100%-ing LEGO Marvel Super Heroes nearly broke me

Naturally, I saved all the elements I hated the most for last when working towards hitting the 100% completion mark in LEGO Marvel Super Heroes. Like races, of all variety. Like replaying every story level a second time to find the last few collectibles. That’s it, really. Those are the two mission types I disliked the most, as the fetch quests and bonus levels kept things lively, and so long as you have a character that can fly–my go-to was always Galactus or Ms. Marvel–then you can zip around the hub world and start checking off tasks…somewhat quickly. Getting there is no big problem, but one still has to factor in solving the puzzle to unlock the gold brick, vehicle, or character.

Races in the sense of a competition between runners, horses, vehicles, boats, etc. to see which is the fastest in covering a set course are just the worst when it comes to open-world videogames. I avoid them at all costs. I think I did the obligatory one in Grand Theft Auto V and never went back. There are a few types in LEGO Marvel Super Heroes: in air, in vehicles, or on foot. None of them are fun. One mistake generally costs you the entire race, forcing you to go back to the mission giver and try again, which is sometimes not an easy process. The flying ones are a real hassle as the controls for zipping through the sky like some cool person are clunky and, nine times out of ten, work against you. Here’s a real kicker though: Maria Hill challenges the player to a go-kart race on the S.H.I.E.L.D. Helicarrier, but it’s on a digitalized, floating track in the sky, and if she wins, the track disappears, and you fall all the way down to the city below. Want to try again? You have to either fly back to the Helicarrier or use a warp station.

Let’s talk a bit about Stan Lee. You know, the iconic American comic book writer, editor, publisher, media producer, television host, and actor who loves making cameos whenever it comes to all things Marvel. He’s a collectible in LEGO Marvel Super Heroes, and there’s fifty in total to rescue. One Stan Lee in Peril is found in all the story levels and bonus levels, with the rest, a good twenty or twenty-five out in the hub world somewhere. Thankfully, an icon appears on the map to let you know where he is, but you can naturally only rescue one at a time. He’s not Multiple Man, mind you.

Anyways, after rescuing a bunch of Stan Lees in the hub world, I noticed there was no new icon showing up, which lead me to both recheck the map several times, but also assume that any new Stan Lee rescue missions were locked until I did something else. Or hit a set percent completion. As it turns out, that was not true; instead, there was a Stan Lee icon on the map the whole time, just hidden underneath another icon, one for a story mission that I had already completed. I only saw it visible when glancing at the mini map; you can’t see it through viewing the large map. In short, I could have been collecting Stan Lee the entire time, but didn’t because the developers thought it was a good idea to hide the icon on a map they clearly knew gamers were going to use as a means to set waypoints and track down things. In shorter, screw Stan “The King of Cameos” Lee.

Lastly, even after hitting 100% completion and enjoying the warm fuzzies of seeing all those collectibles collected, I still wasn’t done with LEGO Marvel Super Heroes. See, I began playing the game co-op with my girlfriend, and evidently the Falling…with Style Achievement for successfully sky-diving off the S.H.I.E.L.D. Helicarrier is glitched if you try to do it first in co-op. The only way for me to pop it was to start a new game and never bring in another player. More frustratingly, you don’t get access to the S.H.I.E.L.D. Helicarrier until after the first story level is completed. Imagine me, drained from grinding my heart out on LEGO Marvel Super Heroes, having to play a story level for a third time simply to be fully done with this mutation. Also, you can’t skip cutscenes the first go around. I grumbled through it, jumped off the Helicarrier, saw the Achievement pop, and felt an invisible weight lift off my shoulders.

At one point during my seemingly impossible climb to 100% completion, Deadpool mocked me for even trying. Made fun of me going after all these collectibles or doing another vehicle race simply to check it off an imaginary to-do list. I get that that’s Deadpool’s thing, breaking the fourth wall and whatnot…but when the videogame you are attempting to master is leaning back and laughing at you, one has to wonder. Super heroes are often defined by their sacrifices. I feel like LEGO Marvel Super Heroes is one of my greatest.

Upgrading ED-E and my Xbox 360 in time for Fallout 4

It’s crazy to write this, but Fallout 4 comes out this week. I’m under no embargo, so I can totally say that out loud without fear of retribution. In fact, on Wednesday, I’ll be joining the next generation of gamers–a.k.a. the current gen–with an Xbox One and a retail copy of Bethesda’s post-apocalyptic take on Boston. Yeah, I know the game releases to the public a day prior, but my bundle won’t arrive until Hump Day. That all said, I’m totes excited.

I fired up Fallout: New Vegas over the weekend because the reality is this: once I can deep-dive into Fallout 4, it’s going to be hard to return to any of the prior games. That’s fine when it comes to Fallout 3 because I saw and did nearly everything possible, but there’s still a handful of things to do and Achievements to pop left in Fallout: New Vegas, and it seems like I haven’t touched my console copy of the game in about three years. A couple of them still seem too much for my waning heart, like completing an entire run on the “hardcore” difficulty or getting banned from all the strip’s casinos. However, I noticed that there were two left unpopped from the Deathclaw- and radiation-heavy DLC Lonesome Road. Hmm. Off to the Divide!

My first focus was on upgrading everyone’s favorite floating eye-bot equipped with battle theme music ED-E with all five performance enhancements. I guess I missed one or two the only other time I played the DLC, which meant I opted to have a guide open next to me as I both meandered through the irradiated land and listened to Dave Lang coin future Giant Bomb phrases like “get monked” during his Extra Life 2015 stream. I was able to get four of the five upgrades for ED-E, which do stick in the robot permanently when you return to the Mojave Desert, but one required a Science skill level of 75 or up to hack a terminal and open a locked door. I’m guessing I didn’t have the skill high enough before. Well, as luck has it, I did not have a great Science skill with this character either, so I grinded out some XP and used a magazine to hit 75 on the dot. Check it out:

ED-Ecated (20G): Find all of ED-E’s upgrades in the Divide.

The other Achievement that I was juggling progress towards as I outfitted ED-E for the future is Warhead Hunter, which tasks the Courier with detonating all of the warheads in the Divide. There are thirty in total, and by the time I had spoken Ulysses down from unnecessary violence–thank you, 100 Speech skill level–I had twenty-four taken care of. Then I hit up the Courier’s Mile for two more, which is a really tough section full of radiation and Deathclaws; I kind of zipped in, used the laser detonator, and got out faster than you can say wasteland omelet. That means I have four left, and I’m not sure exactly where they are, nor do I feel like retracing every step I took to unearth them. Kind of a bummer, but my fault for not following a step-by-step guide.

If anything, this brief return to Fallout: New Vegas has reminded me of what I’d like to see greatly improved in Fallout 4. Combat can still be chaotic and clunky, and sometimes you can mash on the Pip-Boy button only for your character to never bring it up, leaving you open to the deadly swipe of a Deathclaw. The menus themselves continue to be a struggle to get through. That standard Bethesda jank will never go away, seeing as I had enemies doing cartwheels through walls during slow-mo V.A.T.S. moments, but I’d like to see less of it on an enhanced engine.

Considering my Xbox One bundle comes with a digital version of a backwards compatible version of Fallout 3, there’s hope down the road of Fallout: New Vegas also getting the same treatment. If so, cool. Perhaps by then I might be in the mood to return to Brown Town and finish up the remaining six Achievements. Until then, I have Fallout 4‘s ruined Boston to explore, which is doubly interesting to me seeing as I visited the real-life city back in August and expect to recognize several locations. Hopefully one of them is the fake Cheers bar. It’s gonna be wicked.

2015 Game Review Haiku, #56 – Quarrel

A battle of words
Can’t see the anagrams, pause
Look up, rearrange

–

From 2012 all through 2013, I wrote little haikus here at Grinding Down about every game I beat or completed, totaling 104 in the end. I took a break from this format last year in an attempt to get more artsy, only to realize that I missed doing it dearly. So, we’re back. Or rather, I am. Hope you enjoy my continued take on videogame-inspired Japanese poetry in three phases of 5, 7, and 5, respectively.

The Mirror Lied is an experiment intentionally too vague

Earlier this year, I finally got with the times and played To the Moon, which I quickly followed up with its holiday mini-episode. I ate both up quickly, excitedly, and then immediately went to Freebird Games’ website to see if there was anything else to play. Turns out, yes, seeing as I had a copy of The Mirror Lied in my videogames folder for some months now. I’m guessing I never grabbed a copy of Quintessence: The Blighted Venom because I saw that it was incomplete and currently on hiatus. Too bad. Regardless, I finally got around to playing The Mirror Lied a few nights ago, and I have no idea what went down by the time credits rolled, which seems intentional, if not entirely successful.

I’m going to now give you my interpretation of The Mirror Lied‘s plot, but this could be entirely wrong. You play as Leah, a young, faceless girl living in a house all by herself. She has a friend–a bird called Birdy. Somebody keeps calling her house’s landline, telling her what to do, when all she really cares about is watering her plants, choosing the right dress to wear, and exploring the house for secrets. Eventually, she’ll escape, to the roof. Or maybe it’s all a metaphor for depression slash nuclear war slash coming of age slash menstruation. Really, I’ve got no idea, so tell me your take below in the comments.

Similar to To the Moon, this is an adventure game, where you explore your surroundings, gather items, and advance the plot. One strange mechanic here though is that you have a limited amount of time to reach the ringing phone, which makes sense from a logic standpoint, but gameplay-wise it’s just annoying. I’d be watering the magically growing plant only to suddenly learn I had five seconds to get to the phone; figuring out how to trigger the ringing a second time after missing it was hit or miss, with me forcing Leah to wander aimlessly until it happened again. It might have seemed neat on paper, but not in function. There’s also a single scenario where you have to use the inventory menu to load an empty gun full of bullets, which was clunky. Otherwise, just have Leah walk up to stuff, examine the items, and move on.

Interpretation certainly has its place in art, such as with the ending to LOST or that couple of dressed up lovers in The Shining who are clearly into some raunchy things, and videogames occasionally let you determine for yourself what you just went through. The Stanley Parable, despite having a narrator tell you every little detail, leaves plenty of room for your own take on events. Superbrothers: Sword & Sworcery EP says a lot through very little. I still occasionally ponder what LIMBO was trying to get across years later.

However, here, in The Mirror Lied, it all felt like an exercise in simply trying out mechanics and puzzles–nothing more, nothing less. A half-hearted attempt at a narrative to connect everything was provided with Leah, Birdy, and the phone calls, but the rest is left on the back-burner, because it doesn’t matter if you understand what is happening by the end, only that you got there, by figuring out how to unlock drawers, access a computer’s email network, and fill up a bucket with reddish liquid to water your ladder to freedom.

The Mirror Lied‘s developer Kan Gao stresses that it is not a horror game, that nothing will jump out at you. Can’t argue with that.

Where They Once Were ended with me cold, dying alone

Where They Once Were is another teeny tiny yet impressive result of Ludum Dare 31, which brought us cheerier titles like Kram Keep and A Place in Space. Actually, no–both of those contained their fair share of murder and mayhem, though here it is downright brooding. Anyways, that thirty-first game jam’s theme, in case you forgot, was “Entire Game on One Screen,” and I’d say Where They Once Were absolutely nailed it, seeing as everything happens on a single screen, in and around a snowed-in log cabin.

Basically, Where They Once Were is a survival game. Like your first few nights in Minecraft or all of The Forest from the moment the plane crashes. I’m just not sure if one can, ultimately, survive the many snowy nights, but a better player than I might be able to make it. There’s three endings, of which I got two: eaten by a wolf, and cold, alone, with no more supplies. Not sure if the third ending is a victory or just another way to buy the farm; I couldn’t figure out what to do differently. Maybe it has something to do with that snowman outside the cabin.

For controls, you can use the arrow keys to move left or right, up grabs items or drops whatever you are currently holding, and the space bar interacts. Sometimes it’ll interact with whatever you are facing, sometimes it’ll go to what is in your hand, and the other times it’ll use what’s in your hand on what you are facing. That might sound confusing, but it’s really not. For example, to stay warm at night, you need a roaring fire. To do that, you go over to the log pile, carry a bunch of logs back to the fireplace, and press the space bar to drop them in. Then you grab a book of matches, go back to the fireplace, and light them on fire. Rinse and repeat each night to keep on keeping on, while other elements development.

Where They Once Were‘s puzzles aren’t too tricky to figure out, as everything, more or less, follows a logical path. Yes, part where you use a shotgun to shoot a ladder down, I’m raising an eyebrow at you. Need that can of food opened as soon as possible? Whack it with your shovel. Once you are fed, warm, and free from outside danger, you can use the bed to sleep safely through another balmy night. However, the odds are stacked against you from the start, with a limited amount of supplies in the cabin, meaning you’ll have to work hard to make everything last. There’s not much in the sound department, but the absence of sound effects adds to the mood, though I don’t believe that to be an intentional decision, rather a cut due to time.

The game’s page describes the story as about “a woman finding a weird abandoned cottage while escaping pursuers.” A couple things. I never got the sense that the main character was a woman, though with pixel art it can be difficult to tell. Shame on me for assuming this. Also, there was no mention of being chased by off-screen villains, so I took this more as this person lives out here by themselves in the day-to-day, but must now survive the harsher weather for a few nights on a sliver of supplies. You don’t get much in terms of words-on-screen narration, though I did find a diary with some obtuse writing in it. Regardless, surviving is the goal, and the reasons behind it are up for interpretation.

Either way, it’s a neat survival game that may help you years from now if you find yourself trapped in a snowstorm with only a creepy log cabin for safety. You can download the original jam version of Where They Once Were in the link from the previous paragraph, which is the one I played, or there’s a post-jam version here that adds sound effects and additional endings. Both will suffice in terms of atmosphere and experience. Let me know if anything happens with that snowman. Really now–I know it’s vital for living.

2015 Game Review Haiku, #55 – The Mirror Lied

Birdy gonna fly
Right over your house, kill it
Interpret yourself

–

From 2012 all through 2013, I wrote little haikus here at Grinding Down about every game I beat or completed, totaling 104 in the end. I took a break from this format last year in an attempt to get more artsy, only to realize that I missed doing it dearly. So, we’re back. Or rather, I am. Hope you enjoy my continued take on videogame-inspired Japanese poetry in three phases of 5, 7, and 5, respectively.

Running the mercenary unit Militaires Sans Frontières like a Big Boss

I’m not sure where I first heard this–or if it is even true–but Metal Gear Solid: Peace Walker was originally supposed to be the real Metal Gear Solid V. And Hideo Kojima’s last game. I’m glad neither of those came to be, and while I don’t know too much about The Phantom Pain–I’ve avoided listening to countless podcasts over the last month or so, as well as skipped any and all coverage at Giant Bomb to remain as spoiler-free as possible–I do know that the newest game involves taking on individual missions to recruit members to your main base and grow its power and potential. Well, Peace Walker does that too, but on a much smaller scale.

Set in 1974 in Costa Rica, Peace Walker follows the exploits of returning protagonist Big Boss–you might remember him as Naked Snake from Metal Gear Solid 3: Snake Eater–as he runs the mercenary unit Militaires Sans Frontières (Soldiers Without Borders). A mysterious group called the Peace Sentinels have been deployed in-country. Unfortunately, the Costa Rica government cannot do anything about them because the country’s constitution does not allow the creation of armed forces. The presence of the Peace Sentinels threatens to endanger the balance of power between the East and West, forcing Snake to intervene. Plus, he wants to build up his Mother Base.

Peace Walker is broken up into two primary modes: “Mission” and “Mother Base.” Missions are the traditional action/sneaking scenarios of the previous games, with Snake creeping through a jungle or occupied building to either kill a certain someone, rescue somebody or somebodies, or gather some intel. It’s the expected mix of sneaking, fighting, and watching. Mother Base is a crew managing simulation where you assign people to different work areas to strengthen your soldiers, upgrade your items and weapons, or keep everybody healthy, happy, and fed.

For missions, you can play either as Snake or a male or female MSF soldier, though some missions will only be available for one or the other. Your score is penalized with a lower rank and reduced heroism for the excessive murdering of soldiers or frequently being discovered, which works fine for me as I’m all about stealth pistols, stun grenades, and using the Fulton surface-to-air recovery system to send knocked-out enemies to Mother Base to switch sides. Also, using items and weapons results in leveling them up at the end of a successful mission, which means Snake is only going to get better and better at making grown men fall asleep where they stand. Peace Walker is designed for co-op play, but I’ve been doing fine so far going at it solo.

In terms of story, so far, Peace Walker is fairly traditional. Shocking, right? I mean, I’m fighting straight up tanks for boss battles at the moment, not psychics that can read my memory card save data. That said, I expect this to go from sane to insane in a short span of time, and I’m really digging the comic book style to the cutscenes, drawn by Ashley Wood, especially when they are interactive. Peace Walker was originally a PSP game, and it shows, but boy is its style on fleek. On the fleck? I don’t know how the kids talk these days.

Not all is amazing though. Camouflage, while still being there and a collectible factor in terms of different outfits for Naked Snake, seems to be completely inessential. You also cannot crawl, and I will never remember this as it is my go to when almost being spotted–to drop to the ground as swiftly as possible and lay prone. I’m not sure going forward what the bosses are like, but I’ve only taken on a tank currently and am looking to more supernatural elements to intervene. Lastly, the whole Mother Base simulation side can be extremely daunting at first, to the point that I simply relied on auto-assignment to place captured soldiers; thankfully, Mother Base opens slowly, which means it is not overwhelming immediately.

It certainly seems like there’s a lot of missions–both main story-wise and side objectives–to go for Peace Walker, so I’ve got some time still before I can load up Metal Gear Solid: Ground Zeroes and see how the newest franchise plays. Surely Naked Snake will be able to crawl on his stomach. Surely.

Turn LEGO Marvel’s post-game grind into power

When I beat LEGO Marvel Super Heroes over the weekend–and by beat I mean finished all the mainline story levels and watched the credits roll–I was around the 17% completion ratio. Yowza. I’ve since then been plugging away at all the miscellaneous tasks in the hub world, finding new side levels to unlock, as well as replayed a level or two to get all its minikits or save that Stan Lee in peril I missed on the first attempt. I’m now around the 34% completion ratio–double yowza–and that’s after several hours of doing my thing. Yeah, these LEGO games are becoming more bloated with each new release.

Let me list everything out that I need to complete for LEGO Marvel Super Heroes in terms of collectibles to convince myself that I’m not a crazy fella:

• 150 Minikits
• 50 Stan Lee in Peril
• 11 Deadpool Red Bricks
• 250 Gold Bricks
• 156 Character Tokens
• 40 Vehicle Tokens
• 11 Hub Missions

Triple yowza. Yeah, this, as far as I can tell, is the largest LEGO game to date. If you’ll recall, I really struggled with hitting the 100% mark in LEGO Lord of the Rings, and I only just topped off LEGO Pirates of the Caribbean recently after keeping my distance for four whole years. At times, it can feel overwhelming or simply frustrating, as finding where the collectible is and gathering it are often two very different things. Here, it requires constantly finding the right character to use and then switching to another and then maybe even to a third. Also, I ran into a problem before completing all the story levels where, if you had Spider-Man or the Hulk in play and tried to hold the “change character” button, instead, they would perform a transformation animation. Which meant the only way to change characters then was to find a blue machine via the map; thankfully, this doesn’t seem to happen anymore now that I’ve kicked Galactus’ butt.

Replaying the story levels in Free Play mode continues to feel like the developers are stretching the content a little thin, especially when the only goal of going back is to get a few items previously locked off. Now that hub worlds are a bigger focus for these LEGO games, all collectibles should be kept there so that you only need to experience the story levels once. It’s not like the critical path changes because you bring in Absorbing Man or The Blob instead of the traditional heroes. Look, when I’m president, whether of this country or the Republic of Videogames, I’ll make this happen–I swear it.

All that said, I can’t stay away from these games. They are silly and fun and not terribly punishing in the moment-to-moment action sequences, though I did look up a cryptic puzzle solution or two. You can sort of pick back up where you left off and, so long as you’re gathering studs and got some multipliers on, you are making progress. Slow, but steady. Plus, while I don’t know every single character making an appearance here, I do have a deep fondness for all things X-Men, which means I’m constantly using Cyclops to destroy gold statues, Jean Grey to mind-control innocents, and Wolverine to dig up junk. Characters that fly or hover a foot off the ground can be tricky to use, especially since some like to speed up in the air on their own or never want to touch terra firma ever again.

Even now, as I’m grumbling about trying to finish off my current LEGO logjam endeavor, I’m still thinking about getting LEGO Jurassic World for the home console, as the 3DS version really did not do it for me. Plus, though I only saw the first of the three Hobbit films–talk about bloated, Peter Jackson–and didn’t much care for it, there’s also LEGO The Hobbit to consider. Let me look up what other ones I’ve missed out on in the last few years: there’s two other LEGO Batmans, The LEGO Movie Videogame, and a couple from the Star Wars universe that I’m not really foaming at the mouth for. Toss in the inevitable LEGO Ghostbusters for good measure. Yeah, I should have enough block-building, stud-collecting grinding for years to come. Join me.

2015 Game Review Haiku, #54 – LEGO Marvel Super Heroes

Loki desires
The Earth to be eaten up
Build a better world

–

From 2012 all through 2013, I wrote little haikus here at Grinding Down about every game I beat or completed, totaling 104 in the end. I took a break from this format last year in an attempt to get more artsy, only to realize that I missed doing it dearly. So, we’re back. Or rather, I am. Hope you enjoy my continued take on videogame-inspired Japanese poetry in three phases of 5, 7, and 5, respectively.

All actions in The Sims FreePlay take time

Life is strange, and I’m not actually referring to the episodic adventure game about angst-fueled teens and time rewinding from Remember Me developer Dontnod Entertainment, which is definitely somewhere on my mental really-must-play list. Life is Strange, that is–I’ve already enjoyed the heck out of Remember Me. Anyways, when I started playing The Sims FreePlay, I was a married man. In fact, I named my first Sim’s dog after my then wife’s family’s dog. Still with me? At some point, I probably had intentions to recreate my true-to-life family, giving everybody their own house and fashion style. By the time I got back to it, all that had changed. Now I just hit the randomize button and go from there, though I did create and name one woman to resemble Joan Cusack.

Over the years, I’ve dabbled with a few games in The Sims franchise. My favorite was probably The Sims Social, which you experienced via Facebook and had all the annoying hooks of a social media site-driven gaming experience by pestering friends for stuff, but still let you do whacky things like plants full-grown trees inside your house. I have not yet tried planting an entire forest inside my home in The Sims FreePlay, but I suspect it can get just as zany, considering it doesn’t mind that I send both parents off to work for eight hours straight and leave a baby alone in its crib, unsupervised.

The Sims FreePlay, which is not the greatest of names, is yet another strategic life simulation game in the franchise, developed by EA Mobile and Firemonkeys Studios. Basically, it’s a freemium version of the The Sims for mobile devices, with some restrictions and other differences. You begin adding people to your town, decorating their houses, finding them jobs and hobbies, and building relationships. It’s up to you to develop them and create stories, like the one I’m slowing working towards where it is just a single woman living in a drab, non-decorated house full of cats. There’s also a Sim called Oscar Skinner who may or may not be a serial killer from a Criminal Minds episode.

Unlike console or PC versions of The Sims, your actions aren’t roadblocked by simple concepts like money. Instead, everything in The Sims FreePlay takes time. Real-life time, as the games follows the clock á la Animal Crossing: New Leaf, which means you can’t send somebody to their day job at ten at night. Trust me, I’ve tried. Actually, other than that, it’s not terribly restricting. However, this sort of mechanic is perfect for a mobile game–I’m playing on my legendary Windows 8 phone–wherein I can log in, give everybody a task to do for the next seven or eight hours, and then check back later to receive experience points and money, which we all know is stupidly called Simoleons. As you add more Sims and level up, extra houses and construction jobs cost more to perform.

There’s some other currencies to keep in mind as this naturally is a free-to-play game. Say hi to Life Points and Social Points. Both of these currencies go up much slower and in more specific intervals–like through leveling up–and you can use Life Points to help complete tasks instantly that one might feel are taking too long. Personally, I’ve only used them to bake a birthday cake to help an infant become a toddler. Life Points can be earned by completing goals, hobbies, driving around town, or can be dug up in your lawn by pets, and I don’t know exactly their purpose yet, but I have a few saved up.

I am enjoying the actions in real time element of The Sims FreePlay except for when it comes to a bunch of small tasks, like grabbing a snack, using the toilet, washing your hands, and then calling a friend for a quick chat. All of these tasks take about seven to thirty seconds each to complete and help keep your Sim’s attributes high and healthy. However, you can’t stack these actions up to happen one after another; instead, you have to hang around or remember to check in to assign the next task, which can be tedious, especially once your number of Sims begins to grow higher than four. Currently, the majority of my Sims are at work, so I don’t need to check back for several hours, though a good tip is to always leave one Sim available for miscellaneous tasks.

Besides Achievements to unlock (I’ve gotten 10 out of 20), there are a bunch of in-game goals to complete. Actually, there’s an Achievement for finishing 1,000 goals, so everything is circular. Many are easy, like “bake some cookies” or “be romantic with another Sim.” Right now, there’s even a Halloween-themed quest line involving ghosts and purple monsters, though it is timed, which is unfortunate as I doubt I’ll get it all done. These at least give you something to focus on when you can’t decide what to do with an adult Sim or it is too late to send them to work. The Sims FreePlay does allow you to spend real money on Simoleons and other thingies, but it’s not pushy about it nor have I felt constricted for not dropping some cold cash. I hope that never changes; if it does, I always have my disc copy of the original The Sims coupled with a print-out of cheat codes to sate my appetite.

Also, I’ll report back if I’m successful with my crazy cat woman mission. Don’t want to leave y’all hanging.