30 Days of Gaming, #12 – A game everyone should play

Yup, a game about a voiceless, little boy trapped between the world of the living and the world of the dead, which is filled with deadly traps, one friggin’ scary spider, and evil children ready to eviscerate him…yeah, that’s the game everyone should play. Limbo–fun for the whole family!

I won a free download of Limbo last summer and thoroughly enjoyed my time lingering in the space between. Because of its simple controls and lack of overbearing narrative and on-screen tutorials, it’s a game one has to experience, learn as they go, become one with, and for that I have a story, a story I meant to tell long ago, but never got to it.

After beating Limbo, I had my wife Tara play it. I told her very little about the game prior; I sat her down in front of the TV, turned the Xbox 360 on, handed her a controller, and took my spot on the floor next to her to watch. Just watch. I did not say a word. I did not answer any of her questions or react to anything she said. The game had started some minutes ago, but she wasn’t aware yet as she hadn’t touched a button. Once she did, the little boy’s eyes opened, and she started moving through the forest. She ran right into the first bear trap, destryong the little boy, yelping–just like I had my first time. Then she tried to jump over it, dying again. I remember her getting frustrated, because there was no way to jump over the bear trap given where it was placed and the angle of the landscape. Then she discovered that the little boy could push and pull items. Again, I’ve still not said a word at this point; it was thrilling to watch her learn how this world worked, how to manipulate the environment. And she was doing so well…

…until the spider showed up.

Once the spider was crawling after her, she began to panick. The littly boy rushed forward without care, stumbling over ledges, falling down into pits, all in the hope to avoid the spider. Now there was an urgency to everything. And it took her some time learn how to have the spider hurt itself via one of those beartraps, with a teeny bit of nudging from me. Again, there’s only so much you can do in-game thanks to its sparse controls, but thinking outside of the limbo-box is definitely required. When the spider grabbed the little boy and covered him in webbing, she believed she had died again, slowly putting the controller down; however, that was not the case. There was much giggling as the boy, bound and gagged even more than Frodo by Shelob in The Two Towers (the book, natch), hopped as fast as possible to anywhere but there.

Unfortunately for Limbo, once the spider and early forest scenarios are done, the game stops being something to experience and more like something to solve. Like, it becomes very obvious that you’re really playing a puzzle game by the time the boy leaves the forest instead of an adventure title. I showed Tara some of the later scenes via YouTube, and that had been enough. She had experienced Limbo, also known as Run From That Spider. There was no need to ruin that with frustrating puzzles that the majority of the gaming community had to look up online for solutions. Still, it’s a game everyone should play, especially just the first hour or so. With little music and cutscenes to distract, you’re quickly brought into the unsafe world and tasked with exploring, something everyone can connect with, something I know I loved doing as a young boy. Sure, it’s a depressing time, an untold story of siblings separated, but its uniqueness is more than worth the sorrow.

So…have you played Limbo yet?

30 Days of Gaming, #10 – Best gameplay

I’m used to doing the same things over and over again, in true life and in videogames, and this never-ending cycle is a big part of why Grinding Down is called what it is because grinding is the art of repetition. However, and I doubt I’m alone here, I always prefer variety to the same ol’ in the end. Especially in terms of gameplay. Videogames that are simply fetch quest after fetch quest after fetch quest—like the latest DLC from Borderlands—are beyond boring, and I guess I find many FPS titles to be of the same ilk. You just, uh, shoot things. Pew pew pew. Cue credits.

So, the best gameplay is potpourri gameplay. And the best example of this made-up terminology is Sly 3: Honor Among Thieves.

In his third adventure, Sly Cooper and his brainy pal Bentley are trying to open the Cooper Vault on Kaine Island, which is said to hold the entire wealth of the Cooper family. However, Dr. M built a mean lair around the vault as he has gold coins for eyes. Sly will have to recruit a whole gaggle of people to help out with this end-all, be-all robbery, some who are actually old enemies from the Fiendish Five. Each mystery person recruitment arc serves as a level, with it usually beginning on some light reconnaissance before the team whips up a battle plan and then acts upon it. Set in an open hub world, Sly and his friends will do more than just go from place to place; they’ll have to sneak on rooftops, win skyplane races, row boats through sewers, mess with security systems, lure animals and people around using multiple choice answers, climb windmills, successfully parachute to the ground, drive an RC car, shoot darts at incoming rockets, take pictures, steer a van, fire cannons, discover hidden treasures, recover sea-diving equipment, and more.

::deep exhale::

I wasn’t just saying and more to end the sentence sooner than later. There’s still plenty of stuff I haven’t even talked about yet. Like Gold Coins and Loot to spend over Thief Net or how, after you beat the game, there’s a master thief challenge to tackle. Yeah, there’s a lot of different things to do on top of my favorite for the Sly games: exploration. Sly Cooper is nimble and quick, perfect for running around a cityscape either noticed or unnoticed, and there always seems to be something to climb; he definitely gives the Assassin Creed games a run for their climbin’, and the open hub world is just so dang inviting. My personal favorite is chapter five, Dead Men Tell No Tales, heavy on the pirates and ships and booty. Each mission makes use of every place in the hub world, but it was always fun to go explore everything first, and then when it’s time to go back, I’d know what to expect.

For what could easily be summarily dismissed as just another platformer, Sly 3: Honor Among Thieves is all about a little bit of this, and a little bit of that. It’d be hard to get bored with so many strikingly different things to do, even if some are not as fun as others—the RC car’s controls made for frustrating nights. That said, potpourri really is the best kind of gameplay. Go on, take a whiff.

Games Completed in 2011, #10 – X-MEN Arcade

My mother absolutely loved Walt Disney World, and it seemed like no more than two to three years would pass in my youth before we’d drive down to sunny Florida from buggy New Jersey yet again to spend a week walking the parks, seeing the sights, and eating like royalty. We always stayed inside Walt Disney World, but rarely at the same resort, and for all intents and purposes of today’s post I’m going to be talking about the time we stayed at Disney’s Coronado Springs. I was definitely under ten years old then, but many details remain fuzzy. I do, however, remember there being an arcade at the resort, an arcade with air hockey and Pac-Man and, most importantly, an X-MEN Arcade cabinet. I think the game itself was just called X-MEN, but that can be rather misleading and generalizing so we’re tossing in arcade for good measure. So, this arcade…it used quarters, not tokens or playcards, truly a relic of the past. I never had to beg for change from my parents, and I have this sort of LOST-style flashback of myself running up to my mother on one of the bike paths, watching in boyish anticipation as she fished around in her vacation belly-bag, and pulled out a handful of quarters—all mine.

As a kid, I thought the X-Men were just the coolest. Nothing cooler than a team of crazy-looking superheroes fighting even crazier-looking supervillains, in fact. I had the comics, the collectible cards, the TV series recorded every Saturday morning. And if I had my way, I would totally have been born a Mutant. My power? A cross between Kitty Pryde and Colossus, which is funny if you know anything about their history together. I’d basically like to either phase through walls or simply bust through ’em. But yeah…videogames. The X-MEN Arcade cabinet always had a crowd thanks to its ability for six people to play at once. It was definitely the most popular cabinet at the resort’s arcade—at least in my eyes it was—but it was worth the wait.

X-MEN Arcade is the continuation of the plot from 1989’s Pryde of the X-Men, an animated film I watched so many times that the VHS tape eventually disintegrated, wherein the X-Men go after Magneto for kidnapping Professor Xavier and Shadowcat. Six characters are available to play as—Wolverine, Cyclops, Dazzler, Storm, Nightcrawler, and Colossus—and each plays pretty much the same save for their special moves. I usually selected Nightcrawler because his superpower could easily clear the screen of enemies. However, I never completed the game in the arcade—didn’t have enough quarters, didn’t have enough other players to help out, didn’t have the skills to beat the Blob without using up all my lives. Many, many reasons. And I never did find another X-MEN cabinet back home in New Jersey, and so that was that. Other X-Men games came out, but none quite like the arcade version.

Jump ahead in time like Bishop to 2011, and I’m playing X-Men Arcade again. This time, it’s very different. It’s silly, it’s easy even on the highest difficulty setting, and it’s unbelievably short. I beat it twice so far. When I played the game in the arcade, I never got farther than beating Wendigo, and I was surprised to see there was only a couple more levels to go. You have unlimited continues, which seems weird, and each level is more or less the same: walk left to right, beat up every enemy, continue on until you hit the level’s boss. It’s a perfunctory brawler and bland, but because it’s the X-Men, I’m okay with that.

Last October, my wife and I went on our honeymoon to Walt Disney World. Amazingly, we stayed at Coronado Springs, too. Here’s us waiting for the bus:

The arcade is no longer located in the resort’s main building. Instead, it’s been moved over to one of the pool areas, and we did see signs for the arcade, but we just never got over to see it. The hot tub was too soothing, too comforting. I’d like to imagine that the X-MEN Arcade cabinet is still there, still eating quarters.

The XBLA version is both a port and completely different take on the game. Go in for nostalgia’s sake, and you’ll have a good time. Otherwise, it’s nothing amazing these days. However, the experience of playing it again some twenty years later means a lot to me. I just wish I could tell my mom how much.

30 Days of Gaming, #8 – Best soundtrack

To be completely honest, I usually don’t listen to a lot of videogame music unless I’m hearing it as I play the game. For me, there’s plenty of other things to listen to–currently digging Freelance Whales and lots of Connie Francis and Regina Spektor–and if I was to generalize, I’d say that a good portion of videogame tunes are unlistenable when they stand alone.

That said, I simply adore the soundtrack from Chrono Cross, the 2000 follow-up to Chrono Trigger. Composed by Yasunori Mitsuda, the official soundtrack features 67 tracks spanned across three CDs, hitting about three hours of music in total. That’s a whole lot more tunes than some games get. A few tracks subtly recall themes from Chrono Trigger, but it’s the new stuff formed for Chrono Cross that really make it unique, memorable. I’ve found it’s wonderful background music for drawing and writing, ranging from up-tempo town songs to battle music to somber undertones.

My personal favorite is titled “Reminiscence ~ Sentiments which Cannot be Erased,” a haunting piece of piano and echoes. Please listen to it as you continue on with today’s post:

One of the hardest things to write about is music. I know this for a fact; as a journalist for my college paper and alternative zine, I covered concerts and new album releases. These ranged from holiday choir specials to the latest Butch Walker CD to seeing a bunch of bands play live at summer festivals. At times, it was a grueling task. Describing how music is heard, understood, taken to heart–it’s a complex process, and it can be very hard to not seem overenthusiastic or fanboyish or simply in love with pretty sounds. Plus, how can I, someone who can’t sing, really critique those that can? So, yeah…writing about music has its tricks. It can also lead to pretty lazy sentences like, “The drums were totally kicking!” Not that I did that, ever, but the temptation to play it slack was always there. Music is meant to be heard, not read.

For this post, it’s best if I just link you to some of the finer moments from Chrono Cross‘ soundtrack:

“Dream of the Shore Bordering (Another World)”

“Leaving the Body”

“Garden of the Gods”

Enjoy!

30 Days of Gaming, #7 – Favorite game couple

Mario and Princess Peach, Sonic and Amy, Solid Snake and Meryl Silverburgh, Cloud Strife and Aeris Gainsborough, Mr. Pac-Man and Mrs. Pac-Man. These are some of the most famous gaming couples. Many are borderline platonic; others are not.

It’s unclear to me, and maybe most of the Internet, if my favorite gaming couple loves one another romantically, or if their friendship, their dependence on each other is what rings truer in their hearts. Certainly there’s some past adventures they do not speak of, some tension and flirting. Hard not to charm it up when one half of this equation is the suave, cocky Balthier, and the other is the super old, but super vivacious viera warrior Fran. Together, they try to rule the skies.

First, some Final Fantasy XII backstory. Balthier is a young sky pirate and the pilot of the airship Strahl. His copilot is seemingly the complete opposite, an otherworldly viera—that means rabbit-like—woman named Fran that is extremely sensitive to Mist magic, as well as a truly seductive lisp. They depend on each other, and they depend even more on their ability to take from anyone what they want, and it’s this blatant thievery that gets them mixed up with Vaan and Ashe during the chaos of a rebel assault on the palace.

And so they are a team, a couple. Pilot and copilot. Voice and reason. Hume and viera. It’s never openly said that they love each other, that their feelings drop deep, but the subtle looks they share speak volumes:

You meet them as one entity, and you’ll never see them as anything else but together. There is no Fran without Balthier, and the other way around. When out grinding for bazaar items and experience points, you’re allowed to use a three-person team. This usually meant Vaan and two others: Ashe, Basch, Balthier, and Fran. Sorry, Penelo. Battling monsters and using gambits isn’t for kids. Anyways, I never separated the combo, and they worked well with each other, both offering ranged attacks and strong Quickenings. However, come the end of the game, I had to rely on Basch the Tank for most of my boss slaying. Still, these two characters remain my favorite gaming couple for what they don’t say and are only closely followed in the franchise by Zidane and Garnet from Final Fantasy IX.