Monster Rancher EVO is for circus freaks only

I’ve never been to an actual circus before; all I know about circus life comes from secondary materials, such as the fantastic Mechanique: A Tale of the Circus Tresaulti by Genevieve Valentine or those few hours I spent wandering around the Circus Circus Las Vegas when I was 17 and on vacation with my family. In my mind, a circus is all of this set to accordions and applause: tumbling, dirty floors, spotlights, smoke and mirrors, tents, tension, colorful costumes, and gasping. Freaks of wonder, too, but I’d never call them monsters and raise them as my own. Not in real life, at least.

Well, Monster Rancher EVO is a videogame based around a group of circus performers. Don’t worry, I was just as confused you most likely are now. Granted, I went into this game totally innocent, completely untouched. Through all my years of gaming, I’ve managed to never play a Monster Rancher game. The franchise’s hook was always appealing–use CDs/DVDs to create random monsters for your farm, meaning a seemingly endless amount of user-created content–but the lack of a story or overall goal, other than raising an animal with love and care, kept me away. In fact, I didn’t pick this game out while perusing the local GameStop for my sweet, succulent Suikoden III; Tara found it and so it went with my buy pile. I didn’t give it a try right away.

It’s a rough first hour, full of bad dialogue and way too much information. You get to name the protagonist, but are given no solid indication that it is a he or she, and thanks to the anime-esque look to the majority of circus freaks it’s honestly kind of hard to tell. Naming him Pauly, I lucked out to discover he’s a dude. After that, you meet the gang at the circus and learn how sad the protag is over his latest monster’s lackluster performer. In walks a mysterious woman–I think her name is Marlene–and she teaches us how to make monsters. I put in my copy of Parklife by Blur and get some kind of weird pumpkin beast. Another guy talks about schedules and how to train to put on a great show, and then I’m given direct control of the protag. Tried to read the menus, but it was just an overwhelming amount of data and stats and things to come. Another character gives me a quest: she needs a cake, and even hands over the money to pay for it. Something like 500G, which seems excessive, but I don’t know much about this world; maybe that’s a good deal. I hurried over to the village in search of cake and made a beeline right back, but was told that I took too long and she no longer needed said cake. Eff you, and eff this stupid game. Power switch…OFF!

The cover for Monster Rancher EVO does convene its circus-ness, but I bought the game pre-owned from GameStop in one of those dummy boxes, which is void of pertinent details like that. Lastly, the artwork on the game’s CD limelights a woman in a slutty outfit. Do you equate fishnet stockings with monster-raising?

Also please note that she’s only wearing one fishnet stocking, with the other leg bare of such sexual dressing. Simply boggling. I don’t even know who this character is as I don’t think pointy-haired Pauly met her during the opening hour. I’d like to believe I’d remember something like that.

Right. Monster Rancher EVO. Don’t think I’ll be going back to this one, but if I could find one of the more traditional titles in the series I’m willing to go again. I mean, what else am I going to do with CDs like My Own Prison by Creed and Fairweather Johnson by Hootie and the Blowfish? Throw them out? That’s unheard of.

This Mass Effect 2 Achievement certainly isn’t missing in action

I unlocked an Achievement before I even began playing Mass Effect 2, and this left me momentarily confused, wondering if I’d ever escape game glitches or if I was doomed to be trailed by them until biological aging takes me down into the dirt. I have Tara as my witness that this Achievement popped on the main menu’s screen after selecting to start a new game with my simian character from the original Mass Effect:

Missing in Action (5G): Save your crew from an overwhelming attack

Blinking back into reality, I then realized that my save data from when I gave the demo version of Mass Effect 2 a spin back in June 2010 had been accessed. That demo consisted of the very beginning stage, and then a stage much later in the game wherein Shepard and company were trying to rescue a biotic named Jack on some crazy, floating prison. I remember a message popping up that told me my data for the first chunk of the demo was being saved, but nothing further than that would get collected. Okay. So, in the demo, I saved Joker and as many crew members as I could as the Normandy tore asunder, earning me the above Achievement without it actually popping. Then, when it was clear that I had a full copy of the game, a year and some months later, the Achievement pops. Yet I still have to play through that opening part again because I loaded up an older Shepard character and not the one I used in the demo. Weird, but whatever.

Disappointingly, Mass Effect 2 suffers from tiny text syndrome, which the original game did not. Most of the dialogue is spoken, making this not a problem, but the dialogue choices left to Shepard are not said aloud, meaning a lot of squinting and sitting directly in front of the TV to make sure I’m going the Paragon route and not the dickhead one. And I can forget about actually using the Codex, which, like in Dragon Age: Origins, is just brimming with cool lore and details, but is no use to my bad eyes/lame TV. So yeah, that’s that.

Otherwise, it’s fun so far, with interesting characters and crazy-looking aliens. At this point, I’ve changed Shepard’s armor and casual attire, learned how the hacking mini-games work, and got a fast-talking alien scientist to join the cause to stop the Collectors. Seems like there’s plenty of others I need to recruit, and I’m looking forward to it. Not sure where to go next, but I’m sure Shepard doesn’t mind bumbling along across the galaxy; also, I totally forgot who I saved–and let die–in Mass Effect, so it was nice that I got a little refresher before the game began. Refreshers are great. Saves me time from reading wikias and getting spoiled prematurely.

Five things make a post, and eff you up button

Well, it’s been a busy few days at Grimmauld Place in terms of videogaming. Good thing I have this bloggy blog of mine to put all these random happenings and thoughts. Otherwise, the world might never know what it’s like to play a dancing game on a breaking pad or how deep my love for all things LOTR goes. Anyway, let’s get to the Heading 3s and text below them…

Moar Used Games

After the great success of my first trip to the local GameStop near our new abode, I decided to head back and see if I could find any other titles off my “desired PS2 games” list. Alas, nope. I mean, yeah, some of the bigger titles are there, like Bully and Kingdom Hearts, but those are still around the $20+ mark, and I’d rather find the rarer titles first and wait for those numbers to eventually drop. Instead, I got Mega Man X7, The Lord of the Rings: The Fellowship of the Ring ($1.99 ha!), and Dance Dance Revolution SuperNOVA (for my wife, I swears). Haven’t tried the first two yet, but a good portion of my weekend was spent watching Tara put DDR SuperNOVA to the test; if you’re my friend on Facebook, there’s a video of her going through the song selection while two dogs look heavily uninterested. Also, the UP button on her DDR mat isn’t as responsive as the other buttons, leading us to scream “Eff you up button!” a whole bunch. Not “Eff you, up button!” but “Eff you up button!” The missing comma is important.

Pre-order Hoarder

Generally, I’m not a pre-order kinda gamer. There was that one time eons ago when putting down a few bucks on Final Fantasy VII not only nabbed you a guaranteed copy of the game, but also a t-shirt. I like t-shirts, and this liking of t-shirts strikes again. I also pre-ordered Radiant Historia to get a bonus CD, but other than that…nothing else has made me feel the need for lockdown. Well, until 11/11/11, I guess. Yup, I pre-ordered Elder Scrolls V: Skyrim and LEGO Harry Potter, Years 5-7. Why LEGO would come out on the same day as Skyrim is beyond me, but both games feature dragons, and so that’s a-okay. Also, I believe I am getting a t-shirt with my LEGO Harry Potter pre-order; something about Dumbledore’s Army, but I wasn’t asked for a shirt size so it’s probably one of those XXL or a child’s small. Time will tell.

There’s a midnight release party too, which is just another reason I should schedule to not work that Friday. Too tempting to pick up the game and then not play it for 7.5 hours.

Informed about games

I also decided that I was tired of constantly being asked if I wanted to upgrade from a regular GameStop Power Playa thingy to a silver account. So I did that. Bonuses include coupons for “buy two used games, get one free,” which is fine by me as that’s mostly how I shop, as well as a subscription to Game Informer. I haven’t subscribed to a gaming magazine since the PSM days, and I do miss it despite everything now being available on the Interwebz; still, the magazine is put together rather nicely. Hopefully it’ll fit in our mailbox, let alone reach it.

Ass Neglect Zoo

I’ve been putting this off for a long, long time, but I finally bought a copy of Mass Effect 2.

A new copy, too, which means I got some kind of activation number for the Cerberus Network. Not sure what that means, but it looks like I get a new dude for my team. I’m sure I’ll find out eventually. The reason I’ve waited so long is that I was hoping for a “Game of the Year” or “Master” or “Super Space Marine” edition, which then collected all the DLC and little add-ons the game’s been harvesting since its debut back in…oh my, the beginning of 2010. I’m sure a month before Mass Effect 3 comes out, some special edition will be released. Oh well.

Garnet Tries Harder and I am Trying to Finish This Comic

Zac Groman of Magical Game Time is putting together a zine all about Final Fantasy IX and is asking for submissions. Despite it not being a paying gig, I can’t resist and am working on a little comic about my favorite scene from he game, where Garnet is trying to blend in with the common-folk of Dali. Gotta complete it before the month’s end, but here’s a little preview for y’all:

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Okay, that’s five things, which is good enough for a post. Expect plenty more content this week though as I’ve only skimmed the surfaces here. Didn’t even get into the horribleness that is Monster Rancher EVO. Just you wait. Just you wait…

Videogame genres I just can’t play

Obviously, readers of Grinding Down should know that I have a deep, unquenchable love for RPGs. They are my favorite type of videogame, enough so that adding basic RPG elements to other types of games is enough to get me drooling. But, for all my years of gripping a controller, there are still some types of games that don’t interest me and probably never will. Let’s take a look at them to see maybe why…

Tower/Defense

Set up a bunch of stuff and then sit back, staring at the screen as all the action happens without any more involvement from you, the player. Do this for a lengthy period of time, until waves of enemies stop washing over you. I don’t know. It just always seemed boring, and the majority of tower/defense titles feature top-down perspectives or ones with the camera pulled so far out that nothing can be seen. So there I am, waiting for stuff to happen, and then when it does, I can barely make out my units from the enemy’s. A resounding meh.

That said, I’ve still not yet played Plants VS. Zombies, which is purported to convert any and all haters of this genre.

Sports

Ha! If I don’t play them in real life, there’s certainly no enjoyment to gain from experiencing them digitally. Though I do enjoy a round of golf on my 3DS now and then. Very relaxing. Except when I double-bogey a par three. Then I get the rage sweats.

Realistic First-person Shooters

I believe my distaste for war shooters stems from childhood and my father. He’s a hunter, and raised me to respect guns. In fact, I was the only kid on my street not allowed to get a laser tag toy gun the year everyone was jumping off that bridge, and thus missed out on all the late night bonding with neighbors that is vital to a hermit-in-hiding’s upbringing. We used to go target shooting though, and I remember always holding the gun downwards at the ground, in constant fear of it ever discharging by accident. I only ever wanted to point at empty soda cans or paper plates with targets drawn on them, and even then I didn’t like the sensation. Realistic FPS games demand you aim at people and pull the trigger, and with ragdoll animation it’s all a little too life-like when they go down. The infamous “No Russian” level from Modern Warfare 2 is hard to even watch with no controller in hand. I’d rather take down aliens or monsters or robots with brains than shoot a fellow human being, armed or not, which is why some of my favorite shooters are Borderlands and Fallout 3. Surprisingly, not Halo; I don’t really get that series.

Racing

Most of my week is spent in my car, driving to, driving from. Granted, it’s not a race car doing 150 mph and taking turns like a pro–it’s a 2007 Chevy Cobalt for heaven’s sake–but it’s still driving, a foot on a pedal, pushing forward unemotionally. With realistic racers, you just drive. You go around a track X number of times and try to break a record. I prefer a little more chaos, which is why the only racing games I’ve ever enjoyed are Jak X: Combat Racing or Mario Kart. I can, however, appreciate how detailed these cars actually are in games like Forza Motorsport 4 or Gran Turismo 5; some of those replay might as well be broadcast on TV, as they are extremely hard to differentiate between real and computerized.

Tactical Role-playing Games

What? Wait, didn’t I just confirm my love for RPGs and anything with RPG elements to it at the beginning of this post? Yes, yes I did. Way to read, reader. But there’s an exception to every rule, and when strategy and grids and isometric camera angles are added to a RPG, the game changes dramatically. It’s more about where your party is placed on the playing field than the magic spell they cast or the armor they choose to don. I remember feeling so duped by Vandal Hearts for the PlayStation back in 1997, and have never really given many of games in this genre a chance. Recently, there’s been Shin Megami Tensei: Devil Summoner Overclocked, which I’ve struggled with.

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So, what game types can’t you play? Speak up below in the comments section and/or tell me what I’m missing out on by not giving Battlefield 3 a chance.

The newest Professor Layton game is undeniably Laytonesque

It’s been a long time since I’ve played a Professor Layton game, and that’s probably because I’ve only ever played one before, way back in like early 2008. Professor Layton and the Curious Village was a surprise hit in my eyes, a weird mix of puzzles and top-notch animation and genuine mystery and intrigue. Heck, I even used it as evidence to get a girl I was seeing then to buy a Nintendo DS Lite. I played it more for the story than anything else, but the puzzles were varied and kept me thinking, even if the math-heavy ones were too tough for my artistic brain. If anything, this series oozes charm, which always keeps me interested, and so I eagerly sought the latest iteration, Professor Layton and the Last Specter, the fourth title overall and yet a prequel to that first adventure over uncovering the golden apple.

Plus, the newest game comes with a bonus RPG/Animal Crossing sim-like thing called Professor Layton’s London Life, which is extremely adorable and charming and shockingly deep. More on that in a bit.

Dropping back into the world of Professor Layton was a warm, welcoming experience. The music, the look of buildings and cars, the animated character designs, his trunk-space–nothing had changed, and that’s a good thing. It felt like only days had then passed between this new adventure and our last outing. Even the sounds puzzles and hint coins make when found are constant.

The story so far: Professor Layton receives a letter from an old friend; in it, Clark, the mayor of Misthallery, codes a secret message, a desperate plea for help against a giant ravaging the town and townspeople to tears. Off goes the professor, picking up an assistant, too. Her name is Emmy, and she seems to know more about the professor than is necessary. Once in Misthallery, it becomes clear that more craziness is at work, with locals whispering about an oracle and specter. Puzzle-wise, I’ve tackled seven or eight now, and the hardest one was math-based and about mops. I hate mops. Other than that, one of the three minigames in Layton’s trunk unlocked, and I’ve learned just how Layton and Luke meet for the first time. Neat-o!

In Professor Layton’s London Life, you don’t actually play as Hersel Layton. Instead, you are you…or whoever you want to be. You can design your avatar to your liking, as well as picking a defining trait too–I went with shy and, well, something I can’t remember. Good cook? Sexy swagger? Moves like Jagger? Whatever, no biggie. In fact, nothing is big in this realm, as developer Brownie Brown nails the look of an old-school RPG with tiny sprites that are still instantly recognizable as characters from other Layton games. You pick up miscellaneous tasks and focus more on clothing, items for your room, and getting a job; in this way, it’s more Animal Crossing than an RPG, but there’s stats to clothing and some other grindy elements. Right now, Little London Pauly is wearing a red beret, a blue scarf, and some kickin’ pants. He’s also a janitor.

Both games are currently trying to out-charm one another, and I’m struggling with which to play more of first. It’s actually not a problem at all.

Ridiculous door glitch in Deus Ex: Human Revolution is ridiculous

For about twenty minutes last night, I had lost all hope. I had resigned myself to believing that all my progress, all my hard work and suffering of bad boss battles and frustrating level design and tiny text in Deus Ex: Human Revolution was all for naught. The game kept freezing, seven times in total, all at the same spot, which is in front of a door on the last level called “Tipping Point.” After each freeze, I popped the game’s disc out and checked for scratches, but there were none–of course there were none, having never dropped the disc or mishandled it in any way possible. So, how was I going to get through this blasted door then?

The Internet told me not to worry, that it was a glitch. Others had come across it on the Xbox 360. I was not alone in my pain. But many were just as confused and confounded over it; some tried walking backwards to the door, which worked, but the moment they looked at it, the game froze. Others suggested turning invisible or sprinting, but nothing was working. Until…I read a post with what sounded like a totally ridiculous solution, but, at the end of my rope, decided to try. I had nothing to lose, and everything to gain. And lo and behold, the trick worked. For my fellow glitch prisoners, here’s how to get through those doors:

Before heading up the stairs leading to the double doors, crouch. Then position yourself so that you are looking at the ground below your feet, but at a forward enough angle to still move forward when pushing the controls to do so. Go forward until you hit the door; you should be able to see a sliver of it, and if you’re lucky enough, the prompt to “press X to open” should still be available. Open that door and walk through, still looking down at the ground. Keep going down the stairs until halfway. You should now be able to stand and save your progress. Do not turn around to look at that door or go anywhere near it ever again. That door and you are done.

How ridiculous is all of that?

A. Extremely
B. Incalculably
C. Unequivocally
D. Immeasurably
E. All of the above

Please show your work.

Magus and his castle of crazy

I don’t know what I expected to find in Magus’s Castle, but certainly not references to tone-deaf rock stars, traitorous loved ones, and a boss fight that required an attention to reading. But that’s Chrono Trigger for ya, always charming and never without surprises. Shame on me for waiting so long to get into this game.

Right. That castle. It’s 600 A.D., and the gang, having secured Masamune, are now ready to go after Magus and his goons. One’s first stroll through the castle’s hallways is particularly eerie, with loved ones and little children turning into monsters which you must then murder. No questions asked. Hopefully those really weren’t people we knew, but rather just illusions. After exploring for a bit, Magus’s henchmen show up, and they are named Ozzie, Slash, and Flea; yeah, this game was totally made in the mid-1990s. Flea and Slash are not too tough, each requiring a wee bit of strategy, but with Frog and Crono swiping away and Marle holding back to heal, heal, heal, they were all torn asunder in time.

However, getting to Ozzie is a laborious affair. First, there’s a gauntlet of enemies to burn through, then a room with giant blades to avoid, stairs to climb, and then another room full of trapdoors that, when you cross them, Ozzie will pull a switch and send your team falling to a room below. Oi vey. Actually, this wasn’t too terrible, as it was a good way to grind, with Crono earning Lightning II by the end of it all. The sparkly enemies in this room can’t hurt you, meaning free experience and Tech Points. After that, it’s more stairs and another gauntlet of enemies. And then we finally get to battle Ozzie, which is amazingly simple; never attack him, but instead target the switches around him.

Finally, we get to the legend himself, Magus. On my first attempt, I completely flubbed and lost within a few turns. My bad…I wasn’t reading the text below. See, I thought he was just casting spells, but he was actually announcing the type of spell he was currently weak to until he switched it up again. So, when he says, “Absorbs all but water!” you should have Frog cast Water on his magical ass. However, it took me far too long to realize that when Magus announces he will absorb all but light, he really means lightning. I think the developers couldn’t fit the full word in the text box? Silly me was searching every menu for a “light” spell.

With Magus defeated, another portal appeared, sucking Crono and team back to the past. At what point should I try to fight Lavos again? Is there a canon ending I should go after? I’m kind of confused about all that.

One-punch Pauly takes down Jaron Namir with ease

I hated the fight against Lawrence Barrett; I loathed the battle against Yelena Fedorova; and yet, to the surprise of me and all of y’all, I have no rage-inspired emotional response to the third boss battle against Jaron Namir. It was over too fast. I snuck up behind Namir as he was hopping over a wall, triggered the stealth punch button, and…punched his lights out. One hit, ten seconds…boss fight done. I have no idea if this is a glitch or if I’m a gaming god or ultimately if I was doing it wrong–whatever the case, I don’t care. The less time I spend on boss fights in Deus Ex: Human Revolution, the more I like the game.

Mmm-mmm good. I can hear Colonel Campbell screaming his name now:

The Snake (25G): You defeated Jaron Namir, Leader of Belltower’s Elite Special Operations Unit.

And here I was, all prepared and ready to spew hate upon hate upon hate over this third boss fight. Nope, not today. However, the game’s not over yet. Jensen still has one last mission to do. You know, save the world and all that. I’m excited to see the credits roll, and I think if you’ve been reading all my rants about this game lately you’ll know why. However, even on a second, shooty playthrough, I’m still going to one-punch Namir to death…unless it is a glitch and gets patched before that chance pops up again.

One-punch Pauly. He only swings once, but he makes it count. POW!

How I finally found you, Suikoden III

Yesterday, according to just about every videogames-covering website ever to be put up on the Internet, was the release date for Professor Layton and the Last Specter. This is a game I’m surprisingly stoked for, and I know why. Certainly, it’s not a love for the series, as I have only played Professor Layton and the Curious Village; granted, that’s a great game, one that packaged both cinematic story and varied gameplay nicely, but I never got around to trying the next two to come out. If anything, they all seemed to be more or less that first game again, with different tweaks here and there. So, why am I all atwitter over the fourth game, which is actually a prequel where I’m assuming we learn why a grown man likes hanging out with a young boy so much?

Well, Professor Layton’s London Life. That’s why. It’s likened more to Animal Crossing than an RPG, and there’s a promise of over a hundred hours of gameplay. Yeah, duh. I think I dropped more than that on Animal Crossing: Wild World easy. With pixelated art and a focus on clothing, filling out a house like the rich and famous, and fetch quests galore…well, where do I sign over my first-born?

However, GameStop decided that Professor Layton and the Last Specter doesn’t come out on October 17, but rather October 18. Why? Why not. They make the rules, and so I disappointingly did not get to pick it up yesterday during my lunch break. When I got home from work, I had some noodles in a cup and mustered up the strength to try again; maybe the GameStops in Pennsylvania were more sensible than those in New Jersey. Nope. The one down the road in PA had no copies on their shelves either. Annoying, but kind of expected. However, this one did have a section for used PlayStation 2 games, a section that most stores have now cut due to saving crucial shelf space for things like Kinect Sports Season Two and Puppies 3D.

In my wallet, among other things, is a list. It’s basically this, but scrawled on a scrap of paper, folded and fading. I’ve been carrying it with me for many months now, and every time Tara and I come across a bin of used PS2 games, we search for those I’d like to add to my collection before they all up and vanish without a sound. I always check the “S” titles first, in hope of finding Suikoden III, a game that I never have hope of actually finding. The Suikoden games are some of my favorite RPGs, and while IV got bad reviews, V was pretty good story-wise, but is currently far away in Arizona. And I always heard good things about III, but never got around to getting it, and by the time that I did begin to earnestly search for it, the dang thing went dark, underground. Phooey.

Imagine my surprise then to find the box for Suikoden III last night, tucked safely behind a dingy copy of The Spiderwick Chronicles. And for $12.99, too. I would’ve gladly paid up to $30.00 for it, so in my mind, this was a steal. I mean, I know how high copies of Suikoden II still go for, and this kind of felt like it had the same rarity as its predecessor. Pretty sure my heart skipped a beat, and I’m so happy that I found found my copy of the game, making its acquiring all the more rewarding. I grabbed another RPG called Ys: The Ark of Napishtim for a few bucks, and Tara slid a copy of Monster Rancher EVO into my hands before we hit the cash register.

I am very much looking forward to seeing what Suikoden III is all about, and you can expect coverage here and maybe somewhere else. Stay tuned, my fellow Stars of Destiny.

Cole Phelps is L.A.’s public menace #1

Causing a ruckus in open-world games like Grand Theft Auto III or Red Faction: Guerrilla was always  fun, but short-lived. You can only go so long destroying things and being a jerk before somebody takes notice. Heck, creeping over the speed limit in Mafia/Mafia II is enough to get the sirens singing, and then the law’s on your tail, switching your biggest concern from running down mailboxes and street-lamps to running from the cops. Usually, that scenario ends with a horrific crash and reload, wherein you lose some money and respawn at the local hospital or police station. Ah, the price one pays for spoliation.

Well, since L.A. Noire‘s Cole Phelps is the law, he can do whatever he wants, nice or not, as evident below:

Public Menace (30G): Rack up $47,000 in penalties during a single story case.

The thorn in this Achievement’s side is that there’s no way to openly track how much damage in penalties one is amassing during a case. You only get these statistics at the end of a case, but I assumed that totaling a lot of cars and driving on the sidewalk for long stretches of time would be the best way to racking up fines. After an hour of this mayhem, I went ahead and finished up the case–“The Black Caesar” for the curious, which was a bad choice as it’s a pretty lengthy affair–and waited eagerly for the statistics screen to pop up. I was confident I had done enough damages, and I was right. Way too right. Ended up going overboard: $68,000 in car penalties alone, with another $8,000 or so for messing up the sidewalks so badly.

But man, crashing cars in L.A. Noire is fun…and funny, especially when you hear the things citizens say to Cole’s constant obsession with ramming them head on. “These people!” is probably my favorite of the bunch. Another nice aspect to being reckless in the 1940s is that the cars don’t blow up and Cole doesn’t go flying through the windshield with every crash. Guess that tech hasn’t been invented yet.

Now that Cole and I’ve gotten this out of our system, we can go back to being goody two shoes, in hopes of replaying all the cases and earning five-star ratings. Well, not all of them. I did great on some, but others I totally funked up, accusing the wrong dudes of crimes they didn’t commit. My bad. Also curious about some of the DLC cases; Tara was certainly excited to learn that there were more cases yet to play, but I just don’t know if they are worth the space credits or not. We’ll see how bored I get after finishing up Deus Ex: Human Revolution and waiting for The Elder Scrolls V: Skyrim to land…