GAMES I REGRET PARTING WITH: Blood Omen: Legacy of Kain

Kain, the once nobleman from Coorhagen, just beheaded Moebius, and I was on the floor tucked up against my bedside, a PlayStation controller cradled on my lap, a wired phone shoved awkwardly between my head and neck, waiting for my best friend down the road to pick up on his end. When he did, I recounted what happened, going so far as to imitate Kain in his moment of triumph where he proudly–and ironically–stated that he was already dead. There was little time for chit-chat, just straight to the details.

“Oh wow, wish I could’ve seen that!” Willie exclaimed, a hint of disappointment there. The last time he saw Kain in action was earlier on in some dungeon.

“Can you sleep over this weekend?” I asked. “I’ll save my game and wait for you. I don’t know how much further I have to go.”

“Yeah, definitely.”

Together, we saw Blood Omen: Legacy of Kain to its end, lapping up all the over-the-top violence, sinister ways, cruel spells, and amazing voicework. At its conclusion, a choice is presented: have Kain sacrifice himself and end the vampire race to save all of Nosgoth or refuse the sacrifice and rule the empire with total power. For us, the decision was easy, though not something I’d make now, some sixteen years later. We gave in to the power, and allowed Kain to slip into the darkness he constantly seemed teased by, ruling with blood-red eyes and unrelenting disdain. I have to believe that we both didn’t want to see Kain go, especially not after all the time we spent with him, helping him on his path of revenge and righting. He was our friend, no matter how silly that seems, and a friend of my friend is my friend and so on.

This connection to Blood Omen: Legacy of Kain later blossomed into some franchise love, as Willie picked up Legacy of Kain: Soul Reaver three years later, and we’d go through the same routine, just with the roles reversed. Now it was me riding my bike over as fast as I could on Saturdays before the sun set to see what latest puzzle he was stuck at. I never got to play, but I watched enough, even if the game itself was pretty different.

Today, Blood Omen: Legacy of Kain is remembered as a darker The Legend of Zelda clone, one with terrible loading times. And yes, that all rings true. Though the loading times at that point in videogame history did not seem atrocious, just something to deal with. I think Suikoden had pretty long load times, too. But we all moved a little slower back in the day, and Willie and I just learned to fully explore a place before moving to the next screen to prevent needless backtracking. Reflecting now, it actually added to the overall experience.

But I remember this game differently, as an adventure and triumph shared, one with dramatically gory moments to ooh and ahh over while bouncing on a trampoline in the backyard. I miss it, and I miss what opportunities it used to give me.

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GAMES I REGRET PARTING WITH is a regular feature here at Grinding Down where I reminisce about videogames I either sold or traded in when I was young and dumb. To read up on other games I parted with, follow the tag.

For the love of spritework

I’ve been thinking about sprites lately–no, not those kind–and why I absolutely love them, mainly to the point where a new game in 2011 with classic spritework is much more appealing to me than, say, just another modern title with all the latest tech, such as fancy lighting, particle effects, draw distance, and so on. Yup, even more than Elder Scrolls V: Skyrim. It’s hard to say if it’s all based on nostalgia or if it’s the artist in me appreciating that these moving images and interactive items on-screen were hand-crafted to be as is, to be simple yet recognizable, to still be able to stir emotions.

For nostalgia’s sake, I definitely grew up on sprite-based games. Earthbound, Super Metroid, The Legend of Zelda: A Link to the Past, Secret of Evermore, Mega Man X3, NHL ’94, Breath of Fire II, Secret of Mana–really, the list could go on. Blame this on the fact that the SNES was my first console ever, and that I ate up a lot of games on it. It’s where I became a gamer, grew my skills; I knew only sprites, and I had a hard time letting go. I think a lot of us did.

One of the first games I ever played on my PlayStation 1 was Beyond the Beyond, a strangely named RPG that I had rented for a few days. It tells the story of Finn, a young, unexperienced knight caught up in an ancient war between the Beings of Light and the Warlocks of the Underworld. Fairly traditional, and not just in story–the game, despite being released on an advanced console, looked like something one would play on their SNES. I was excited about this. I wasn’t ready for the future, for 3D gaming, for stuff like Battle Arena Toshinden and movable cameras. It wasn’t a great game, but it looked like what I had already learned to love, and that was enough for me to give it a try. I also fell hard for Suikoden and Suikoden II on the PlayStation, both of which feature gorgeous spritework paired with fantastic tunes.

When I moved on to the PlayStation 2, there were significantly less sprite-based games for that system. Maybe because that console had finally gotten a strong grasp on 3D gaming. A few still got my attention. Odin Sphere was repetitive as hecktown, but dang is it a beauty to behold. Marvel VS. Capcom 2 got a lot of play at friends’ houses. Can’t really think of others, unfortunately.

I’ve recently picked Chrono Trigger back up on the Nintendo DS and am enjoying traveling through time again, even if I’m rubbish at it. This is a game that’s eternal. It looks fabulous, just as it had when it released in August 1995, just as it will in twenty more years, and another thirty after that. These sprites are colorful and charismatic, eye-catching, easy to get. Only can sprites make a giant tick-boss look freaking amazing.

And now, in the current era of gaming systems–Xbox 360, PlayStation 3, Nintendo DS/Nintendo 3DS–I’m still always on the lookout for good ol’ sprite-based games. And they are still coming out, especially on the handhelds sideline. Really looking forward to Professor Layton’s London Life, which is a bonus add-on for Professor Layton and the Last Specter, coming out this October. It’ll be unlocked from the start, promises over 100 hours of gameplay, and basically screams, “Hey, you like Earthbound? Here’s a new Earthbound!” Mmm mmm, looks delicious.

I dunno. Maybe it is just the artist in me appreciating art over connect polygons. Maybe it’s seeing something that can last a lifetime and beyond. Maybe I just miss being a kid, holed up in my room, a SNES my closest and most constant friend. Do you love sprites or new games still rocking sprites? If so, why? Speak up, Grinding Down readers. Maybe we can get to the bottom of this.

GAMES I REGRET PARTING WITH: Wild 9

Wex Major is out for revenge. Makes sense. His team of ragtag teenage freedom-fighters, known as the Wild 9, was attacked by Lord Karn’s Elite Shock-troopers. Some heavy damage was done, and six members of the crew were captured to be experimented on. Now it’s up to Wex (and his cohorts B’Angus and Pilfer) to save them, as well as kill as many of Lord Karn’s goons as cruelly as possible. Thank goodness he has the RIG, a high-tech weapon that shoots out an energy beam, which Wex can use in multiple ways: grabbing enemies and throwing them into deathtraps, picking up objects, using it as a grapple-swing-thing, and so on.

Wild 9 was an impulse buy. That much I remember. I was looking for something to play, and here was something to play. And from the makers of Earthworm Jim, too. Platformers don’t get kookier than that one. I assumed that their latest offering would be much of the same. I don’t recall getting very far in Wild 9 though. I think the torture aspect lost me, much like it put me off in Bulletstorm. When the RIG hits enemies, they moan and scream loudly, clearly in pain. Not my thing. I don’t want “bonus points” for dangling an enemy over spikes before finally dropping him to his death. I want to save Wex’s friends, and that means killing efficiently, progressing left to right, our destination always ahead. I might’ve stopped playing after the first boss chase sequence.

But Wild 9 has personality, and that’s the main reason it has remained lodged in my brain all these years. Loading screens contained some original artwork of the Wild 9 crew in amusing moments, and the art style and animation is clearly taken from the very same pages of Earthworm Jim. That’s not a bad thing, as they nailed something there and knew it. There’s some decent animation work too, in that Wex reacts to what you’re doing. Use the RIG to grab a crate, but accidentally drop it on your foot? Yup, he’ll hop about in pain. Really evokes that sensation of the Sega Genesis and SNES days where game characters were that–characters. However, his walking animation is trollish and clunky, but don’t tell him I said that.

Like Klonoa and Viewtiful Joe, Wild 9 helped usher us into a new form of platforming, that which is known as 2.5D. Yup. 3D graphics (as in polygonal), but still a side-scrolling action title. The camera angles could get a little jarring at times yet it was still a neat effect, especially when some levels have Wex is way up high with a gorgeous backdrop that seems miles away in the distance. Games like Shadow Complex will use this look to great success many years later.

The above text might seem contradictory–I love the style and personality of the game, but actually did not enjoy playing it. So, why would I regret trading in Wild 9? for some measly space credits that I don’t even remember spending? Well, I’d like to try again. As a youth, I did not have the attention span or devotion that I do now, and if a game didn’t interest me, it was off the list and over to the next. I feel like I gave Wild 9 a small amount of time and moved on to something else, eventually forgetting about it until the day came where I needed to trade in some games, and there it went. I’d just like to give it one more shot, to see if it will always be more unique than fun.

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GAMES I REGRET PARTING WITH is a regular feature here at Grinding Down where I reminisce about videogames I either sold or traded in when I was young and dumb. To read up on other games I parted with, follow the tag.

30 Days of Gaming, #26 – Best voice acting

Blood Omen: Legacy of Kain is infamous for its truculently long loading times, but I actually really liked the game, especially its voiceover work. If anything, that’s what I remember most, Kain narrating his own journey to the Pillars of Nosgoth. Now, I know the topic train for today’s meme entry calls for the “best voice acting,” but there were really too many choices to pick from these days, as the bar has been raised and re-raised over the last few years thanks to titles like L.A. Noire, Mass Effect, and Bioshock. So, instead, I went with a game that had great voice acting though I’m positive nobody would back me up if I called it the best.

As will soon be revealed, I love The Legend of Zelda: A Link to the Past. It’s a game I’ve played and replayed, discovering new things in it each time and just losing myself in the world and its characters. I can still remember how confused I was when Link switched between the Light World and Dark World, turning into a bunny elf thing, a sad reflection of his inner self. And when he…wait, no. I’m not here to talk about Link’s journey to rescue Zelda from Agahnim, as well as get the Master Sword and three mystical pendants. That’s another blog post, definitely forthcoming.

Transitioning on, when Blood Omen: Legacy of Kain came out in 1996 for the PlayStation, it was like getting an adult version of A Link to the Past. There was blood and violence and cruelty and creepiness, all played in a top-down perspective with a journey across an expansive land where collecting items and power-ups would help the hero explore even further. Plus, you drank blood from unsuspecting humans to regain health. I don’t even remember how I was able to buy it at the sweet age of 13, but I had. Or maybe someone else had for me. Can’t really picture that happening, as the only times I used a neighbor’s help was for getting discounted games from the now extinct Kay Bee Toys, such as Suikoden and Wild Arms. Either way, I had a copy of Blood Omen: Legacy of Kain, and I played it night after night, my best friend over, stretched out on the floor, wide-eyed at the crazy beheadings and bloody swordsmanship. It was crazy times back then.  And while FMVs were a new and cool thing at the time, they were bereft of voice acting. For that glorious work, you had to play the game and discover.

Going back, it’s amazing to hear how similar Kain narrates his journey in an almost Bastion-like way, commenting on items he picks and locales he passes by in real time. It’s hard to say what was more exciting: gaining a new power or hearing Kain’s description of it. Simon Templeman‘s confident, scorned voice does wonders to bringing Kain to life, and that’s saying a lot considering he’s undead. The soundtrack also plays ally, backing Templeman with bells and choir harmonies and ominously held notes. If medieval times had a soundtrack, this is it. Kain is certainly the star of the show in Legacy of Kain: Blood Omen, but there’s some other spectacular performances to call out, such as Paul Lukather as the ancient and reclusive vampire Vorador and Tony Jay as the cunning puppet-master Mortanius.

Some of my favorite quotes from the game follow. Naturally, they do not read as well as they are heard, but whatever. I’m not in the mood to link to a bunch of YouTube videos. Those interested can certainly seek Legacy of Kain: Blood Omen out to see and hear what it’s like. Right:

“In his life, he was unknown…a petty noble. In death, he was unknown. Yet by choosing oblivion, he restored balance to the land. Shades cast no shadows.” – Ariel

“I am the last Pillar. The only survivor of the Circle of Nine. At my whim, the world will be healed or damned. At my whim.” – Kain

“The world had changed to my eyes. I had not expected such cruelty from the light. For in the embrace of the sun, I could find no comfort, only malice. This would change in time for the worse, along with other thing.” – Kain

I never got to play any of the other games in the series, like Legacy of Kain: Soul Reaver, but it seems like some of the same voice actors carried over. Might have to try and find a used copy or two. Y’know, just to hear my friends again.

30 Days of Gaming, #21 – Game with the best story

Suikoden told the story and struggle of one Tir McDohl, a young boy growing up fast in a big world where politics and war meant ultimately the same thing. On top of dealing with betrayal and unfairness and the death of several close friends and all that jazz, young McDohl also learns early on that he’s destined to be the Tenkai Star, a prophesied hero fated to unite the 108 Stars of Destiny, bringing forth a new age of prosperity. Heavy stuff for just a lad.

Suikoden II, taking place three years after the events in Suikoden, is basically that plus more. More betrayal, more scheming, more large-scale battles, more heartbreak. The Kingdom of Highland is invading the City States of Jowston. The player controls Riou, a soldier of the Highland Army’s Unicorn Brigade. Together with his childhood friend Jowy Atreides, the two of them will get swept up in the seedy underside of the Dunan Unification War.

The greatest aspect of Suikoden II‘s yarn is its fair and rounded treatment of relationships. You truly believe that Riou and Jowy are great friends with a lot of history, and as the plot unravels it becomes clearer and clearer that the two will not see eye to eye on everything. Plus, each is given half of a True Rune, demanding that they work together for its full potential to be realized. Still, their separation is no surprise, but it’s still just as crushing. Jowy ends up working for Luca Blight, “the Mad Prince,” a villain as villainous as they get, and starts to move up in rank as Riou begins to build his own army and plans for stopping Highland. As things really get heated and the battle rages on, Jowy betrays Blight, revealing that he is trying to bring peace to the land, and that he never believed Riou could do it so he set out on his own to accomplish the task. There’s some bitterness there, as well as relief.

You also believe that Riou and his sister Nanami love each other, all the way to the end. Two other characters with a great relationship? Old-time favs Viktor and Flik, of course.

There’s multiple endings, too. Three, I believe. Here’s how my one and only playthrough concluded. At the end of Suikoden II, Riou returns to a spot where he promised Jowy they could meet up if they ever got separated. The climb back to where it all started is hollow and eerie, with not a single sound to be heard. The two converse and then you’re given a faux choice whether to duel or not. Regardless, you’ll have to fight it out with your once BFF. Once Jowy is weakened, you have another choice, this time a real one: take his half of the True Rune or don’t. I did, knowing full well this decision would kill him, but not sure what made me want his Rune half; maybe his betrayal and murder of Anabelle still stung deep down. After that, Jowy makes his peace, and it’s montage city until the credits roll.

The story is smart, sophisticated. The battle plans make sense, and Luca Blight, while being a little over-the-top, is exactly what one fears in a villain–intelligent and passionate. It was clearly crafted with care, and it’s a story I will care about myself for as long as I can.

Skirting the wild side with Wild Arms 2

Tara‘s been telling me for several months now that I have to play Wild Arms 2 from her side of our games collection, and since there wasn’t much else to deal with today but dog diarrhea and a severe lack of air conditioning in our apartment, I finally said okay and gave the game an hour of my time. Sorry, Greg, but I didn’t take any notes as I played. I did, however, have a serious blast naming the many characters’ names. That’s something I’ve always enjoyed doing in RPGs; for my first and only playthrough of Final Fantasy VII, I gave everybody either a Greek or Roman god’s name.

Here’s what I came up with for our colorful crew of heroes in Wild Arms 2:

Just ignore the stats in the images above. I got nobody past level 3 by quitting time. I also named some boy hostage 12345 and a friendly dog Updog. Yeah, I know. I’m da best at naming dem thingies.

Like all Wild Arms games would go on to do, the adventure begins with picking one of three characters to play as. Don’t worry. You’ll do everyone’s origin story, and then all three timelines will connect with each other. I picked Dimples first, a soldier in Meria Boule’s army, one of the three nations of Filgaia. He walked around some underground place, learned how to hit switches with throwing knives, and then fought a boss monster with creepy hands. Next it was on to Banana’s story, which is a little on the somber side. See, he’s hunted as a criminal, but is actually a “hero.” The use of quotation marks is his doing, not mine. Maybe he doesn’t want people to confuse him with a sandwich. Lastly, there’s Brickface, and boy did I name her correctly. She’s a hapless magician in training, and her introductory story is one giant puzzle of blocks and switches and giant bugs. It’s not fun. In fact, it’s a bit frustrating, and by then I’d had enough, so off went the PlayStation 2’s power button.

Some strange things to note though. Despite being three separate characters who have not yet met each other, they all shared the very same inventory. I had collected 14 Heal Berries with Dimples, and then when it was time to switch over to Banana, he also had access to all those berries. How does something like that work? The battle graphics are atrocious, but otherwise the game is pretty decent looking. Dialogue can be a bit confusing as it’s not always clear who is talking. Evidently, you can also name your own spells; Tara renamed many of hers after ones from Slayers and Magic Knight Rayearth. Go, nerdy wife!

I can’t promise that I’ll go back and play more Wild Arms 2 at this point, but if I do, at least it’ll be worth a few laughs.

REVIEW – GameSpite Quarterly 8, the PlayStation Era

The Sony PlayStation was a system that got me through high school and carried its weight during the early college years; it was a system that seemed to be everything anyone could need, with a library certainly bigger than anticipated, and the power to steal hours upon hours away from my life. Many of my favorite titles call home to the 32-bit console that could: Suikoden, Suikoden II, Jumping Flash!, Blood Omen: Legacy of Kain, and so on. It holds a special part of my soul beneath its silver lid, and that’s me being as honest as possible via a blog post. The dang thing means a lot to my growing up, my dealing with problems and friends and loneliness, and it was also a ton of fun to play, to invest in. I even decked it out with special stickers that came with early issues of PSM, a magazine that I subscribed to for a super long time because I enjoyed reading about my new toy and what it might be handling in the future. It’s been some time since I’ve read anything PlayStation-related in print form, too, which is my way of transitioning to the next paragraph.

The latest issue of GameSpite Quarterly, a simultaneous print and online zine by Jeremy Parish and pals, is all about the PlayStation, making it an instant buy for me, and I’m all the happier for it. The book arrived, and I at first couldn’t tell if I’d ordered, y’know, a book or…a brick. At around 435 pages, this is actually a tome, and there’s plenty of content to absorb, which is what I did over several days. It’s got that potpourri feel to it thanks to numerous authors writing varying articles about strikingly different titles and subjects. In the span of a few pages, GS8 goes from talking about how “mature” Sony got with its advertising to coverage of retro games like The Raiden Project and Final Fantasy Anthology. Content flows in a loose chronological order by game release dates, but at times feels a bit of a mish-mash effort; I’d have preferred a section devoted to game reviews and another to musings and features, but that’s just little ol’ me and my need for everything to be ordered and grouped and properly connected.

As previously mentioned, the library for the Sony PlayStation is huge, and it’s no surprise that not every game gets covered in GS8. I’m sure many frog fans are going to be saddened to learn that there are zero words devoted to Frogger 3D and Frogger II: Swampy’s Revenge. And some titles that I actually wanted to read about deeply, such as Star Ocean: The Second Story, Metal Gear Solid, and Chrono Cross, were only given a single paragraph of love. Disappointing, sure. Blockbusters like Final Fantasy VII and Tomb Raider get the expected amount of coverage, and I particularly found myself immersed in Tomm Hulett’s “The 7 Deadly Sins of Xenogears,” a religiously in-depth analytical look at a game I never got to play. For the most part, the majority of the games covered get a small amount of text to go along with a huge, pixelated screenshot. Sometimes this works, and sometimes it doesn’t (Baby Universe).

Not surprisingly, Parish’s love for quirky and less-loved titles takes the limelight here, with games like The Misadventures of Tron Bonne receiving eight pages of praise. Missed out on that game way-back-when, but it sounds pretty neat and has me only more excited for the forthcoming Mega Man Legends 3. My only other complaints are minor, but a second round of copyediting would have done wonders; as I read, I spotted a number of typos, as well as a lot of inconsistencies (if you’re devoting an entire issue to the PlayStation, you should stick to one spelling of it only). Otherwise, GS8 is so full of content and pages to flip through that the good outweighs the disappointing, and even though the entire book will make its way online over at GameSpite eventually, the printed form is still worth pursuing. Seeing that much content bundled and bound is impressive, and if you were at all a fan of the PlayStation it’s a no-brainer buy. Cracking GS8‘s spine is the easiest way to time-travel back to the good ol’ days of 3D polygons, memory cards, and games built around FMVs.

30 Days of Gaming, #13 – A game you’ve played more than five times

This is kind of a weirdly phrased topic. I mean, it seems like it wants to ask about a game you’ve beaten more than five times because honestly, I’m pretty sure I’ve played every videogame ever more than five times–as have you–save for Epic Mickey (cue sound effect). If that’s the case, I had a number of choices for today’s 30 Days of Gaming meme topic, most of them coming from the great house of the Super Nintendo Entertainment System: The Legend of Zelda: A Link to the Past, Super Mario World, Donkey Kong Country, and Suikoden to name a few.

However, I’m going with Super Metroid, a game I can’t pinpoint on the number of times I’ve completed, but it’s one that I return to consistently every few years and love revisiting. I’m so proud to still have this cartridge in my SNES collection; thank the stars above and below that I didn’t trade it in with all those other games I now regret living without.

Super Metroid thrives on exploration and discovery; without it, Samus would just be some ho-hum bounty hunter that hopped up and down platforms, shot enemies to pieces, and took down crazily unique bosses. Those aspects of Super Metroid are great and certainly nothing to sneeze at, but its everything else around them, the unknown padding if you will, that makes this truly a game worth coming back to again and again. It’s landing on Zebes in the rain and heading to the right to discover that, no, really, you need to be heading to the left. It’s making your way through Crateria, which, as a young boy, I always misread as Cafeteria, and getting chills from the dreary, silent mood thickening in the air above. It’s getting even more freaked out when Samus first arrives at the Wrecked Ship to drips and statue-still enemies. It’s that final boss fight, and the frantic rush thereafter; it’s going back to where it all started.

Every time I play through Super Metroid, I discover something new. Last time, it was reaching new areas with the Shinespark technique that I had previously thought were unreachable. Another time it was sinking through some quicksand to…not die, but end up in a hidden room. Long before that it was learning all the secret, chargeable special attacks. I can’t even imagine what other hidden goodies remain for my next romp through, but I’ll be sure to x-ray scan every wall possible and bomb whatever gets in the way.

Truth be told, I’d love a new version to pop up on the Nintendo 3DS, and considering there’s a 3D upgrade to a title like Excitebike…well, my dream isn’t too far-fetched. Until then, I’m just gonna roll up into a ball and wait.

Setting the new consoles loose

Looks like its Spring cleaning time for the videogames industry. Bizheads all over are tossing aside their aging children to make room for newer, shinier ones. Let’s take a look at what’s happened over just the past few days.

Nintendo announced their plans to release a brand new console in late 2012. The device will make its first public appearance at E3 2011, as well as be playable, which starts on June 7 in Los Angeles. Goodbye, Wii, and hello, Wii Wii (or Wii 2 or Wii Are Trying Again or Wii Do HD or whatever they end up calling this mysterious Project Cafe). Not that the company seemed to really care about the Wii for some time, and it looks like The Legend of Zelda: Skyward Sword will be the last hyped game for the system before its dumped into those bargain bins at Best Buy for kids many years late to the party to pick up for super cheap.

Nintendo seems to also be phasing out DS Lites, stating that once a retail store sells through its current stock…that’s it. No more after that. I guess this is to make more room for the 3DS and the–to some people–stronger upgrade of the DSi. That’s a shame, especially since I consider it my gaming system of choice; many stores and websites seem to still have plenty in stock though, and they are the most affordable version. If you’ve been waiting to pick up a DS, you might want to stop waiting sooner than later.

Sony is also stopping the production of their PSP models. I don’t know enough–or care enough–about that handheld to give you any kind of insight on the matter, but basically, another one bites the dust. More interestingly, Sony is releasing two tablets capable of playing original PlayStation games with updated touch controls. Um…what? Why would anyone want that? I mean, I guess they do more than that, but for some reason, somebody at Sony thought this was an excellent talking point. However, it is not. I barely want to play a lot of original PlayStation games now let alone have to repurchase them and learn new funky control schemes. The only genre I see faring well with this are RPGs because a lot of button-pressing isn’t based on timing or quick reflexes, especially turn-based combat.

I’m kind of glad that Microsoft hasn’t announced a new successor to the Xbox 360 just yet, but I’m sure it’s on its way. Personally, I don’t believe we need any kind of console upgrades just yet, and it’ll be either a hit or flop for this new Nintendo system, which looks like to be launching with zero to little competition. Unfortunately, Nintendo’s systems seem to place gimmicks above hardware, something many gamers are getting tired of, and there’s a lot of rumors circulating that it could have a touchscreen on its controller, but we’ll just have to wait until E3 to really take it all in.

I hope that, at some point, all the companies, developers, and publishers get together and create the Nintendo PlayBox 9000 and put down their weaponry to live, create, and game in utopian bliss.

P.S. All links go to GiantBomb because I’m too lazy to look around for multiple articles. Deal with it.

With the 3DS eShop, comes great Mega Man Legends 3: Prototype Version

I have a soft spot for Mega Man Legends, a PlayStation title that plays nothing like previous Mega Man games. Instead, it focused on open-world gameplay and character interaction, starring a teenage incarnation of Mega Man named Volnutt. It was also the very first wall-jump into 3D polygons for the franchise, making it a sharp slap in the face of any Mega Man fan ever. Thankfully, I was never diehard obsessed with the blue-armored boy’s adventures, and so when this released it just looked like a fun, light-hearted romp, something like Brave Fencer Musashi, with its bright colors and exuberant character personalities. The plot involved hidden treasure, pirates, and a lot of archeology. Very different from your standard travel left to right to end of level and beat boss, acquire its power, and find the next boss weak to it.

I never purchased Mega Man Legends, but somehow it ended up in my collection. If I close my eyes and think hard enough, I believe I borrowed the game from a friend–just the CD though, no jewel case or instruction booklet–and then never gave it back. Or maybe I did. I have these flashes of seeing the game recently amongst all my shtuff. Not sure if I could find it right now in my boxes and boxes of junk seeing as it’s just a little CD by itself, but I might still have it. Who knows. Either way, I played it, I liked it, and I’m pretty sure I never completed it.

All of this is just to say that Mega Man Legends 3–long desired, long hoped for by many–is in the works for the Nintendo 3DS, and with the launch of the system’s eShop in late May, Capcom is releasing something called Mega Man Legends 3: Prototype Version. It’s more than a demo, but less than a completed game. Once you finish the core missions, you’ll receive access to areas of the game not yet finished and be able to play with a debug menu that gives you special moves and abilities. Capcom is hoping for a lot of feedback from gamers about it because without any interest, the title itself might just get chucked into the trashbin. Eep! Be a good Servbot and provide feedback here: http://www.capcom-unity.com/devroom.

Oh, and here’s a little looksie at what’s to come:

Still not sure if this is a free eShop download or a paid demo, but so long as it isn’t too pricey, I’ll be getting it. Five dollars sounds right, but I’m sure Nintendo is going to screw us all and use some wonky points system so it’ll be more like 500 3D Space Bucks. It’ll be nice to have some games to play on my 3DS that don’t require me to move around a room like a goofball (Face Raiders) or have an extra item available at all times to play ’em (AR cards). I can only make so many different Miis before I get bored. Come on, late May…hurry up and get here ASAP.