The top five greatest things about L.A. Noire

L.A. Noire is not Grand Theft Auto IV set in the 1940s, and for that I’m eternally happy. That’s not what I wanted. I wanted that open-world feel, but more guidance, more direction, and that seems to be the case here, pun intended. A linear game set in an open Los Angeles that, if you want, you can go explore and get lost in and attempt to run citizens over. But you’re a good-natured detective, and a detective like that moves slowly, meticulously, combing crime scenes for clues and interrogating suspects and musing with partners over possible plans of action. Sometimes action takes precendence, with Cole chasing suspects on foot or car, or trying to survive a shootout, or desperately trying to keep his hat on during a fistfight. But it’s the detective work and questioning of suspects and branching paths that make L.A. Noire its own game, and not just Grand Theft Los Angeles.

Oh, and here are five other great things about L.A. Noire:

5. Make a face, any face

This might surprise some to find my praise of the facial animation not number one of this insignificant list of mine, but that’s how I roll. I like the face work, I do. It’s very impressive, especially considering that both Tara and I immediately recognized Greg Grunberg as Hugo Moller just on his face alone. We were like, “Hey, it’s that guy!” And we were right. It was that guy. And we recognized him before he spoke, whereas it is often the opposite that confirms a suspicion about a voice actor in a videogame. And then Hugo began to talk, and it was like I wasn’t even in a videogame anymore, just a show on TV, where a guy was being questioned, and he was answering accordingly, twitching and looking away and furrowing his brow as we all do, and we had judgment calls to make.

4. All that jazz

In the late 1940s, after the horror of World War II, music reflected American enthusiasm tempered with European disillusionment. Jazz and solo singers breaking free from big band ensembles ate up the limelight, and Rockstar took it a step further for L.A. Noire‘s soundtrack, utilizing the remixing skills of some of today’s best DJs to create new versions of the old. Billie Holiday, Ella Fitzgerald, and Lionel Hampton are re-imagined in spectacular ways. Take a listen, I promise you that the songs are intoxicating and hypnotic. It’s a shame that I don’t drive around more to listen to them, but more on that in a bit.

3. That carrot is not irrelevant

When at a crime scene and searching for clues, Cole can pick up and inspect a number of items, many of which are either red herrings or simply inconsequential to the case. My favorite pick-ups are inside a suspect’s house, where Cole will meander into the kitchen, pick up a carrot, and stare at it for minutes before finally deciding that, yes, it’s most likely not the murder weapon. I’ve also noticed his love for picking up boxes of laundry detergent. Either way, it’s nice that they kept these items in, as it does give the feeling of truly examining a crime scene, no matter how silly they ultimately are. Always examine shoes, too.

2. Baby steps up the stairs

Y’all might think the facial motion capturing work in L.A. Noire is its greatest achievement, but you’d be wrong. Somehow, after seven years of programming and coding and researching, the people at Rockstar and Team Bondi were able to perfectly capture the way people climb stairs. If you don’t hold down the run button, Cole will climb a set of stairs in itty bitty steps, bobbing his head all the way up, like a jogger running in place. It’s hilarious and at the same time instantly recognizable; we’ve all gone up stairs like this at one time or another, placing both feet on each step all the way to the top, and it only helps to nail down immersion and authenticity.

1. You drive, I’m lazy

Most cop-work is done in pairs. Partners are not just a stereotype of the cop genre, but an integral aspect of working the streets and solving crimes. Plus, they can act as a personal chauffeur. At just about any point, you can hold down a button and have your partner drive to the next location. This is wonderful. You still get to listen to the interactive dialogue you’d hear if you yourself drove, but now you can listen without worrying about running into another car or careening off a cliff. If there’s no dialogue to be had, you simply warp to the desired location via a short loading screen. Again, this is wonderful.

One of my biggest gripes with Grand Theft Auto IV is how sadistic the mission structure was, often having you drive across two bridges and many miles to start a mission. Upon death or failure, you’d have to do all that again. It was even hard to stay on track in games like The Saboteur and Red Faction: Guerrilla. Here, in L.A. Noire, arrival at your destination is guaranteed. Occasionally, I do drive, but it’s always messy, and I rear-end a lot of cars, which gets my partner all huffy and puffy. Not needed. Hopefully this is something every open-world game can implement though how is not a quick answer to me. The fact that you are constantly paired up with a second person surely helps.

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Don’t think I’m 100% sweet on the game though. There’s plenty I dislike, and if y’all are good and enjoy this post and share it with Reddit and Kotaku and StumpledUpon and the whole Interworld so that I can get rich and famous fast, then I’ll do a post on the five worst things in L.A. Noire.

Setting the new consoles loose

Looks like its Spring cleaning time for the videogames industry. Bizheads all over are tossing aside their aging children to make room for newer, shinier ones. Let’s take a look at what’s happened over just the past few days.

Nintendo announced their plans to release a brand new console in late 2012. The device will make its first public appearance at E3 2011, as well as be playable, which starts on June 7 in Los Angeles. Goodbye, Wii, and hello, Wii Wii (or Wii 2 or Wii Are Trying Again or Wii Do HD or whatever they end up calling this mysterious Project Cafe). Not that the company seemed to really care about the Wii for some time, and it looks like The Legend of Zelda: Skyward Sword will be the last hyped game for the system before its dumped into those bargain bins at Best Buy for kids many years late to the party to pick up for super cheap.

Nintendo seems to also be phasing out DS Lites, stating that once a retail store sells through its current stock…that’s it. No more after that. I guess this is to make more room for the 3DS and the–to some people–stronger upgrade of the DSi. That’s a shame, especially since I consider it my gaming system of choice; many stores and websites seem to still have plenty in stock though, and they are the most affordable version. If you’ve been waiting to pick up a DS, you might want to stop waiting sooner than later.

Sony is also stopping the production of their PSP models. I don’t know enough–or care enough–about that handheld to give you any kind of insight on the matter, but basically, another one bites the dust. More interestingly, Sony is releasing two tablets capable of playing original PlayStation games with updated touch controls. Um…what? Why would anyone want that? I mean, I guess they do more than that, but for some reason, somebody at Sony thought this was an excellent talking point. However, it is not. I barely want to play a lot of original PlayStation games now let alone have to repurchase them and learn new funky control schemes. The only genre I see faring well with this are RPGs because a lot of button-pressing isn’t based on timing or quick reflexes, especially turn-based combat.

I’m kind of glad that Microsoft hasn’t announced a new successor to the Xbox 360 just yet, but I’m sure it’s on its way. Personally, I don’t believe we need any kind of console upgrades just yet, and it’ll be either a hit or flop for this new Nintendo system, which looks like to be launching with zero to little competition. Unfortunately, Nintendo’s systems seem to place gimmicks above hardware, something many gamers are getting tired of, and there’s a lot of rumors circulating that it could have a touchscreen on its controller, but we’ll just have to wait until E3 to really take it all in.

I hope that, at some point, all the companies, developers, and publishers get together and create the Nintendo PlayBox 9000 and put down their weaponry to live, create, and game in utopian bliss.

P.S. All links go to GiantBomb because I’m too lazy to look around for multiple articles. Deal with it.

Stop worrying and love the Giant Bomb

I understand the point for most people creating a blog is to attract readers to their blog, to keep these readers, build an army, gain fame and love and lots of cash-money, to maybe, just maybe get videogame companies to send over free review copies (HINT! HINT!), and then retire early, and that linking to a much cooler videogame website counteracts all of this. But still. I gotta do it.

The website is called Giant Bomb, and I only really discovered it a few weeks ago. Truthfully, I’ve been aware of it for some time now, seeing many on Twitter linking to it. It’s from former GameSpot editors Jeff Gerstmann and Ryan Davis in collaboration with Whiskey Media. Actually, calling it a videogame website is a bit misleading; it’s a videogame hub, operating as a wiki first and a traditional website second. It strives to be fun rather than all about business, and they’ve succeeded hands-down. Perusing Giant Bomb is fun. Minigame-like fun, with an addicting nature covering everything you click on. Videogames have Achievements, and Giant Bomb has Quests. These are presented with vague clues, and then you’re off to search for, say, the five locations most “improved” by the Fallout franchise. A lot of these Quests really test your videogame knowledge, and sure, a lot of answers can be Googled, but most can’t. Thankfully, the Quests forum is brimming with more hints and clues, and no simple spoilers, making each completed Quest feeling like a piece of hard work well earned.

But yeah. There’s lots to do. One’s profile can have its own blog, lists, forums, images, and so on. Even the site’s wiki entries can be edited by users to further better the world. In fact, I did one edit already, changing “buddys” to “buddies.” Yes, I’m an editor, and yes, it shows in everything I do. However, the Quests are what keeps me coming back!

If you’re reading this and also a Giant Bomb member, please help me inch closer to completing the Viva la Revolucion! Quest by following me: http://www.giantbomb.com/profile/pabba/

Games Completed in 2011, #2 – Fallout: New Vegas

Developer: Obsidian Entertainment
Publisher: Bethesda Softworks
Platforms: Xbox 360 [reviewed], PlayStation 3, PC
Genres: RPG, FPS, Western
Modes: Single-player
Hours clocked: Last save slot says around 55 hours

::exhales::

Well…it’s done. The final battle for the Hoover Dam is over, and the Courier, my Courier, made his choices, and then just before the credits rolled a series of end-game screens showed how great or not-so-greatly the Mojave Wasteland was affected by my presence. That idea worked, but its execution fell short; I was really hoping for something bigger, something better in the end. I guess the same could be said of Fallout: New Vegas, which might go down in history as one of the most frustrating games ever.

Set many years after the events in Fallout 3, Fallout: New Vegas opens with a bang. Or a pew. Or however you like your gunshots to sound like. You play as the Courier, a man or woman that ends up getting shot in the head by a mysterious man in a tacky suit because he wanted something you were carrying very badly. Lucky for you, a robot drags you out of your new grave and brings you to the local doctor in Goodsprings where the game truly begins. And that’s the carrot on the stick–revenge. On your journey to find out who shot you and why, you’ll eventually stumble upon a number of factions all striving for control of the Hoover Dam, which is the mega power source keeping New Vegas functioning. That’s all well and good, but the heart of Fallout: New Vegas pumps from its love of sidequests and companions and a thousand other things to do than actually play through the main storyline. I mean, at least in Fallout 3, chasing after someone meant something unequivocably personal–it was freaking Liam Neeson your father!

I actually found myself rather indifferent to tracking down my killer. Sure, he shot me, he stole from me, he left me dirt-deep, but I knew very little of the situation to begin with to even care. Granted, if I had continued after Tacky Suit Man from the get-go then a lot more would’ve been clearer, but for me, waking up alive in Goodsprings was more than enough. I ventured out into the unknown, explored, leveled up, collected stuff, made some friends, made some enemies, and was somewhere around level 17 or so before heading towards the bright lights of the City of Sin.

I never used a companion in Fallout 3, but they’ve been greatly improved for Fallout: New Vegas. A control wheel helps keep them active, healed, and armed. Plus, each companion has a strong personality, as well as their own quest. My two favorites, when they worked, were Boone and ED-E. There’s also a slew of new weapons, outfits, and food items to search for, making it harder to carry everything around. Wish there were more “home” options though as traveling back and forth to the Lucky 38 was a hassle. Perks are only gained every two levels now, which adds actually a lot to the game, forcing you to really think about what ones you pick.

Where there’s Vegas, there’s gambling. Players can enjoy some blackjack, slots, and roulette, as well as Caravan. However, I found I didn’t need a lot of help making caps in the Mojave Wasteland so I never got into this aspect. Or the Survival skill. Or even test the waters with Hardcore mode. Too much to do! That’s the desert motto.

Alas, as we all know, Fallout: New Vegas is not a good game in terms of being a videogame. It is bloated with bugs, glitches, freezes, and wonky design choices. It uses the same engine as Fallout 3, and it shows. Dialogue action screens are still locked in limbo, companions get lost and stuck with the greatest of ease, and for some reason, when wielding a rifle, my character likes to randomly lift his arms. For the final battle, I found myself frantically saving as the game would freeze when going into V.A.T.S. four times out of ten, probably because there was a lot going on what with Centurions getting shot up and ED-E fritzing out. Grrr…

Yet…I loved the time I spent in Fallout: New Vegas. And I can’t wait to do it again, this time as an evil redhead with a deep love of animals and melee weapons. Please suggest names for her in the meantime.

The Worst Box Art of 2010

If only everything in the world was beautiful. Alas, not all can claim such a stature. Especially not videogames. So I came up with a small handful of 2010 videogames with horrible box art, and you can see my delightful picks over at The First Hour.

Go read and tell me which one wins the ultimate Frown Crown!

Sly 4 sneaks in a teaser trailer

One of Grinding Down‘s most active posts is Sly Cooper 4…, wherein I ponder the existence of this game and talk a teeny bit about how much I need it sooner than later. Guess I’m not the only one in love with this series and wondering when it’s going to pop back into our collective gaming hearts.

Well, good news, dear readers! Turns out that the recently released Sly Collection for the PlayStation 3 also had a teaser trailer for Sly 4 included deep within the game, available only to those that unlocked all the Trophies. Well, the video has, naturally, hit the Internet, and here it is:

Not much to dissect, but the visuals look both impressive and about the same, which is a good thing; the cel-shaded look of the characters and world was what initially drew me in, and the great stealth and open-world gameplay kept me around for the longhaul. I’m also going to guess that Sly 4: Question Mark of Doom will still be a PlayStation 3 exclusive, which is bad news for me. Looks like I’ll have to start saving up for that system now too.

One man’s journey to skip all dialogue in Fallout: New Vegas

It’s probably obvious, but I love to read.

And so it pained me, deeply, both emotionally and physically, to watch a good friend of mine play some Fallout: New Vegas over the weekend. Why? Well…he ran through dialogue options with Sonic the Hedgehog-like speed, more often than not just selecting the top dialogue choice to get through the entire tree with the push of a single button. Optional quest objectives popped up on the left and faded just as fast, and he even ended up turning in a quest, too, with little interest in hearing what so-and-so had to say about the job he did.

On the flip, that’s what I care about most.

Take, for instance, the quest Ghost Town Gunfight, wherein the Courier is tasked with either siding with the dangerous Powder Gangers or protecting Goodsprings from them. I played the part of Guardian Angel, wanting to help out the town that helped me out. But there’s more. By speaking to a number of townspeople, the Courier could convince them to join the fight, thus turning the tide greatly. This took some charm and quick work, and I got everyone’s help except for Easy Pete’s. All attacking Powder Gangers died during the attack, and no one from Goodsprings lost their lives. I was so proud of this that I immediately went to each and every one of them to chat about the fight, to see if they cared at all that I went above and beyond to save their dusty skin. To dig as deep as I could.

Most merely said a line or two of dialogue, and that was it. We’ve never spoken of the incident since. However, it was still important to me to find out.

Now, this post’s subject line is a bit misleading. I wouldn’t say it’s my friend’s journey to barely invest in the story and spoken words of the Mojave Wastelanders; heck, it might have just been because Tara and I were over late and he didn’t want to bog down the gaming time with a lot of sitting around and listening to exposition. His dude looks a bit like Tony Stark with a beret, and I was eager to see him shoot some raiders up. I’m sure every now and then he takes the time to get into the quests from more than just the quest log descriptions; if not, alas, there’s a lot to be missed.

Or maybe that’s just me. I love words, after all. And when compared to Fallout 3‘s 40,000 lines of recorded dialogue, Fallout: New Vegas really does give me a lot to take in with over 65,000 lines.

Kinect–or what’s so wrong with pressing buttons?

Lately, when I think about Kinect, Microsoft’s new piece of tech to power up their Xbox 360 and directly compete with the Nintendo Wii and PlayStation Move, the oil cans scene from The Jerk comes to mind. Except, instead of someone hating cans, they really hate buttons. Stay away from buttons!

I mean, really. What’s so wrong with pushing buttons?

Wait, wait, I’m getting ahead of myself here. Let’s talk about Kinect. Now, I have not experienced first hand this $150 add-on to the Xbox 360, but I’ve kept tabs on it and its plethora of games released this week, and it seems that the whole thing is rather…okay. Like, it sort of works, and when it works, it works, but other than that, this is not the spark of a revolution where gamers worldwide meet up in large fields, toss all their console controllers onto a stack of firewood, and spend the night singing hokey songs as the burdens of their past burn out a-mighty.

Right. So, Kinect is a camera, which tracks movement to turn the player into a living, breathing controller. The camera also comes with a built-in microphone to detect voice recognition. Sounds like something straight out of Minority Report. It could very well be. The point of Kinect is to introduce a new way gamers play games: hands-free. Or, rather, all about their hands. And feet. And entire body, too. You are the controller now, and you are in control. Swat at flying balls with your Xbox Live Avatar, play with pet tigers, and drive a videogame car like you would drive a real car, hands out and on the wheel.

These are all videogame tasks you could do the way it’s been for several decades, with a controller, some buttons, and thumbs. Also, sitting down. So why then is Kinect so insistent you do them without a controller? What’s so wrong with pushing buttons, anyways?

Strangely, I was never as skeptical as I am now when the Nintendo Wii came out. Sure, I didn’t really get it or fall in love with the concept, but the fact remained that, for most games, if one wanted to, one could turn the Wiimote sideways and play traditionally. I think that safety blanket was all I needed to be okay with the whole thing; and I do enjoy a couple rounds of Wii Sports, but never enough to do me in.

Back in the day, before every single game had some kind of tutorial level to teach you the basics, one had to figure out what each button did by pressing it. Hmm, how do I jump? Oh, this button. How do I run? Ahhh, hold down this one. Now, I wonder if I can run and jump for extra distance…

With Kinect, if you want your character to jump, you jump. I guess I just don’t see that as revolutionary. Or an upgrade. Pressing a button to jump is dang near a standard and, despite wonky physics at times (::ahem:: Elder Scrolls III: Morrowind ::cough::), it’s perfected as a cause/reaction happening.

I’m not here to say that controller-free gaming isn’t fun or without a purpose; I just don’t see it as better than what we have now, and I do worry that a select portion of gamers are going to be completed ignored–unless one can imagine playing an entire first-person shooter by holding an imaginary gun in our hands and pulling the imaginary trigger a thousand times over. Also, will we see an epic Kinect RPG in the future? Will there ever be a mix of things where one can play with a controller and still do Kinect-like actions, or is it gonna be all or nothing from here on out? These are important questions, and I’m not the only ones thinking about them; reviews this week have been rather mild with excitement over the tech, criticizing its space neediness and glitchy recognition, as well as the lack of depth overall in its launch titles. All of this comes at a hefty price, too–$150 to $400, depending on what one already has in stock. Others, however, seem to be enjoying Kinect Adventures and navigating the dashboard like a superbeing with a swoosh of a hand.

For as long as I can though, I’m gonna push a button.

Moving, the game of heavy boxes and staircases

No, this post is not about the PlayStation Move, but it is about moving. Cause that’s the reason I didn’t play any videogames yesterday. That’s right. Not a single one. Didn’t even end up busting out the Nintendo DS before the Sandman came to take me away. Oh wait…I did play the game of not having a heart attack after repeatedly climbing two sets of stairs with heavy boxes as Tara and I moved into our first apartment. I totally beat that game. Cause…I’m typing this post, see?

Anyways, we only brought over miscellaneous stuff at the moment. It’s going to be a piece-by-piece sort of move, as I still have my own studio and she’s still living at home with her folks until we get married. Which, amazingly, is happening one month from today. One…month. ONE MONTH. Trying not to freak out here. Deep breaths.

Want to see some more shots of our new, mostly empty pad? Check out Tara’s Flickr account then.

I’ll get back to videogame-related blathering soon, I promise. Visiting my folks for the weekend, which means packing up the Xbox 360. Tara hasn’t gotten to play Scott Pilgrim vs The World: The Game yet, and I now need help beating The Clash at Demonhead level. I’m even gonna be nice and let her play as Kim, as Scott’s move list has actually grown on me. I had to grind with him for a bit just to get past Lucas Lee on “Average Joe” difficulty. Tis a hard game. But if I can beat the no heart attack game, I can conquer this one for sure.

Scott Pilgrim to hit XBLA two weeks after PSN debut

Whew.

I can breathe a sigh of relief. And happiness. Happy sigh of reliefness. Scott Pilgrim vs. The World: The Videogame will make its way to Xbox Live on August 25th…just two weeks after debuting on the PlayStation Network. It’ll cost 1200 Microsoft Points, which is the equivalent of $14.99, and I’m going to pay it like a professional, day one and all. This game must be had, and the fact that it is local co-op is even sweeter. Beat ’em up gameplay, delicious-looking sprites, and a soundtrack by Anamanaguchi. How can that not be the greatest gaming experience evar?

Also, the last book, Scott Pilgrim’s Finest Hour, comes out today. TODAY. July 20th, 2010. Eeeee. I’ve had to stay off Twitter and mostly Facebook for the better part of today; I really don’t want to be spoiled, even by the littlest of details. Tara and I are rushing over to Borders after I get done with work to pick up our copies. We’ll then read them in a fever haze, smiling and crying and laughing and loving. It’s just a great series, and all great things come to an end, and we’re prepared to end, but it’s gonna be like signing up to take a beating. There will be bruises tomorrow for sure.

The film version, which just looks better and better with each leaked trailer and remix, comes out on August 13th.

It’s Scott Pilgrim mania, that it is. Drink up, Scottaholics!