Learning about gross insects with Aniscience’s help

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As a young boy in a public school on the East Coast in southern New Jersey, I had my standard fill of edutainment games, such as The Oregon Trail and Where in the World is Carmen Sandiego?. These were interactive experiences designed both to educate and entertain. Like, now I know that dysentery is a terrible thing for anyone to get, extremely detrimental to one’s colon and health, and that it will severely impact your chance of seeing the end of your covered wagon’s journey to Oregon’s Willamette Valley. But enough about the highs and lows of 19th century pioneer life because I’m here to talk about bugs. Flowers, too. But mostly those creepy-crawlies that, from my point of view, exist solely to freak me out and slither into my open mouth as I sleep.

Aniscience is a fine piece of edutainment, performing both actions of entertaining and informing well enough, though I do wish there was a little more interaction from the player. Well, easier interaction, to be honest. To start, it’s still in development. You can basically play a demo of the first level, and there are promises of more areas to come. Ultimately, Aniscience is a cutesy, mouse-driven journey about discovering nature, its laws, and the principal species of plants and animals. Or, in the case of the demo level, all things that live in the dirt. Y’know, insects galore.

Here’s how one plays Aniscience. You control the tiny brown mouse, either with the arrows keys or, I assume, if on some kind of touch-based device, with your figure. This cinnamon-brown mouse by the way reminds artistically of the characters from Eric Carle’s The Very Hungry Caterpillar, and I’m perfectly okay with. Anyways, by lightly dragging a magnifying glass over a selected object (animal or plant), you can get a page of facts on the screen. These are real, honest-to-science facts, too. I mean, look at all these common shrew details:

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Other than that, you can click (or tap) on the specific animal/plant in question to watch it animate slightly. That’s basically the experience, backed by a soft, friendly soundtrack of happy keyboard notes, as well as birds chirping. It’s inviting, simplistic, and visually pleasing. I still wish there was more interaction, like maybe comparing different bugs and flowers to one another or somehow modifying the scene, like adding in food or a predator and seeing how things change. Also, having to drag a magnifying glass over each and every thing you want to examine is tiresome. I get that the developers probably wanted a very straightforward control system, but I’d have preferred having the examine on one mouse click and the animation on another. It’s not a deal breaker.

Aniscience is a pretty fun way to learn about nature, even if some of the bugs are super gross. You are rewarded with exploring by learning about a new critter or flower, and while that might not sound immediately satisfying…it is. I wish you could collect these fact cards in some kind of journal, that way you could both have a goal of finding them all in one area and can easily pull them up later to view without having to go back to the specific thing in question and re-magnifying glass them. Again, not deal-breakers. I’m viewing this more from the “Is it fun as a game?” perspective, where I’m sure others coming to it just for education purposes aren’t even thinking about stuff like this. I mean, again, that mouse is pretty dang adorable.

2016 Game Review Haiku, #71 – Gears of War 4

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Swarm creatures kidnap
Must fight back, bring back Daddy
Good fun, familiar

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Spyro 2’s guidebook is stuffed full of gems, talismans, and orbs

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Earlier this year, I put the original Spyro the Dragon to bed. This was a game that I had started playing in 2014 and really liked, but moved away from over the years, only returning to it in 2016 with the drive to see its credits roll. Shortly after, I started playing Spyro 2: Ripto’s Rage! and vowed to not take the same length of time to beat it. And look, I remained true to my words, even if I maybe never said them out loud here, but whatever. That’s two purple dragon romps down for the count, with a third still waiting in the wings. Soon, Spyro: Year of the Dragon. Very soon.

Let’s see. After saving the world and many elderly dragons from Gnasty Gnorc in his last adventure, Spyro and his friend Sparx decide to take a vacation to the lovely, picturesque Dragon Shores. Unfortunately, while there, they are sucked into a magical vortex that takes them to a realm called Avalar. All three of Avalar’s worlds are in danger of falling under the power of a Napoleon-like dictator named Ripto. In order to save these worlds from destruction and tyranny, Spyro must travel to and fro, helping out who he can while also collecting a number of things: gems, talismans, and orbs. I emphasized the last one on purpose, with more to say later in this post.

For good and for bad, not a lot has changed since Spyro’s last outing. Which, in terms of narrative, wasn’t that long ago. When it comes to development, there was only about a year between the release of the first game and the second. Anyways, you’re still charging enemies, breathing fire, jumping, gliding, and collecting butterflies to power up Sparx and stay alive. A couple new moves have been added to the little dragon’s arsenal, such as being able to swim underwater, using ladders to climb higher up, and an overhead smash stomp that I think I only used once or twice for a story reason and never again. There are hub worlds, which contain gems and orbs to find, and then within these hubs are warp gates to individual levels that will hand out talismans as a reward for finishing its main through-line. Story progression is gated by a specific number of these things, so it is in your best interest to get as many as you can…as soon as you can.

Alas, I really hit a wall between the third world of Winter Tundra and the final boss fight against Ripto. I needed 40 orbs to move on and was only somewhere around 25 at the time. This meant I had to go back, multiple times, to levels I had already completed and find the extra challenges to do to earn an orb. Generally, these challenges are towards the end of each level, which means a lot of replaying, something I already do excessively in them numerous LEGO videogames. I found that some of the orb challenges rated five stars were easy peasy and others rated two or three stars to be impossible. Some of that has to do with controlling the camera or Spyro, as moving him with both speed and skill is not easily doable; I preferred the slower challenges, like herding cows into a fenced off area, instead of chasing after thieves or playing a lackluster minigame of hockey.

I hope I’m not seeing a pattern when it comes to these final boss fights. The one against Gnasty Gnorc was long, frustrating, and had the nasty sting of having you redo the entire thing if you messed up once. Yeah, yeah…gaming in this generation is spoiled by lots of checkpoints and saves and magical power-ups to get us through the tough parts, but it really felt like the main chunk of the game sat at a difficulty level of 3 and then the last fight was cranked up to 11…just because. Well, it’s all that again with the final stand against Ripto, which is broken into three sections. Two are on the ground, easy enough if you keep dodging and picking up sheep for health, and the last has Spyro flying above a pit of lava, dodging incoming homing missiles while also trying to dish out his own damage. It definitely took me more than five tries to put Ripto in his place.

Spoiler alert: there are no plans to collect the remainder of orbs (15 left) to open up whatever is hidden behind that sealed door at Dragon Shores. There will never be a plan. If anything, I hope to start Spyro: Year of the Dragon soon, though that may be a more likely candidate for 2017 under the assumption that there are even more things to collect in that one. Mmm. I’ll also freely admit that I’m now much more curious about how things went for Spyro on the PlayStation 2 when Insomniac Games handed the reigns over to another developer and moved on to the Ratchet & Clank series.

Lastly, I’ll leave you with my favorite code for Spyro 2: Ripto’s Rage!, which is my favorite hidden code from every game ever, no matter what the genre – Big Head Mode! Pause the game, and then enter Up, Up, Up, Up, R1, R1, R1, R1, Circle. You are very welcome.

2016 Game Review Haiku, #70 – Spyro 2: Ripto’s Rage!

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Vacation ruined
Dictator Ripto, must stop
Collect all them orbs

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Buy low, sell high, and make bank with Market Crashers

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Remember when I beat Crimson Shroud some time back and opened up a ton of free space on my Nintendo 3DS? No? Well, click here to read more about that and then come back so, sequentially, you are following along with this story. It might help. Right. Well, with all that free space prime for the filling, I went and downloaded a bunch of other things, such as updates to Pokémon Shuffle and that freemium Pokémon Picross thing, which I’ve kind of only touched twice since and not for very long. Aside from those, I also grabbed a free new StreetPass mini-game from Nintendo as part of their promotion of a whole bunch of new StreetPass mini-games, deciding between Slot Car Rivals, a racing game, and Market Crashers, a business simulation game. You can figure out which one I picked.

Ultimately, Market Crashers is a fast-paced decision-making game. You know how in those Telltale games like The Walking Dead and Game of Thrones you only have so long to reply to someone before the scene moves forward? It’s all that. Except money is at stake instead of someone’s friendship or, as it often happens, their life. Anyways, you are a new day trader to the market scene, and so you’ll need the help of analysts to ensure you are making the best estimations of the market. This is where the StreetPassing comes in, as each person you connect with will help show a stronger forecast of how the market will play out. That way you know when to buy low and sell high or hold back. Or, if you are like me, buy one share and then immediately freeze up from a panic attack over not wanting to mess up, ironically messing up nonetheless.

You can buy up to ten shares at a time from fictitious companies like Piece-By-Piece Deliveries and Kingfinder Studios. Purchasing a share is as easy as hitting a button; in fact, that’s what you do–the A button buys shares and the Y button sells. As time trudges forward, an analyst might say that there is big news, and this could either be a big drop or rise. The short goal for Market Crashers is to do well and earn money, using those StreetPassed Miis to the best of their ability, and the longer goal is to earn a massive amount of money, with the first flag being $10 million. Hmm. In the two sessions I played, I earned money, and then I lost money, so that longer goal might forever be a longer goal for me.

Stocks are definitely not my thing, both in real life and, now I can confirm, in videogame form. Watching line graphs grow and change isn’t all that exciting, and knowing that an investment is behind those ups and downs is more than enough to stress me out greatly. Then there’s also the requirement of making rapid-fire decisions to get things done. Um, no. I’m not good at that. I’m a thinker, a muller (not to be confused with a mullet), a man of wonder, and I’m always one hundred percent too afraid to instantly commit to something in the matter of a few seconds. Chances are, that never works out great for me. I’d rather assess the scenario, really study it, and then dive in. In the end, I’d make a better analyst than day trader.

I don’t know. Maybe I should have gone with that little car racing game. It’s too late now to go back, and I don’t expect to hit many more areas with lots of people carrying their Nintendo 3DS around–thanks, MICE 2016!–so I’ll just stick with collecting puzzle pieces and earning new hats via multiple playthroughs of Find Mii 2.

2016 Game Review Haiku, #69 – Coffin Counseling

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Lord Dracula sad
Help cheer every monster up
Through talk, flips, lend ear

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

2016 Game Review Haiku, #68 – Vineyard Escape

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Why escape vineyard?
That’s where wine is made, grapes are
Don’t run, stay–drink up

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Final Fantasy IX: the sweetest joy and the wildest woe

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Well, here we are. It’s autumn 2016 and raining leaves everywhere, and I’ve now seen Final Fantasy IX to its conclusion. Well, in reality, that was a couple months back when it wasn’t as chilly in the morning and all shades of red, orange, and yellow because I’m slow to write these days.

I think it is officially the…third game in the ironically long-lasting series to get crossed off for the history books. The two others include Final Fantasy VII and Final Fantasy XII. I have also watched–Maker, forgive me–Final Fantasy: The Spirits Within more than once, so perhaps that should count for something. Or maybe I need to really consider never mentioning that publicly ever again. Anyways, this has been a long-time coming, and if any of you reading this blog o’ mine are frequent visitors then you’ll know I’ve been…hmm, actively doesn’t really seem right to use…futilely trying to beat this game since about 2013. Or, if you consider when I actually got my PlayStation 1 copy, then more like the year 2000.

Final Fantasy IX is an RPG that has always managed to grip me with its first several hours of action and adventure and story-telling, and then lose me by the end of the second of four discs. I will continue to stick my flag in the ground and say that this epic adventure is too epic, and that the story should have concluded once Garnet was back in Alexandria, her mother, Queen Brahne, no longer a viable threat. Sure, sure, the whole Kuja side-plot would need some rewriting to make that work, but just have the two go down together and bring on the parades of peace and happiness and Vivi not feeling terrible about his existence. Everything that happens on discs three and four is insane, and I don’t mean crazy in a good. I mean characterized or caused by madness. Honestly, I tried to follow along in earnest, but once we got to the point where we learn that Zidane and Kuja are actually Genomes, sentient soulless beings constructed by Garland for the purpose of acting as hosts for Terran souls when two parallel universes merged…well, I gave up caring. There’s a really good chance I even got some of those details wrong, and I was using an online source.

Here’s the thing. Without its cast, Final Fantasy IX is just another adventure to save the world from destruction. From a single-minded villain. I’ll go out on a limb and say its three most pivotal characters are Zidane, Dagger, and Vivi. Steiner is one note, and that note is amusing and never sways too high or low, but not enough to be top tier. Despite not caring what was happening in the overall plot in the second half of this fever dream, I did care greatly about what was happening to each and with each of these characters, as well as many of the side, almost one-offs, such as Cid and Beatrice. The characters are quirky and troubled, all trying to better themselves or find their place in the world–something I can connect with. Also, those Active Time Events I loved so much? Yeah, they are nearly non-existent in the last two discs, which was a big bummer, as it is in those side snippets that you learn the most about the cast.

As it turns out, despite the number of hours I put into Final Fantasy IX, there are complete sections and quests that I didn’t even dip my toes into, for various reasons. Such as Chocobo Hot & Cold, a mini-game that is so lengthy and involved that it might as well be its own standalone title. Related to this is feeding Kupo Nuts to a Moogle couple and watching their family grow. Now, I did keep up with delivering mail for Mognet, but was unsuccessful in seeing it all the way through; evidently, you can eventually visit the headquarters and save the post office from fading into memory. Dang, that sounds pretty good. I also didn’t fight any of the Treno weapon shop monsters or participate in many games of Tetra Master, content to simply collect the cards, though I’d estimate I didn’t even hit 50% of them by the time credits rolled. There’s even more things I didn’t do, as my focus from disc three forward was on strengthening my team–always Zidane, Vivi, Steiner, and Dagger–and synthesizing good weapons and armor in their fight against Kuja’s evil minions.

Whew. Unsurprisingly, I suspect I have a lot more to say about Final Fantasy IX, but I’d rather wait for those thoughts and revelations to emerge naturally and not force them out through my fingertips. It’s a big game. There’s a lot going on here, and I’m not just talking about mechanics and boss fights and grinding. Vivi’s “who/what am I?” story is handled with such coldness and confusion, and it gets me every time. I still love how perfect the “Dagger Tries” ATE is in Dali. That said, every love connection felt really forced, and that ending cinematic and triumphant reveal was a little too drawn out for my liking. Again, like when I went back to play Primal, I’ve discovered that there’s both good and bad to examine here; real quick, I’m not at all saying that Final Fantasy IX is anything like Primal. In fact, it’s far superior, but both of those games are ones that I played the opening hours over and over again, building them up in my brain and assuming that’s how the entire game went. Nope, nope.

I’m most certainly not ready to commit to another entry in the series at this point. In fact, the only other one I have in my grasp that hasn’t seen its credits roll is Final Fantasy VIII, and I’m missing one of the middle discs because I was young and dumb once and loaned it to a “friend” who ended up moving away with it, which really puts a nail in that quest’s coffin. I would certainly love to dive deeper and play one of the older titles; that NES Classic Edition coming out this holiday season comes packed with the original Final Fantasy, as well as 29 other retro titles. Hmm. Also, perhaps one day, far, far down the road of life, I’ll give Final Fantasy IX another swing since it is now available on Steam and has a tempting list of Achievements to pop.

Until then, I’ll just cast “Sleep” on myself and crawl under a tent as a Moogle softly sings me to safety, to slumber.

2016 Game Review Haiku, #67 – Mr. Mothball

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You, Mr. Mothball
Jump, collect the blue trinkets
Sorry, don’t know why

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

2016 Game Review Haiku, #66 – Witchwood Academy

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Prep for spider fight
Days away–study, your picks
Go Olivia

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.