Category Archives: nintendo 3DS

Disney Magical World 2 and the grand return of so many stickers

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According to my records, I’ve played Disney Magical World 2 for a little more than half the amount I dumped into the first game, which has the honor of being one of my most-played games on the Nintendo 3DS, bumping elbows with other critical darlings like Animal Crossing: New Leaf and…Netflix. I’m not even near a 50% completion rate. That first game was a super addictive life simulation thing with more than two handfuls of quests to constantly be working on that came out right at the time I needed it to most, and the sequel is all of that again plus more. I got it and Pokémon Moon shortly around the same time last year, and I haven’t touched the latter for more than a couple of hours in November. Sorry, my cute l’il Rowlet baby, I promise to be back shortly.

Once more, you the player, using either a custom character or the Mii that is on your Nintendo 3DS, arrive in Castleton and are magically the only person able to help everyone with their multitude of problems. These include reuniting a musical band of sea critters in The Little Mermaid‘s realm, ensuring Pooh has enough hunny for a picnic, helping those seven dwarfs clean up in preparation for Snow White’s arrival, and so on. There’s a bunch of new, big name worlds to explore–alas, still not an inch for The Incredibles–and each realm is ripe with materials to collect, characters to interact with for special items or side requests, and larger story missions that take you to dungeon-like locales to fight off ghosts using your magic wand. A couple worlds, like Lilo & Stitch and Snow White and the Seven Dwarfs, feature mini-games too though they aren’t worth spending a lot of hours on.

The main goal hasn’t changed beyond collecting Happy Stickers. Sure, you can grow your café, earn lots of money, tend to a garden, and find new recipes for food, furniture, and clothing, but it continues to be all about them stickers, which are earned by completing specific tasks, such as catching so many fish or clearing a specific number of episodes. Ultimately, these dictate unlockable content or areas and what quests you can take on so it behooves you collect them as you go so you can have more to see and do. Everything feeds into one another, so, no matter what, you are always making progress, which is a thing I love. At the beginning of the game, you’ll see areas locked behind a high number of stickers and think getting there will be impossible, but all it takes is time and dedication. By the end, there’s so much to juggle that you’ll think back at the lengthy opening and how little you could do then and chuckle.

Here’s what was taken away in Disney Magical World 2, much to my dismay: collectible pieces of art every day, whether animation frames or original movie posters, from characters all over in Castleton. Instead, you gather puzzle pieces, and once you acquire a full set and the respective border, you can visit the themed land in the Dream Realm, which mostly exists for silly pictures, but also gaining a bunch of “like” points in one big gulp. “Like” points buy stat buffs, special recipes, and missing puzzle pieces through random chance. I’m not a huge fan of this trade-off. Art is cooler. Also, the dungeons are much more linear with claustrophobic challenge rooms instead of open, almost maze-like corridors to run down and discover enemies or items. When you throw a good party at the cafe, you can now do a song and dance with your guests, which, again, seems to only exist for picture taking. The real reason you throw a big party is to get those characters to permanently show up on a daily basis in Castleton.

So, spoiler territory here–and yeah, I consider this spoilery because if it was something I had known about beforehand it would have definitely lessened the woah factor for me when it happened–but credits roll in Disney Magical World 2 immediately after you earn all 100 stickers and return to the castle square. However, just after that, you are presented with another bunch of quests to keep working towards: pro stickers. These consist of more of the same (build X many pieces of furniture, wear X number of Ace Ensembles), but there are a few others that do demand some time and effort to unlock. Each of these stickers comes with a special item too when you earn it, such as new themed wands and Easter clothing/furniture. I figured the game was mostly over, but nope.

Speaking of Easter, that’s the next time the game will switch over in terms of look and events, starting on April 1. So far, it changed for Halloween and Christmas. I was hoping for at least something for either Valentine’s Day or the month of leprechauns, but alas, no. I wonder if Rabbit from Winnie the Pooh‘s realm will play a prominent role during this upcoming time. Either way, even with the new pro stickers to go after, I won’t be playing this as much until the seasons alter and offer some new outfits/items to enjoy. I really have to get back to Pokémon Moon and then there’s the upcoming remake of Dragon Quest VIII: Journey of the Cursed King.

2017 Game Review Haiku, #11 – Disney Magical World 2

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Back to Castleton
Farm, help, dress, build, dance, profit
Even more stickers

I can’t believe I’m still doing this. I can’t believe I’ll ever stop. These game summaries in chunks of five, seven, and five syllable lines paint pictures in the mind better than any half a dozen descriptive paragraphs I could ever write. Trust me, I’ve tried. Brevity is the place to be. At this point, I’ve done over 200 of these things and have no plans of slowing down. So get ready for another year of haikus. Doumo arigatou gozaimasu.

My five favorite games in 2016

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According to my “2016 completed games” tag here on Grinding Down, I finished 83 games in 2016. That’s…a lot. Certainly the highest amount I’ve seen since I started tracking all this nonsense. Yes, yes, many of these games one might consider tiny and small and not worth counting, but it’s my life, my mind, and anything that sparks my attention and holds it for more than a minute or two is worth calling a game, as well as worth seeing through to completion. Now, many of these games that I beat in this year of the monkey were not released in the last twelve months, such as Final Fantasy IX, Read Only Memories, and Costume Quest 2. Also, of the five below, I’ve only actually beaten numbers five through three, but that won’t stop me from lovingly praising the top two entries. Can’t stop me now.

Before all that, some honorable mentions. Gears of War 4: You are all right, a bit straightforward, and I’m finally getting better at the multiplayer, but I really don’t like how serious everyone takes the game, which often makes it not very fun to play (see, I like playing games to have fun). If you want something weird and artsy, give Karambola a bite. Devil Daggers is cool as hell, probably because that’s where it was spawned to begin with, but I’m total rubbish at it. Shout outs to Earthlock: Festival of Magic, a throwback RPG that I’m surprisingly spending a lot of time with this last week. Lastly, The Average Everyday Adventures of Samantha Browne is a great freebie that will likely resonate with those that suffer from social anxiety, like me. Remember, it’s an honor just to be nominated.

If you’re wondering why something is missing below, some dear game you hold close to your heart and swear up and down made 2016 all the better by existing, chances are I just didn’t get to play it this year.

Here we go. The last list of the year…

5. Tom Clancy’s The Division

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Tom Clancy’s The Division is a game I never expected to find myself playing. Honestly, I picked it up because a friend from work was getting it and wanted to play together. This is a rare happening, where I get to play a videogame with another human being that I know. I couldn’t resist. It’s a cover-based shooter with loot in a snowy, disease-laden New York City, which, despite that, looks amazingly pretty thanks to all the Christmas decorations left up. Getting through the main missions and to the endgame stuff was pretty easy, and I found myself obsessed with collecting all the collectibles, which had its ups and downs.

Unfortunately, that endgame stuff, as well as the Dark Zone in general when not safely traveling in a group, were not entertaining to me and didn’t keep me around for long afterwards. Nor did the Underground DLC. However, Ubisoft and the game’s developers have seemingly been working to fix a lot of the game, and my few attempts at the Survival DLC so far have brought me back into the fold, excited to craft a scarf with better cold resistance. It’s not a perfect game, but there’s something to it, a looty loop I can’t turn down.

4. Even the Ocean

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For many this year, the biggest surprises were things like Doom and Hitman, old games made new and modern. Well, I didn’t play those. For me, the biggest surprise of the year was Even the Ocean…mostly because I had no idea what it was until I saw a trailer and then immediately contacted the developers for a review copy. The story is grand, telling the struggle of Aliph and her quest to fix a bunch of power plants to stop the foretold invasion of flood-bringing monsters.

The game is a mix of narrative sections and platforming sections, with each area highlighting a new twist on Aliph’s abilities and the ways to balance her energy levels. What’s super amazing about the whole thing is its openness–you can tackle most of the power plants in any order, and you can play the game just for the story, just for the platforming, or a combination of both. There are even further options in the menu if you find the platforming too challenging and need some extra help. There’s a lot of love and care in Even the Ocean from Sean Han-Tani-Chen-Hogan and Joni Kittaka (y’know, Analgesic Productions), and it more than shows in every character interaction, design choice, and piece of music.

3. LEGO Star Wars: The Force Awakens

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LEGO Star Wars: The Force Awakens is glitchy and broken in a few spots, but that never stopped it from being fun. Frustrating, for sure, but always fun when it was working. I guess that’s something that can ultimately be said of every LEGO release from Traveller’s Tales. This is a game that I mostly played with Melanie, and we ate it up in pieces throughout the year, finally completing all the DLC add-on missions and last remaining Achievements back in November 2016. As always, there’s a ton to do and collect, and the cutscenes are more enjoyable than ever, full of the usual charm and goofiness, but even show off some details not explained in the film. That said, I still hate racing side missions in these games, and throwing in floaty spaceships didn’t make them any better.

2. Stardew Valley

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I have not experienced a full year yet in Stardew Valley, having last played somewhere in the middle of in-game winter. Winter is rough. There’s less to do when it comes to your farm, and I didn’t prepare ahead of time for this. The good news is, one, that it doesn’t matter, because the 31 hours I’ve played on Steam leading up to this standstill were amazing and some of the most addicting gameplay I’ve ever experienced. Two, I plan to restart the game very, very soon on Xbox One, keeping the incoming winter season in mind from the start, but otherwise doing much of what I did before, such as wooing Maru and focusing heavily on digging deep into the mines for rare gems.

Stardew Valley is the epitome of the “just one more…” mantra, with the unit here being day. In this open-ended, country life RPG, you have inherited your grandfather’s old farm plot and given up working in a corporate office. That’s the start of the game, and you decide where to go from there. You can attempt to fall in love and marry a local villager or work to restore the community center. Do not support the Joja Corporation. There’s also events every season to partake in, or you could simply wake up every day, water your crops, pet your cat, and hang out on the farm until the sun sets, doing it all over again the next day. It really doesn’t matter how you play, as it is all rewarding. This is backed by a stellar soundtrack that perfectly matches every time of day, every season. Also, the sound effect when you collect an item is pure bliss.

Even the Ocean was made by two people, and Stardew Valley was made by one, Eric Barone (@ConcernedApe). I find this beyond impressive, to the point that it hurts my brain. Everything you’ve heard about Stardew Valley is true; it’s a game you play now to remember fondly later.

1. Disney Magical World 2

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This might seem like it is coming out of left field, or it may be no surprise at all to those that know me, but yeah, Disney Magical World 2 is my favorite game of 2016. Naturally, I’ve had a post in the works for this one for a couple months now, but haven’t had the chance to put all my thoughts into words and hit the publish button. You also might remember that my favorite game of 2014 was Disney Magical World.

With the sequel, not too much has changed, and I’m more than happy about that. Since getting the game in October, I’ve put over 40 hours in it and have no plans of stopping now, despite only having three more stickers left to acquire. You still move between themed worlds, tackling missions for specific Disney characters and collecting a vast number of ingredients/materials, all of which feeds back into making food for the café, creating ace ensemble outfits, and crafting countless amounts of furniture. There’s also a garden to tend to, and your own house–really a single room–to decorate. Mine’s mostly green. Gone are the collectible cards full of nostalgic art, replaced with pieces from a larger picture puzzle that allows you to interact later in a special area for bonus “like” points…I’m not a huge fan of this switch, but it is a minor element that can be nearly ignored if desired.

Disney Magical World 2 is a fantastic portable game. I pick it up and play for twenty, thirty minutes, and always have something to do. I don’t follow the same pattern each time, but it usually goes like this: run to the café, collect money, load it up with more food to sell, run to main street and see what the lady with the stall is selling (it changes multiple times throughout the day), purchase a new outfit or make some furniture, run around the map and collect puzzle pieces or see if there are any quick material-gathering missions to do, accept a story mission or two, and, lastly, return to the garden to pull up any finished crops and then plant new ones. Phew. This is not the same every time, but more or less my plan of attack. I have some story missions left to do in the Alice in Wonderland, Little Mermaid, and Lilo and Stitch worlds, but I’m trying to save them, really make this last. Besides, even after all the time and work I’ve put into it, I’m only at 33.51% completion.

So far, the in-game world of Castleton has changed for Halloween and Christmas, with the next scheduled event happening on April 1. I was hoping to see something earlier than that for either Valentine’s Day or St. Patrick’s Day, but, regardless, I’m looking forward to spending more time with Disney Magical World 2 in 2017. I wonder if I’ll have rung it dry of content by the end of the year.

At last, Professor Layton and the Azran Legacy comes full circle

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I wanted to see Professor Layton and the Azran Legacy end many times since picking it up and putting it down for the last two-plus years, but it seemingly refused to do so. It kept pushing its closing moments and credits further away. The game continued warning me that there was no turning back only to then reveal that, yeah, you can totally turn back to find those hint coins and last remaining puzzles or just meander aimlessly from region to region. I will freely admit that I didn’t help thrust this story to its resolution after I discovered what the whole World Times side quest was all about–don’t worry, I’ll explain more a few paragraphs down–but man, this was all a little drawn out.

First, a refresher on the story. Trust me, I needed one after frequently walking away from Layton’s sixth adventure, and the game even provides you a short summary each time you return, to get you back to speed. Right. The mysterious organization called Targent wishes to use the ancient civilization of the Azran’s mystical power for itself. Targent’s rival and everyone’s favorite mask-wearing, self-proclaimed scientist Jean Descole also wants to harness this power. Neither should wield it, naturally. Professor Layton and the Azran Legacy begins with Layton, Luke, and Emmy boarding the airship Bostonius and heading for a place called Froenberg. The three of them received a letter from Professor Desmond Sycamore, an eminent archaeologist, who believes he has found a so-called living “mummy.” Upon arrival, they meet their mummy–Aurora, a girl frozen in ice, closely connected to the Azran civilization.

The story has its moments. I particularly liked searching after the five Azran eggs and seeing where each egg was hidden and how to get it in our meaty paws. For instance, in the jungle village of Phong Gi, the chief of the tribe is only willing to give up his egg to the gang if they can make him laugh. Contrary to that tone, in the windy village of Hoogland, the group learns of a tradition where young women must be sacrificed in order to appease a wind god; thankfully, they discover this is not actually happening and that an Azran machine was creating the stormy winds. Each egg-acquiring section are good, interesting accounts, with many memorable characters taking center stage when Layton isn’t solving a puzzle or two. I will quickly say and not get into spoilers, but the last act of Professor Layton and the Azran Legacy is one twist after another, to the point of ridiculousness. It was the closest the game has come to basically being a TV soap opera’s series finale, and no, not in a good way. Sorry, the Emmy thing was too much. I understand this is the last game to star the top hat-wearing gentleman and they probably wanted to go out on a bang, but there was too much bang.

Okay, now let’s chat puzzles. Mmm. If you’ve played a Professor Layton game before, then none of what is here will surprise you. There are mazes, math equations, general deducing, and some guess-work. I hated the ones where you have to recreate a picture using colored blocks and layering them on top of each other, but those are few and unessential. Of all the entries I’ve touched, which include The Curious Village, The Last Specter, and The Miracle Mask, I have to say that this one had the least exciting mini-games to engage with, and that’s saying a lot because one of those mini-games is basically playing dress up, the only thing I cared about in Grand Theft Auto V and one of the main driving forces behind my time with Disney Magical World 2 now. Anyways, there’s Nutty Roller, Bloom Burst, and Dress Up–I completed none of them, but came the closest on the last item. As always, there’s plenty of hint coins in the environment to pick up and use at your discretion; I haven’t felt shame using them for many years now.

So, this whole time, as I’ve been playing Professor Layton and the Azran Legacy, one of the sections in Layton’s trunk continued to update with new details–World Times. These are newspaper clips, often popping up after you finished visiting an area, telling some strange side story of an event or character. I swore I thought they were merely cosmetic, there to make the world feel realer, bigger. Nope. They are basically side quests, which lead to more puzzles and unlockable clothing for the dress-up minigame. See, the problem is that I never went back to any of the story locations after completing them, assuming they were good and done, drained of every hidden object, hint coin, and character interaction. Well, I was wrong, and so a large part of my going back to this game involved tracking down every single World Times quest and completing it, which added to its length for sure.

The animated cutscenes continue to be beautifully done. Every time one came up, I’d get real excited and hold the Nintendo 3DS firmly in my hands and slightly closer to my face. They are heavy on action and scenery, which is a great break from the more stilted, and sometimes overdrawn, dialogue-heavy sequences where Layton is trying to get Luke or Emmy to figure out what he already knows. I really should, at some point, track down Professor Layton and the Eternal Diva simply to marvel in these moments for longer than a few minutes. I mean, if truth be told, the puzzles sometimes are just the means to another gorgeous cutscene.

Well, that’s that. I played the very first game in the series, and then the entire trilogy of prequels. Which is rather fitting, as the end of Professor Layton and the Azran Legacy goes right into Professor Layton and the Curious Village, bringing everything full circle. That connective tissue between the two games feels really special, and makes me think about that first adventure differently, knowing what I now know about Layton, Luke, and even Emmy, though she’s obviously not there for their trip to St. Mystere. I have no immediate plans to find copies of Professor Layton and the Diabolical Box and Professor Layton and the Unwound Future, especially since a GameStop employee rudely spoiled how the final chronological game in the series concludes. Still, obviously, the best game in the franchise is London Life, and that’s a hill I’m willing to die on.

2016 Game Review Haiku, #80 – Professor Layton and the Azran Legacy

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Find ancient relics
Awake civilization
Use lots of hint coins

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Buy low, sell high, and make bank with Market Crashers

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Remember when I beat Crimson Shroud some time back and opened up a ton of free space on my Nintendo 3DS? No? Well, click here to read more about that and then come back so, sequentially, you are following along with this story. It might help. Right. Well, with all that free space prime for the filling, I went and downloaded a bunch of other things, such as updates to Pokémon Shuffle and that freemium Pokémon Picross thing, which I’ve kind of only touched twice since and not for very long. Aside from those, I also grabbed a free new StreetPass mini-game from Nintendo as part of their promotion of a whole bunch of new StreetPass mini-games, deciding between Slot Car Rivals, a racing game, and Market Crashers, a business simulation game. You can figure out which one I picked.

Ultimately, Market Crashers is a fast-paced decision-making game. You know how in those Telltale games like The Walking Dead and Game of Thrones you only have so long to reply to someone before the scene moves forward? It’s all that. Except money is at stake instead of someone’s friendship or, as it often happens, their life. Anyways, you are a new day trader to the market scene, and so you’ll need the help of analysts to ensure you are making the best estimations of the market. This is where the StreetPassing comes in, as each person you connect with will help show a stronger forecast of how the market will play out. That way you know when to buy low and sell high or hold back. Or, if you are like me, buy one share and then immediately freeze up from a panic attack over not wanting to mess up, ironically messing up nonetheless.

You can buy up to ten shares at a time from fictitious companies like Piece-By-Piece Deliveries and Kingfinder Studios. Purchasing a share is as easy as hitting a button; in fact, that’s what you do–the A button buys shares and the Y button sells. As time trudges forward, an analyst might say that there is big news, and this could either be a big drop or rise. The short goal for Market Crashers is to do well and earn money, using those StreetPassed Miis to the best of their ability, and the longer goal is to earn a massive amount of money, with the first flag being $10 million. Hmm. In the two sessions I played, I earned money, and then I lost money, so that longer goal might forever be a longer goal for me.

Stocks are definitely not my thing, both in real life and, now I can confirm, in videogame form. Watching line graphs grow and change isn’t all that exciting, and knowing that an investment is behind those ups and downs is more than enough to stress me out greatly. Then there’s also the requirement of making rapid-fire decisions to get things done. Um, no. I’m not good at that. I’m a thinker, a muller (not to be confused with a mullet), a man of wonder, and I’m always one hundred percent too afraid to instantly commit to something in the matter of a few seconds. Chances are, that never works out great for me. I’d rather assess the scenario, really study it, and then dive in. In the end, I’d make a better analyst than day trader.

I don’t know. Maybe I should have gone with that little car racing game. It’s too late now to go back, and I don’t expect to hit many more areas with lots of people carrying their Nintendo 3DS around–thanks, MICE 2016!–so I’ll just stick with collecting puzzle pieces and earning new hats via multiple playthroughs of Find Mii 2.

Sadly, Crimson Shroud’s too difficult to grok and master

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At long last, after years of grinding, following along with a spoiler-heavy walkthrough, then switching to a spoiler-free walkthrough, and grinding some more to defeat the final boss, I rolled a critical hit on Crimson Shroud. It is a complicated victory, one that I basically had to force myself to see because I am my father’s son and do not like to waste things, especially things I’ve bought with hard-earned digital cash, without experiencing them fully–or, to this point, mostly fully–but I am glad to have the large, 1,965 blocks-big application removed from my Nintendo 3DS. For many reasons, which I’ll get into later.

Allow me, one more time, to tell the tale of Crimson Shroud, as best as I can remember it because, for me, the last third of my progress on this game has been nothing but turn-based battle against goblins, one after the other. There was a short scene before the finally boss fight that was probably supposed to be revealing and satisfactory, but I had lost the narrative thread long before then for it to matter. Anyways, you control a party of three people as they make their way through the palace of Rahab. Giauque is a money-driven mercenary hired to retrieve the Crimson Shroud, the game’s titular McGuffin. He is joined by Frea, a Qish-descended mage, and Lippi, a stellar archer despite only having one eye. You might as well forget their names and know them by their classes: Tank, Healer, and Range.

It’s perhaps telling that I’ve actually never played any of Crimson Shroud‘s writer and director Yasumi Matsuno’s work, namely Ogre Battle 64, Final Fantasy Tactics, and Vagrant Story. After Crimson Shroud, I’m not sure if I would or will like them. The systems in this one really do sound great, on paper, such as creating combos through similar spells or rolling to clear away some accuracy-reducing fog, but I found their implementation confusing and clunky. For instance, you want to find gear you like and then grind out for more of those same items, feeding them into the one you have equipped so it can grow stronger. Fine, fine. I’m all about feeding. However, finding those same items is–excuse me for the saying–a roll of the dice, because the loot is random, and the fights take a very long time to get through, even when you seemingly have the upper hand. The way stats are shown is also difficult to decipher, and I eventually gave up trying to compare weapons and armor and stuck with what seemed okay, leveling it up as much as possible.

Crimson Shroud has been described as a bite-sized RPG. Perhaps it is too small. Not in scale, but in screen. All the combat action takes place on the top screen of the Nintendo 3DS, with menu selection and dice rolling on the bottom, where touching matters. Still, cramming all the fight details and characters in just the one screen above with a lot of text on top made it extremely difficult to follow who was doing what and the turn order. I often simply waited until the enemy finished attacking to see who was next in line for commands and went from there. I also never really understood why, if you killed all the enemies before they got a turn, the fight would be over, but if you didn’t then replacement goons would show up, making the whole ordeal last even longer.

Yes, the combat is strategic, but it is also immensely slow, as well as occasionally random. There’s also an unseen element of luck–obviously not just when rolling dice to use spells–that gives off the feeling that you are never truly in control of things. By the end of it all, I still did not have a strong grasp on what weapons and skills and spells worked against what type of enemy, or how new spells and skills were getting added to each character despite there being no XP won after each fight. Instead, you pick through a list of loot to take back to your inventory, but are limited in what you can take by some number cap.

After taking down the final boss and watching the credits do their thing, I was prompted to start everything all over again in New Game+. Curious, I tried to look up if anything greatly changed on a second playthrough, and enemies seemed tougher. No thanks. Anyways, I really do hope this is the last time I have to search for a usable screenshot of Crimson Shroud that can be manipulated to meet Grinding Down‘s strict standards because it is slim pickings out there, if you ask me.

With Crimson Shroud removed, I was finally able to download updates for Pokémon Shuffle, Nintendo Badge Arcade, and Mii Plaza, as well as the freemium Pokémon Picross puzzler, so there’s a plus in all of this. I even have room to spare for more stuff. See you never again, big, blocky game that, I guess, in the end, I really didn’t like all that much. I’ll think of you the next time I roll some dice.