Prototype 2’s James Heller is on a quest to destroy the Blacklight virus

The last big action-adventure open world videogame starring a brooding soul with super powers I took a deep leap into was inFAMOUS 2, which featured a troubled young man gifted with special powers, a city under attack and turmoil, and plenty of tall structures to climb and jump off of cinematically. Well, I’ve had the itch for more of the same lately, as I’m still working on Final Fantasy IX and am totally not emotionally ready for Metal Gear Solid 4: Guns of the Patriots, and so, after scanning my long list of PlayStation Plus freebies, I discovered Prototype 2. Now, when I said I wanted “more of the same” in relation to inFAMOUS 2, I didn’t mean it literally. It’s fun, but something still seems off.

Let’s get this out of the way. I never played the original Prototype, much how I never played the original inFAMOUS. Thankfully, you don’t really need to have in order to have a good time here. Plus, there’s an option from the main menu for a summary of the previous game’s events. Of which, I’ve forgotten everything. Something something virus something something Mercer something something consume people for power. Yeah, got it.

Anyways, two years after the events of the original game, U.S. Marine Sergeant James Heller is struggling. His wife and daughter are dead, due to the Blacklight virus, which kickstarts him rejoining the military to fight against it. During one mission, he bumps into Alex Mercer and, believing this is the man at fault for his deceased family, chases him down. Unfortunately, Mercer infects Heller with a strain of the virus that gives him superhuman abilities. After dropping some predictable exposition about the nefarious plans of Gentek and Blackwatch, Mercer offers Heller a truce in order to take them down.

If Prototype 2 has anything going for it, it is this: running up the sides of buildings. I could do this for hours and accomplish nothing, but the feeling of bursting to the tippy-top of some tall skyscraper is immensely satisfying, especially since you can then leap off of it and immediately glide towards another erected structure. I actually ended up bouncing back to Assassin’s Creed II after playing this a bit, needing to collect the remainder of Subject 16’s glyphs, and the slowness that is meticulously clamoring up an old-timey building in Rome physically hurt my soul. Oh, and Prototype 2 also has an in-game GPS notifier when near some kind of collectible, which I appreciate. So there, two things I am really digging.

Playing on the “Normal” difficulty, I’m finding Prototype 2 to be shockingly easy. Maybe I should bump it up a bit, but I’m not actually looking for a challenge here, now remembering how frustrating some parts of inFAMOUS 2 got with those enemies that shot up high on pillars of ice. I think I’ve died only once due to some lousy dodging on my part, but otherwise Heller can take down an entire base of enemies without seeing a drop in health. It’s ultra violent, mindless, and laid-back, which is a strange combination, but fitting nonetheless. The stealth mechanics, thanks to being able to transform into people you’ve consumed, are very forgiving, which results in a good amount of experimenting, all of which is nine times out of ten successful. Personally, I love transforming into a scientist, leaping off a building into a military-controlled zone, and then releasing monsters from cages to do my dirty work–all without raising an alert.

Based on the Trophies list, I feel like I’m about two-thirds of the way through Prototype 2, almost done with the second island zone of New York Zero, with plenty still to destroy, collect, and upgrade. I hope to finish this up soon though and get back to some other games that require a bit more focus and effort.

Remember Me teaches us to never forget the painful memories

If I had actually played Remember Me in 2013 and not dragged my feet to getting around to it, this heartbreaking tale of mind and memory most likely would’ve made my list of my five favorite games for the year, knocking out Doritos Crash Course 2. Yes, in spite of its shortcomings, of which there are several, it’s still that good, and I urge anyone reading this that has even the slightest interest in checking out Dontnod Entertainment’s debut to bite the bullet and do it. There most likely won’t be a sequel, and there might come a time when you won’t, ironically, even remember this came out.

I covered a lot of Remember Me in my last post, which saw me just entering the game’s fourth chapter. Also known as the halfway point for this roughly seven-hour journey. The second half of the game is still formulaic, more of the same platforming, punching, and pondering, but with tougher group and boss fights, as well as hard-cutting plot twists, one of which actually honestly caught me by surprise. No, really. I leaned forward and muttered, “No way.” You got me, game. Some later beats I saw coming, but not in execution, so that continued to keep me on my toes, because in a world where anything and everything is malleable, even hopes and dreams and memories, nothing can be expected.

Remember Me‘s premise is so dang good, and I’m not just saying that because I love movies like Inception and Eternal Sunshine of the Spotless Mind, short fiction by Philip K. Dick, and, of course, George Orwell’s 1984, where playing with one’s mind is the key to making things work. At least for a time. It’s perhaps not as byzantine as those previous mentions, but it still packs a punch, holds power, and proves poignant, especially when talking about how personal pain can result in far-reaching consequences for the ones we love, even entire cultures. It’s certainly a cinematic adventure, but it’s handled quite seriously and personally, unfolding at a great clip with enough interaction peppered throughout to not slip into Metal Gear Solid 2 territory, where you only watch things happen as a passive player.

Something I neglected to comment on in my previous Remember Me post is that it features a fantastically strange soundtrack by Oliver Deriviere. Every time I’d scroll past Remember Me on my list of PlayStation Plus games, I’d get a one-second tease at the futuristic tunes that back up all those glowing signs, futuristic buildings, drones, and chaotic fights. It’s an orchestral and electronica mix, spiced with a number of glitches and synthesizer bleeps, which creates rather appropriate cyberpunk music. You might not ever notice when a song starts, but once it begins to amp up, it’s all you’ll hear, and it is used to great effect, especially during boss fights and the last chunk of the game.

Sadly, I will say that I felt no desire to search for the collectibles in Remember Me, unlike the feelings I got for Agility Orbs in Crackdown and shards in inFAMOUS 2. I finished the game with over half of the Scaramechs found, which are the parasites feeding on ambient memories in each level, generally located by the static-like sounds they emit; when you shoot them down, you get a slight PMP bonus. The most straightforward collectibles are the Mnesis memories, which are found in the environment. SAT and Focus pick-ups expand your health and energy after you collect enough of them. I don’t remember how much health Nilin had by the end, but she definitely only had two pips of Focus, so I missed a bunch, but again didn’t really feel driven to snuff every single one out. Plus, with the health-restoring combo attacks, you can get by on very little.

Again, Remember Me is a game you should play. It’s a smart, confident sci-fi adventure that’ll most likely take you ten to eleven hours on the middle difficulty level, with enough combat customization to keep things interesting and challenging, though there really isn’t any point to replaying it a second time, unless you missed some Trophies and collectibles. All the events will play out the same regardless, but man, what a series of events, lead by Nilin, a strong female protagonist capable of doing her own dirty work, and only sexualized in a few shots where the camera angle lingers a bit too long on her lower backside. She stands tall next to heroines like Jade from Beyond Good & Evil and Konoko from Oni. She, and her tragic tale of learning who she is and how she ultimately became Nilin, the Memory Hunter, is unarguably worth remembering.

Crackdown was goofy fun, but instilled fear to protect the populace

Crackdown has an uninspired story, dated graphics, wonky controls, and yet remains a decent blast to play some seven years thanks to its open-endedness and the freedom it gives the player to do whatever they want, in whatever order is desired. It’s been a great game for picking up and playing a little bit, and then putting down for a few months while other more narrative-driven videogames demand my time. Recently, I put my nose to the grindstone and took out gang leader after gang leader, eventually wiping Pacific City clean of baddies. No, really–the entire post-game map seems to be void of anyone to punch, shoot, or blow up, which kind of throws a wrench into my progress for a few desirable Achievements.

Again, there’s very little story here, except to say that you’re a supercop working for the Agency who can grow in strength over time by punching, shooting, exploding, and driving just right. Meaning, no going all Grand Theft Auto III and killing an entire street’s worth of civilians, as that’ll actually take away from your level up progression. You are tasked with taking out racist-themed gang leaders and their subsequent goons, and that’s all the story you get for 95% of the game–until right after you finish the final fight. Sorry, but I’m going to have to spoil the twist here to prove a point: your commander, y’know, that directions-giving voice in your head, reveals that he was the one to give so much power to these gangs, to make the populace fear them and be grateful for when the Agency came sweeping through to save the day. It’s not far off from Syndrome’s plan in The Incredibles, and the twist comes out of nowhere and immediately fails because there’s no substantial story actually backing it up. You spend the whole game killing gang leaders, and the ending still would have fallen flat if your commander simply congratulated you and shot fireworks into the night sky.

Crackdown is basically a mix of shooting and platforming, and neither of the two felt stupendous throughout my entire playthrough. Certainly, the jumping is more fun and tighter than the shooting, which gave me a lot of trouble, especially when I was trying to target a different armed enemy, but it kept locking on the one closest to me. That said, jumping from building roof to building roof, even with upgrades to increase the height and length of a leap, still proved a gamble, and I found myself falling to the boring streets below quite often. When you can nail a string of rooftop jumps, it does feel pretty awesome and superhero-like. Overall, the shooting never felt effective, as if you were blasting walking bags of sand until, eventually, they fell down.

There are a few side activities to occupy your time while you move between gang leaders, and they are as so: Agility Orbs, Hidden Orbs, Street Races, Rooftop Races, and Stunt Jumps. Let’s get this out of the way first; I did maybe one or two Street Races/Stunt Jumps and immediately decided to never do them again. Since the driving in the game is so arcade-y and unpredictable, these two activities proved more trouble than fun. As for Rooftop Races, they can be a good time so long as you are upgraded enough to leap here and there. I ended up doing one that brought the Agent all the way back to HQ, but couldn’t finish the race because it was asking me to climb to the tippy-top. Boo and grrr.

Now, for a lot of players, Crackdown is Agility Orbs. These are green glowing balls of light, often on roofs, which you can collect. There are…500 in total. When you get a certain amount, your jumping skills increase, so they are a collectible worth going after, but be prepared, as there are 500 in total, and they do not appear on your map. You gotta keep your eyes and ears open for ’em. By the end of the game, I had found 400+. Oh, and there are something like 300 Hidden Orbs–blue balls of light that provide a boost of experience to all of the Agent’s abilities–and I had only grabbed around 75 or so by Crackdown‘s conclusion. I don’t think I’ll be going back to track down anymore despite the collector in me screaming otherwise.

Alas, I can only imagine how much more fun and amazing this was in 2007, but Microsoft gave out a free copy of Crackdown for Gold users only recently, and so I’m playing it in a completely different industry era. Times have changed, controls have changed, and standards are a bit higher. It’s fine, truly, but games like inFamous 2 improved on the formula greatly. Well, I’m glad I got to at least experience it, knowing that a new one is forthcoming. Speaking of that…

Recently, thanks to the E3 news that a new Crackdown is on its way, Jeremy Parish from USGamer put together a retrospective on the original game that is very much worth your time.

2013 Game Review Haiku, #18 – inFAMOUS 2

Cole: ice or fire
Stop the Beast, cure the sick, save
New Marais, shocking

–

These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

Collected all those scattered Blast Shards in inFAMOUS 2

I’m nearing the end of inFAMOUS 2–sorry, quick aside, but I previously wrote the game’s name as inFamous 2, and the copyeditor in me will not rest until I owned up to the error and corrected it going forward even if it is a weird way to write something–and I don’t expect to ever play it again despite their being two paths to go down. One is good and saintly with ice powers in tow, and the other is evil and dark, circled by fire. If you know me, you know which way I’m playing; for those that are new, I’m always a good Samaritan first. It’s not that I don’t enjoy playing evil from time to time, but I get the sense that the game doesn’t change a whole lot by doing a few missions morally different.

With the last mission, I assume it’s the last since it is called “The Final Decision,” in sight, I’m trying to wrap up a number of side stuff before I close the book on Cole’s second chapter. My main objectives are finding all the Dead Drops, liberating the second island fully, and collecting all the Blast Shards. Maaaaaybe play a few more user-generated levels. Out of those three dreams, I’ve now found all hidden Blast Shards, and as a collectible, they are both a lot of fun to collect, as well as extremely rewarding in that a set number of them increase the amount of electricity power Cole can use. They remind me a bit of Precursor Orbs from the Jak and Daxter franchise, and nothing of those dumb flags from Assassin’s Creed. There is certainly an art to collectibles, something I’d like to explore down the line.

Basically, any time you ping the New Marais map for sources of electricity, Blast Shards appear for a second or two as a blue dot. Then you gotta find them, and they are relatively easy to see as they are glowing crystals, but most of them are tucked up high on rooftops or ledges, meaning you have to do some climbing. In total, there’s 305 of them, and you’ll come across them every step of the way early on in the game. It’s only after you’ve found about three-fourths of them that you have to begin paying attention and hunting them down, which is not as tiresome as one might think, thanks to Cole’s superhero powers of zipping up buildings and gliding across telephone wires. I found my 305th one out in the water last night, and upon collecting it, Cole accidentally took a dip, dying from the splash. Regardless, I got the Trophy, and I do believe it’s my first Gold one, unless I got one in Vanquish.

Tonight’s goal is to find three (or maybe it’s four?) more flying birds for the rest of the Dead Drops. I think I have run out of side missions though, meaning I can’t free the second island from enemy oppression. Might be wrong, might have to check online to see if there’s anything else I can do. After that, it’s off for Cole to fight the Beast, use the RFI, and watch another classic ol’ Western with his best bud Zeke. Mostly because then I can download Sleeping Dogs (free this month for PlayStation Plus users!) and have some more zany open-world fun, though probably with a lot less zapping and sticky ice grenades. Can’t say that for sure though.

inFamous 2 is decent fun, but no shock to the system

So far, inFamous 2 really makes me want to go back to free Nazi-controlled terrain in The Saboteur or stop kicking dirt around and finally pick up Sly Cooper: Thieves in Time, y’know, the game I more or less got a PS3 for. Well, that and Ni no Kuni. That’s not to say that inFamous 2 is not worth playing, as it totally is…it’s just that the best elements within itself are the ones I’ve already cherished and loved in other videogames. But before I get to all that, I have a wee announcement.

I got a new TV. Now, now, hold on. I have to assume that, for many of you, the TV I got will be No Big Thang™, but you have to realize that all my teenage-into-adult life I’ve learned to live with or live without, and so I’ve been using a large, clunky television from 2005 that does not have all the fancy features one can get with stuff being made some eight years later. And because of this, many videogames I play on it suffer from tiny text syndrome, and unfortunately, that’s going to continue to happen. See, I didn’t get a replacement TV for the living room; instead, I got a wee 19 inch flatscreen for my art studio, which is set up next to where I draw and use my laptop. So now I can watch Netflix while I forever tone bad comics. However, since Tara and I don’t have cable, I needed to move the PS3 over to my new wee TV for all that hot action, which has a bonus effect in that I’m using it a lot more now. I mean, now it just sits there, looking at me, demanding I turn it on and play. Which is probably a good thing for my PlayStation Plus backlog.

Anyways, this is what my new wee TV looks like:

I’m pleased to say that it does the job more than adequately, both for streaming movies/TV shows and playing games. Well, at least the handful of games I opened on it to see how they fared, which consisted of Joe Danger 2: The Movie, Ni no Kuni, and inFamous 2. At some point, I want to switch the PS3 and Xbox 360’s places, to see what Torchlight and Dragon Age: Origins look like, as they were the games I found to have the smallest text in my collection. No real rush on that though.

Right. So, inFamous 2. Never played the original, but it always looked neat, like a modern dark spin on being a superhero, with legit superhero powers. Lightning bolts a-way! The second game seemed to sum up a little from the previous adventure via some cool comic book cutscenes, but it’s not all really clear to me. Something about a Beast (or maybe it’s The Beast) hunting Cole down…I don’t know. I just like climbing buildings, collecting blast shards, and squirrel-gliding from roof to roof like a kid with no restrictions. And you can totally do that, for as long as you want, which is really nice. Morality-wise, I’m going down the righteous path, though I have–on accident, I swear–murdered a few civilians while trying to stop attacking monsters and such. Because it can get hard and chaotic and somewhat confusing once the lightning and bullets begin to fly. Basically, any time there are four or five enemies at once, Cole goes down fast, and I don’t know if it is my fault or not. I’d like to believe I have a decent handle on firing shock grenades and tossing cars, but maybe I don’t. At least the checkpointing is very forgiving.

But yeah, climbing up those towers reminds me of the clunky, but still satisfying climbing from The Saboteur. The way Cole just kind of magnet-like sticks to poles and ledges gets me all jittery for more Sly Cooper tales of thievery (old and new). I’ll probably burn through inFamous 2 rather fast over the next few nights–as I previously mentioned, now that the PlayStation 3 sits right next to my work desk, I’ll be more inclined to use it–but maybe then after I’ll dip back into some old favorites. We’ll see. Probably not. I guess I just like dreaming about this stuff openly.