Grinding Down’s Chrono Cross week – Story

At the start of Chrono Cross, the story is quite thin and easy to follow. One day, Serge–place your vote on how to say his name!–slips into an alternate world where he drowned ten years before. From there, he’s determined to find the truth behind the incident. Along the way, he teams up with a spunky, wise-crackin’ thief called Kid searching for something called “the Frozen Flame.” Their goals will align quickly thereafter as they cross paths with a cat-man called Lynx who is up to no good, as cats are wont to do.

However, once you switch from controlling Serge to controlling Serge-stuck-in-Lynx, the plot becomes nigh incomprehensible. By the end, the whole thing has fallen apart, so evident that the game throws info-dump characters at you left and right in hopes that these will help shine some light on the mystery of your reasoning for saving the world. Unfortunately, they don’t–they only muddy the water more. That’s a big problem with time travel stories; eventually, trying to see everything in a straight line takes some explaining. I guess it all comes back to predestination, but I don’t really know. In truth, I sat here typing for ten to fifteen minutes, trying to summarize all of the plot in Chrono Cross, but ended up deleting everything because I can’t make any sense of it. Chronopolis, FATE, Project Kid–you win. All I know is how to slot Elements, fight bosses, gain upgrade stars, and recruit characters.

Also, still not exactly sure what went down with Harle. I mean, one minute, she’s a main player in my battle party of three, and the next she is some Dark Moon dragon I have to kill and then that’s all there is to her story. Boo on that.

And here I am now, telling y’all that Chrono Cross has quite possibly the worst ending ever. Now, understand that there are over ten endings to see in this game, but the majority of them are only watchable during New Game+. I’m talking about the two endings you can get on your first playthrough, both of which suck time-balls: the “fake” and “real” endings, as the community has come to call them. You can defeat the TimeDevourer in two different ways. The first is to just defeat him, which garners you the “fake” ending of credits and a song; the second involves casting Elements in a specific, color-coded pattern, and then using the Chrono Cross special Element to restore time. I only learned of this trick from the Interwebz, though the game gives you some vague clues about this technique, which is harder than it sounds as the boss, at any time, can cast a colored Element of its choice, disrupting the pattern. Do that right, and you free Schala from Lavos (I think?), and then get to sit back and read a bunch of obtuse, archaic white text on a black screen before reuniting with Leena as she finds Serge passed out on the beach, implying it might all have been a (radical) dream. Back to more throwaway text, a pretty song, and a video clip that maybe shows Kid looking for Serge, even in modern times. It felt pretty unspectacular, but that might also stem from my inability to follow the story coherently. For those curious enough, you can watch the whole thing here.

Main plot aside, there are some small additional stories to learn about. Namely, you can gain some heavy insight into S.S. Invincible‘s captain Fargo’s family, the Arni elder Radius has a secret past, and Marcy, a creepy kid that has somehow risen to the top of the Acacia Dragoons. Granted, these side stories are not actually very in-depth, but they help flesh out the characters slightly more than others. Like Janice, the bunny-based girl that just wants to collect monsters, because she’s in a videogame.

Kind of like with Chrono Trigger, I don’t think the story is the strongest part of Chrono Cross. It is there because something has to be there, and it offers the player the power to move between dimensions and see how people and places change, but the how and why is quite convoluted. If only the game had been as simple as finding some komodo dragon scales for a pretty girl’s necklace, as simple as stopping Lynx, the bad guy, from doing the bad thing, and going home to Arni, a peaceful fishing village, to spend the rest of your days listening to the ocean and baking in the warm sun. Instead, it went deep, too deep to surface, and lost me halfway down.

Welcome to Grinding Down’s Chrono Cross week

A few weeks ago, I beat Chrono Cross for the very first time. This was truly a momentous occasion, as I’ve played the first several hours of that game countless times over the last thirteen years since its release, always getting to a specific plot point and then unfortunately losing interest. I would then forget everything plot-wise and gameplay-wise by the time I got back to it and just start over, hopeful that that run would be the one to see me to the end. Alas, it never was, but I made a plea to myself this year that I’d beat five specific videogames, and Chrono Cross was the prime target. Well, mission accomplished.

The truth: I love this game. I know many don’t and consider it a failure of a sequel, and I can agree there that this is no follow-up to Chrono Trigger, but as a separate entity I think it is beyond fantastic, boils and bumps included. Yeah, it has its weird quirks and healthy share of problems, but there’s also a lot of neat stuff happening thanks to being able to travel between parallel dimensions and customizing Element slots for battle and gathering a large cast of characters to fight by your side. Plus, the tunes are so dang good. In fact, I believe there’s enough here to talk about to devote a whole week of Grinding Down blog posts to it. Hope you’re ready. Hope I’m ready, too.

Anyways, here are the Chrono Cross topics I’ll be covering over the next handful of days:

• Story, or the thing the writers desperately want to believe is a cohesive story
• Characters, or the craziest accents ever and look who is severely underdeveloped (spoiler: every character)
• Battle and Elements, or learning how to slot properly
• Music, or sounds made by lofty angels using heavenly instruments infused with the glory that is good
• Miscellaneous, or how money doesn’t matter, or forging for that matter, and how I’m terrified of New Game+

Yeah, think that should cover it. If not, I can always add an extra day, because in my world, I make weeks as long–or as short–as I want. So equip your best armor, slot in a bunch of GravityBlows, and bathe in the beauty that is Chrono Cross as we figure out what I love, like, and hate in one of Squaresoft’s defining RPGs from the PlayStation 1 era.

Dragon Fantasy (Book 1) grinds just like the old days

The open honest truth is I never really played much of the old Dragon Quest games. Or even the early Final Fantasies, for that matter. Well, not until pretty recently. It does not–and did not–stem from genre disinterest, but rather wrong place and time; as a young gamer-boy living in the historic towne of Smithville, New Jersey, I was not bathing in countless games as I am now as an adult in this seemingly supersaturated industry. Please note that I’m not actually bathing at this very moment–I’m typing a blog post.

Anyways, this meant that when I got my single and sole cartridge for The Legend of Zelda: A Link to the Past, I played it for hours on end, over and over, and I missed out on Final Fantasy VI and Chrono Trigger and so on. There was only so much I could digest, and there are actually days where I yearn for being in that kind of protective, limiting bubble. But that doesn’t mean I’m completely knowledge-less about the JRPGs of yesteryear and can’t appreciate them for what they did then and there. I mean, c’mon. Have some faith. I write on a blog called Grinding Down for goodness sake.

Dragon Fantasy (Book 1) is a new JRPG designed by The Muteki Corporation in the style of those old RPGs for the NES, like Dragon Quest. It has simple graphics, random encounters, turn-based battles, and a straightforward plot involving a Dark Knight, castles, and a general evilness about. It’s split into three chapters and an intermission thingy, but so far, I’m still on chapter one, which focuses on Ogden,  a washed-up former hero getting back into the business of saving the world. Pretty typical stuff, but that’s the point here. Heck, you can even forgo slightly enhanced graphics and music for an 8-bit wash, which I checked out, but I actually prefer the former even if it doesn’t up the scales all that much.

I’m quite enjoying Dragon Fantasy (Book 1) so far, only a couple of hours into the first chapter. It’s got charm out the wazoo and some pretty amusing writing, coupled with a Wedge/Biggs reference from the word go. Heck, even grinding isn’t so bad, and yes, you’ll have to grind to progress, mostly because Ogden is alone for the battles in his chapter, needing to play both roles of fighter and healer. Basically, the pattern so far has been like this: grind a level or two, buy all the available weapons and armor, move on to the next town/cave area, and repeat. I do wish you could see how much XP you needed to earn for the next level increase, but alas, no. You can enhance the game’s movement speed up by like four or six times (I’m no mathematician) by pushing the Select button, which helps with the button-mashing grinding aspect, but is a bit too zippy when in a town or dungeon. However, I urge everyone to slow down when it comes to fighting a new monster type, as the writing for each monster is different and gleefully written, like in Dragon Quest IX and EarthBound. Not many puns so far, but I definitely chuckled at all of Mrs. Rock Monster’s descriptions.

Oh, and looks like Dragon Fantasy (Book 2) comes out…tomorrow! What timing. We’ll see how long it takes me to get through the first game though. These types of JRPG can go on for a bit, and no matter how endearing and fast-paced the battles are, one can only grind for so long before it begins to feel unrewarding, especially if there isn’t anything to spend that gold on after robbing every store clean for its goods.

2013 Game Review Haiku, #30 – Chrono Cross

A boy must travel
Between worlds, fight the Darkness
What a vague ending

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These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

Friendly fire is not be tolerated in Battlefield 3, so they say

When it comes to war-based videogames, I’ve always kept my distance. This is a twofer: a severe disinterest in using a digital gun modeled after a real-life version and shooting a digital person modeled after a real-life counterpart, and stories that all seem to blend together, usually constructed around the ideas of straight-up terrorism and accented patriotism. It’s not that I don’t love the country I live in, it’s just that I don’t love it enough to want to blast open someone’s face with an M16A4 and then high-five my buddy and toss back a beer.

In all honesty, I can count the number of interactions I’ve had with war-based videogames on a single hand. First, I once dabbled in Battlefield 1942 back in my summers off during the college days, as a friend then constantly had it running at his house, and all you ever had to do was sit down in front of the computer and start playing. I was never any good, but we always had a laugh when trying to fly a plane only to end up crashing three seconds after takeoff. Think I also watched some friends play SOCOM. Then there was that time I tried out the demo for…um, it was a Call of Duty game on the Xbox 360, but I really don’t remember which one. There was snow and falling in snow and maybe infiltrating an airbase of some kind. Maybe Modern Warfare 2? And my third dip into the political warfare pool has been with Battlefield 3, given out for free the other month to PlayStation Plus members.

I found it to be a mindless, but educational experience. As well as reconfirming. Battlefield 3‘s single-player campaign is both traditional and not; the story it tells is generic “save the world from the bad guys” stuff, with you know who playing their respective roles, but its narrative structure will toss your mind overboard. You begin at the end, playing as Staff Sergeant Henry Blackburn in hot pursuit of a man behind some terrorist attacks. However, you then hop back to eight months before all this goes down, investigating a possible improvised explosive device in Sulaymaniyah, Iraqi Kurdistan. Things happen from there, and eventually you end up playing as a couple other characters, some shadier than others: Sgt. Jonathan “Jono” Miller, a M1 Abrams tank operator deployed in Tehran; Lt. Jennifer “Wedge” Colby Hawkins, an F/A-18F Super Hornet Weapon Systems Officer; and Dimitri “Dima” Mayakovsky, a Russian GRU operative. These side stories all eventually form a bigger picture. Levels are varied in location and objective, but more or less, other than driving a tank or flying a Super Hornet, you are running down a corridor, shooting enemies until they fall down.

So, the biggest thing I learned from my short time with Battlefield 3, and probably all other realistic-looking first-person shooters, is that I would make a terrible soldier. Now, it is common knowledge that my eyesight is worsening every day, but I got new glasses last year, upping my ability to see things father away much clearer. However, in a game with super realistic graphics and lighting and a lot of shadows, I had a hard time deciphering friend from enemy, often shooting a team member thinking they were evil. When you shoot a friendly person, a message pops up: FRIENDLY FIRE WILL NOT BE TOLERATED! This would alert me to my mistake, and I’d target somebody else. Further down in the mission, I’d get the message again. Rinse, shampoo, lather, whatever…and so on. Evidently, if you cause too much friendly fire damage, you’ll fail the mission, but I was never that consistent. To me, it felt like a warning that was never acted upon. That said, I’m glad I was allowed to get by with so many blind bullet mistakes because otherwise I might never have made it out of those darker levels.

Oh, and I’m not afraid to admit it: I played the game on Easy difficulty. That’s what it defaulted to, and so I kept it. Considering how fast you lose health and can frak a mission, I doubt I’d have gotten very far on a higher difficulty. I’ve not yet–and probably never will–touched the multiplayer aspect of Battlefield 3. Some wars just can’t be won.

Mean gnomes, friendly fire, tenacious towers, extra elements, and goliath beetles

Alas, I’m still not in a place to really write at length about the videogames I’m playing (or thinking about playing). Y’know, unless that writing is really short and in the form of a haiku. This hard swing seems to happen every summer, and it’s mostly because I’m extremely stressed to day jobbery things that I won’t ever go into publicly and working on laying out a book of my 365 BAD COMICS, but I am still Pauly, which means I am playing games whether there are words to attach to them or not because they help soothe my soul. I figured it’d be easier to give y’all a little rundown on what I’m playing as of late and how it’s going than waiting for the inevitable to never happen.

And away we go.

Fable III

Well, this is not a very good game, in all aspects of something being a game. No, sir. It’s janky and lazy and poorly paced and unclear in its directions and overly interested in telling the player silly data, and I hate the “no menu” mentality, as there is nothing wrong with menus, so long as the menus are designed properly. The dog is pointless to the point of annoying and should have been left behind; that was Fable 2‘s thing. Being the king of Albion is not as cool or special as one might assume. I’m currently right near the end-all battle, but I want to clean up all the remaining side quests (finding gnomes, silver keys, gold keys) because I am never going to play this again. I’m glad it was free, but I’m sad to see how dry and drained it is compared to the previous adventure, something I enjoyed. There are still some very pretty locales and cool beard options though.

Battlefield 3

This is a game I really do want to write more about at length, as I’m playing it for educational purposes, to figure out what it is about realistic, war-themed FPS titles that I find so uninteresting and off-putting. So far, this game has all of that–whatever it is–and then some. I’m also finding it extremely difficult to see due to how real and dark the environments are, accidentally shooting my own teammates. Thankfully, friendly fire is in play–though the game openly states such actions will not be tolerated–so I’m not ruining missions at every turn. But yeah. I’ve done ground fights, tank fights, sky fights, sniper stuff, and so on. It’s pretty boring.

Defense Grid: The Awakening

This is the first free game for us Xbox 360 players with Gold accounts. It’s an old, downloadable RTS game from a few years back, with upgradable towers. It’s slow, as slow as if I was to actually build a tower myself, but I was able to play a few levels past the tutorial stuff. Not sure if I’ll hop back into it, as it is almost the exact opposite of the only RTS game I’ve really enjoyed recently: Kingdom Rush. Oh well.

Chrono Cross

I’m now at the turning point of my sorta re-play of Chrono Cross where I’m experiencing parts I’ve never gotten to before. This is exciting. I always got to the moment in time where Serge and Lynx do the Freaky Friday and then lost interest quickly after that. Despite some hiccups, this replay has been pretty steadily chugging along, and I’m now working on beating a bunch of dragon gods into submission. I still absolutely love the music and the battle system with a passion unlike anything else. More about Chrono Cross later, I promise.

Animal Crossing: New Leaf

I am loving my new daily life as mayor of Arni in Animal Crossing: New Leaf, but am taking it pretty slow. In fact, I’ve only gone to the island four or five times now, and that’s the place many players hop to and from to earn big bells thanks to the special beetles they got there. Just finished expanding the museum with a second floor and gift shop, and am now working on increasingly my house to have a larger second room. That’s gonna be where I put all my Japanese furniture. Other than that, it’s the same ol’ addiction and easygoing gameplay from the previous game, and the emergent gameplay in multiplayer is a joy to watch unfold.

—

So that’s the handful of games I’m currently playing. Pretty exciting, I know. I’m also contemplating if I’ll pick up Shin Megami Tensei IV or not tomorrow. Hmm, we’ll see…

You say you want a Tekken Revolution

Last night, I switched on my DownloadStation 3 to see what I should grab next and add to my growing digital collection of games that I worry I’ll never get time to actually play. Yes, first-world pains and all that, but really now, the amount of free games being tossed into my face on a weekly basis is staggeringly frustrating. And now the Xbox 360 is getting in on the action with Fable III and more to come. Please pray for my well-being. Anyways, upon seeing that Uncharted 3 is a…40 gig download, which would probably take me an entire weekend to download and then install, I scanned the store for something smaller. First I grabbed Machinarium for free thanks to my PlayStation Plus subscription, and then noticed that there’s a new Tekken game available for all to enjoy. Me like Tekken. Of all the fighting franchises, it’s the one I feel most in sync with, and I think it has to do with the throws.

So, what exactly is Tekken Revolution? Well, in short, it’s a very simplified, non-serious version of the age-old Tekken utilizing a “free-to-play” business model. This mostly involves avatar leveling mechanics in order to lure new players to the franchise, as well as a regenerating token system to limit just how many online fights one can participate in over a given period of time. Currently, there are only three modes: arcade, online player match, and online ranked match. That’s it. No training mode, no silly bowling mode, no local competitive “vs. player 2” mode. You either fight a random roster of opponents up to the boss Ogre or you test your luck against online combatants.

Again, since this is not a full Tekken game in all senses of the phrase, the roster is quite small. You begin with eight default characters, plus four more which you unlock in a random order by earning gift points at specific amounts. In short, here’s who you can use: Kazuya, King, Paul, Law, Asuka, Lili, Lars, Jack, Leo, Steve, Alisa, and Bryan.

I played through the arcade mode twice and found the experience to be just fine. It’s the same ol’ fighting you know from previous Tekken editions, and it feels good. I played as Asuka and watched as she earned experience points by defeating enemies, eventually leveling up to LV 3. This meant I now had some skill points to assign, boosting her health total, the damage she deals, and her chance of nailing a critical hit. This felt beyond foreign and tacked on, and I have to wonder what the whole point of it is. Probably to make actual money, in that maybe players can purchase more skill points to be one step ahead of the curve, and then their Asuka will always be a slightly bit more powerful than mine. I don’t know. Again, it feels unnecessary. Oh, and once you assign points, there’s no going back.

After that, I was able to log on once to play an online match against someone using Law. The fight was very close, each of use winning two rounds, but I was defeated in round 5. I did not try to play any further rounds after that, but it seems like you have tokens that regenerate slowly over time that allow you to play arcade or online matches. If you run out, you have to wait to play more. Or you can bypass this roadblock by purchasing gold tokens via real money. In the short time I played Tekken Revolution, nothing got in my way of fun, but I suspect if I tried to play a few more rounds I would have hit a wall.

Probably the biggest bummer is the lack of story here. There are no intro videos for characters and, more depressing, no end videos after you take down Ogre in the last fight. These zany pieces of cinema were always a treat and made trudging through the arcade mode over and over worth it. Now it feels kind of pointless, and earning experience points is not enough to satisfy. I want to see Paul and Kuma hanging out and doing flips or something. I want Jack to blow up a planet. I want people tossed into volcanoes.

It’s certainly not a revolution, but it is something to play now and then if you like Tekken and, for some reason, don’t have a copy of Tekken II or Tekken Tag to enjoy. Well, you know.

How do you pronounce Serge in Chrono Cross?

Yesterday, I finally got around to kickstarting my goal of finishing these five videogames some time this year, starting off with Chrono Cross. It’s an RPG I’ve played countless times before, but always only up to a specific point; generally, it is around the time you switch, for story-related reasons, from controlling Serge to controlling Lynx. Tara recently replayed, too–well, back in October 2011–but she ended up getting stuck somewhere. I don’t remember where. Maybe she can elaborate in the comments below. I dunno…I just lose interest after awhile, and then something new and shiny takes hold of me, and I never return, which is a shame as it is one of my favorite gaming adventures thanks to its stellar soundtrack and versatile combat system. I blame myself more than the Frozen Flame.

I’ve got just about four hours under my re-playing belt at this point, but I’ll save my musings and love and admiration stuff for a separate post. For now, let’s talk about something that Tara and I can’t agree on: how to pronounce Serge’s name. To me, I say it like “surge of water,” and given what happens to him in the alternate realm…well, that fits. Tara, however, pronounces it like “ser gey,” with a flair to the whole thing. I’m not so sure how I like that. Since this is the PlayStation 1 and voice acting was extremely limited back in the day, we don’t ever hear anyone say his name out loud, especially since the player can also change it to Pauly or Potasio or whatever they feel like calling our blue-haired silent protagonist. And so I turn to you, dear Grinding Down readers, to voice your opinions.

All right, hopefully there’s a poll below for you to click on. I don’t make many of these so I’m not too confident on how to embed ’em. If it’s there, say your peace:

2013 Game Review Haiku, #18 – inFAMOUS 2

Cole: ice or fire
Stop the Beast, cure the sick, save
New Marais, shocking

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These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

Collected all those scattered Blast Shards in inFAMOUS 2

I’m nearing the end of inFAMOUS 2–sorry, quick aside, but I previously wrote the game’s name as inFamous 2, and the copyeditor in me will not rest until I owned up to the error and corrected it going forward even if it is a weird way to write something–and I don’t expect to ever play it again despite their being two paths to go down. One is good and saintly with ice powers in tow, and the other is evil and dark, circled by fire. If you know me, you know which way I’m playing; for those that are new, I’m always a good Samaritan first. It’s not that I don’t enjoy playing evil from time to time, but I get the sense that the game doesn’t change a whole lot by doing a few missions morally different.

With the last mission, I assume it’s the last since it is called “The Final Decision,” in sight, I’m trying to wrap up a number of side stuff before I close the book on Cole’s second chapter. My main objectives are finding all the Dead Drops, liberating the second island fully, and collecting all the Blast Shards. Maaaaaybe play a few more user-generated levels. Out of those three dreams, I’ve now found all hidden Blast Shards, and as a collectible, they are both a lot of fun to collect, as well as extremely rewarding in that a set number of them increase the amount of electricity power Cole can use. They remind me a bit of Precursor Orbs from the Jak and Daxter franchise, and nothing of those dumb flags from Assassin’s Creed. There is certainly an art to collectibles, something I’d like to explore down the line.

Basically, any time you ping the New Marais map for sources of electricity, Blast Shards appear for a second or two as a blue dot. Then you gotta find them, and they are relatively easy to see as they are glowing crystals, but most of them are tucked up high on rooftops or ledges, meaning you have to do some climbing. In total, there’s 305 of them, and you’ll come across them every step of the way early on in the game. It’s only after you’ve found about three-fourths of them that you have to begin paying attention and hunting them down, which is not as tiresome as one might think, thanks to Cole’s superhero powers of zipping up buildings and gliding across telephone wires. I found my 305th one out in the water last night, and upon collecting it, Cole accidentally took a dip, dying from the splash. Regardless, I got the Trophy, and I do believe it’s my first Gold one, unless I got one in Vanquish.

Tonight’s goal is to find three (or maybe it’s four?) more flying birds for the rest of the Dead Drops. I think I have run out of side missions though, meaning I can’t free the second island from enemy oppression. Might be wrong, might have to check online to see if there’s anything else I can do. After that, it’s off for Cole to fight the Beast, use the RFI, and watch another classic ol’ Western with his best bud Zeke. Mostly because then I can download Sleeping Dogs (free this month for PlayStation Plus users!) and have some more zany open-world fun, though probably with a lot less zapping and sticky ice grenades. Can’t say that for sure though.