The top five greatest things about L.A. Noire

L.A. Noire is not Grand Theft Auto IV set in the 1940s, and for that I’m eternally happy. That’s not what I wanted. I wanted that open-world feel, but more guidance, more direction, and that seems to be the case here, pun intended. A linear game set in an open Los Angeles that, if you want, you can go explore and get lost in and attempt to run citizens over. But you’re a good-natured detective, and a detective like that moves slowly, meticulously, combing crime scenes for clues and interrogating suspects and musing with partners over possible plans of action. Sometimes action takes precendence, with Cole chasing suspects on foot or car, or trying to survive a shootout, or desperately trying to keep his hat on during a fistfight. But it’s the detective work and questioning of suspects and branching paths that make L.A. Noire its own game, and not just Grand Theft Los Angeles.

Oh, and here are five other great things about L.A. Noire:

5. Make a face, any face

This might surprise some to find my praise of the facial animation not number one of this insignificant list of mine, but that’s how I roll. I like the face work, I do. It’s very impressive, especially considering that both Tara and I immediately recognized Greg Grunberg as Hugo Moller just on his face alone. We were like, “Hey, it’s that guy!” And we were right. It was that guy. And we recognized him before he spoke, whereas it is often the opposite that confirms a suspicion about a voice actor in a videogame. And then Hugo began to talk, and it was like I wasn’t even in a videogame anymore, just a show on TV, where a guy was being questioned, and he was answering accordingly, twitching and looking away and furrowing his brow as we all do, and we had judgment calls to make.

4. All that jazz

In the late 1940s, after the horror of World War II, music reflected American enthusiasm tempered with European disillusionment. Jazz and solo singers breaking free from big band ensembles ate up the limelight, and Rockstar took it a step further for L.A. Noire‘s soundtrack, utilizing the remixing skills of some of today’s best DJs to create new versions of the old. Billie Holiday, Ella Fitzgerald, and Lionel Hampton are re-imagined in spectacular ways. Take a listen, I promise you that the songs are intoxicating and hypnotic. It’s a shame that I don’t drive around more to listen to them, but more on that in a bit.

3. That carrot is not irrelevant

When at a crime scene and searching for clues, Cole can pick up and inspect a number of items, many of which are either red herrings or simply inconsequential to the case. My favorite pick-ups are inside a suspect’s house, where Cole will meander into the kitchen, pick up a carrot, and stare at it for minutes before finally deciding that, yes, it’s most likely not the murder weapon. I’ve also noticed his love for picking up boxes of laundry detergent. Either way, it’s nice that they kept these items in, as it does give the feeling of truly examining a crime scene, no matter how silly they ultimately are. Always examine shoes, too.

2. Baby steps up the stairs

Y’all might think the facial motion capturing work in L.A. Noire is its greatest achievement, but you’d be wrong. Somehow, after seven years of programming and coding and researching, the people at Rockstar and Team Bondi were able to perfectly capture the way people climb stairs. If you don’t hold down the run button, Cole will climb a set of stairs in itty bitty steps, bobbing his head all the way up, like a jogger running in place. It’s hilarious and at the same time instantly recognizable; we’ve all gone up stairs like this at one time or another, placing both feet on each step all the way to the top, and it only helps to nail down immersion and authenticity.

1. You drive, I’m lazy

Most cop-work is done in pairs. Partners are not just a stereotype of the cop genre, but an integral aspect of working the streets and solving crimes. Plus, they can act as a personal chauffeur. At just about any point, you can hold down a button and have your partner drive to the next location. This is wonderful. You still get to listen to the interactive dialogue you’d hear if you yourself drove, but now you can listen without worrying about running into another car or careening off a cliff. If there’s no dialogue to be had, you simply warp to the desired location via a short loading screen. Again, this is wonderful.

One of my biggest gripes with Grand Theft Auto IV is how sadistic the mission structure was, often having you drive across two bridges and many miles to start a mission. Upon death or failure, you’d have to do all that again. It was even hard to stay on track in games like The Saboteur and Red Faction: Guerrilla. Here, in L.A. Noire, arrival at your destination is guaranteed. Occasionally, I do drive, but it’s always messy, and I rear-end a lot of cars, which gets my partner all huffy and puffy. Not needed. Hopefully this is something every open-world game can implement though how is not a quick answer to me. The fact that you are constantly paired up with a second person surely helps.

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Don’t think I’m 100% sweet on the game though. There’s plenty I dislike, and if y’all are good and enjoy this post and share it with Reddit and Kotaku and StumpledUpon and the whole Interworld so that I can get rich and famous fast, then I’ll do a post on the five worst things in L.A. Noire.

Top five E3 2011 announced games that I desperately do want

I’ve never really paid too much attention to E3 in the past, but this year I got the itch, and I actually watched some of the press conferences live over the Interwebz as they happened and, thanks to the killer kids at GiantBomb, listened to many podcasts and interviews, as well as devoured every bit of data put out there. And there was a lot to be put…out. Um, that sentence didn’t work as well as I’d have liked, but whatever. Let’s move on.

Videogames! They’re always coming out, and I always want ’em. And while E3 is usually about the big names, the same ol’ shooters and Kinect jazz hands and next iterations in the big name franchises, there’s also a lot of smaller titles there. Sure, they don’t get the same coverage and applause, but dang it, they should. A lot of them have potential, I promise. More so than the Wii U “experiences” at least.

Here’s the top five games that debuted or were announced at E3 2011 that I want to gobble gobble in the near future. Well, probably not the near future, as many of these titles are still a ways off, but a gamerboy can dream.

5. OverStrike

Insomniac Games is one of my favorite developers, and one of the big losses of choosing the Xbox 360 over the PlayStation 3 was losing access to the wonderful Ratchet & Clank series. So, when the rumormill started churning recently, and word was that Insomniac Games was going to announce a new multiplatform game, well…I got excited. Welcome, OverStrike! It’s not a shared Ratchet & Clank title, but it still focuses on crazy weapons, as well as class-based shooting. I’m usually not fans of these types of games, but knowing what kind of creative team is behind it is more enough for me. Okay, I’m in.

4. Luigi’s Mansion 2

The Internet has been quick to remind us all that the original Luigi’s Mansion was not as good as we are remembering it to be, but phooey on them. I thoroughly enjoyed Luigi’s Mansion, thinking it to be a great change of pace, giving the other brother some love. Hearing him call out for Mario always got a chuckle in the room. Plus, I believe in ghosts, and they should all be vacuumed up for being very real things that really scare me. Think this will be perfect on the 3DS; a little ghost-busting on the go. Okay, I’m in.

3. LEGO City Stories

An open-world GTA-esque game featuring…LEGO characters. Y’all know my deep love for the LEGO games, and y’all know my deep hatred for the majority of GTA-like games. Hopefully, this fusion will be a game-changer. Maybe because it won’t be so serious. The fact that it’s coming out for the 3DS is interesting; hopefully they can fit an entire seamless city on one of those wee carts. Okay, I’m cautiously in.

2. Rayman: Origins

It looks simply gorgeous, retains the same fun and strong side-scrolling gameplay, and is going to allow for user-generated levels. Okay, I’m in.

1. Sly Cooper: Thieves in Time

Sonofabitch, now I need to buy a PlayStation 3. Okay, after I rob a bank, I’m in.

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What newly announced games are y’all excited for? Phineas and Ferb: Across the 2nd Dimension? Shame on you, Grinding Down readers.

30 Days of Gaming, #22 – A game sequel which disappointed you

I remember it well, tearing apart the floor of my bedroom closet in search of the original case for PlayStation’s Metal Gear Solid; unfortunately, as a younger fleshling, I was not as good as I am now about being organized and keeping good care of my videogame purchases, and I desperately needed this case. Without it, I could no longer progress. See, on the back of the jewel CD case was a screenshot of Solid Snake communicating with Meryl, giving her codec frequency the limelight. In-game, ArmsTech President Kenneth Baker mentions all of this, and it’s up to you, the gamer, to put it all together. I do believe the Internet was happening back then, but it was much slower to look things up on, and so, without the case to find that special codec signal, all future stealthiness was lost.

Visual proof for y’all:

It was magical, for sure; a wall-breaker, a mind-twist, a clever punch to make the moment truly have a lasting effect, a foreshadowing of what was to come. There’s plenty of other great things in Metal Gear Solid to talk about–Psycho Mantis was impressed by how long I’d been playing Suikoden–but alas, we’ll have to save it for a GAMES I REGRET PARTING WITH posting as I did, for some unknown reason, trade it in. Boo. Anyways, this 30 Days of Gaming topic is about sequels…

There was no such magical moment in Metal Gear Solid 2: Sons of Liberty. Yup, there were twists and turns and surprises, but nothing really hit the mark as well as the former title did. MGS 2‘s biggest letdown was, naturally, removing the character we all loved playing as and replacing him with…Raiden. Snake handled missions with force and raw determination; Raiden, with his effeminate looks and high-pitched voice, handled them less-enthused with the occasional argument between his girlfriend Rose. Cruelty burns bright knowing that Snake is still around, disguised as a marine and offering advice during the mission. And then, of course, there’s nude Raiden, a sequence that was bewildering and baffling, that more or less summed up the entire MGS 2 experience in that, yes, we’d all been had.

Now, there’s a lot I do like about MGS 2. Namely the first chunk of the game where you get to play as Snake, the boss battle against Vamp, and shooting bad guys with tranquilizer darts and then stuffing them into lockers for non-lethal kills. But overall, it just did not live up to the same thrilling, dramatic experience as in Metal Gear Solid. If anything, it got more zany, and while a little insane humor has always been peppered into the franchise, it was usually deftly balanced with a great story and characters to care about. I never grew to care about Raiden, and I did attempt to throw himself from Big Shell numerous times; it’s unfortunate to see that he’s still an important character in the franchise years later. Doesn’t Rose know anything about smothering lovers in their sleep with pillows?

Other nominees for disappointing sequels include: Jak II, Colony Wars: Vengeance, and Dragon Age II (saying this without haven’t even played more than the demo yet). What game sequel disappointed you, dear Grinding Down readers, the most?

30 Days of Gaming, #21 – Game with the best story

Suikoden told the story and struggle of one Tir McDohl, a young boy growing up fast in a big world where politics and war meant ultimately the same thing. On top of dealing with betrayal and unfairness and the death of several close friends and all that jazz, young McDohl also learns early on that he’s destined to be the Tenkai Star, a prophesied hero fated to unite the 108 Stars of Destiny, bringing forth a new age of prosperity. Heavy stuff for just a lad.

Suikoden II, taking place three years after the events in Suikoden, is basically that plus more. More betrayal, more scheming, more large-scale battles, more heartbreak. The Kingdom of Highland is invading the City States of Jowston. The player controls Riou, a soldier of the Highland Army’s Unicorn Brigade. Together with his childhood friend Jowy Atreides, the two of them will get swept up in the seedy underside of the Dunan Unification War.

The greatest aspect of Suikoden II‘s yarn is its fair and rounded treatment of relationships. You truly believe that Riou and Jowy are great friends with a lot of history, and as the plot unravels it becomes clearer and clearer that the two will not see eye to eye on everything. Plus, each is given half of a True Rune, demanding that they work together for its full potential to be realized. Still, their separation is no surprise, but it’s still just as crushing. Jowy ends up working for Luca Blight, “the Mad Prince,” a villain as villainous as they get, and starts to move up in rank as Riou begins to build his own army and plans for stopping Highland. As things really get heated and the battle rages on, Jowy betrays Blight, revealing that he is trying to bring peace to the land, and that he never believed Riou could do it so he set out on his own to accomplish the task. There’s some bitterness there, as well as relief.

You also believe that Riou and his sister Nanami love each other, all the way to the end. Two other characters with a great relationship? Old-time favs Viktor and Flik, of course.

There’s multiple endings, too. Three, I believe. Here’s how my one and only playthrough concluded. At the end of Suikoden II, Riou returns to a spot where he promised Jowy they could meet up if they ever got separated. The climb back to where it all started is hollow and eerie, with not a single sound to be heard. The two converse and then you’re given a faux choice whether to duel or not. Regardless, you’ll have to fight it out with your once BFF. Once Jowy is weakened, you have another choice, this time a real one: take his half of the True Rune or don’t. I did, knowing full well this decision would kill him, but not sure what made me want his Rune half; maybe his betrayal and murder of Anabelle still stung deep down. After that, Jowy makes his peace, and it’s montage city until the credits roll.

The story is smart, sophisticated. The battle plans make sense, and Luca Blight, while being a little over-the-top, is exactly what one fears in a villain–intelligent and passionate. It was clearly crafted with care, and it’s a story I will care about myself for as long as I can.

30 Days of Gaming, #20 – Favorite genre

If you thought the answer to this topic was gonna be racing or cooking sims, well…you’ve clearly not been paying much attention to Grinding Down. I’m all about the roleplaying games, but it did take me some years to really get into the genre and stay there, as many JRPGs almost ruined me, as they have almost ruined others before me. Thankfully, standout titles like Suikoden, Suikoden II, and Final Fantasy VII literally blew my genitals, taking me from teenhood to manhood in a matter of dozens of hours, thanks to intricate plots, fantastic battle systems, soaring sounds, elegant pacing, light grinding, addictive gameplay, and endings that still resonate with me to this day. Plus, y’know, they let me play a role in their worlds.

I’ve always been a big reader, and much of the credit can go to my sister Bitsy who, from an early age, passed along books she had already read to me. Many of these turned out to be fantasy novels–works by Mercedes Lackey, Piers Anthony (oh my), and Anne McCaffrey–and it wasn’t too hard to leapfrog from them to more “adult” work, devouring things like The Belgariad series by David Eddings, The Sword of Shannara by Terry Brooks, and stuff by David Gemmell. Throw in the classics like Tolkien’s Lord of the Rings and the entire Discworld series, and well, I was hooked on stories.

And here comes along a genre of videogames that promises epic stories…and more! The majority of RPGs, more often than not, at least five or ten years ago,
were fantasy-themed. Sure, there’s the occasional sci fi-themed RPG, and many could argue that Final Fantasy VII is more space and metal frames than swords and dragons, but these videogames gave all their love to royalty and kingdoms and knights and dragons and magic spells and small-time villages trying to make ends meet before war destroyed everything everywhere. So I ate it up, even the bad meals like Beyond the Beyond and SaGa Frontier. It didn’t matter–I just wanted to be in a realized world, growing as a character, growing into a story.

Character customization is not as important to me as character crafting is. Whenever a new RPG begins and you’re given the chance to mold how your dude or dudette looks, I click around, raise their cheekbones, lighten or dark their skin, find a cool beard, and call it a day. I can easily see that hours upon hours can be spent noodling with dozens of options, but that’s not important to me. Once we’re in the game, spending skill points or focusing on this spell or deciding what kind of armor Mini Paul will wear are the bigger decisions.

While RPGs are my favorite genre, this also can be problematic. On average, a RPG can take around 30 to 40 hours to complete. However, having an addictive personality, I end up playing most RPGs for double that. See: 130 hours logged so far in Dragon Quest IX, over 100 hours for Fallout 3, eighty+ hours for Fallout: New Vegas, and so on. Playing more than one RPG at a time is like juggling balls of fiery acid with no gloves, and yet it’s something I simply can’t avoid.

Last year, I needed a break between some RPGs I was eating up, and so I picked up Mini Ninjas for the Xbox 360, thinking that an action title would be a good change of pace. I completed the game in under five hours. That’s it? I’ve played prologues in RPGs for longer than that (think Suikoden V, people), and I was a bit taken aback at how much quantity I look for in a game these days. Quantity over quality, especially when discussing bug-ridden games like the Fallout series. I don’t care how broken they are…there’s so much stuff to do to distract me from such bummers.

But yeah, RPGs. Love ’em. Always will so long as they continue on, which we all know they will. Can’t wait to see how big and massive Elder Scrolls V: Skyrim is gonna be, as well as the multiple choice quiz that is Deus Ex: Human Revolution. Sorry, upcoming Cooking Mama 4 for the 3DS…I DON’T GIVE TWO STEAMED CAULIFLOWERS ABOUT YOU.

30 Days of Gaming, #19 – Picture of a game setting you wish you lived in

Fable II was an okay game. It did not wow me, but it had a lot of pretty to it, and bumbling into a new location was always a joyous moment because it meant immersing myself in a place and seeing how everything clicked. Oh, okay. That’s where they get their food, that’s where they sell their wares, that’s where a talking gargoyle head insults my intelligence. Bowerstone is an impressive main city hub, very busy with lots of shops and shoppers, as well as being broken up into distinctive districts. Bloodstone is moody and dangerous. Westcliff is a dump though you do get the opportunity to change its tides.

For me, the place to be in Fable II is Oakfield, a small village of farmers and monks north of Rookridge. It’s serene and open, quiet and nice, a place to spend the day either tilling the land or walking the paths, with a single bar hot-spot, the Sandgoose, to go to at night where, more assuredly, everybody knows your name. Some other points of interest include the Temple of Light and Manure Manor.

And if you play to the good-natured side, when you return from the Tattered Spire, you’ll find Oakfield thriving, with new houses and an expanded Temple of Light. Plus, autumn will be in full swing, with gorgeous reds, oranges, and yellows to feast upon, and probably nothing else comes as close as to feeling like a true fantasy village than Oakfield. Evil people get to destroy the village, which only makes me want to never finish my evil second playthrough even more.

A lot of Fable II is spent running after the golden breadcrumb trail, your dog desperately trying to keep up. Considering the game’s tiresome loading screens and sluggish menus, running was a blessing. I ran just about everywhere. Except for Oakfield in the sunlight, where I’d stroll leisurely around, doing little expressions for its inhabitants and keeping the peace. It’s the sort of place I dream about, where I could leave behind the plastic and pointless, be one with my surroundings, spend every day soaking up the sounds and smells.

Runner-up:

That’d be Serenity Farm, also from Fable II. It’s the inside of Oakfield’s Demon Door, and it’s special in that no one but your family (wife/husband and kids) can follow you there. Meaning no enemies, truly a secret spot all to your own. That also sounds good to me. Either way, fantasy farms…I kind of like ’em.

30 Days of Gaming, #18 – Craziest thing in a game

The original 30 Days of Gaming topic for today was a sort of follow-up to “favorite antagonist,” with the focus this time being on the yin to its yang–“favorite protagonist.” The problem with that is that it is a little too similar to the topic I did for “favorite character,” and while many could argue that Gremio was not the main protagonist in Suikoden, he was a main character, and so he still remains my favorite of those. In short: frak this list, I’m making my own topic up. Let’s go with “craziest thing in a game,” okay?

Final Fantasy XII was determined to be different. It wanted to fuse MMO elements with a traditional epic plot, as well as introduce a license board, hunting for marks, and using gambits to streamline combat effectively. And it did do all of those things, somewhat successfully, but Squaresoft also added in a pinch of pure bat-shit crazy because there’s the Zodiac Spear. What’s that? Why, it’s only the strongest weapon in the game, with +150 Attack and +8 Evasion. See the shiny:

The tricky part is that for your band of girly boys and boyish girls to find this kick-ass weapon, they’re going to have to not open specific treasure chests. That’s right. Not open them. The chests to steer clear of are as follows:

• The chest outside Old Dalan’s place in Lowtown.
• There are two chests in the southeast corner of the Palace Cellar. Open them and all hope is lost.
• When Vaan gets captured, he gets sent to the Confiscatory. Don’t open any of the chests there.
• There’s an island on the Phon Coast with 16 chests on it. Touch them and die.

Leave those chests alone and you’ll find the Zodiac Spear in the Necrohol of Nabudis. Seems pretty simple, right? If only.

Naturally, during my one and only playthrough, I had opened many of these chests by the time I went online and learned of all this. Why wouldn’t I open them? Gamers are trained from very early on that opening treasure chests is a good thing, a solid way to ensure spoils and weapons and maybe even a battle with a fake treasure chest monster. I hate those things so much. It’s plain crazy to hide away such power and greatness by punishing us that play the way we’ve all been taught to play. At that point, the developers might as well took away super strong spells simply because we spoke to a Moogle in Rabanastre or used an Elixir after losing some HP. It’s just a bit boggling, and I have to wonder how anyone other than those involved in the game discovered the trick to getting the Zodiac Spear. Surely it had to be leaked out or something like that hidden room in Batman: Arkham Asylum. I mean, this didn’t hinder my love for Final Fantasy XII or stop me from completing many moons ago, but I do love collecting and completing collections; missing out on the “ultimate weapon” in a Final Fantasy game hits home hard, almost like a spear to the gut…a Zodiac Spear.

30 Days of Gaming, #17 – Favorite antagonist

There’s a reason I didn’t just dive into the next topic train from the 30 Days of Gaming meme after the relatively easy previous two topics, and I’d like to think it’s a sound reason. Antagonists, by their very nature, are not meant to be liked. They are the reason the heroes we root for are stressing out so much, crying over dead girlfriends, striving to be a better person, or trying to save the world. Generally, videogame antagonists are one-dimensional, a single being with a single goal and a single way to get to it; this also makes them hard to like, their lack of depth. If only George R.R. Martin wrote every villain, right? Then this would be a different case indeed. SIDE NOTE: I’m doing drawings of characters from A Song of Ice and Fire.

Not every videogame has a clear antagonist. In some occasions, it’s time; on others, it’s your skill level. And that’s okay, not everybody needs to be poked and prodded forward.

I mean, there’s been a ton of antagonists that are memorable, but being remembered is not the same as being liked. Dr. Nefarious from the Ratchet & Clank series was over-the-top and goofy, but a perfect mad scientist to take down in the end. Psycho Mantis did wonders at freaking me out and telling me how many hours I’d logged in Suikoden as he battled Solid Snake. Clockwerk, a large, robotic owl, ends up doing some truly evil things. Gideon Graves gets all Dragon Ball Z-like, going from just an average dickhead to a larger-than-life threat and nearly impossible to beat. I still can’t say with authority if Final Fantasy IX‘s Kuja is a guy or a girl. Saren Arterius is a big jerkbag that released the Reaper fleet back into the galaxy in Mass Effect. Lastly, always fresh in my mind, is Koopa King Bowser, and how jumping over him or running under him–now a rather simple task–was exhilarating those first few times because he was three times Mario’s size and the little plumber that could was taking down Goliath.

Are any of them my favorite? No, never. But they’re still worth writing about, just not lovingly.

Games Completed in 2011, #15 – Picross 3D

Puzzles–this game’s got ’em. Certainly over 350, which is the total number I’ve completed at this point, which includes all the main in-game puzzles, as well as a chunk of downloaded puzzle packs. Either way, at this point, I’m calling Picross 3D completed, especially because my sister Bitsy wants to play it when she’s home visiting family over the summer. I let her take it for a test drive over the Christmas holidays, and she took down around 75 puzzles so far, but has plenty more to chip away at.

I’ve talked about Picross 3D in the recent past here at Grinding Down. It’s a really fun game that, despite being very mathy, is amazingly addicting. Each puzzle takes anywhere from five to twenty minutes to complete, and it was easy to just say, “Oh, well…one more puzzle.” Hours would slip by, and my Nintendo DS would suddenly need charging. You get into a sort of groove with this title, a title that was released at $20.00. I’m now seeing it on sale for $9.99. If you see this for either of those prices or lower, just pick it up. You won’t regret the decision, I assure you. There’s a lot of content here in an easy, friendly package, with bouncy music and simple controls.

The last few puzzles from the final section of Hard mode were a bit maddening, requiring me to use Quick Saves to not constantly lose 15 minutes of progress. I did not unlock every silver and gold puzzle from each section, and that’s okay. Sure, that means one less shape to guess over, but the desire to unlock everything here is not as strong as in other titles. It’s rewarding enough to complete a 10-minute puzzle all on your own, using your brainpower and math skills and twirling the hunk of blocks around with speed and control, with ferocity. And now to just sit back and wait for the horribly named Picross 3D 3DS. You know it’ll happen.

Vitally important question time: do you pronounce it PEE-CROSS 3D or PICK-CROSS 3D or PIE-CROSS 3D?

Videogames I’m definitely buying in 2011

I kind of thought this would be a light year for DO WANT games, but with each day that hits anew I’m finding myself becoming intrigued more and more with shiny new titles. Too many to remember by remembering alone at this point, which is why it’s great that I have this Grinding Down blog, which is now being used as a forthcoming grocery list, but hey, it still loves me. That said, let’s get to the meat of this post, the tenderloin, the chicken cutlet, the bacon bits.

Here’s everything I’m planning to purchase this year videogame-wise so long as I don’t get mugged in a back alley:

LEGO Pirates of the Caribbean: The Video Game

Release date: May 10, 2011

I’ll have some demo impressions up soon for this one, but I’m pleased from what I’ve already gotten to experience. Sure, it’s the same formula over and over, but it always works for me, and they absolutely nailed the way LEGO Jack Sparrow runs. And it’s one of the franchises perfect for playing through co-op, especially with a loved one. Also, Tara already suggested the next great franchise to LEGO-ize: Back to the Future! Mmm-hmm.

Bastion

Release date: Q3 2011, but I’m hoping for early summer

Like a painting brought to life, Bastion looks simply beautiful. That would be enough to get me interested, but then I learned it’s a mix of action elements and RPG elements. Sold!

Deus Ex: Human Revolution

Release date: August 23, 2011

Any game that can be played in multiple ways is a good game to me. Variety trumps linearity. Especially if one of those ways is all about being sneaky and non-confrontational. It kind of reminds me of Fallout 3 in that sense, but shinier, slicker, with more vibrant highlighting. I should, at some point, go back and play some Deus Ex: The Conspiracy even if it hasn’t aged too well.

The Elder Scrolls V: Skyrim

Release date: November 11, 2011 (11.11.11 for the cool people)

Pretty sure I won’t be the only one picking this up in November. It’s only a huge followup to a huge followup. I’m very interested to see what’s changed from Oblivion to Skyrim, as I was always fond of exploring that game’s world, but found the combat and quest system to be a bit disappointing. Here’s hoping, but it’s gonna be epic no doubt.

Assassin’s Creed: Revelations

Release date: November 2011

Assassin’s Creed: Brotherhood was certainly a surprise. It was not, as many feared, just a quick cash-in on a building franchise. In fact, it only made the claim truer that, yes, Ubisoft, knew what it was doing with its stabby-stab games. Multiplayer is back, and that’s great as it’s some of the only multiplayer I’ve played and enjoyed. But when is Assassin’s Creed III really coming out?

Animal Crossing 3DS (no official title yet)

Release date: August 2, 2011

Very few details exist, but you’ll supposedly be the mayor of the town in the next iteration. Maybe that will lead to more control over shops and such. Either way, this’ll give me a reason to buy a 3DS game. Buuuuuurn. I think they could do neat things to with Play Coins and StreetPass functionality, but time will tell. If it’s the same freakin’ game all over again, I’m swearing off the series for good.

Fantasy Life

Release date: Sometime in 2011

Fantasy Life is turning out to not be the Fantasy Life I remember seeing previews for many moons back. It’s instead getting revamped for the Nintendo 3DS, and while the art style and graphics have sadly changed, here’s hoping the gameplay–a life sim in a medieval fantasy setting–hasn’t. I’ve always wanted to know what it’s like to sell fruit in an open market to a range of peasants.

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That’s all I can think of right now. I’m sure I’m forgetting a few games, and I’m sure I’ll want another five within a few weeks, but such is the life of a gamer, I guess. Naturally, I can’t list impulse buys, Fallout: New Vegas DLC, and games to add to my PlayStation 2 collection as they go on sale, but yeah…games. I love ’em.