Returning to The Legend of Legacy for map fulfillment

I procured a copy of The Legend of Legacy, which is not the most memorable of names when it comes to RPGs and part of me wants to keep writing it as Legend of Legaia, some time back in late 2015. I played for a few hours, but magically lost interest fast, which is a shame because, after returning to it recently for reasons that will be explained later, it’s a pretty good, if ultimately quirky, role-playing adventure with lots to do. Plus, it just oozes style, and I love things that are both stylish and oozy, such as EarthBound, the Suikoden series, and Dragon Quest Heroes: Rocket Slime.

Okay, here are some quick facts. The Legend of Legacy is a Japanese RPG for the Nintendo 3DS, developed by Cattle Call with assistance from Grezzo and FuRyu. The game was published in Japan by FuRyu in 2015 and later localized and published in North America by Atlus USA in 2015. The story takes place on the island of Avalon, where a bunch of adventurers meet up to explore the island’s mysteries. Gameplay focuses on exploring Avalon, fighting enemies via turn-based battles, increasing their abilities based on usage, and filling out maps. From a glance, the game seems inspired by things like SaGa Frontier and Final Fantasy IV. For some reason, I figured I never got around to writing about The Legend of Legacy, but evidently I already did so.

Story-wise, I’m not going to get into it. I didn’t really understand what was happening several years ago, and I know even less now. Sure, I could look up a detailed summary online, but that doesn’t interest me. This is a game of many pronouns, such as Elementals and Singing Shards, and magical gizmos to go after, and that’s all I really need to know. I’m more interested in seeing my team grow in strength, HP, and powers. The Legend of Legacy, in grand SaGa fashion, gives you a brief overview of what to expect and then tosses you to the wolves to figure the rest out yourself, and I mostly care about filling in maps and selling them for a high price. It’s quite satisfying.

There are seven lead protagonists to select from in The Legend of Legacy. There’s Meurs who can speak with Elementals, Bianca who has amnesia, the treasure hunter Liber, Garnet who firmly believes in her religion, the mercenary Owen, Eloise who is an alchemist in search of eternal youth, and Filmia, a frog prince that is in no way related to Chrono Trigger‘s frog Glenn. Ultimately, you can recruit the other six to you party along the way, but the story will focus on whoever you  ultimately chose. For what it is worth, I went with Meurs, who comes across as the classic sort of JRPG hero, and have been using Bianca and Garnet at his sides. They all use a bunch of swords and knives as their main weapons, but I am trying to branch out into other styles, in hopes of unlocking many more abilities and powers. When it comes to turn-based battling, the more options you have, the better.

So, why am I returning to The Legend of Legacy some three-ish years later? It’s because I recently got a copy of The Alliance Alive, which evidently is sort of a sequel to this game. Or, at the very least, carries over many of the core concepts. Also, the scenario was written by Yoshitaka Murayama, noted for his work on the Suikoden series–be still my heart. Yet, before I take on another large-as-heck RPG, despite juggling a bunch already at the moment, I thought I should at least go back to The Legend of Legacy and see if it could hook me for a bit more. It very well might, we’ll see.

Paul’s Preeminent PlayStation Plus Purge – Mad Riders

I’m tired of talking about racing games. I already did this recently for BlazeRush, for Monster Jam: Battlegrounds, and for Midnight Club: Street Racing, and…I’m just exhausted when it comes to words describing a game where you race around a course a few times and aim for first place. There is nothing exciting to it; instead, give me a Super Mario Kart or Crash Team Racing, where, sure, you want first place, but there are more creative ways to get there, such as launching torpedoes at enemies or dropping banana peels behind your vehicle to cause some accidents. I understand the purpose of going from point A to point B, over and over again–it’s the shortest route–but it ain’t interesting.

Well, Mad Riders is about off-road racing. Players control an all terrain vehicle, or an ATV if you are down with the lingo, and race against other ATVs around a series of tracks. You can collect coins placed along the way to activate a short boost in speed, and blue tokens allow players to temporarily access shortcuts, though I never found any of these myself. When in the air, players can perform tricks, which also provide a bit of boost so long as you land them safely. Naturally, there are obstacles both on the ground and in the air to avoid. Other than that, it’s lap after lap, all while trying to maintain the leading spot. Cue the uproarious applause from the audience.

Mad Riders features 45 tracks that can be played over five different race modes, including a time trial mode and another where players try to score as many points as possible by performing stunts. Races can be done either individually or as part of longer tournaments, so you have options how you want to spend your time. Naturally, everything, even racing games, incorporate RPG-like elements, so you gain experience points for both completing races and performing stunts, and this glorious trick of XP is used to unlock new vehicles and color schemes. Ya-hoo. The game also has a multiplayer option with races containing up to twelve players, but I didn’t bother trying this, seeing as I’ve had bad luck finding anyone else to play online on many of these older PlayStation 3 titles.

That’s it. I have nothing else to give Mad Riders except a hand-wave and pushing the uninstall button. A-buh-bye.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.

Cyberpunk romp Technobabylon shines with futuristic style

I desperately want to play Unavowed, but I have other point-and-click games from Wadjet Eye Games in my collection to get through first, along with nearly a  bajillion indie downloads from itch.io that all look super neat, such as Robin Morningwood Adventure and The Librarian. However, for this post, I’m talking about Technobabylon, which came out in 2015 and is a substantial reworking and expansion of James Dearden’s trilogy of freeware games that debuted back in 2010. I never tried them then, so this is all new information to me, but clearly Wadjet Eye Games saw something special in them initially.

Technobabylon is set in the city of Newton in the grand ol’ futuristic year of 2087. In this world, genetic engineering is the norm, the addictive Trance has replaced almost any need for human interaction, and an omnipresent AI named Central powers the city. CEL agents Charlie Regis and Max Lao are investigating a serial killer calling himself the Mindjacker who is tapping into the neural wiring of seemingly ordinary citizens, stealing their knowledge, and leaving them dead. Yikes. On the flip-side of this, an agoraphobic net addict named Latha Sesame might be the next target. However, Charlie’s past comes back to haunt him, and he and his partner find themselves on opposite sides of the law, with Latha’s fate stuck right dab in the middle.

Gameplay is your traditional, old-school point-and-click affair, and that’s perfectly fine. I know what I came here for, loving just about everything about previous works from Wadget Eye Games, namely the Blackwell series, Gemini Rue, A Golden Wake, The Shivah, and, heck, even Two of a Kind. You’ll acquire items into your inventory, combine them in strange ways, or simply exhaust dialogue options until you start making things happen. Technobabylon features multiple protagonists, and each one also has access to different bits of technology, such as the Trance or logging into Central. This helps open up options for puzzles while still keeping everything within the same system…though I fear it could become overwhelming down the line.

Speaking of that, there’s a ton of world-building going on here in Technobabylon. It’s seemingly a mix of things like Blade Runner, Black Mirror, and Ghost in the Shell…though I’m not sure how successful it is everywhere. For instance, I don’t fully understand how the Trance works, nor do I grok what “wetware” ultimately is or does, but maybe the point isn’t to fully explain everything happening in this dark, somewhat desolate future. You believe it works as they say it does and go with it. I also may not have paid as close attention to some bits of dialogue, so perhaps the fault rests on my shoulders.

I’m currently somewhere in chapter three of Technobabylon and am enjoying it greatly. I’ve only used an online walkthrough now and then after I felt like I had truly exhausted all my options, and the solution often makes me feel slightly stupid for not figuring it out on my own first. Oh well. That’s how some of these point-and-click adventure games go, I guess. If you miss picking up one single item, you are doomed, like I was for not finding the mag coil before entering Mr. Van der Waal’s apartment, which left me flustered on how to get the dang pistol out of the bloody Jacuzzi. And I do mean bloody.

I’ll keep plugging away at Technobabylon, though it seems like a longer game to get through. At least once I’m done I can move on to other point-and-click adventure games in my collection, many of which have been waiting patiently, for years, for me to…well, point and click on them. We’ll get there, I promise.

Alice in the Mirrors of Albion is stuffed with hidden objects

We’ve gone over this before, but I enjoy a good hidden objects game. Give me a list of things to search for, and I’m ready to go. Don’t need a lot of frills or extra time-wasting work. All I want to really do is look at an image crowded with stuff and find the canary, the umbrella, the globe, the oven mitt, and the tiny bust. Thankfully–or maybe not, depending on how you feel–the market is drowning in games like these. For instance, if you look at Microsoft’s online marketplace, the count is mega-high, and that’s where I found Alice in the Mirrors of Albion, a hidden objects game that combines some detective work with Alice in Wonderland‘s fantasy world.

Right. Well, this is the newest hidden objects game from Game Insight, the creators of Mystery Manor, which I have not played. They make a lot of mobile games. Alice in the Mirrors of Albion takes place in a mystical version of Victorian England, fraught with intrigue, crime, and suspense. The biggest story is that Alice–yes, that Alice–has gone missing, and it’s up to you to figure out what happened. Y’know, but only after you examine scenes for hidden objects. You’ll also have to solve puzzles and experience the game’s unique-if-long-winded story by tackling countless quests in your mission to foil the evil machinations of the Red Queen. Don’t be surprised by the addition of mini-games and an energy system; this is, after all, at its core a free-to-play game brimming with ads and a desire to get you to spend real money to speed up timers and accrue special currencies. No thanks.

For a while there, I was playing something called Twilight Town and Lost Lands: A Hidden Object Adventure. Alice in the Mirrors of Albion, even though it is made by a different developer, follows almost exactly the same format of those two, plus countless others out there. I’m talking about its use of energy, its focus on completing collections, the overworld map littered with icons and things to confuse yourself on, and the different ways it makes you find items in a scene, be it either from a list or pictures of silhouettes. I wonder if all these developers got together in a room and decided this was the new modus operandi for all things related to hidden objects. Sometimes it works, and sometimes it doesn’t; for instance, in Twilight Town, I could literally do three actions before running out of energy, but Alice in the Mirrors of Albion has been more kind than that.

So, yeah, it’s fine. I do find it humorous that the story kicks off immediately with Alice disappearing and then things drastically slow down because you have to find keys for so-and-so or a special hat for the Mad Hatter…because, well, the developers needed to pad the game out from the get-go. I’m slightly interested in the story, and the writing isn’t honestly terrible, but many of the missions do feel like filler, and this detective work is only inching its way forward at a snail’s pace while a young woman’s life hangs in the balance. Want to save her right away? Sorry, you’ll need to up your mastery in this one location while also waiting for your energy meter to refill. Look, I’m not insane, I know what this game is and am not expecting Hemingway, but it should be either all in on the story or just scrap it entirely and don’t hide the fact that you are meant to play these levels over and over again.

There’s a character in Alice in the Mirrors of Albion that really gets under my skin. His name is Cheshire, Jr., he’s a cat, but also a part of the police-force. Look, I’m not here to ask too many questions. Anyways, the voicework done for Cheshire, Jr. is some of the most atrocious I’ve ever heard, and it really does make nails on a chalkboard sound like a thousand angels singing. You’d think, with him being a cat, that he’d meow like a cat, but no…instead, he says the word “meow” and draws it out with some extra syllables, because it’s not enough to just make your ears bleed once. If he continues to make his presence known, I may not be sticking around too long for this one.

Wish me luck on continuously finding that fire extinguisher, as they actually do a good job of hiding it in the police office scene. However, if we don’t get closer to learning what happened to Alice, I’ll be saying goodbye quickly to Alice in the Mirrors of Albion.

Merchant’s a classic RPG experience from the perspective of a shopkeeper

I’ve been getting a bit looser when it comes to installing or uninstalling games on my Android-based cell phone. By that I mean not everything is going to get a reaction out of me, such as a meaty blog post on Grinding Down, negative or positive. Some games I continue to log in to daily and tap on, and some I give a try for a wee bit, but find they don’t really hook me, which is a shame for things like Harry Potter: Hogwarts Mystery, Dragalia Lost, and, most recently, The Sims Mobile. However, one of the newer ones I’ve downloaded in preparation to stave off boredom during chemotherapy treatments–well, new to me–is called Merchant, and I’m digging it a whole bunch, pixels and all.

Well, the whole point to Merchant from Retora Games is to become the greatest merchant the world has ever known. You’ll end up hiring heroes, crafting items like weapons and armor, and defeating various D&D-inspired monsters, save for bushes that don’t fight back, in order to improve your heroes and grow your economy. However, as a burgeoning shop-owner, you’ll need to manage your resources properly and make tactical decisions to rise to the top. This means you can only craft so many things before running out of inventory space or gold and must begin selling your wares to traveling wanna-be heroes. It’s a solid mix of there always being something to do and something to plan for down the road.

I remember being fascinated with the idea of Recettear: An Item Shop’s Tale when it came out way back in late 2007 despite still never having played it. In that one, you are Recette, a shop-owner, and have to decide how you’ll get your stock–either through playing the markets in town or going out into the wild with an adventuring friend and thrashing beasts until they give up the goodies. You also had to figure out how much to sell things for, what the shop should look like, and how to best go about getting the money needed to pay off the loan. Merchant is kind of like this, except you are always behind the counter, making things happen from the safety of your store-front.

Merchant is pretty chill, as will as plain ol’ pretty. I mean, I like pixel art, and this is some good stuff. You can unlock different skins for your shop and shop-keeper, but the game never pushes micro-transactions; instead, it looks like it would rather prefer you buy DLC and get more for the game in one big gulp. The music is actually nice, but I often play games on my phone with sounds off, so I don’t hear too much of it.

The game is also available for free on Steam, but I think having in on your phone to check in on now and again is more than perfect. Like, I’ve been doing this the entire time I’ve been writing this post–send a hero out to fight a monster, type some words, collect rewards, rinse and repeat. Sure, it’s another game of timers, but this one feels much more rewarding than many other idle games out there. I say, give it a shot; if not, you can always close up shop and spend your nights getting drunk in the local tavern, dreaming of a different life.

I can’t be alone in thinking Never Alone is cute yet disappointing

It was supposed to snow this past weekend, and while it did, all we got was a snusting, a new word I’m pushing to get into the OED. It means a light dusting of snow, in case that wasn’t clear. Anyways, this put me in a mood to play something snowy, and after scanning my list of games still to install on my Xbox One I saw it, the perfect winter weather game–Never Alone (Kisima Inŋitchuŋa).

Ultimately, Never Alone is a puzzle-platformer developed by Upper One Games and published by E-Line Media based on the traditional Iñupiaq tale, “Kunuuksaayuka,” which was first recorded by the storyteller Robert Nasruk Cleveland in his collection Stories of the Black River People. I realize that is a lot to take in at once, so please, give yourself a moment before moving on. In terms of gameplay, you swap between an Iñupiaq girl named Nuna and her Arctic fox companion to complete puzzles and navigate the wintry landscape. There are a total of eight chapters to get through, and the game was the result of a partnership between the Cook Inlet Tribal Council and E-Line Media. It is evidently one of a growing number of videogames produced by Indigenous people, and that’s really cool. Too bad I found the whole thing frustrating and disappointing, but that doesn’t mean they shouldn’t keep creating games that celebrate and explore different cultures. I do want more.

You can play Never Alone co-op, but I went through it by myself, which meant manually switching back and forth between Nuna and her fox companion. At first, during the early stages, this was fine, but later you have to take timing into consideration and it can be tricky to get both characters to work in unison. I wonder if the controls would have been better if they followed Brothers: A Tale of Two Sons or ibb & obb. Anyways, Nuna can push/pull boxes around, as well as use her bola to destroy chunks of ice while the fox can jump higher and let down ropes from ledges. There are action sequences where you are being chased that require quick jumping, but most of the game is about moving from platform to platform, often using spirits as ledges to help Nuna get where she needs to be. This does become tougher later on when your fox changes and requires the two to work much more closely to get things done.

Look, Never Alone‘s story and its structure is based on the inter-generational transference of wisdom, and that’s mega neat. It is told in the form of an oral tale, and players are rewarded for collecting “cultural insights,” which are ultimately video vignettes of Iñupiaq elders, storytellers, and community members sharing their stories. These are all well done and produced, and this isn’t the norm when it comes to puzzle platformers, but I’d love to see more of collectibles like this. I ended up missing one by the game’s end, but the majority of them are along the main path, so you’ll find ’em easily enough and should dedicate some time to check them out.

Alas, here’s what I ended up disliking immensely about Never Alone. At first, the platforming and puzzles were rudimentary and simple, but became more time-based as the levels went on, which, when coupled with the fact that you had to switch between characters in a flash, resulted in many annoying deaths. The game is also glitchy, and I’m specifically talking about a tree I ran into during the last level that refused to walk forward; I had to return to the main menu and hit “Continue” for it to truly awaken, but this was only after 20 minutes of attempting to figure out if I just wasn’t doing something right. Ugh. Also, jumping and grabbing on to ledges with Nuna felt seriously inconsistent, and that’s a big part of the gameplay, so boo-hoo to that. I honestly thought, based on the first few chapters, that Never Alone was going to be a breeze, but found myself shouting curses at the TV screen near its conclusion.

It’s a cute game, doing really great things for the Iñupiaq community and culture, but it isn’t the most fun thing to play in the world. Sorry about that. I’m just as bummed as y’all.

Paul’s Preeminent PlayStation Plus Purge – Port Royale 3

I knew going into Port Royale 3 that this wasn’t a game for me, and, surprise surprise, it’s totally not a game for me. Except, on paper, it sounds a lot like many of the board games I’ve been getting into lately, what with its numerous systems and decisions to make, various paths to follow. Almost like a deck-builder. I mean, there is a board game with a similar name to this, but it’s not one to one. Either way, I gave it a shot, but was ultimately forced to walk the plank. Yarrr.

Here’s the lowdown on how all this starts in Port Royale 3. You’re in the Caribbean during the turbulent 17th century. The mighty kingdoms of Spain, England, France, and the Netherlands are fighting over the colonies. As an up-and-coming young sea captain, your only goal is to become the most powerful man in the New World. Seems reasonable to me. Well, to achieve that goal, you first have to choose one of the two available campaigns–Adventurer or Trader. I went with…the trader route, because, even when I was playing Civilization V, I steered clear of fighting with other territories and focused mostly on being a peaceful person that just liked to earn a few coins now and then.

If you go the way of the Adventurer, you’ll lead an unforgiving campaign for the conquest of the seas, which involves a lot of invasion, piracy, bounty hunting, and raiding. Basically, you’re a pirate, and you need to do whatever it takes to build your own empire in the Caribbean. The Trader’s path is, on the opposite, mostly about developing your riches and economic power. To become the most powerful Trader of the New World, you will need to create trade routes, build industries, and develop the economy of the colonies. There’s also a Free Play mode, where you can mix both of those methods in any way you want, letting you create your own unique tale of plundering and selling goods.

So, I sailed around the Caribbean a bit, going from place to place, such as Santiago and Tortuga, purchasing goods for low prices and selling them elsewhere for higher prices. Y’know, making an earning. Sugar and rum were very popular choices, as was wood. Always gotta get that wood. Reminds me of how important it is in Catan; during one game, I traded almost everything I had, including my precious sheep, for a single piece of wood, but it was worth it, as it helped me build one more road, giving me the Longest Road victory point. Anyways, I diverge…mostly because I don’t know what else to say about Port Royale 3.

Port Royale 3‘s soundtrack is actually quite nice, and I know this because I had the game on pause a lot while typing up this blog post. It was composed by Dag Winderlich and Tobias Adler and features a lot of frantic drumming and seagulls crying out in the background, and that might sound nightmarish to some of y’all, but it’s really not. As someone who grew up near the beach, it’s familiar.

Look, I’m sure if I took the time to truly dig into all the menus and various options at play, Port Royale 3 would offer me a ton of things to do and plan for, but it just didn’t hook me from the start. It begins slow, thankfully, but even still, I don’t know what half the menu options mean, even after ranking up, and I’d rather play something like The Sims 4 or Zoo Tycoon to get my simulation fix. Oh well. Guess the pirate life is not for me.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.

Paul’s Preeminent PlayStation Plus Purge – Dyad

I don’t know how to immediately describe Dyad. I played it, I got three stars on some objectives, I did what I was told to do, and yet–I am lacking the words to describe the overall experience. Or maybe experience is the perfect word for it. It’s a thing you experience, from its visuals to its sounds to the way it feels to zip forward and backward in a futuristic tunnel-landscape that continuously throws shapes and colors and hazards at you, all while keeping the momentum somehow frantically chill. I really don’t understand, but that’s okay. Some things in life are meant to be mysterious or undefined, and that’s that.

Here, I’ll use some words stolen from Dyad‘s Steam page: experience a mind-bending, psychedelic sensory overload. Blast through a reactive audio-visual tube creating a harmonious synthesis of color and sound as you hook, graze, and lance enemies to master Dyad‘s 27 unique levels. Sure, that’s a better description than I could ever come up with and, at the same time, is still difficult to parse. Also, I only played through the first eight levels, under the menu strangely titled 2.76 TeV. Again, I’m dumbfounded or I’m just plain dumb to whatever this game is trying to communicate–you tell me. Also, please don’t actually call me dumb, I’m feeling extra sensitive lately.

Dyad basically is its own language. A language of drugs, of violence, of premium, utopian bliss. There are terms for everything you do, such as hooking enemy pairs, lancing enemies, grazing, and so on. They mean things, specific actions. Many of the missions task you with doing a certain amount of these actions or simply racing through a number of sectors, with these actions earning you points throughout. The more points the better, obviously. The goal is always to do what the mission says while also hitting three stars, because getting those opens up trophy and remix versions of the level. The trophy missions are naturally tied to unlocking an actual Trophy, while the remixes are more about…well, mixing things up. As if the standard space-flight down the tube wasn’t zany enough.

I have another game similar to Dyad on my soon-to-play PlayStation Plus purging list, but it is only similar in that it is also described as a drugs game–Hohokum. I don’t do recreational drugs, just ZzzQuil and whatever my oncologist is giving me for my cancer, but those drugs don’t have the same effect as the ones people probably like doing before playing games of this nature. I once got super drunk and had a really fun time playing against bots in Red Faction II‘s multiplayer mode, but that’s probably about it for me and my wild side.

Dyad is certainly right for someone, just not me.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.

Final Fantasy Explorers forces the player to endure

At the beginning of 2018, I was real close to getting Monster Hunter: World. In fact, it’s now the beginning of 2019, and I’m still thinking about biting the bullet. It’s a genre I’ve always been intrigued by, but terrified to get into due to what seems like a massive amount of complexity and menus and history to learn. However, this newest iteration, which jumps from the realm of handhelds to big boy consoles, seems to be somewhat more friendly to people like me. Or what kids back in the day referred to as n00bz. Side note: if you know what kids refer to people like me nowadays, please let me know ASAP. However, instead of getting this, I dug through my Nintendo 3DS collection and found something similar called Final Fantasy Explorers. It both compares and does not compare.

Final Fantasy Explorers is an MMO-lite that revolves around the titular group of explorers from the rural town of Libertas who hunt the world for crystals, objects which are the source of life and civilization for the world. The most major source of crystals is the new island of Amostra, but they are guarded by fearsome beasts that the explorers must fight. So yeah, surprise, surprise–it’s another Final Fantasy game dealing with crystals as the magical MacGuffin, but then again I wasn’t expecting much in terms of story from a Monster Hunter-like game. They generally are about fighting big monsters and crafting cool gear from their dead, shredded body parts. Also: cats cooking.

For the most part, the combat, which is the bulk of what you do in Final Fantasy Explorers other than stare in horror at confusing menu after confusing menu, is pretty solid, even though one of the shoulder buttons on my Nintendo 3DS is not working properly. It’s a bit hack and slash, with some spells and special abilities thrown in for good measure. To start with, Final Fantasy’s signature job system is here, which adds variety to the battles by letting you equip a mishmash of weapons and abilities tied to your chosen profession while in town. Spells and skills can be tweaked and tailored however you want using special mutations learned in battle, which can make them much more effective, so there is plenty of customization to work with. Personally, from my three-ish hours so far, I’ve been sticking with the Freelancer job, which is kind of your all-around job, capable of both casting basic spells and also wielding decent weapons for physical attacks. Alas, I’m currently stuck trying to beat the legendary flame djinn known as Ifrit.

Let me get more detailed. By default, you have a simple, quick attack that you can mash; however, squeezing the left or right bumpers grants you access to one of eight hand-picked abilities–some magical, some physical, and some related to your current job and weapon. The best strategy is to chain all these abilities together to begin building up something called Resonance. Once you have enough, you can squeeze both bumpers simultaneously and select one of four crystal surges, which supercharge all your abilities for a limited time. This is wisest done during boss battles, as most of the generic enemies you fight along the way are easily dispatched with simpler attacks.

Like Monster Hunter, Final Fantasy Explorers is probably meant to be played with other real-life people in your party. I don’t have access to those kinds of friends; I’ve only ever played online on my Nintendo 3DS with Animal Crossing: New Leaf and some cooperative multiplayer thingy for Luigi’s Mansion: Dark Moon. Thankfully, solo players get the ability to gather essence from some downed monsters and create your own monstrous allies, who will wander after you and join you in combat. Unfortunately, their path-finding is terrible, but you can fuse them other monsters and materials to up their level or unlock perks. I currently only have one monster following me, a level 8 goblin that carries a large cleaver. What’s nice about this is that you can basically recruit your favorite Final Fantasy monsters, such as Cactuar, TonBerry, or Chocobo, like they are Pokemon. Fine by me.

Look, I haven’t played a whole ton of Final Fantasy Explorers yet, and I plan to give it a few more hours, but I can already begin to see the grind here. The real hook for me is seeing all the things from various Final Fantasy games on display, such as summons, characters, spell names, etc., plus the option to basically dress up your avatar as, say, Sephiroth or Tina. If this ultimately doesn’t do it for me though…there’s always Monster Hunter: World.

Paul’s Preeminent PlayStation Plus Purge – The King of Fighters XIII

I’m struggling to remember why I had so much fun playing Tekken, Bloody Roar, and Star Gladiator by myself as a young teenager and now, as a full-fledged adult, I barely touch fighting games unless I have a real-life person to play against. To me, they aren’t fun solo, and online play is too competitive. Maybe it’s because I was fascinated by all the throw options in Tekken married with the instant replay feature. Or maybe…I liked having all the time in the world to figure out how to make characters grow ginormous in Star Gladiator or figure out who had the best beast transformation in Bloody Roar (answer: Alice the rabbit). Anyways, The King of Fighters XIII is a fine 2D fighter, but it’s not able to hold my interest for very long. In short, too much anime-esque yelling going on.

The main draw for The King of Fighters XIII is its three-on-three team battles. Basically, you choose a default team of three characters or make your own team by selecting three characters of your choice, and then you battle against your opponent’s team. Simple as that. Here’s the rub. This isn’t like Marvel vs. Capcom 3: Fate of Two Worlds or Tekken Tag Tournament 2, where you can swiftly switch between characters at any point during a match. No, in this one, you pick the order you want to play each person in beforehand and then fight with them until their health bar depletes. If you defeat your enemy, your character’s health restores a tiny bit for the next round.

Oh, and there’s a story. Via this mode, you’ll experience a variety of background stories not touched upon in the game’s original Arcade mode. You can discover the truth about King of Fighters’ “Ash Saga” and its secrets through the eyes of the main character, Ash Crimson, and other characters who were not directly participating in the tournament. Your decisions and battle results may lead you to discovering new story elements, which drives replayability to see all the different options and every scene. For me, I couldn’t really follow anything that was going on; a fight would start, there’d be some back-and-forth banter between the combatants, which got extra funny when fighting a clone of yourself, and then you’d pummel each other into the ground, hopefully with style. After that, it was on to the next fight, with a short anime cutscene to watch as you got closer to the main bosses of the mode.

I played through the Arcade mode using this tag team, mostly picked at random or by what I deemed looked like cool people from the outset: Iori, Benimaru, and Kula. You can tell me I’m wrong, it’s okay. I don’t know jack squat about this game series and these characters, but they have to be a thousand times better than Mai, who’s sprite animation is one hundred percent focused on her boobs bouncing in as inhuman  of a way possible; I’m sure she has her fanbase. Right, moving on. I was able to pull off a couple of special moves, several combos, along with a few EX finishers, which is something I always struggled with pulling off in, say, Street Fighter IV. Also, I unlocked two new characters for a game I’m going to uninstall real soon, so go me. Alas, I was not able to beat Saiki, as, like many final bosses in fighting games, he proved too tough–or is it cheap?–for my trio.

I’ll say this about The King of Fighters XIII–it is absolutely gorgeous. The animations on the characters are smooth and fluid, and the backgrounds are quite honestly pure insanity, what with all the detail and colors and different styles throughout. On occasion, I put my controller down and let my opponent beat me up just so I could watch more of what was happening in the background. The menus are slick and stylized, though I found the music to be mostly irrelevant. This series has certainly come along way from its heyday in 1994…though, even then, it was a beaut to behold on the Neo-Geo.

Similar to my problem with too many shmups for PlayStation Plus, I’ve got a bunch of other fighting games to get through. Namely, these ones–Darkstalkers Resurrection, UNDER NIGHT IN-BIRTH Exe:Late, and Skullgirls Encore. My god…the name of that middle title just strikes fear in my heart immediately. Until then, I’ll cut the cord for The King of Fighters XIII and set it free. Y’know, from my PlayStation 3 internal memory space.

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Oh look, another reoccurring feature for Grinding Down. At least this one has both a purpose and an end goal–to rid myself of my digital collection of PlayStation Plus “freebies” as I look to discontinue the service soon. I got my PlayStation 3 back in January 2013 and have since been downloading just about every game offered up to me monthly thanks to the service’s subscription, but let’s be honest. Many of these games aren’t great, and the PlayStation 3 is long past its time in the limelight for stronger choices. So I’m gonna play ’em, uninstall ’em. Join me on this grand endeavor.