For the love of spritework

I’ve been thinking about sprites lately–no, not those kind–and why I absolutely love them, mainly to the point where a new game in 2011 with classic spritework is much more appealing to me than, say, just another modern title with all the latest tech, such as fancy lighting, particle effects, draw distance, and so on. Yup, even more than Elder Scrolls V: Skyrim. It’s hard to say if it’s all based on nostalgia or if it’s the artist in me appreciating that these moving images and interactive items on-screen were hand-crafted to be as is, to be simple yet recognizable, to still be able to stir emotions.

For nostalgia’s sake, I definitely grew up on sprite-based games. Earthbound, Super Metroid, The Legend of Zelda: A Link to the Past, Secret of Evermore, Mega Man X3, NHL ’94, Breath of Fire II, Secret of Mana–really, the list could go on. Blame this on the fact that the SNES was my first console ever, and that I ate up a lot of games on it. It’s where I became a gamer, grew my skills; I knew only sprites, and I had a hard time letting go. I think a lot of us did.

One of the first games I ever played on my PlayStation 1 was Beyond the Beyond, a strangely named RPG that I had rented for a few days. It tells the story of Finn, a young, unexperienced knight caught up in an ancient war between the Beings of Light and the Warlocks of the Underworld. Fairly traditional, and not just in story–the game, despite being released on an advanced console, looked like something one would play on their SNES. I was excited about this. I wasn’t ready for the future, for 3D gaming, for stuff like Battle Arena Toshinden and movable cameras. It wasn’t a great game, but it looked like what I had already learned to love, and that was enough for me to give it a try. I also fell hard for Suikoden and Suikoden II on the PlayStation, both of which feature gorgeous spritework paired with fantastic tunes.

When I moved on to the PlayStation 2, there were significantly less sprite-based games for that system. Maybe because that console had finally gotten a strong grasp on 3D gaming. A few still got my attention. Odin Sphere was repetitive as hecktown, but dang is it a beauty to behold. Marvel VS. Capcom 2 got a lot of play at friends’ houses. Can’t really think of others, unfortunately.

I’ve recently picked Chrono Trigger back up on the Nintendo DS and am enjoying traveling through time again, even if I’m rubbish at it. This is a game that’s eternal. It looks fabulous, just as it had when it released in August 1995, just as it will in twenty more years, and another thirty after that. These sprites are colorful and charismatic, eye-catching, easy to get. Only can sprites make a giant tick-boss look freaking amazing.

And now, in the current era of gaming systems–Xbox 360, PlayStation 3, Nintendo DS/Nintendo 3DS–I’m still always on the lookout for good ol’ sprite-based games. And they are still coming out, especially on the handhelds sideline. Really looking forward to Professor Layton’s London Life, which is a bonus add-on for Professor Layton and the Last Specter, coming out this October. It’ll be unlocked from the start, promises over 100 hours of gameplay, and basically screams, “Hey, you like Earthbound? Here’s a new Earthbound!” Mmm mmm, looks delicious.

I dunno. Maybe it is just the artist in me appreciating art over connect polygons. Maybe it’s seeing something that can last a lifetime and beyond. Maybe I just miss being a kid, holed up in my room, a SNES my closest and most constant friend. Do you love sprites or new games still rocking sprites? If so, why? Speak up, Grinding Down readers. Maybe we can get to the bottom of this.

The best road to progress is the Lonesome Road in Fallout: New Vegas

It was with great excitement and muted sadness that I purchased Lonesome Road last night, downloaded it, and then loaded up my character Kapture, a creepy man sitting pretty at level 34 that loves his Energy weapons. This hardened weirdo has conquered the Mojave, visited a grand casino, met the Burned Man, and obliterated a bunch of crazy brain-obsessed robots. And now, he has one more adventure, a road, dangerous and unpredictable, riddled with bombs and monsters, and he must walk it alone to find the answers of his past.

I played for about two hours or so last night, and it was a good time. Fun new weapons and the wonderful gift of a newish companion. A little scary, a little too much talking, and a little tough in certain parts. And yes, I also died probably nine or ten times, but that’s not my fault. Nobody told me there would be Deathclaws. Anyways, you get a Pip-Boy message, alerting you that a man named Ulysses is looking for you. Supposedly, this is the courier that was originally meant to deliver the Platinum Chip. Seek him out and discover his reasonings for turning the job down. Once in the Divide, you’ll follow a fairly linear path, all while Ulysses talks to you. And he talks a lot. Unfortunately, while the subject is interesting, listening to him is not; he has this slow, odd way of speaking, drawing every word and phrase out longer than it needs to be. There was a ton of chatter in Old World Blues, but the writing was much more surprising there; here, a lot of Ulysses’ thoughts are easy to guess before even picking the dialogue option, and then waiting for him to finish up his dramatic drawl about homes and roads and Old World blah blah blah is like torture.

But yeah, new locales, new weapons, new perks, new items, new recipes, an increase of +5 to the level cap (now sitting mighty at 50), and new enemy types. It’s what one now expects from a DLC pack for the Fallout franchise, and I’m enjoying it so far. I don’t want to rush through it too fast, seeing as it is the final hurrah until Fallout 4 or Fallout: New Jersey. Granted, I still need to do a Hardcore playthrough…

I didn’t realize I was doing this, just finishing the quest The Launch, but here ya go, the first Achievement unlocked in the Lonesome Road DLC:

Condemned to Repeat It (20G): Decided the fate of all the Divide Dwellers

I also learned from our last story-driven DLC that I was pronouncing ED-E wrong in my head. For some reason, I was calling our little trumpeting eyebot eee-dee-eee, not ed-dee. Like Eddie. Turns out, the dude who made him, well…calls him Eddie. I get that now. However, my brain still refuses to get it right. Oh wells.

And now, some random gameplay tips:

• Make sure your lockpicking skill is decent, at least 50+ with some skill magazines to help from time to time. There’s a lot of lockpicking so far.
• Watch out for glitches where Deathclaws randomly appear inside a ruined trailer and smack the skin off your character. It happened to me, and Tara is a witness. She thought it was a dinosaur at first. I then came up with a new song, which I sang all the way through that Deathclaws-infested stretch of road.
• Pack a lot of Rad-X and/or RadAway. Heck, bring along a Radiation Suit just to be safe. The Divide is not a place one wants to take a deep breath and smell the roses.
• Auto-Inject stimpaks are brilliant; pick up every one you can.
• Don’t stand directly in front of a not-yet-detonated nuke and shoot it. DON’T DO IT.

Good luck, fellow Couriers!

Crono and the gang help Lavos with his “destroy the world” Kickstarter

My head absolutely hated me yesterday. I blame it on a combination of sitting in morning traffic as the sunrise burned out my eyes, a severe lack of substantial foodstuffs, a lot of staring and straining, and then another drive, this time into the blazing sunset. Either way, once home for the night, I was drained, and I’m not afraid to admit I was curled up in bed by like 8:30 PM, my 3DS in hand. I figured I had some time before Mr. Sandman came, and a recent reminder in Grinding Down‘s comments section nudged me to pop out the cartridge for Shin Megami Tensei: Devil Summoner Overclocked and drop in Chrono Trigger.

Now, I’ve not touched this game in almost a year. Shocking, sure, but unfortunately, sometimes I forget about games. Or, y’know, get distracted by…getting married around said time. Anyways, having no memory as to what I was supposed to do next, I took Greg Noe’s ancient advice and went under the ocean through a cave, popping up…kinda back where I started, with the Millennial Fair still happening and all the weird monster-people no longer running the shops and living in the houses. Hmm…all right.

I traveled around a bit more, fought some monsters back in dinosaur-time land, got Crono up a level, purchased a new sword for him and a new set of armor for Lucca, and then found myself unsure of where to go. Not feeling up to getting out of bed and abandoning my blankety cocoon of warmth and good feelings, I headed back to the hub known as the End of Time to see if anyone there could steer me in the right direction. Nope, but there was this one interactive section that asked if I’d like to go fight Lavos. Um, as in Lavos, the main villain of Chrono Trigger? Yeah, sure…why not. He’s the bad guy, we’re the good guys–I don’t see any reason to put this off for another dozen hours or so.

Crono, Robo, and Marle travel through time to…a desolate and wasteland-like scrap of ground. Looming before them is a giant, uh, tick monster, presumably Lavos. For some reason, Lavos made me think of a lava-based beast. Oh well. We do battle, and all seems fine for a while, with Lavos changing battle plans every now and then. But then our trio’s attacks begin to do less and less damage, and I missed an opportunity to have Marle combo-heal everyone back to full health. She quickly falls, then Crono, and then Robo. Curses. I figured that was it then, game over. Nope, instead it fades to a cutscene of some scientists monitoring the world map, now freaking out over the coming destruction. One man doesn’t escape the building in time, and a list of razed places are rattled off. Then the world faded with color, telling me this:

Dang. I guess that’s just one of the many endings in Chrono Trigger. Probably considered a bad one. Maybe I’m not meant to fight Lavos just yet (though a part of me feels like I still could’ve put up a decent fight if I hadn’t brainfarted out on keeping Marle ready for healing the team).

Well, that was that. Tara came upstairs and it was now time for more episodes of Cheers and then some good ol’ sleepy sleep. I promise to look up an online walkthrough later on and get our gang going in the right direction; I do like this game, especially its music and combat system and the way battles just happen on the same screen, and I don’t want it all to end with the destruction of Earth. I promise, I don’t.

Achievements of the Week – The Back to Business Edition

I missed doing Achievements of the Week last week. Tara and I were on the road for most of that Friday, heading down to Maryland for SPX 2011. Totally worth it, and I’m sorry if I had you on the edge of your seat waiting for an update that never came. That means this edition is covering two weeks’ time. Don’t worry. I didn’t unlock a ton, just a handful in Deus Ex: Human Revolution and Mafia II. But now that we finally got the Internet set up at Grimmauld Place, it means I’m back in business, ready to officially track Achievements as they pop. You may cheer if you want. I can’t hear you from the other side of your screen.

Okay, here we go!

From Mafia II…

I’ve unlocked seven Achievements so far, but I’ll only showcase a few here. Story-based ones like “completed Chapter One” are kind of uninteresting. Don’t even try to argue otherwise.

Back to Business (10G): Do your first job for Mike Bruski.

This involved stealing a car and bringing it back in good condition. I definitely did the first half of that equation, but can’t confidently say that the car looked good when I pulled it into his yard. Those street signs just come out of nowhere, I swear it.

He Who Pays the Barber (10G): Improve the dockworkers’ haircuts.

The Achievement text is a bit misleading. Vito did not actually take out a pair of scissors, clippers, and a comb, doing wonders to these workers’ hair and bringing about all new styles and trends, like the Rachel. He simply beat up those that did not want to chip in for the “get a haircut” fund, and that was that. However, a haircut minigame would’ve been more fun as the hand-to-hand combat in Mafia II leaves a lot to be desired.

Collector’s Item (10G): Find at least one collectible in the game.

Porn. I found a porno mag. Oh my. What is this, Shadow Hearts: Covenant?

From Deus Ex: Human Revolution…

The Bull (25G): You defeated Lawrence Barrett, elite member of a secret mercenary hit squad.

Already wrote about this doozy earlier today: click, click, click.

Yes Boss (15G): You had an argument with your boss, David Sarif, and won.

I love these secret Achievements in Deus Ex: Human Revolution; they remind of the dialogue-centered ones in L.A. Noire and are all so more rewarding when they pop because I did not even expect them. I was just roleplaying Jensen to my style, being honest and ethical, taking his boss to task for something I can’t go into yet for spoiler reasons, and there ya go.

Sentimental Value (10G): You kept Megan’s bracelet for yourself. Apparently, letting go really is the hardest part.

I actually meant to give this back to Megan’s mother at the end of the sidequest, but hit the wrong button. Oops. Also…muhahaha!

—

That’s it, folks. Have a great weekend gaming, and we’ll see what new Achievements pop up for next week. Hopefully some from the last story-based DLC for Fallout: New Vegas, Lonesome Road. Need more Fallout: New Vegas, now and for forever…

Tell me what you’ve unlocked recently in the comments below!

Lawrence Barrett is no more, and that’s no bull

“Bulls do not win bull fights. People do.” – Norman Ralph Augustine

That’s right, Grinding Down readers. I did it. I did this:

The Bull (25G): You defeated Lawrence Barrett, elite member of a secret mercenary hit squad.

After failing time after time after time–his grenades kill you instantly on the middle difficulty and are quite hard to avoid, considering he throws them in groups of three and the room is small, cramped, with few choice hiding spots–I decided to look up some walkthroughs online to see how others tackled this annoying fellow with a machine gun for a hand. No, not that one. That Barret cusses more. And he would be on my side to begin with, making this boss battle a non-necessity. Anyways, I found a video of someone beat him by tossing a gas canister at him, then an exploding barrel, and then did that twice more, all under sixty seconds. Whaaaaa. Not a single shot was fired, which means that this would be the best way for me to go about it, considering running into the room and trying to equip a lethal weapon was clunky and a waste of time.

Well, it took me three more attempts to figure out the best way to move around the room and toss these deadly items, but I did it. I got him caught in a gas cloud, choking, growling, saying something repeatedly about “playing dirty.” Whatever. You have a gun for a hand. I was so pleased to have finally gotten past this roadblock–and yes, for stealthy players, that’s exactly what he is–that I exclaimed loudly that I had conquered he who seemed unconquerable. Tara was upstairs watching Cheers, but she responded and even gave me some kudos love via Twitter:

According to forum grumblers, there’s a few more of these sorts of boss fights to look forward to. Great. Freaking superb. I can’t wait. However, I do like that this boss battle had two vidoegame references tied to it: Final Fantasy VII and the Metal Gear franchise in calling these elite soldiers The Something. I just didn’t like how it fit into the grand scheme of playing the game. For now, I’m off to China, I think. Well, not me. Jensen is. Place your bets below in the comments on what part I’ll get stuck at next.

Two couriers to finally meet in Lonesome Road DLC

Are those…reskinned Trogs decorated with Christmas lights? Well, we’ll find out soon enough, as Lonesome Road, the final story-related DLC for Fallout: New Vegas, releases simultaneously on all platforms on September 20, 2011. This one has been building for quite some time now, with references to the original Courier that opted out of the Platinum Chip job appearing in the main game and then getting some more hints in Dead Money. The previous DLC, Old World Blues, also revealed more about Ulysses and was the best package yet, with amazing characters, hilarious dialogue, and a lot of neat weapons…hopefully this last hurrah can be even better.

Some leaked Achievements for Lonesome Road hint at the possibility of letting players–for the first time–bring companions with them, namely ED-E. If so, f*ck yes! If not, f*ck off. Curious to see how that works.

That said, check out the new trailer:

No sneaking past those boss fights in Deus Ex: Human Revolution

From the very beginning of Deus Ex: Human Revolution, I neglected all lethal weapons. Sneered at them, in fact, as I crept on by. A tranquilizer rifle and close-quarters takedowns were my tools of destruction. And, if need be, a flash grenade to confuse and create chaos. Surely those guards that I knocked unconscious were a bit confused to find their shotguns and deadly assault rifles still by their sides when they came to, but that’s just how my Jensen rolls: secretively, silently, stealthy.

Unfortunately, you can’t sneak past everyone. Specifically, the game’s bosses, and the first one, Lawrence Barrett, that meathead with a machine gun for a hand, has proved extremely troublesome so far. Upon entering the door that starts the fight, I realized that my wholehearted dismissal of all lethal weapons was going to hurt me here. Hurt me hard. I tried hitting Barrett with a few tranq darts as he blew my cover to shreds. Nothing happened, and by that I mean he came up, grabbed Jensen, and punched half his health away. A few more shots later, and I was reloading my latest save. Which, sadly, is right before I go through the door that starts the boss fight. Sigh…

If I run over to the left, in a small side room is a pistol and some bullets. However, before I can pick it up, I need to rearrange my inventory to make room for such a murderous entity. And then comes the arduous task of trying to shoot somebody, with a gun made for shooting on repeat; see, with the tranq rifle, it was pop out, fire, pop back into hiding spot, wait for body to drop. That strategy doesn’t work here. Barrett has to reload his machine gun-hand thing, giving you precious seconds to either fire or move to safer cover. Staying in that room for too long isn’t wise as he eventually begins tossing grenades your way.

I’ve tried beating him now three times with no luck. Contemplating backtracking far enough to maybe pick up a better weapon. Or maybe giving up my dream of being a sneaky Jensen, restarting the game, and putting all my Praxis points into combat skills instead of hacking skills. That would be lame, but if I can’t get past Barrett soon, it’s my only option.

If the developers wanted this to be the next Metal Gear Solid 3: Snake Eater, maybe they should have played that game and saw how awesome boss battles should be crafted. Specifically, The End. One day I’ll talk about how I tackled that fight. One day.

Remember, Deus Ex: Human Revolution is a game that lets you play any way you like, except when it’s time to take down some cheesy super soldiers.

FIRST HOUR REVIEW – Deus Ex: Human Revolution

A little later on this than I hoped to be, but my coverage of Deus Ex: Human Revolution‘s first hour is now yours for the reading over at The First Hour. Either click the previous sentence or the image above to get there. Go ahead. I’d rather you read my article than the toss-able two paragraphs below.

I struggled–and am still struggling–with the game’s difficulty, even on that middle difficulty choice, which I guess some folks would call “normal.” A lot has to do with the in-game radar and how troublesome it is to walk creep the stealthy route. I have to imagine that going into a room and popping everyone in the head with a pistol shot before an alarm can be sounded would make things a lot easier…but that’s not how I like to play. Hopefully I get better as the game goes on and Jensen gets crazily customized, but I’m not holding my breath. Currently stuck on the very first boss battle, which I’ll save all ranting about for another post.

But yeah, Deus Ex: Human Revolution‘s opening sixty minutes. I died five times. Top that!

A young boy, a forest, and a hero’s adventure

Adventures are the foundation of RPGs, the stuff to build upon and keep everything standing mighty and tall, especially those romps from fonder times when graphics alone could not carry a game. Think about titles like Chrono Trigger, Grandia, Mother, Secret of Evermore, and Breath of Fire II. Any similarities? All open up with a young boy off on an adventure, his parents strangely indifferent to such careless actions, wishing him all the best, but to be careful. Same thing goes with Hero’s Adventure.

Created by Terry Cavanagh of VVVVVV fame, Hero’s Adventure is actually not an adventure at all, especially one starring a hero of some sort. Instead, it’s about a boy who goes off into the shadowy forest, returning home after a hard day’s work. What happens in those woods, stays in those woods…but you can find out by playing the game itself. It’s about a minute long, cynical, and disturbing, with evocative music and really fast battles that, upon popping up, initially scared the crud out of me.

This is the second indie game I’ve played as of late that is short and sweet, but manages to leave a strong impact regardless. The other game was BATHOS, a neat little thing created in a single weekend. I highly recommend y’all checking both out; I know you have the minutes to spare.

Hi, my name is Paul, and I’m a spoiled sneaker

I’ve been spoiled when it comes to sneaking. My latest sleuthing through future Detroit in Deus Ex: Human Revolution has definitely proved this. Mostly because I keep getting spotted by enemy units.

In Metal Gear Solid, Solid Snake had his Soliton radar at his disposal, right from the word hide. This showed enemy positions and vision cones, as well as outlines of boxes or trucks or barriers; it only became unusable during alert, evasion, and jamming phases, but otherwise, it was a great way to know who was where and how to get around them, either by crawling on the floor or making one’s way under a table.

In Assassin’s Creed: Brotherhood, we have a similar radar, now circular and in the lower right-hand corner of the screen, but serving the same purpose. Sometimes it can get cluttered with a hundred and five icon markers, but otherwise, it has enemies in red and shows them clearly coming after/looking for you. Oh look, a hiding spot there, there, and there. Sneaking made simple. Thanks, handy radar!

In Grinding Down fav The Saboteur, we have another circular radar, now in the lower left-hand corner, with red dots for Nazi soldiers. You couldn’t really assess their walking patterns, but you could see just how many threats were in a size-able area stretching several buildings and streets, and that was pretty vital when trying to breach an occupied location.

In Fallout 3 and Fallout: New Vegas, if you kept crouched and remained in the shadows, you could totally skirt detection. There were also some handy items like Stealth Boys and armor like the Chinese stealth armor, also known as the Hēi Guǐ, which basically guaranteed safety through patrolled sections. Increasing your Perception skill and having ED-E by your side would help detect enemies at greater distances, making it all the more easy to avoid ’em to begin with, especially Deathclaws and Cazadors.

However, in Deus Ex: Human Revolution, if Adam Jensen really wants to know where his enemies are and how far they can see and where they are looking and what their walking patterns are…well, we have too purchase it through an augmentation upgrade, and even then, it takes a few Praxis points to get things back to what I’ve come to know and expect in a radar. See, totally spoiled. Right now, I just unlocked the “cones of vision” augmentation, which helps a wee bit, but not enough to make me a true futuristic ninja. I am constantly getting spotted. All I have is a radar of dots, a handful of specks that do not make sense to me. To better hide, I need to fully upgrade three augmentations:

• Radar System: Track enemy and friendly troops, turrets, cameras, and robots.
• Infolink: Communicate discretely on the battlefield.
• Stealth Enhancer: Provides stealth-related information and allows Jensen to mark and track enemies.

Yeah, too bad I didn’t understand this from the get-go, and I spent some points elsewhere, slowing true ninja progression to a crawl. Naturally, I’m trying to go through all of Deus Ex: Human Revolution in a kind and caring way, not killing a single soul (though from what I’ve read, boss battles have to end in death, mine or theirs), and so sneaking through enemy-infested buildings is my main path, but it’s hard when one has run out of tranq darts and keeps getting spotted by a guy halfway across the room, a dot that did not even pop up yet on Jensen’s radar. Hopefully things get easier with upgrades, but who knows if the game’s even sneakable for much longer.

If only I hadn’t been so coddled over the years…