don’t have enough, he’ll still revive you, but put your bill on a tab, which you’ll have to pay later. I think I saw a forum thread somewhere mentioning that you can eventually use Play Coins too. The second time I died I was taken elsewhere, since Charon was busy sucking souls or something, and offered the ability to now change the difficulty level. Two more deaths after that have just resulted in a large tab.

I’m really looking forward to more demon recruiting though, as that aspect seems completely zany and random and wonderful. That’s where the real quirk shows up so far, followed by Burroughs calling me, “Hot stuff.” Recruiting is a multiple choice guessing game, wherein you might gain a friend, make an enemy, or just cause a demon to run away. I’ve not had much luck, getting only a…you know, I don’t really know the names of these demons. One is two centaurs joined, another is a gooey zombie, and the other is some kind of creepy doll. Have not opened up the ability to fuse and stuff, but I’m sure that’ll be soon enough.

A rough start, but I’m not deterred. Tonight I will do some more grinding and running back to the barracks to rest up and heal for free before I try to take on the item-guarding boss again. Ideally, I’d like Pauly to be around level 6, as well as my team of demons. That said, I need to recruit a few more, especially one with some healing magic. Don’t know if those thrive in Naraku or not. We’ll see, SMT IV. Pray for my soul.

GAMES I REGRET PARTING WITH: SaGa Frontier

Much like the Nintendo DS, the original PlayStation played home to a swarm of strange and untraditional RPGS, such as The Legend of Dragoon and Brave Fencer Musashi. As well as SaGa Frontier, today’s topic for Grinding Down‘s games I regret parting with thing that I do from time to time. It was an era of chance and experimentation, and that’s something that I miss, because it’s notably missing from the industry today, seeing that Bravely Default: Flying Fairy has not yet been confirmed for U.S. shores (though, thankfully, Fantasy Life has).

One of the earliest posts on Grinding Down was about a PlayStation 2 game called Unlimited SaGa, which I’m positive I purchased more because it might have a connection, however slight, to SaGa Frontier than it being relatively inexpensive and a pretty looking JRPG. I tried several times to get into it, but it’s a beast of a game, snarling and growling and constantly chasing me away. I mean really–that combat wheel, the way you “navigate” through towns. Pffft. I’m sure I’ll pop it back in yet again some day, just as I will with Breath of Fire: Dragon Quarter, because there will always be a part of me that needs to understand why.

Thankfully, SaGa Frontier was a lot better than Unlimited SaGa, though it definitely had its own unique pitfalls. The aspect I remember the most about it is that you had seven different characters to pick to play, some with interweaving storylines, some all on their own. And you could pick and play them as you choose. Granted, I went with Red first each and every time, as he appeared to have the most action-driven plot of the bunch, given that he basically becomes a secret superhero within minutes of the opening cutscene. The other peeps–Emelia, Blue, Asellus, T260G, Riki, and Lute–could wait.

Coming out in the states a year or so after Final Fantasy VII, the sprites on pre-rendered backgrounds in SaGa Frontier did not look as sharp as polygonal Cloud did (at the time), but they made for interesting visuals. Especially when on the region ship “Cygnus” or in the magically dark and purple Facinaturu with Asellus. There are some really pretty vistas here, and that made exploring each character’s story a joy, as even though saw some overlapping spots, many were self-contained elsewhere. Many boss fights were your tiny sprite characters versus large suckers, which often had an insane number of Health Points.

Combat is probably the oddest part of SaGa Frontier, as a lot of it is based around randomness. Before I get to that, let’s begin with a staple of fantasy-based RPGs: Health Points (MP) and Magic Points (MP). These are bound found here, but instead of just straight MP, you now have three sub-classes of it: Waza Points (WP), which is magic points but only for weapon skills; Life Points (LP), used when a character is knocked unconscious; and Jutsu Points (JP), which is used for actual magic spells not tied to weapon skills. Whew. Got all that? Right, well, battles are turn-based, and many character skills are learned mid-battle, something I remember as being both exhilarating and confusing.

According to this lengthy GameFAQ, the SaGa series uses a rather unique leveling up system, similar to that of Final Fantasy II (Japan) in that you’ll gain what you use during combat instead of a certain amount of experience points. In SaGa Frontier, experience points are in the form of stat boosts and can either gain you a direct stat boost, such as an increase in strength, or a proficiency level. You might gain stats after every fight, but you might gain hardly anything at all. Basically, you just had to try different skills from different characters, and hope that something clicked.

To me, this was genre-shattering, and certainly nothing I had experienced so far in a roleplaying game. It’s certainly not a game for everyone, but it was more than unique, unafraid to try new ideas. Plus, with the freedom to see the game through in a number of ways, with who you wanted and at your own pace, it really felt like your own version of the plot, especially if you started with Riki or T260G. And for all that, SaGa Frontier is a game I deeply regret trading in as a young, dumb teenager.

—

GAMES I REGRET PARTING WITH is a regular feature here at Grinding Down where I reminisce about videogames I either sold or traded in when I was young and dumb. To read up on other games I parted with, follow the tag.

An angelic army enslaves the world thanks to Overclocked’s early bad ending

Well, after battling both demons and angels for a little over forty-five minutes, after losing every single team save for P-san’s, after constant spamming of gun-run-heal tactics, I finally did it. Victory was mine, earned with sweat, devotion, new strategies, the use of the Drain skill, and various sacrifices. I beat that mission in Shin Megami Tensei: Devil Summoner Overclocked that has repeatedly kicked my ass these last few days, constructing a roadblock of sorts. With the angels and demons defeated, P-san and his friends Atsuro, Yuzu, and Midori escaped the lockdown, bringing Honda and his frantic buddies along with us for good measure. Y’all welcome.

However, immediately upon exiting, a strange lighting storm appears over the lockdown. The angels, who P-san was beginning to side with, declared that the lockdown was a failure and decided to kill everyone inside it with lightning. Pew pew pew. For those outside the lockdown–namely, P-san and friends and remaining family members–the angels have declared humanity to be in default of their responsibilities as children of God, and an angelic army appears to enslave the world. Anyone who is not immediately subservient is killed outright, and the remainder are stripped of their free will. This is all told via text on the screen, which is then promptly followed by the words “Mission Failed,” sending you back to the main menu to load from a previous save.

It’s heart-wrenching, and not necessarily from a storyline perspective, but the suddenness of a GAME OVER screen after all that story and choice and time spent battling monsters and trying to survive to live another half hour really does leave something to be desired. I mean, this whole time, we’re trying to escape the lockdown, and now you get the chance to, and if you do it YOU LOSE. The logic behind is severely flawed. Evidently, you are supposed to the fight demons and angels and then attack the humans to break their COMPs while also protecting them from the previously mentioned angels and demons who can, in one hit, take them out, and any civilian dying is a mission fail status. So the easiest option of kill everything and run for it results in death, despair, and dropping you back to the start screen.

Evidently, there are six endings in Devil Summoner Overclocked, and of them, one is literally called “the Early Bad Ending,” which is obtained by breaking through the barricades of the Lockdown on Day 6 and escaping after defeating both the angels and demons in your way. I had no idea about this as I played; I was just playing, making the choices that seemed right and logical, like escaping the demon-filled lockdown at first chance. For that, I felt like I should have been rewarded, but instead I was punished.

When the “Mission Failed” text came up, I literally started at it for over a minute, mouth agape and heart-rate increasing. I just couldn’t believe it. This game loves to waste your time and test your patience, and despite how patient I actually am, I’m over it. I took Devil Summoner Overclocked out of my 3DS and tossed it back into my cartridge bag; now, if I was truly over it, I would have put the cartridge back in its case and then on the shelf to sit untouched for the remainder of days. But there’s a sick part of me. It’s hungry and demanding and greedy and covered in dirt. There’s a sickness within me, and this side still wants to see how things are supposed to go down (or one of five possibilities) before deeming the experience over. I mean, after thirty-seven hours am I just suppose to accept an early bad ending as the final say in this story? Especially now that I know what I’m supposed to do to “beat” the mission correctly.

I’ll try again, I will. Devil Summoner Overclocked and I just need some space, the kind you build after everything breaks down. I’ll end this fail-driven blog post by quoting Nick Hornby’s fail-driven High Fidelity, which I think does a good job of summing up this Day 6 battle set on the fringe of the lockdown that literally tore me apart: “What went wrong? Nothing and everything.”

My latest strategy for Devil Summoner Overclocked is more grinding

Shin Megami Tensei: Devil Summoner Overclocked is a game I’ve been playing off and on now since Hurricane Irene hit way back in August 2011. And yet, according to my save slot, I’ve only logged around thirty-five hours. I suspect that I’ve played maybe six to seven–heck, possibly eight–more hours than that, as the game naturally doesn’t count time lost when you struggle through a 45-minute battle only to wipe in the end because the upswing in difficulty took you by surprise yet again.

It’s a really frustrating game that I, at the same time, enjoy a lot about. The voice acting, not counting Midori or most of Yuzu’s lines about demons and the government, is really good and helps keep me engaged in the somewhat stretched plot. You also get to make choices, the kind that do effect the story, determining who stays in your party and who doesn’t. So far, I’ve lost a few peeps who I won’t mention for those that care about spoilers. And the demon fusion, which can be a brainteaser at times, allows you to customize the demons in your party and level them up through cosmic breeding rather than gaining experience points (which takes longer). The heavy, distortion-based electronica tunes, few that there are, really rock and stick with you as you battle or re-arrange your team.

It’s just that the combat can feel at times grossly overwhelming and unfair. But combat’s how you proceed, and so you have to learn. Which I think I have over my thirty-five-plus hours playing the game, but the latest fight I’m stuck at suddenly pulls the rug out from under you at its very end, pointing a gnarled finger between your eyes and berating you for not grinding enough. Let me explain.

I’m actually pretty close to the end of Devil Summoner Overclocked. Well, I think. The 3DS version supposedly gets a bonus eighth day of action. Currently, P-San and his friends are nearing the end of Day Six, which is supposed to culminate with another big battle against some Bel-named demon. Belial, perhaps. Anyways, it is 4:30 PM, and the only options are a single free battle location or to advance the story with a Honda-related battle. This is my current sinkhole, stuck point, unbreakable wall–what have you. Basically, Honda and some friends are trying to escape the lockdown, and you have to decide to whether to assist or stop them, as well as siding with the demons or angels there to get in the way–or none of the above. The win/lose factors can change dramatically based on your choice here.

I can handle Honda and the two civs trying to escape just fine; the problem is that when you kill a team of either demons or angels–who will fight each other at times, too–a second version appears. The angel ones aren’t anything crazy difficult though they love using Recairn to bring back fallen friends. It’s the demons that ruin all my tactics, and I’m specifically talking about this frakker right here:

That’s a Decarabia, the sixty-ninth spirit listed in the Goetia. Whatever that means. Regardless, this pentagram star is quite annoying, especially when the demon team consists of three of them. Why? Well, they love spamming the Shield All spell, which protects themselves from a single attack, and they seem to always do it right before my team gets to attack, thus wasting our entire turn. Secondly, they all have Fallen’s Mark, a racial skill that says if a Decarabia defeats an enemy, some HP and MP is restored to the entire team, based on the level of the defeated enemy. So, in short, they protect themselves from most damage I can do, and then when they off a supporting demon or main character, they restore a majority of their HP and MP. From what I can tell, the second spawnings of Decarabia are around level 48, and I’m able to take down them all save for the team made of three Decarabias. So, with P-San and fellow friends around 45/46 we have no choice but the grind. Unless there’s a strategy I’m missing.

I will beat Devil Summoner Overclocked. I will get P-San and his remaining friends out of the lockdown, for better or for worse. I will escape my own Decarabia-shaped lockdown, and then I too will be free.

Champing at the bit to play Level-5’s Ni no Kuni

I am champing at the bit, foaming at the mouth, sitting on the edge of my seat, barely breathing properly, raring to go, ready and willing, and/or hot to trot to experience Ni no Kuni: Wrath of the White Witch. If all those crazy synonyms don’t make it clear, I am extremely excited over this JRPG from Level-5 and Studio Ghibli. And it stems more from the Level-5 aspect than the Studio Ghibli, which might surprise some people. Sure, I love Spirited Away and Kiki’s Delivery Service and the amount of wonder and childlike imagination they give off, but I love Rogue Galaxy, Dark Cloud 2, and Dragon Quest VIII ten times more. To be honest, those are three RPGs that really shaped my late teens and early 20s.

Let’s go through them in the order I devoured them.

Dark Cloud 2 really is its own game more than a sequel to a sub-par Zelda wannabe. Which I had and played at some time. Never got very far in it though, but it at least was something to do on my PlayStation 2 other than watching Metropolis over and over. But the sequel…oh man. It was just stuffed with gameplay mechanics, most of which were intuitive and fun and worth the work. Not Spheda though. You had the Georama system, which allowed Max to rebuild villages to your taste. Then you had randomly created dungeons, a camera to snap photos for inventions, breakable weapons, a ride-pod thing named Steve who you can upgrade, and action-based combat. Also, fishing. Plus, colorful settings and a light-hearted story, with some cheese to it. It was a game my sister also fell into, and we’d play together on her save since she disliked the battles, but loved exploring and building towns. Though I never beat it, I do mean to…one day.

I ended up picking up Dragon Quest VIII right as I moved out of my parents’ home and to my own apartment after college and getting my first job in northern New Jersey. It was exciting times, but also poor times, and I ended up not getting cable or Internet installed in my place for two and a half months. This meant a lot of DVD watching and digesting books, but also some serious time spent playing JRPGs, like DQVIII. Which was perfect for eating away at time, with so much to do and see and explore and collect: alchemy recipes, monsters, mini coins, and so on. Funnily enough, I was actually playing DQVIII when the cable guy showed up to install stuff, and he asked me some questions about it, whether it was any good or not. I told him it was brimming with things to do, as well as just a pure joy to explore. That remains true to this day.

Lastly, Rogue Galaxy, a game I’d venture to call underrated. Yes, it has terribly long and drawn out cutscenes, but that’s JRPGs for you. Everything else more than makes up for its sluggish pace at times. You have bounty hunts and skill trees to fill out, as well as a sickeningly deep weapon alchemy system. Oh, and a bug battling championship called the Insectron. All of which I ate up. The combat is all right and has its moments, but towards the end I just found myself able to efficiently spam special moves and clear out enemies in one go. Y’know, I’m just gonna give Rogue Galaxy its own post one day soon so y’all can learn what you missed out on, like a race of shark-people.

In short, Level-5 packs their games full of Stuff, and I love that. It’s not enough that there’s a lengthy plot to follow, but give me miscellaneous tasks and side projects, and I’m in it for the long haul. Looks like Ni no Kuni is following this tradition with familiars to collect, parts of a magical book to piece together, merits to earn from side quests, alchemy, and on and on and on. Plus, it looks fantastic thanks to Studio Ghibli’s involvement, and really presents a magical world that one wants to be in, even if it’s filled with talking cats and cows.

So yeah, I like Level-5’s games a lot. If you need more evidence of my appreciation and confidence in what Level-5 puts out, then there is this: I am buying a PlayStation 3 this weekend so that I can play Ni no Kuni: Wrath of the White Witch. Specifically, the special classic white bundle Sony recently announced. White for the White Witch. Oh man, I totally fell for it. Too late now.

I’d rather watch Shin Megami Tensei: Persona 4 than play it

If it’s not terribly obvious, I’m a big fan of the Giant Bomb website. It’s a place that prefers to present things within the videogames industry raw and honestly, as well as welcomes everyone to contribute to its ever-growing wiki. For myself, I’ve done some decent wiki work on Game of Thrones: The Game, The Sword of Hope II, and Musashi: Samurai Legend. I go there every day to read and watch and interact sporadically on the forums.

But I’ve only recently taken it upon myself to experience one of the biggest things the website is known for–their lengthy tackle of playing Shin Megami Tensei: Persona 4, the critically acclaimed event where the term Endurance Run got dubbed. It’s 155 episodes of varying length, with Vinny playing and Jeff constantly adding colorful commentary, and I’m just under halfway through it on episode 71. Strangely, I’m hooked, and it has a lot to do with the ridiculousness of the game itself, as well as the GB duo’s reactions to these moments. Otherwise, it looks like the kind of JRPG I used to play, but no longer have the time and dedication to handle now.

Persona 4 is an odd story, and I can only imagine it gets more odd later on. Nay, I predict it. The main character and his friends from school form an investigation team to unearth the answers to recent murders in Inaba, Japan. There’s a strange connection between these murders and a TV-world they can enter to fight shadow demons. During the time you are not fighting monsters, you can work on increasing relationships with your friends and family by doing social activities, such as getting jobs, attempting beef bowl challenges, and going to camp. Also, since you’re in school, you have to study occasionally for midterms and finals. And, when certain stars align, you can pursue romantic relationships. Oh man, that’s a lot of systems to juggle.

The First Hour‘s Greg Noe absolutely hated Persona 3, and I have to suspect he’d not like Persona 4 much more, considering that they share the whole “grind in a dungeon and then spend a lot of time socializing with friends and foes” thing; one big difference between the two is that, during battle, you can control everyone’s actions. But yeah, grinding and socializing–that doesn’t sound delicious to me either. But from a watching perspective, hey…it’s quite engrossing despite its slow gameplay. A lot of menu manipulation and a constant pausing when a list of decisions pop up; the greatest part is that it’s not me making these choices or dealing with items and switching Personas in battle and so on. That’s up to Vinny and Jeff, and they can make some silly mistakes, which might normally be frustrating on my own playthrough, but are now hilarious to witness. No, really…keep casting Bufu on enemies that heal from ice spells.

A bonus from watching this Endurance Run inspired me to pick up my bereaved copy of Shin Megami Tensei: Devil Surviver Overclocked again for the 3DS–with triumphant success, too. Though these both come from the same franchise, they are not entirely alike. The Social Linking stuff is gone or mostly diluted in Overclocked, as I have had to make a few relationshippy decisions, but otherwise you just watch a few different plot-driving scenes before going into a battle. Fights are more RTS-based than RPG-based, with character placement and the available number of moves vital to how a battle begins and ends. Individual battles are turn-based, with an importance placed on using the correct elemental spell to earn extra turns; I’m still learning the ins and outs of this, but I’m getting there, I swear. Just finishing up Day 3 after a whomping from the immortal demon Beldr…

So, while I’m not playing Overclocked, I’m watching Persona 4. It’s a nice way to stay within the game’s solar system, even if they aren’t exactly similar. All right. About seventy-plus more episodes to go until I see how Persona 4 ends. I’m contemplating adding it to my 2012 Games Completed list once I’m finished watching because…well, by that point, I will have invested a whole bunch of hours, and that should count for something.