Here’s a bunch of games I’m looking forward to in 2019

I did this last year, so let’s see how things turned out in the end:

• Mineko’s Night Market – A game about crafting crafts, eating eats, and catting cats was supposed to come out sometime in 2018, but is now tentatively dated for 2019. I’m still interested.
• Staxel – This, I believe, did hit its release date, but I just never got around to it. I had plenty of other farming games in my collection to keep me distracted, I guess.
• Ooblets – Speaking of farming, Ooblets is an upcoming farming, creature collection, and town life indie game. This was another “sometime in 2018” game that has now been pushed to this year. I’m super-duper excited for it as it should also be coming to Xbox One.
• Red Dead Redemption 2 – Well, this obviously hit, and I obviously did not hit it.
• State of Decay 2 – This was my number 5 game of the year for 2018. I wasn’t in love with the stress of keeping my community afloat, but the wave-based zombie slaughter DLC mode Daybreak provided a good amount of mindless fun. I hope to one day start my community over, now knowing what I now know.
• The Lord of the Rings LCG – I’m assuming this came out at some point, but I haven’t really looked into it too much. Honestly, I’m more inclined to download and try out Magic: The Gathering – Arena. I like card games, but I don’t have the time, money, or social group anymore to play with real-life cards, so digital is the path forward.
• Long Gone Days – This also got bumped to 2019 though it has been in Early Access for many months.
• The Swords of Ditto – I did not get to play this yet, but shortly before 2018 ended, Twitch Prime handed out a free copy of this game, along with many, many others, so no excuses going forward.
• Legendary Gary – This came out, I requested a review copy, I got a review copy, and I enjoyed it.
• Knights and Bikes – Still TBA.

Okay, so I still got some tentative 2018 games to check in on this year, along with several other newbies. Namely, these beauts:

The Outer Worlds

The Outer Worlds is a new single-player, first-person, sci-fi RPG from Obsidian Entertainment and Private Division. One of those developers worked on Fallout: New Vegas, so clearly I’m deeply interested from the get-go. Lost in transit while on a colonist ship bound for the furthest edge of the galaxy, you awake decades later only to find yourself in the midst of a deep conspiracy threatening to destroy the Halcyon colony. Sounds like a good time to me.

Stranger Things 3: The Game

Not to be confused with Stranger Things: The Game, which is a retro thingy available on phones and something I have played a tiny bit of. This will be a 16-bit, top-down action game that lets players take control of the series’ main cast throughout the events of the upcoming third season of Netflix’s popular science fiction show. Not much else is currently known.

Animal Crossing

Ah, my entire reasoning for getting a Switch relatively soon–Animal Crossing. I do hope it expands a bit more than Animal Crossing: New Leaf did from Animal Crossing: Wild World. I want even more options when it comes to things to do, with plenty of nifty secrets to discover, like money rocks or stacking fruit. I’m sure I’ll love it either way and will end up sinking the most hours into it of any game I play in 2019. That’s a guarantee.

The Sinking City

The Sinking City is an upcoming adventure-horror video game developed by Frogwares and published by Bigben Interactive, inspired by the works of horror author H.P. Lovecraft. It seems to be heavy on spookiness and atmosphere, and while I don’t play a ton of horror-themed games, this was has me mildly interested.

Pikuniku

I know very little about Pikuniku, but it appears to be Mr. Men: The Videogame. Sort of. By the way, if you really wanted to know, I’m a total duplicate of Mr. Worry, both in shape and color. Anyways, I’m digging the art style, for sure, and it sounds like it’s a puzzle-driven adventure with a focus on physics. Hmm. Curious to see more, and the game comes out at the end of this month. Maybe I’ll get lucky and ask for a review copy.

Rage 2

Trust me, I’m no Rage defender, as I couldn’t believe how abruptly that first game ended, but I liked inclusion of multiple mini-games and the strangeness of the world’s characters. Wasn’t too into the driving, but the shooting felt good, and the environments were kind of neat. Plus, it had a mission bulletin board in the middle of town, which I will always appreciate. The second game seems to be zanier times ten, and we’ll see how it turns out.

Kirby’s Extra Epic Yarn

Kirby’s Epic Yarn for the Wii is a game I loved, never finished, and have since lost the disc to, though I have the case and instruction manual, which breaks my yarn-knitted heart. I’m happy to know then that it is heading to the Nintendo 3DS in 2019 under the expanded title of Kirby’s Extra Epic Yarn. Every stage in the original Wii version is stitched in, but this handheld version has some new features, like the ability to craft bigger yarn balls, summon bead-collecting wind, and play two new modes featuring familiar faces, namely King Dedede and Meta Knight. I’m ready to drown in its cuteness all over again.

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That’s all I can think of at the moment, but I’m sure there’s more to come down the pipeline, plus the ever-surprisingly amount of unheard of indie games to pop up.

What games are you most looking forward to in 2019? Share with me in the comments section below.

The time to chat up every NPC in EarthBound has arrived

We are finally here, and by we I of course mean just me, but here it is: it’s 2019, and I’m playing EarthBound for the very first time. Y’all might remember me getting a digital copy of this game for the Wii U back in, oh, May 2015. Well, now that I plan to get a Nintendo Switch and put my Wii U away into storage, I’m forcing myself to see as many of the games I have on it before the inevitable takes hold and all I do with my free time is play whatever this new Animal Crossing is going to be. Until then, uh…fuzzy pickles? Yeah, fuzzy pickles!

I’m sure I’m just rehashing what everyone else out there already knows and has known for years upon years, or at least 1995, but here we go. EarthBound takes place about a decade after the events of Mother, in the fictional country of Eagleland, which doesn’t mean a whole lot to me seeing as I haven’t played anything else in this legendary series. You start off as a young boy named Ness–get it?–as he investigates a nearby meteorite crash with his neighbor, Pokey, to find his brother, appropriately named Picky. There, they stumble upon an alien life-force known as Giygas, which has enveloped and consumed the world in hatred and, consequently, turned animals, humans, and mundane objects into malicious creatures. However, Buzz-Buzz, a small, bee-like creature from the future, instructs Ness to collect melodies in a Sound Stone to preemptively stop Giygas, and so the grand adventure begins.

Well, when I say begin, I really mean…wander around Onett for hours on my own quest to talk to every single person and try to go through every single door before moving forward with the plot. There are a ton of NPCs, and many of them offer good advice or tips, and some just say really strange things to Ness or provoke him into a battle. I think at one point someone, or something, tasked me with answering a specific Beatles-related trivia question (FYI, the answer was “Yesterday”). It’s all a little strange, and the strangeness is strange because, looking at EarthBound, it appears to not be your typical JRPG. For one thing, it is set in a somewhat modern-looking time period, with drug stores, burger joints, and town halls to explore instead of fantasy-like villages and mountain caves as seen in games like Illusion of Gaia and Secret of Mana at the time.

I’m also doing a bit of grinding, both in terms of combat and getting money from my phone-father deposited into my bank account. Since Ness is by himself at the start, some enemies, mainly the Sharks when they double or triple team him, can be too much to handle. So I’m fighting dogs, crows, and snakes on repeat, but Ness is now around level 8 and has better gear, which means he takes less damage. Also, when battling against truly weaker enemies, combat is handled automatically without having to go into the whole transition thing, which is nice; I liked it in Dragon Quest IX: Sentinels of the Starry Skies where enemies ran away from you, and I like it a lot here too. It means less mashin’.

Let’s talk about the combat in EarthBound, which is turn-based and does not feature random encounters. Ya-hoo. You see the enemies on screen and can try to approach them from behind for a potential bonus attack, or, if they get the jump on you, they get first dibs on moving. In combat, characters and enemies possess a certain amount of HP, and attacks to an enemy obviously reduce their HP. Once an enemy’s HP reaches zero, it is defeated…or, to use the game’s language, tamed. Sometimes you will receive an item after the battle, like a Cookie. As far as I know, you only control what Ness does, but maybe that will change once I get more peeps in the party.

So far, since I only really have Ness in my party, the battles are a bit one-note. I simply spam the attack button each turn and occasionally have to stop to eat a HP-refilling item or use a spell, called PSI attacks, which use up your PP. It often feels like luck or the roll of a die when attacking; sometimes you hit, sometimes you miss, and sometimes you land a critical blow, but there’s really no guarantee to what will happen, which can be a little frustrating early on. I did lose in battle to a couple of Sharks, which dropped me back at home with half my money gone; I had tried to “run away” from the fight twice to no avail. Again, it might be all about that luck stat, who knows.

I’m only a couple of hours into EarthBound and still haven’t visited Giant Step. Trust me, I’ll get there. However, I’m sure there is a lot more to see and do before this adventure concludes, but I’m definitely intrigued enough to keep going. There are a couple of things I don’t immediately like, such as a limited amount of inventory space and how expensive sandwiches are, but I can get over that thanks to the game’s colorful aesthetic and bouncy soundtrack that borders on pop and general weirdness. Seriously, the music makes some hard, dramatic swings from wandering around town, to entering shops, to engaging in battles, and it’s all kooky and catchy.

Don’t worry, I’ll be back with more thoughts on EarthBound. Until then, answer me this–can Ness get run over by cars in Onett? I’ve been avoiding them, afraid to find out the truth.

You can totally play or not play Idle Champions of the Forgotten Realms

There was a time when I was trying to document all the games that didn’t actually run on my then-laptop, which, to me, was an amusing topic. I liked the honesty behind it. Since then, I’ve gotten a better laptop though it still can’t run everything. No, really, I mean that. The game Everything stutters, and ABZÛ feels like you are swimming through the thickest JELL-O pool ever, even on the lowest of low settings.

Well, Idle Champions of the Forgotten Realms was one game I tried to play, but couldn’t get it to run properly; I’ve since then tried it out on Steam on my new laptop and enjoyed it moderately, as I do with most idle clicking games, save for Harvest Seasons, which I can’t stop “playing” in the background while doing other work, but the game is getting a second chance at life with me by now being playable on the Xbox One. And still remaining free as a bird. Or rather a crow, which I can shoot down by hitting RT+X and earning a bit more gold.

Idle Champions of the Forgotten Realms is an official free-to-play Dungeons & Dragons-based strategy game from Codename Entertainment…though those are the developer’s words, and I have a hard time calling anything I’m doing in this truly strategic. Basically, you assemble a party of adventure-thirsty champions–all varying in race, gender, and style–and master the art of Formation Strategy as you take down wave after wave of enemies. Depending on who is next to who in your party, different buffs are available. For instance, if the elf lady is behind the dwarf dude, the dwarf dude–sorry, I can’t remember any of their names–might do 25% more damage…or something like that. As you battle, you’ll collect gold, which you can spend to upgrade your heroes, collect unique gear, and unlock new champions.

Naturally, since this is a free-to-play game, it is supplemented by in-game purchases up the wazoo. Chests containing special equipment and gold can be purchased to help the adventurers progress further faster. However, good things come to those who wait, or, in this case, simply don’t play. Your champions will continue grinding down enemies to a pulp even when the game isn’t open, so when you return to it you are showered in a large amount of gold, plenty of enough to then upgrade your heroes and take on that previously hard-to-beat boss. This kind of thing always reminds me of Fable II and the money you’d earn while not playing from investing in real estate across the fantasy land.

I do actually enjoy the amount of attention Codename Entertainment put into the campaign stories, with them often leading to side variants to try later on. That said, there’s a ton of stuff around the edges of Idle Champions of the Forgotten Realms that make my head spin, and I just can’t be bothered to figure out what any of it means. There’s snowflakes to spend, there’s event currency, familiars, farming techniques, idle trials, and so on. Ugh. Like Clicker Heroes, there’s depth to dive into, if you want, but it’s all a little too much for me these days. For me, I like playing the game a little, but really like returning to it after not touching it for days, upgrading my champions, making a wee bit more progress, and then rinsing and repeating with the ignore it for days part. Also, mashing the B button gets tiring super fast.

Continue to smoothly dodge bullets with SUPERHOT: The Card Game

Let’s just get this out of the way right from the start:

SUPER…HOT.
SUPER…HOT.
SUPER…HOT.

Phew, there. Now we can begin proper and talk about SUPERHOT: The Card Game from Grey Fox Games, which is both alike and different from its videogame counterpart, which I greatly enjoyed playing through last year. Y’know, despite not really understanding anything related to its narrative. This is a micro deck-building game, based on something called Agent Decker, which I have not checked out yet, though there seems to be a free print-and-play version. In this one, naturally, you use abilities and items to deal with increasing threats, such as men with guns and flying bullets. Threats you eliminate are added to your hand, giving you improved abilities and more options while bringing you closer to victory; however, you need to be careful because the more cards you use, the faster you move through time, which is represented by a line of obstacles moving in your direction.

Okay, let’s get more detailed without hopefully making your eyes glaze over. Rules for board games and card games can sometimes be a lot to take in, which is why simpler games like Just Desserts, Bandido, and Elevenses are more digestible. Basically, on your turn, you need to interact with obstacles–whether killing them or knocking them out, though I still don’t understand how you knock a table out–to increase future possibilities or give you more time before bullets begin to appear in the line, which are harder to deal with. The cards that you use are discarded to the obstacle pile while cards you pass by are placed in your personal discard pile, creating a mini-deck of cards. The game has three types of obstacle cards: enemy, scenery, and objects, with each type giving you different abilities when they’re in your deck. Your goal is to complete three tiers of missions–level one has one mission, level two has two, and so on–while not running out of cards or ending up with four bullets in your hand.

Initially, I was very confused with how a turn went in SUPERHOT: The Card Game. I ended up watching three or four videos to finally see how things are supposed to go, and I get it better now. Still, I’m constantly flipping through the rulebook to make sure I’m doing things correctly. For my last game, I managed to get to the third tier of missions, but ended up running through all the bullets in the bullet deck, which is an automatic loss. Wah. Here’s hoping my next run is more successful or, at the very least, more confidently done. There’s both cooperative and versus modes, but the game was definitely designed for solo gaming, and I think that’s where it will remain with me.

I really, really love the look of SUPERHOT: The Card Game. Obviously, it draws many of its images from the videogame, which is sparse on details yet high on style, but the cards themselves manage to contain a lot of information without being completely full of clutter or text. They maintain the dedication to the colors red and gray, and the mission cards all contain a bunch of code that probably says something to people that can read code, but I’m left in the unknown. Either way, it’s slick and cool and feels futuristic.

SUPERHOT: The Card Game features game mechanics that forced me to figure out the best tactical and strategic solutions in each moment.  Do I destroy that flying bullet or clear out the enemies that, if I don’t, will add more bullets to my deck? Do I want to empty my hand, moving time forward quickly and risk seeing more bullets coming my way? Sometimes the best laid plans don’t always work out, but, in the given moment, you do feel in control. This often resulted in tense decision-making, but felt satisfying when things did work in your favor.

For a solo game, it can take anywhere between 15 and 45 minutes, depending on how often you need to re-read the manual, but once things get going, and you understand the flow of turns, the game stops being about the manual and specific rules and more about moving through time as you see fit, and for that SUPERHOT: The Card Game flips a table and lives to see another day.

See what horrors The Doll Shop holds at your own risk

Naturally, I was drawn to The Doll Shop for its beautiful watercolor artwork and depiction of life in the Japanese countryside, not its focus on dolls. I’m not into dolls in general, but I’m really not into dolls that look like little children or come alive and are violent. Maybe I watched Child’s Play when I was too young or maybe I still can’t get that episode of The Twilight Zone out of my head where a ventriloquist’s doll is both alive and neglected, replaced by one called Goofy Goggles, and exacts revenge on his master by flipping their roles; that said, I’m perfectly fine with nesting dolls. Either way, they aren’t for me, but that doesn’t mean they aren’t for others. Such as the main protagonist in The Doll Shop, a young man in his twenty-somethings that repairs dolls for a living, though I don’t think we ever learn his name…

The Doll Shop comes from Atelier Sentô, which is a French duo, specifically Cécile Brun and Olivier Pichard. Their work is often based on their travels throughout Japan. This one is set in a small, desolate village during the winter. The village is still reeling from a girl disappearing weeks ago, but life goes on, especially for our leading lad, who is repairing broken dolls while also collecting butterflies in his shop’s back room. However, he is harboring a great and terrible secret, and when a childhood friend returns to the village and reconnects with him, he finds himself unable to not contain what he has done.

The game is a mix of horror, romance, and light puzzle solving. It’s both a point-and-click adventure and visual novel, and the game offers you several choices to make throughout your days in this cold, dark village. These will affect your ending, of which there are three to see, and you can also collect posters as you explore around. The only tedious part of The Doll Shop is when you have to constantly dip your paintbrush in the paint after each action you take to fix the doll, but that’s a minor complaint at best. Everything else is sublime and beautifully done, though I do wish there was more things to click on and get descriptions of, especially when it comes to things like bath-houses and shrines, which, as an American who has never really left the country, except to go to Canada, I do not have a lot of experience with.

The graphics for The Doll Shop were hand-painted with watercolors by twenty-three students over three days in January 2018 during a workshop at the ECV art school in Bordeaux, France. Each student selected a part of the background, such as a tree, house, or mountain, and drew a sketch of it on paper. Next, they used a light pad and an 8B pencil to copy it on to watercolor paper. After that, the drawings were painted with watercolors. Finally, all the drawings were scanned, cut out on Photoshop, and incorporated into the game, which was made in Unity with the Adventure Creator add-on. The results are simply stunning, both in motion and as simple stills; I personally loved the look of all the buildings as I explored the village while the snowfall changed from light to heavy and back to light, all backed by a wonderfully quiet yet atmospheric soundtrack.

Anyways, just like with every Metal Gear Solid game, you get a progress screen at the end to tell you how you did and what is left to uncover. If I was to make up a title based on my work, I’d say I earned Gossamer-winged Butterfly. Right. Moving on, my results after the first playthrough of The Doll Shop are as follows:

I don’t plan to replay The Doll Shop. My story is my story, and those choices I made are locked in place. Ending B is all she wrote. I tried to play the main protagonist as a broken man breaking down, desperate for help, but sometimes unable to speak the words. He did terrible things and is terribly troubled, and soon everyone will know. I hope he gets help, and I mourn for those in mourning, now burdened with extra trauma. Yet another doll story to forever stay in my mind and haunt me for years to come. Thanks, Atelier Sentô.

Paul’s Preeminent PlayStation Plus Purge – In Space We Brawl

This won’t be a long post, I promise.

In Space We Brawl is a twin-stick shooter that clearly wants you to play locally with a bunch of buddies next to you on the couch. I have no such buddies, nor enough PlayStation 3 controllers to do such a thing, which is why I was also quick to remove things like Atomic Ninjas and Starwhal. Local multiplayer matches allow for up to four players, and you can even put together teams. There are more than 150 combinations of weapons, such as laser cannons, plasma swords, flame launchers, and guided missiles, and ships to try out. Each map is full of obstacles to also avoid too, such as asteroids and black holes.

I first did a few of the “challenges,” which are more or less tutorials. The writing around these is snarky and somewhat aggressive, like when the game congratulates me on being able to use my thumbs to move the ship around. Gee, thanks. I’m not a big fan of being made fun of when trying to have fun playing a game, and I’ve seen this type of snark too often lately. It’s becoming exhausting, if I’m being honest, and it just feels lazy overall.

You can add bots and adjust their difficulty to your matches if you don’t have anyone else to play with, which I did. I left them on “medium” difficulty and found myself exploding every few seconds. I also didn’t find the shooting very satisfactory or even effective, but maybe I attached the worst gun in the game or something. Either way, I didn’t have a good time, and so that was it for me and In Space We Brawl.

Remember, in space, no one can hear you uninstalling a game from your PlayStation 3.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.

It’s undoubtedly time to put my Wii U out to pasture

When the news hit in September 2018’s Nintendo Direct that a brand-new Animal Crossing was coming to the Nintendo Switch in 2019, I immediately told Melanie this: “Well, looks like I need to buy a Switch next year.” Sure, sure, there are plenty of other Switch-only games I’ve been wanting to play, such as Super Mario Odyssey, Pokemon: Let’s Go, Eevee!, and Octopath Traveler, but nothing has gotten me as excited as the prospect of losing myself once more into the world of chattering animals, larger-than-life debts, and a thousand and one things to collect. Plus, similar to Animal Crossing: New Leaf, this is playable on the go, which is how I’ve always preferred to play; sorry about that, Animal Crossing: City Folk.

That, unfortunately, means the Wii U needs to go into storage. Why, you so nicely ask? Well, I only have so much space in our entertainment center, and right now the three slots are taken up by our cable box, the Xbox One, and the sadly underused Wii U. My PlayStation 3, PlayStation 2, and Xbox 360 (also now basically unused due to the solid amount of backwards-compatible games on the Xbox One), along with my NES Classic, are upstairs in my office/drawing space. Now, my Wii U library is quite small, tiny enough that I don’t feel odd listing every single game I own for it right here and now, both digitally and on disc:

• Affordable Space Adventures
• amiibo tap – Nintendo’s Greatest Bits
• EarthBound
• The Legend of Zelda: Breath of the Wild
• Mario & Luigi: Superstar Saga
• NES Remix
• New Super Mario Bros. U/New Super Luigi U
• Nintendo Land
• Shantae and the Pirate’s Curse
• Super Mario Maker
• Temple of Yog
• Wii Fit U

Honestly, originally, I only bought a Wii U for Wii Fit U, as I was trying to work some exercise into my life at the time, and I’d rather gamify working out than go to a gym and feel super not confident on machines and such. It came with a copy of New Super Mario Bros. U/New Super Luigi U, though I don’t know if I played it at all yet since getting my Wii U back in…oh my god, 2014. This is probably the most underused console I’ve ever owned, with The Legend of Zelda: Breath of the Wild seeing the most action on it, followed by Super Mario Maker and the Netflix app. Yikes on that last part.

Since the Wii U is backwards compatible with the Wii, though you still have to use the sensor bar and keep those WiiMotes full of fresh batteries, which is beyond exhausting, I’ll list all my Wii games too that will eventually just go into storage soon, many of which I haven’t even played once, ugh, because I’m a terrible gamer-man:

• Disney Epic Mickey
• FlingSmash
• Heavenly Guardians
• Legend of the Dragon
• The Lord of the Rings: Aragorn’s Quest
• MySims Agents
• MySims Kingdom
• Super Paper Mario
• Zack & Wiki: Quest for Barbaros’ Treasure

Some of these I’ve played and already written about here on Grinding Down, but I just don’t know if I will ever to get trying them all out. Which is a dang shame, especially for Super Paper Mario and MySims Agents, which, of the latter, is completely different than the version I played on the Nintendo 3DS. Same goes for The Lord of the Rings: Aragorn’s Quest, though this would be my third variation of that game (one on the PlayStation 2, and one on the Nintendo DS).

Either way, I’m going to try to milk out a few more posts about some of these games before eventually boxing them up and, most likely, never seeing them again.

Stay tuned.

Bandido wants you to stop a prisoner from escaping

I’ve never been to prison, and I hope to never go to prison, but there is a small piece of me that fantasizes about pulling the greatest prison escape, one that would make Alcatraz Island weep. Bandido, designed by Martin Nedergaard Andersen and put out by Helvetiq, is not actually about escaping, but rather preventing a prisoner from seeing blue sky and green hills ever again by blocking all passageways, forcing him back to his cell to continue counting the days.

To begin a game of Bandido, you place the Super Card. which is the one showing the prisoner in jail with multiple exit points, in the middle of the table, shuffle up the remaining cards, and deal three cards to each player. That’s all there is to begin the game, and I appreciate that, especially when things like One Deck Dungeon, Fallout: The Board Game, and even Friday take a good amount of organization to set everything up before you can begin playing.

On each player’s turn, you’ll place one card down so at least one tunnel is connected to an existing tunnel and then draw a new card. The one main rule is that you can’t block off any of the tunnels with walls when you’re placing a card; everything has to fit and connect. Only cards showing a dead end, represented by a circle and a hand holding a flashlight, can truly end a good-going tunnel. That said, there are a couple of other cards that basically form a loop that connects multiple tunnels together, and those too can block tunnels off. You win if you’re able to block all of the tunnels, and you lose if there are any open tunnels by the time you’ve gone through the deck or if you are unable to play any more cards.

In terms of complexity, there’s really not much to Bandido. The only strategic decision you ever have to make generally involves when to branch out to avoid cutting yourself off and when to tighten things up so that you can try to narrow multiple paths of exit down into just one or two manageable ones. This isn’t always easily done based on the cards in your hand and requires some table talk to try to figure out the most effective card placements. You can play it solo, but Bandido is better with more people, because it is more of a cooperative game that really makes you care about the outcome as a group. Sometimes you need to be aggressive and say things like, “Oh, don’t play a card there, I have a perfect one for it next turn.”

I tried playing it solo a few times, never winning a single game. Then Melanie and I played it twice the other day, winning the first game where the Super Card had only five exits, and losing horribly the second game with six exit options. Still, it is a good amount of fun, and the game is quick to set up, quick to break down, and small enough to fit in your pocket. The only real problem, much like Okey Dokey, is that is takes up a lot of table space, especially once the tunnels begin to get out of hand; a few times, we had to shift all the cards down on the table to make room for more growth, and that’s a touchy process, trying not to mess up the placement of all the cards in play.

Bandido isn’t a big game, but it doesn’t want to be. The rules are relatively simple to follow, and because the cards have no text on them, anyone can quickly learn how to play and see what to do next. For that, I really like it, and hope to stop the titular criminal from breaking free the next time we play it.

Paul’s Preeminent PlayStation Plus Purge – Unmechanical: Extended

I’ve tried playing through Unmechanical twice now, once on the PC and the second time on my PlayStation 3 with the Unmechanical: Extended edition. I feel like I got as far as I did in both games, which was not very far along if I’m being honest, stopping around the same point, somewhere deep in the mines section. I really wanted to like this puzzle-topia starring an ultra cute robot, but the puzzles eventually became too much for my tiny brain to figure out. Some are logical, and some are physics-based, but if all I’m doing is looking up solution after solution online, I don’t see the point of playing a game at all.

Unmechanical: Extended is a somewhat enhanced version of the original game, with an additional episode included to complete. This is first and foremost a puzzle adventure that combines tricky puzzle solving, exploration, and an engrossing if depressing atmosphere set amid tubes and machinery and underground tunnels. Taking place in a world of flesh, rock, and steel, your robot’s journey to freedom requires you to solve a great variety of puzzling challenges. Alas, my robot friend will never be free, and for that I am deeply sorry.

The controls aren’t too complicated. There are only three real options when you are controlling your robot buddy: moving it with the joystick, pushing a button to get a basic hint, and every other button on your controller activates your tractor beam; however, you have to hold down the button to keep your tractor beam engaged, and the beam can help move objects or activate levers. Some puzzles are self-contained in solitary rooms, while others are spread out across multiple areas, requiring you to travel back and forth, which can be quite frustrating and confusing, depending on the state of your memory.

Unmechanical: Extended is actually more than frustrating. Talawa Games clearly knows how to craft intricate puzzles, but the reliance on backtracking is a big ol’ bummer. The game’s world could have been a little more fleshed out, and the environments and additional robot critters all look rather bland or same-y. I don’t think I could really tell you what the actual plot is other than…escaping something, and maybe the additional content explores this further. It also sounds like there’s little to no replay value here, not that I’ll ever know. Lastly, the hint system. This should theoretically help players move forward, but the hints appear as thought bubbles or sometimes just a question mark, which feels too obtuse more than helpful.

Maybe one day I’ll give this another go, though I suspect I’ll get about halfway in and then give up because I just don’t have the energy to watch YouTube walkthroughs for the more complicated and involved puzzles. Sorry, Unmechanical: Extended, I just don’t have the energy.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.

2019 Game Review Haiku, #5 – The Doll Shop

Desolate village
Dolls are family, secrets
Charmingly creepy

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And we’re back with these little haikus  of mine. Go on, gobble ’em up. However, if you want to read more of my in-depth thoughts about these games that I’m beating, just search for them by name on Grinding Down. As always, enjoy my videogamey take on Japanese poetry, even if they aren’t instant classics, such as the works of Matsuo Basho, Yosa Buson, or Kobayashi Issa. Hey, not everyone gets to be that great.