30 Days of Gaming meme is now completed

It took me 287 days to complete the 30 Days of Gaming meme, which is a list of thirty topic trains meant to be derailed one after the other in thirty consecutive days. Another way to look at it is as so: 9 months and 12 days. Let’s go further down the rabbit hole and reduce the final count to these: 24,796,800 seconds or 413,280 minutes or 6,888 hours or 41 weeks. Fun with numbers, I know. It’s all the rage on blogs these days.

Yeah, I never promised I’d be fast with the meme, as it was meant to fill in the gaps at Grinding Down, but at some point, I just forgot about it for a good while and then later struggled with some of the tougher topics. But I have triumphed, and so here’s the roundup of all those posts. Clicky click, y’all.

Day 1 – Your first videogame (Super Mario World)
Day 2 – Your favorite character (Gremio from Suikoden)
Day 3 – A game that is underrated (Primal)
Day 4 – Your guilty pleasure game (Pokemon White)
Day 5 – Game character you feel you most like (Joker from Mass Effect)
Day 6 – Most annoying character (Tom Nook from Animal Crossing: Wild World)
Day 7 – Favorite game couple (Fran and Balthier from Final Fantasy XII)
Day 8 – Best soundtrack (Chrono Cross)
Day 9 – Saddest game scene (Nanami’s death in Suikoden II)
Day 10 – Best gameplay (Sly 3: Honor Among Thieves)
Day 11 – Gaming system of choice (Nintendo DS)
Day 12 – A game everyone should play (Limbo)
Day 13 – A game you’ve played more than five times (Super Metroid)
Day 14 – Current (or most recent) gaming wallpaper
Day 15 – Post a screenshot from the game you’re playing right now (Harvest Moon: Grand Bazaar)
Day 16 – Game with the best cut scenes (Jak 3)
Day 17 – Favorite antagonist
Day 18 – Favorite protagonist Craziest thing in a game (Zodiac Spear in Final Fantasy XII)
Day 19 – Picture of a game setting you wish you lived in (Fable II)
Day 20 – Favorite genre (RPGs)
Day 21 – Game with the best story (Suikoden II)
Day 22 – A game sequel which disappointed you (Metal Gear Solid 2: Sons of Liberty)
Day 23 – Game you think had the best graphics or art style (Aquaria)
Day 24 – Favorite classic game (Pac-Man)
Day 25 – A game you plan on playing (Deus Ex: Human Revolution)
Day 26 – Best voice acting (Blood Omen: Legacy of Kain)
Day 27 – Most epic scene ever (Mother Brain boss fight in Super Metroid)
Day 28 – Favorite game developer (Konami)
Day 29 – A game you thought you wouldn’t like, but ended up loving (LEGO Star Wars: The Video Game)
Day 30 – Your favorite game of all time (The Legend of Zelda: A Link to the Past)

Whew. Lots to read. Or not, that’s your call. To speak nicely of my own writing for a moment–and trust me, this does not happen a lot, as self-deprecation is my main form of medication–I’m pretty proud of the posts for Day 2, Day 5, Day 9, and Day 11. These are more personal than traditional, the kind of writing where there’s a story before we get to the meat of things. I dunno. Overall, I’m kind of meh about how this meme went and turned out, and I suspect I won’t be doing another for a long while. I think I am better at videogame musing off the cuff, and I now never want to write about my favorite videogame ever again; it just can’t be done, folks. Unless you’re Jeremy Parish.

All right, moving on now…

30 Days of Gaming, #30 – Your favorite game of all time

Well, this has been a long-time coming, but here we are, the final topic. “Of what?” you ask, looking around with wide eyes, a dribble of drool leaking down your chin. Clearly you’ve forgotten. That 30 Days of Gaming meme that I started back in…oh gawd, March 2011. With the new year swinging on in, we’re almost at the 365 days mark for a meme meant to be completed in thirty days. Thirty topics for thirty days. Don’t label me a slacker just yet as I was totally honest about this meme in that it was going to be a slow crawl, a thing I went to here and there to fill in the gaps when all I could find inside my cranium were dustbowls and old photograph albums. In truth, the final few topics have been pretty tough to nail down, and I’ve been less interested in thinking about them discerningly.

And the final topic is the topic, the one that puts it all out there. The kicker: name your favorite game of all time. OF ALL TIME.

::inhale::

::exhale::

Right. It’s actually quite easy to name my favorite videogame of all time. That’d be The Legend of Zelda: A Link to the Past. I mean, the image on Grinding Down since its very birth has been the Master Sword in all its forest-hidden glory. Should’ve seen it coming, people. The hard part comes with writing about it, as it’s a game so close to my shaping, a game so perfect in memory and nostalgia that I am scared if it’s even possible to express so with an ounce of success. Guess I’ll give it a shot. Maybe even a hook shot.

I don’t remember how A Link to the Past ended up in my SNES collection. I don’t remember saving up money as a kid from mowing the lawn or washing neighbors’ cars or my allowance in general to pay for it. I don’t remember trading with friends or borrowing it from a friend and then just keeping it like a horrible goblin. I don’t remember getting it as an older boy, a teenager, or a man, meaning it had to come into my hands around the time it came into many others’ hands, near its launch date of late 1992. I don’t remember how I got it, but I’ve had it ever since, as it’s one of the few SNES carts that did not get traded in when I was young and dumb. I do, however, remember playing it. And playing it again and again.

For those that don’t know, A Link to the Past is a coming-of-age tale where a young Link has to save a princess and defeat Agahnim not once, but twice and then slice Ganon apart for peace to return to the land of Hyrule. To do this, he has to travel between a Light and Dark World to collect the Master Sword and three mystical pendants, as well as uncover the Seven Sages. In between all that, you’ll explore villages and dungeons and rivers and forests for items and people to help you along the way.

There was a time when the Internet didn’t spoil videogames for everyone, and during that time I played A Link to the Past. I found my way into the castle during a rainstorm via a hole in the ground without anyone pointing it out to me. I attacked chickens until they attacked me without knowing that would happen. I made it through the Ice Palace dungeon without a walkthrough. I totally cried in frustration when I couldn’t figure out how to beat Moldorm, and it knocked Link off the screen for the umpteenth time. I helped the lost old man on Death Mountain without knowing whether it was a trick or not. I revealed a monster with sunlight, I blew apart cracks in walls, I dashed into a tree to unleash a swarm of bees…I…I…

This is a videogame stuffed to the brim of little moments, tiny secrets, and gleeful nods. And that’s a big part of why it’s so special to me. The “main quest” of stopping the evil overlord is by the books, but it’s all the little moments that make the adventure so spectacular. And the music. And the fact that there’s an entire second world to explore, which comes seemingly out of nowhere, and you can flip to and from it with ease, on the fly, giving you freedom to explore and try things out. And the graphics, the kind that are ever-lasting, the kind that evoke warm feelings upon seeing them today, tomorrow, and years down the road.

I love it immensely, though the last time I sat down to play it on my still working SNES was many moons ago. Maybe even in the early 2000s. I’m probably overdue for a trip down memory lane with a game that has still not been reproduced today. There is nothing else like it, not even other games from The Legend of Zelda. Though the DS ones come close in spirit.

So there ya go. My favorite videogame of all time. A Link to the Past. I probably didn’t do it enough justice, but whatever. This isn’t a college thesis here. Agree or disagree or move on silently to something else on the Internet. We’re done. Though there’ll be a roundup post on the 30 Days of Gaming meme soon, too. Until the next meme, I guess!

30 Days of Gaming, #28 – Favorite game developer

Still struggling with these final few topics for the 30 Days of Gaming meme, this one in particular. Why? Well, I don’t really pay developers much attention, to be honest. Sure, they are the people behind the products that I either end up falling in love with (Suikoden II – Konami) or absolutely hate (Grand Theft Auto IV – Rockstar) or find confusing and hard to pick a solid stance on (Deus Ex: Human Revolution – Eidos Studios Montreal), but they’re the puppeteers, not the main show. Yes, it is their ideas and work and coding and crafting that make the product come alive and end up on retail shelves, but at that point, I’m eating up the product and not those that made it. I’m not leveling up and thanking XYZ for creating the leveling up aspect of the game. Let me try it this way: when you go out to a restaurant and eat a great meal, do you talk more about the meal or the specific chef that cooked it?

So, with that all laid out, I guess Konami is my favorite developer. Mostly because they developed a lot of games I love. Suikoden, Suikoden II, Silent Hill 2, Metal Gear Solid, and Castlevania for NES and Castlevania: Symphony of the Night to name a few. And they also worked on some other games from my collection, which I do not love per se, but did play (or watch Tara play) for a decent amount of time: Magician’s Quest: Mysterious Times, X-Men Arcade, Yard Sale Hidden Treasures: Sunnyville, and Dance Dance Revolution.

However, I could not name a single person that works or worked at Konami. Not for a million bucks. But a lot of their games really hit home for me, and that’s more than enough reason to call them my favorite developer. And now I’m imagining a universe where this company made every game ever, including a proper new entry in the Suikoden series; this Genso Suikoden: The Woven Web of a Century for the PSP is no good. Simply no good, ya hear?

Right. Well, I know there’s not a whole lot of text here, but I can’t figure out what else to say about my purported favorite developer. Only two more topics to go, and then this meme is complete. I know you’re all excited for me to count up how many actually days it took me to round up thirty posts of content. While we wait, tell me a bit about your favorite developer and what makes them oh so special. Please. I need to comprehend this all better.

Error will always be Error

Pardon my ignorance, but I never knew about this.

Yes, this being a crazy, long-lived Internet meme stemming from a minor character in Zelda II: The Adventure of Link and a bad case of localization. Which all happened back in 1988, when I was five. Call me aloof and/or a failure to gaming trivia–I won’t argue. I guess I was slightly aware of it, having maybe seen the phrase pop up when other bad localizations, such as “all your base are belong to us,” were discussed, but I never realized where it came from, and then I guess I always assumed it must’ve been corrected at some point. Um, no. I just discovered it myself yesterday while giving my free 3DS Ambassador copy a turn; Error is still there, and he is still Error, now and forever, always and never not.

So, Error lives in the town of Ruto, which is only a hop, skip, walk away from where the game begins. On my way there, a few monsters ran into me, changing the screen from world map to traditional side-scrolling fanfare, but I just exited to the left or right without fighting anything; sidenote, I don’t understand how to play Zelda II: The Adventure of Link. Anyways, when talking to people in town, if you press the action button twice it totally skips their dialogue instead of speeding it up. I did this with Error initially, missing his infamous line. However, something about him drew me back, and this time I waited patiently for him to report that he was a coding failure. How weird.

This is probably the most shocking thing you’ve read today. Go me!

30 Days of Gaming, #27 – Most epic scene ever

Hey, remember this meme? Me too. Actually, I did forget about it for a bit, seeing as the last update to it was way back in early August 2011. My bad. I can’t wait to count up how long it’s taken me to blog about 30 days’ worth of topics. Probably in the triple digits by now. Grinding Down has truly earned its namesake. To be honest, these last few topics are a bit of a struggle, all of them seemingly heavy-hitters in terms of constant forum topics and debates. Hopefully I can do them justice, but truthfully–I’m a little worried about my choices.

This is Super Metroid‘s second time appearing in the 30 Days of Gaming meme. The first was for the topic of “a game I’ve played more than five times,” which you can read about by clicking this clickity part.

To start, the last Metroid is in captivity, the galaxy is at peace. Until it’s not. Super Metroid begins by tilting this utopian idea on its side, with the Metroid larvae Samus brought to the Ceres Space Colony for researching being stolen by her nemesis Ridley. As she hurries back, she finds all the scientists dead. And she’ll be soon too if she doesn’t escape before the planet explodes. Narrowly missing the chance to become space particles, Samus then tracks Ridley to the planet Zebes. Ridley is the second-to-last boss, and despite his involvement in this whole mess, he’s not the show-stealer. No, not by a mile. Leave that honor to Mother Brain.

Good job, bounty hunter. You’ve made it to Tourian. This is Mother Brain’s base of operations, and it’s been relocated and rebuilt. Tread carefully. As you make your way closer to the end, you’ll pass former victims of the life-sucking Metroids; they crumble and turn to dust as Samus hurries past, a haunting image. But that’s only the beginning. You find Mother Brain, all encased and hooked up to too many tubes, just like in Metroid, and you blow her to bits, watching with glee as the machinery around her explodes and drops her to the floor, defeated, nothing more than a brain without a body. And then she gets up.

Clearly, it makes no sense how a pinkish lump of brainstuffs is able to grow out an entire dinosaur-like body like that, but it took me by surprise the first time nonetheless. I remember my own brain squirming in my skull, trying to find its own “grow a T-Rex body” switch and make sure it was set to OFF. Frightened, you launch every single rocket and super missile you have in your arsenal, relentless in your attack. And Samus is putting up quite a fight, dodging mouth-fire and bombs–but then Mother Brain hits her with an eye beam of stunning. Down she goes, forced to endure Mother Brain’s attacks as her health depletes block by block. It’s frustrating and heartbreaking to witness. Just before the end, when all seems hopeless and the final attack is being charged up, a Metroid swoops in to save Samus, sucking the life from Mother Brain. The Metroid then transfers her energy and powers to Samus, sacrificing herself in the cause. The remainder of the battle is a snap thanks to a kickass supercharged beam shot, and Mother Brain’s brain is disintegrating before you know it. No time to celebrate though; you have three minutes exactly to escape the planet before all is blown to bits.

What I love about this scene is how unexpected–and unpredicted–the Metroid’s saving swoop-in is. There’s no pausing, no jarring cutscene, no weird sounds like you’d get on a PlayStation when a FMV was readying to load; it’s all one fluid moment, filled with fluid movement, and the scene is nearly impossible to not watch. I remember thinking my controller was broken when I couldn’t get Samus to move after Mother Brain’s stun beam, and that sadness quickly turned to elation when I saw who had Samus’ back. One can only assume that this was the Metroid she had originally brought to the Ceres Space Colony.

This scene still resonates with me today, some fifteen-plus years later. That’s epic enough for me.

30 Days of Gaming, #25 – A game you plan on playing

As with many other topics for the 30 Days of Gaming meme, there are always a number of choices. Or at least I assumed there would be for today’s topic train. But when I sat down and took the time to mimic Auguste Rodin’s most famous sculpture, I found very few game titles coming to mind in terms of “playing soon.” Especially in terms of new releases. Sure, there’s two big blockbusters dropping in November 2011–The Elder Scrolls V: Skyrim and Assassin’s Creed: Revelations–but to me, that’s not soon. That’s a couple months away. That’s an entirely different season.

And as a 3DS Ambassador, I’m getting a boatload of games over the next couple of months, but all of those titles are nothing new. Most pre-date fire. I’ve already played a majority of them at some point in my sad, little life, and I kind of suspect that–while I will download them all–not all will get love and play-time. I’m too busy for even 10 new games at once, and it might very well just break me in half.

Looks like the next game coming out soon that I’m gonna get to play is Deus Ex: Human Revolution. That pops up towards the end of this month, August. I’m quietly interested in it simply for the fact that it will be as close to a new Fallout experience as I can get currently. And probably won’t have as many bugs as that game does. Though I’m a little worried about how blurry it looks, with a lot of bloom and lens flare effects, and whether or not I’m going to be able to read its text. It gives off the tiny text vibe.

Funnily enough, weeks ahead, I already know that I’m going to play it as stealthy as possible. According to developers, with a combination of certain skills and augmentations, it is possible to play through the entire game killing nobody, but the bosses. I’m down with that, regardless if there’s an Achievement linked to it or not. Confrontation is for kids–or braver people than myself. I’d rather talk my way in or entirely avoid danger or just walk around in another universe, happy to be elsewhere. Might have to pop back in Deus Ex: Invisible War to refresh myself on how this series ticks.

So, yeah, this is a game I plan on playing. What an exciting meme topic. For my next trick, I’ll share with y’all some food I plan on eating.

30 Days of Gaming, #24 – Favorite classic game

I hate coining anything as classic. Such a term is relative, and considering how wide the gaming generation gap is nowadays, many might not even know what game you’re talking about–or only know it, having never played it and more or less missed the chance to. You might think everyone and their mother’s mother has played Pac-Man and that it is irrefutably a “classic,” but that actually might not be the case.

First, some light history: Pac-Man, developed by Namco and licensed for distribution in the United States by Midway, was first released in Japan on May 22, 1980. It made it over to the United States a few months later in October. Three years later, on a warm, summer Sunday afternoon, I would be born. I can’t even begin to fathom when I actually played Pac-Man for the very first time, but this image of me at a friend’s roller-skating birthday party comes to mind; I was never a good roller-skater, and so when the other kids went zipping around the rink, doing the “Funky Chicken” or whatever the DJ was blasting, I was wandering around on my own, often finding my way to the arcade room. This was more like a shadowy closet with two to three arcade machines up and running, one of which was definitely Pac-Man. The other two? Who knows. Probably a space shooter and maybe the Claw Machine.

But I don’t have as many fond memories of playing Pac-Man in dark, seedy arcades as I do enjoying it online via Flash remakes or when Google had it as part of their logo image for a day. Sure, it’s a little bizarre to be excited over playing a thirty-year-old game on the latest and greatest technology, but it’s not that bad when you consider how great of a game it is. You are Pac-Man, a little yellow fellow, and you are trying to do two things: eat as many pac-dots as you can and not get eaten by ghosts floating around the map. Sounds simple, but the gameplay works, and can be quite addicting, especially when you only have one or two pac-dots left to devour and an army of ghosts to slip past; there is no tension like the tension of seeing three ghosts begin to surround Pac-Man, and the relief upon eating a power pellet is orgasmically god-like.

It’s an easy game to pick up and play for a bit, and to step away from when you gotta doing something else. Pac-Man himself became quite iconic in the 1980s, and the game is easily recognizable by its colors and minimalist design. It seems to be considered the first game to feature both power-ups and cutscenes; kudos to them. It’s an age-old game that I still enjoy playing today, no matter where I end up playing it: on my computer, on my cell phone, on my Nintendo 3DS. The gameplay remains golden, and I’m glad I was–and still am–a bad roller-skater, getting to actually experience the game as it was meant to be played: in a dark room, engulfed in stark, colorful light, sweaty hands making stupid mistakes, drowning in a wash of never-ending beeps and boops, immersed, caring for the little yellow dot, trying to keep him alive as long as possible.

BONUS QUESTION TIME: Can you name the four ghost enemies in Pac-Man? (Reward: 1,000 XP.)

30 Days of Gaming, #22 – A game sequel which disappointed you

I remember it well, tearing apart the floor of my bedroom closet in search of the original case for PlayStation’s Metal Gear Solid; unfortunately, as a younger fleshling, I was not as good as I am now about being organized and keeping good care of my videogame purchases, and I desperately needed this case. Without it, I could no longer progress. See, on the back of the jewel CD case was a screenshot of Solid Snake communicating with Meryl, giving her codec frequency the limelight. In-game, ArmsTech President Kenneth Baker mentions all of this, and it’s up to you, the gamer, to put it all together. I do believe the Internet was happening back then, but it was much slower to look things up on, and so, without the case to find that special codec signal, all future stealthiness was lost.

Visual proof for y’all:

It was magical, for sure; a wall-breaker, a mind-twist, a clever punch to make the moment truly have a lasting effect, a foreshadowing of what was to come. There’s plenty of other great things in Metal Gear Solid to talk about–Psycho Mantis was impressed by how long I’d been playing Suikoden–but alas, we’ll have to save it for a GAMES I REGRET PARTING WITH posting as I did, for some unknown reason, trade it in. Boo. Anyways, this 30 Days of Gaming topic is about sequels…

There was no such magical moment in Metal Gear Solid 2: Sons of Liberty. Yup, there were twists and turns and surprises, but nothing really hit the mark as well as the former title did. MGS 2‘s biggest letdown was, naturally, removing the character we all loved playing as and replacing him with…Raiden. Snake handled missions with force and raw determination; Raiden, with his effeminate looks and high-pitched voice, handled them less-enthused with the occasional argument between his girlfriend Rose. Cruelty burns bright knowing that Snake is still around, disguised as a marine and offering advice during the mission. And then, of course, there’s nude Raiden, a sequence that was bewildering and baffling, that more or less summed up the entire MGS 2 experience in that, yes, we’d all been had.

Now, there’s a lot I do like about MGS 2. Namely the first chunk of the game where you get to play as Snake, the boss battle against Vamp, and shooting bad guys with tranquilizer darts and then stuffing them into lockers for non-lethal kills. But overall, it just did not live up to the same thrilling, dramatic experience as in Metal Gear Solid. If anything, it got more zany, and while a little insane humor has always been peppered into the franchise, it was usually deftly balanced with a great story and characters to care about. I never grew to care about Raiden, and I did attempt to throw himself from Big Shell numerous times; it’s unfortunate to see that he’s still an important character in the franchise years later. Doesn’t Rose know anything about smothering lovers in their sleep with pillows?

Other nominees for disappointing sequels include: Jak II, Colony Wars: Vengeance, and Dragon Age II (saying this without haven’t even played more than the demo yet). What game sequel disappointed you, dear Grinding Down readers, the most?

30 Days of Gaming, #21 – Game with the best story

Suikoden told the story and struggle of one Tir McDohl, a young boy growing up fast in a big world where politics and war meant ultimately the same thing. On top of dealing with betrayal and unfairness and the death of several close friends and all that jazz, young McDohl also learns early on that he’s destined to be the Tenkai Star, a prophesied hero fated to unite the 108 Stars of Destiny, bringing forth a new age of prosperity. Heavy stuff for just a lad.

Suikoden II, taking place three years after the events in Suikoden, is basically that plus more. More betrayal, more scheming, more large-scale battles, more heartbreak. The Kingdom of Highland is invading the City States of Jowston. The player controls Riou, a soldier of the Highland Army’s Unicorn Brigade. Together with his childhood friend Jowy Atreides, the two of them will get swept up in the seedy underside of the Dunan Unification War.

The greatest aspect of Suikoden II‘s yarn is its fair and rounded treatment of relationships. You truly believe that Riou and Jowy are great friends with a lot of history, and as the plot unravels it becomes clearer and clearer that the two will not see eye to eye on everything. Plus, each is given half of a True Rune, demanding that they work together for its full potential to be realized. Still, their separation is no surprise, but it’s still just as crushing. Jowy ends up working for Luca Blight, “the Mad Prince,” a villain as villainous as they get, and starts to move up in rank as Riou begins to build his own army and plans for stopping Highland. As things really get heated and the battle rages on, Jowy betrays Blight, revealing that he is trying to bring peace to the land, and that he never believed Riou could do it so he set out on his own to accomplish the task. There’s some bitterness there, as well as relief.

You also believe that Riou and his sister Nanami love each other, all the way to the end. Two other characters with a great relationship? Old-time favs Viktor and Flik, of course.

There’s multiple endings, too. Three, I believe. Here’s how my one and only playthrough concluded. At the end of Suikoden II, Riou returns to a spot where he promised Jowy they could meet up if they ever got separated. The climb back to where it all started is hollow and eerie, with not a single sound to be heard. The two converse and then you’re given a faux choice whether to duel or not. Regardless, you’ll have to fight it out with your once BFF. Once Jowy is weakened, you have another choice, this time a real one: take his half of the True Rune or don’t. I did, knowing full well this decision would kill him, but not sure what made me want his Rune half; maybe his betrayal and murder of Anabelle still stung deep down. After that, Jowy makes his peace, and it’s montage city until the credits roll.

The story is smart, sophisticated. The battle plans make sense, and Luca Blight, while being a little over-the-top, is exactly what one fears in a villain–intelligent and passionate. It was clearly crafted with care, and it’s a story I will care about myself for as long as I can.

30 Days of Gaming, #20 – Favorite genre

If you thought the answer to this topic was gonna be racing or cooking sims, well…you’ve clearly not been paying much attention to Grinding Down. I’m all about the roleplaying games, but it did take me some years to really get into the genre and stay there, as many JRPGs almost ruined me, as they have almost ruined others before me. Thankfully, standout titles like Suikoden, Suikoden II, and Final Fantasy VII literally blew my genitals, taking me from teenhood to manhood in a matter of dozens of hours, thanks to intricate plots, fantastic battle systems, soaring sounds, elegant pacing, light grinding, addictive gameplay, and endings that still resonate with me to this day. Plus, y’know, they let me play a role in their worlds.

I’ve always been a big reader, and much of the credit can go to my sister Bitsy who, from an early age, passed along books she had already read to me. Many of these turned out to be fantasy novels–works by Mercedes Lackey, Piers Anthony (oh my), and Anne McCaffrey–and it wasn’t too hard to leapfrog from them to more “adult” work, devouring things like The Belgariad series by David Eddings, The Sword of Shannara by Terry Brooks, and stuff by David Gemmell. Throw in the classics like Tolkien’s Lord of the Rings and the entire Discworld series, and well, I was hooked on stories.

And here comes along a genre of videogames that promises epic stories…and more! The majority of RPGs, more often than not, at least five or ten years ago,
were fantasy-themed. Sure, there’s the occasional sci fi-themed RPG, and many could argue that Final Fantasy VII is more space and metal frames than swords and dragons, but these videogames gave all their love to royalty and kingdoms and knights and dragons and magic spells and small-time villages trying to make ends meet before war destroyed everything everywhere. So I ate it up, even the bad meals like Beyond the Beyond and SaGa Frontier. It didn’t matter–I just wanted to be in a realized world, growing as a character, growing into a story.

Character customization is not as important to me as character crafting is. Whenever a new RPG begins and you’re given the chance to mold how your dude or dudette looks, I click around, raise their cheekbones, lighten or dark their skin, find a cool beard, and call it a day. I can easily see that hours upon hours can be spent noodling with dozens of options, but that’s not important to me. Once we’re in the game, spending skill points or focusing on this spell or deciding what kind of armor Mini Paul will wear are the bigger decisions.

While RPGs are my favorite genre, this also can be problematic. On average, a RPG can take around 30 to 40 hours to complete. However, having an addictive personality, I end up playing most RPGs for double that. See: 130 hours logged so far in Dragon Quest IX, over 100 hours for Fallout 3, eighty+ hours for Fallout: New Vegas, and so on. Playing more than one RPG at a time is like juggling balls of fiery acid with no gloves, and yet it’s something I simply can’t avoid.

Last year, I needed a break between some RPGs I was eating up, and so I picked up Mini Ninjas for the Xbox 360, thinking that an action title would be a good change of pace. I completed the game in under five hours. That’s it? I’ve played prologues in RPGs for longer than that (think Suikoden V, people), and I was a bit taken aback at how much quantity I look for in a game these days. Quantity over quality, especially when discussing bug-ridden games like the Fallout series. I don’t care how broken they are…there’s so much stuff to do to distract me from such bummers.

But yeah, RPGs. Love ’em. Always will so long as they continue on, which we all know they will. Can’t wait to see how big and massive Elder Scrolls V: Skyrim is gonna be, as well as the multiple choice quiz that is Deus Ex: Human Revolution. Sorry, upcoming Cooking Mama 4 for the 3DS…I DON’T GIVE TWO STEAMED CAULIFLOWERS ABOUT YOU.