2018 Game Review Haiku, #8 – Echoed World

Renew life, beauty
Just not through jumping, which stinks
Maybe promising

–

For 2018, I’m mixing things up by fusing my marvelous artwork and even more amazing skills at writing videogame-themed haikus to give you…a piece of artwork followed by a haiku. I know, it’s crazy. Here’s hoping you like at least one aspect or even both, and I’m curious to see if my drawing style changes at all over three hundred and sixty-five days (no leap year until 2020, kids). Okay, another year of 5–7–5 syllable counts is officially a go.

Echoed World is only the start of Algiz’s plight

I played Echoed World for two reasons, maybe three. One, I thought, based on its few screenshots, that it looked real pretty, like Monster Tale at a higher resolution or a piece of sci-fi concept art brought to life. I haven’t played it, but I can see a comparison to Ori and the Blind Forest as well due to its hand-painted graphics. Two, it’s available as a free download on Steam. And the maybe three part…well, it kind of reminded me of the character-driven platformers of yesteryear, like Jak and Daxter, Metroid, and, uh, Rocket Knight Adventures, which I do have a liking to. You know, you control a unique-looking hero and traverse an environment for some big and bombastic reason. Either way, that’s what I went in with, and the game–really, a demo, a practice sliver–didn’t exactly live up to expectations, but I think there’s promise here.

Echoed World was created as a student project, with the team putting it out for free in hopes of receiving feedback from players. You know, like me. Well, here I am, doing my civic duty. It sounds like most of Team DOTS had no previous experience with game development, churning out Echoed World over a few months of tutored game development classes. In that regards, it is impressive; in terms of something you play, it is less so, but I am no developer myself, only a player that plays.

The best thing Echoed World has going for itself is its world and opening cutscene. See, the creator of this place made a decision to split his almighty power up into seven Architects because of reasons. By doing this, he became nothing more than just an observer, a mundane human being. These Architects reshaped the world so that it brimmed with beauty and energy; however, the Architect Tyr was obsessed with perfection and struggled to make life as good as everyone else, deciding to steal the beauty from other planets. You play as the Architect known as Algiz, who can no longer create brand new life, but is still able to manipulate life that’s already been created. This process requires many sacrifices as he makes his way across a slowly dying world.

In total, Echoed World took me about 20 minutes to see to completion, but that could have probably been more like 15 minutes since I ended up having to reload a section due to a physics error, more on that in a moment. It’s a puzzle-based platformer where mechanics and story are bound together. You move generally left to right and make your way to the end of the level. Usually, there are some obstacles in the way, such as a large gap you can’t job; however, Algiz can borrow life from something nearby and put it into the dead tree stump by the gap to make it grow and create a bridge. There are also doors that need a specific amount of life energy to open, requiring you to take back life you’ve already used and store it inside until you get there. Lastly, on two occasions, a monster will attack you, and your only way to combat it is by manipulating the environment so that it falls into spikes and dies. None of this is challenging, and the monster sections are a little underwhelming, but I could see these ideas being expanded into more complex puzzles, especially if you had to juggle both monsters and stealing/dropping life into the world simultaneously.

That said, technically, performance-wise, Echoed World is not great. Jumping is vital to a platformer, obviously, and the jumping here is beyond bouncy and unresponsive. I never felt fully in control of Algiz and where he was landing. At one point, he got stuck on the edge of a platform, and the game didn’t know what to do, so I was stuck, body half inside a rock, unable to do anything but reload the whole section. Also, there are collectibles to find, swirling balls of light, six in total, but after I got stuck and had to reload, the game seemed to forget that I had already found four by that point and started me back at zero, despite picking up what I believed to be the fifth collectible. It was strange. Lastly, Algiz is not affected by any of the game’s lighting, which looks odd when inside a dark cave and the character model is cartoony bright and vibrant, like a new layer in Photoshop at 100% on top of another more subdued layer.

Anyways, that was a lot of words for a game that honestly is just testing the developmental waters. I hope my criticism is well-received because, again, I think there’s something here. Echoed World just needs more time and polish.

2017 Game Review Haiku, #44 – Death’s Life

The most perfect death
Your final destination
A puzzle of clicks

–

I can’t believe I’m still doing this. I can’t believe I’ll ever stop. These game summaries in chunks of five, seven, and five syllable lines paint pictures in the mind better than any half a dozen descriptive paragraphs I could ever write. Trust me, I’ve tried. Brevity is the place to be. At this point, I’ve done over 200 of these things and have no plans of slowing down. So get ready for another year of haikus. Doumo arigatou gozaimasu.

If only Spyro the Dragon could burn the in-game camera to a crisp

Spyro the Dragon is a cutesy fantasy action-adventure game from Insomniac–y’know, the Ratchet & Clank folk–that I got to play demo-wise way back in the day when videogame magazines came coupled with demo discs or you could even drop five bucks at the local brick-and-mortar store for a retail disc containing a mighty selection of different games to experience. I have a bunch of these in my collection still because I made a vow to myself long ago to never get rid of or trade in anything. In fact, it’s this one here from PlayStation Underground Jampack that I’m talking about, which I guess I got some time in late 1998 or early 1999:

For those that can’t see due to camera glare in the above pic, on this are demos for Spyro the Dragon, MediEvil, Metal Gear Solid, A Bug’s Life, CoolBoarders 3, NHL FaceOff ’99, NFL GameDay ’99, Rally Cross 2, Tomb Raider III: Adventures of Lara Croft, and Small Soldiers. Some classic titles there, for sure. Now, for me, a teenager with little cash to my name, spending five bucks ($7.99 for you Canadian suckers!) to sample a smörgåsbord of all games, ranging from sports to action to fantasy to RPG to racing, sounded a whole lot better than saving up for one big game that could potentially disappoint me. Plus, the natural idea behind these demo discs is that if I enjoyed what little nibble the demo could give, I’d probably like the full meal. Years later, the company Nintendo still has no idea how demos work, but that’s a post for another day.

SIDE NOTE: I’d love to do something here on Grinding Down with these demo discs of mine–I have about seven or eight in total–but I’m not sure just what yet. I mean, I guess I could simply deep-dive back into them all and write about playing these wee slices some fifteen years later, though who knows how interesting that would be. If you’ve got an idea for me to try, please do share.

Anyways, so far, my favorite thing about Spyro the Dragon, which I’m playing on the PlayStation 3 after nabbing it and others during a really good sale a few months back, is that it wastes no time getting into the mix of things. I can think of only a few other games that open just as swiftly and let you start playing before you can even speak a word–Jetpack Joyride and Scribblenauts come to mind first.

Okay, you ready for this. Spyro the Dragon begins with a short cutscene that can’t possibly last for more than 30 seconds. In it, a news team sets up an interview with a couple of dragons within the Artisan World, one of five realms in the Dragon Kingdom (the others of which include Peace Keepers’ world, Magic Crafters, Beast Makers, and Dream Weavers), which have lived in harmony for eons. Well, when the reporter brings up Gnasty Gnorc, a gnorc who lives within his own, sixth realm, one of the dragons describes him as an ugly, simple-minded creature who poses no threat to the Dragon Kingdom. Daaang. Those are fighting words, for sure. And yup, fortuitously, Gnasty is watching the live feed at that exact moment; enraged, he casts a magic spell that encases all of the dragons in crystal and sends out an army of gnorc soldiers to take over the realms. However, one purple dragon called Spyro, due to his smallish nature, is able to dodge the spell, and it’s now up to him to save his elders.

And that’s the gist of the story so far. You are the lucky wee dragon left alive, and you must save everybody us, and you do this by charging into the crystal statues and freeing the elders. Each of these older, bigger dragons has a name and something to say to Spyro upon rescue, but then they are gone in a poof. Rinse and repeat until you find all the dragons in a given themed area (36 levels spread across six worlds). Other than that, Spyro can shoot a small burst of flames from his mouth and jump and even fly a bit (though technically it is falling with style). You want to also defeat enemies and collect gems. More or less, it’s a very traditional character-dependent action adventure game, and there is nothing wrong with the premise to begin with.

However, in a game all about jumping and flying from one place to another, the in-game camera needs to work with the player. This camera is atrocious. Really just horrible, and you can only turn it left or right, not up or down, so if you are standing on top of a castle and want to jump to that smaller castle below, you kind of have to wing it (pun intended) because there’s no way to rotate the camera enough to see where you need to land. You can press the triangle button at any time to lock the camera directly behind Spyro, but this is only handy when you want to ram an enemy head-on with your horns.

Thankfully, despite the camera issues, Spyro the Dragon is a fun, harmless game. And it’s not too punishing, so even if you missed a jump due to not being able to see the land below, you can always try again. Interestingly, instead of some kind of health bar or string of hearts on the screen, Spyro’s health is visible through his butterfly companion, so depending on how that fella looks and acts, you’ll know just how many more hits our little dragon hero can take. You can save your progress at any of the statue spots where you’ve rescued an elder dragon, and most of the difficulty just comes from traversing, rather than fighting enemies or solving puzzles. Oh, and to tie this back to that demo disc above, I remember fondly being super impressed that Spyro could burn plants to a pile of black ash at the touch of a button, and it’s still an amusing thing to do many years later.

I’m looking forward to playing more when I can, as I also have Spyro 2: Ripto’s Rage! and Spyro Year of the Dragon downloaded and ready for chomping. Not to mention Gex: Enter the Gecko, Crash Bandicoot, Crash Bandicoot 2, and Crash Bandicoot 3: WARPED. Yeah, I went a little crazy on the PS1-era mascot games during that sale. Not the worst mistake I’ve ever made.

Lastly, I’ll leave y’all on a fun tidbit about Spyro the Dragon–its soundtrack was done by The Police’s Stewart Copeland.

Gathering allies and gaining loyalties in Mass Effect 2

So, with all this talk as of late about Mass Effect 3 and its on-disc DLC data drama, many “bad ending(s)”, and uninspired multiplayer, I myself have been inspired to give Mass Effect 2 much more time and affection, and it’s been kind enough to love me back with a jolly old time. Currently, my Commander Shepard is working hard to build a team unlike any other in hopes of getting through the Omega 4 Relay–and making it out alive. Which, starting around the nine hour mark, felt a little fast, but I guess there’s still plenty more to do before we all take the final plunge. Anyways, here’s who I’ve picked up recently:

The Convict (10G): Successfully recruit the biotic Convict

The Assassin (10G): Successfully recruit the Assassin

For getting Jack the biotic on my team, I replayed the level from the demo, so it was all quite familiar and lacked a certain punch, but still, at least this time I completed the mission without dying. Go me. Getting the assassin to join up on The Normandy was a brand new experience, with a nice twist at the end. He kind of reminds me of an evil Nightcrawler from X2: X-Men United, the way he kills and respects religion all at once. Looking forward to learning more about him for sure.

Oh, and I also got Miranda really on my side, doing her loyalty mission right away and successful at that. See here:

The Prodigal (10G): Gain the loyalty of the Cerberus Officer

Yeah, I’m totally getting sucked back into the lore and world-building of Mass Effect. To me, it’s so much more interesting than the combat, which isn’t bad, but involves maybe a little too much hiding behind boxes, but the stuff that really excites me is learning more about the mono-gendered asari and how they live for thousands of years. Or the deep connection between a drell and a hanar. Or the regenerative abilities of vorcha. Or space racism. Or just how vast the Terminus Systems are. I don’t know. This stuff is so big and expansive, and I eat up every dialogue option I can to learn more, more, and more.

Also, I like the planet scanning. There, I said. Finding a planet, reading about its atmosphere and attributes, and scanning it for resources feels…right. I’ve read some hatred on this aspect of Mass Effect 2, but if there’s something to hate with passion, it should be the choppiness of some dialogue sequences, not searching the galaxy for vital substances. Also, I wish that, like in Dragon Age: Origins, party members commented more on what was happening around them. I switched out my characters often enough, but nobody got personally involved in anything that was happening except for Miranda when I promised Jack she could have full access to Cerberus’s databases–and even then, it was just a remark of distrust and nothing more.

I had to stop playing last night in order to get some decent hours of sleep, but I just found an anomaly on an undiscovered planet and am looking forward to seeing what becomes of this mission. The Normandy‘s AI mentioned something about upgrades to those that use biotic powers. Fine by me. I have not yet really settled on a team I’m comfortable with, though Miranda is always at my side for her Warp and Overload skills. I’ve got a ton of missions in my quest log, including more dossiers for recruiting and loyalty missions for those already on board. I’ll report back soon on how all of this goes. Shepard, out!

This Mass Effect 2 Achievement certainly isn’t missing in action

I unlocked an Achievement before I even began playing Mass Effect 2, and this left me momentarily confused, wondering if I’d ever escape game glitches or if I was doomed to be trailed by them until biological aging takes me down into the dirt. I have Tara as my witness that this Achievement popped on the main menu’s screen after selecting to start a new game with my simian character from the original Mass Effect:

Missing in Action (5G): Save your crew from an overwhelming attack

Blinking back into reality, I then realized that my save data from when I gave the demo version of Mass Effect 2 a spin back in June 2010 had been accessed. That demo consisted of the very beginning stage, and then a stage much later in the game wherein Shepard and company were trying to rescue a biotic named Jack on some crazy, floating prison. I remember a message popping up that told me my data for the first chunk of the demo was being saved, but nothing further than that would get collected. Okay. So, in the demo, I saved Joker and as many crew members as I could as the Normandy tore asunder, earning me the above Achievement without it actually popping. Then, when it was clear that I had a full copy of the game, a year and some months later, the Achievement pops. Yet I still have to play through that opening part again because I loaded up an older Shepard character and not the one I used in the demo. Weird, but whatever.

Disappointingly, Mass Effect 2 suffers from tiny text syndrome, which the original game did not. Most of the dialogue is spoken, making this not a problem, but the dialogue choices left to Shepard are not said aloud, meaning a lot of squinting and sitting directly in front of the TV to make sure I’m going the Paragon route and not the dickhead one. And I can forget about actually using the Codex, which, like in Dragon Age: Origins, is just brimming with cool lore and details, but is no use to my bad eyes/lame TV. So yeah, that’s that.

Otherwise, it’s fun so far, with interesting characters and crazy-looking aliens. At this point, I’ve changed Shepard’s armor and casual attire, learned how the hacking mini-games work, and got a fast-talking alien scientist to join the cause to stop the Collectors. Seems like there’s plenty of others I need to recruit, and I’m looking forward to it. Not sure where to go next, but I’m sure Shepard doesn’t mind bumbling along across the galaxy; also, I totally forgot who I saved–and let die–in Mass Effect, so it was nice that I got a little refresher before the game began. Refreshers are great. Saves me time from reading wikias and getting spoiled prematurely.