Congratulations to me, for I found the year 2016

In hindsight, I really should have put forth a larger effort to make Where is 2016? the first game I completed this year instead of Rain. It only makes sense to ring in the new year with a game about…unearthing 2016 by flipping a bunch of hidden red switches to green, time-traveling to other countryside locations to repeat this endeavor, and then pulling a lever to release some jarring, chipper cartoon character from behind a locked door. Yeah, that only makes sense.

From independent game developer Mateusz Skutnik, Where is 2016? is a short point-and-click hidden object adventure set somewhere in France. I make that broad and dangerous assumption from the spatter of French words I saw on signage and rusty pipes. If this is set in, say, Middle-earth, please correct me in the comments below, but I’m more certain that it is not in Middle-earth than I am it is in France. Either way, it’s the countryside and small-town suburbia for your exploring. You do this by clicking areas of a static image, going deeper; in actuality, this is all you do, as well as lose yourself in the minute details of high resolution photographs of foliage and machinery.

There’s no traditional puzzle solving here. Simply find all the switches, turn them to green, return to the main switch hub thing, twist the knob–hey now, this is a family blog, people–and return to the main screen, which features a locked door, a rope to pull, and a clock with hands to manipulate. Do that a total of four times, with each scenario asking you to discover more red lights to switch, and you’ll complete the game. Easy enough. The struggle is discovering what you can click on and what you can’t, though the cursor will change when you are over a hot spot; still, there’s a bit of pixel hunting to do, and here’s a free tip–sometimes you can click in a section you’ve already zoomed in on for an even closer look at things.

I’m more than fine with Where is 2016?‘s length, as it was perfect to get through in ten to fifteen minutes and felt satisfying, in terms of finding all the gadgets to click, when I reached the end. Still don’t understand who that cartoon character was and why he was congratulating me on finding 2016. Perhaps he stars in one of Skutnik’s other games, of which there seem to be many. Sounds like the Submachine series is one worth examining. Also, he’s evidently been at this awhile, creating Where is 2015?, Where is 2014?, and so on for the respective past few years.

Where is 2016? features high resolution photographs for you to click on and dive into. You might think looking at a rusty, old farm plow is beyond tedious, but the closer you get to it, the better you see how it is put together. Then you notice the words etched into the metal, or the small scratches. The flecks of dirty, time. I don’t know if Skutnik took these photos himself for the game or if they come from some stock-based website, but they are crisp and energized, as well as perfunctory and plain. Adding gameplay mechanics on top of them definitely at first feels wrong, but eventually the two elements mesh together without much noise.

If you’d also like to start your year off right by releasing 2016 from its locked, dark chamber, begin click, click, clicking all up on Where is 2016? in your browser over here.

2016 Game Review Haiku, #3 – Where is 2016?

Search sharp photographs
In France, for switches, secrets
The new year is here

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Final Fantasy IX’s Earth Guardian says slow down

Here’s some unsolicited advice: if you’re going to boast and hold high your mighty conquests, the very least you can do is acknowledge when you fail. You don’t need to linger on it and live your life around such defeats with a gray rain cloud hanging overhead, but coming to terms with where things went wrong will, in time, help you come to terms. That said, despite giving it a good-not-great effort, I did not complete Final Fantasy IX in 2015, which was a goal of mine after, yup, failing to not complete it the year prior. As well as the year prior to the year prior. Grr.

Look, I’m still on disc three. The last time I wrote about Final Fantasy IX, I was dealing with the consequences of sending an all-magic team to a place where no magic could be used. Since then, I’ve hit a wall, and I was hoping it wouldn’t happen, but seeing as the same thing happened to my party of heroes and heroines in Final Fantasy VIII way back in the day…I should have expected it. They always do this. Basically, to better search for the Elemental Shrines, which I believe will offer further clues on Kuja and how to take him down to the ground, your group is divided up into small parties of two: Dagger and Eiko, Freya and Amarant, Steiner and Vivi, and Zidane and Quina. Yes, Quina–that strange foodporn fanatic who battles with forks and surprise surprise I’ve barely used in my 40+ hours chipping away at Final Fantasy IX. Your party will be investigating–and battling–each shrine’s boss simultaneously, but you are only actually involved in the fight against the Earth Guardian using Zidane and Quina. Grr.

Going into this boss battle with only a party of two is scary enough to begin with, but things become dire when you realize that Zidane is around level 43 and Quina is far behind at level 28. That means Quina dies in one hit from the boss, which results in burning a turn with Zidane to revive him only to have Quina die right away from another hit. Basically, it’s not doable. You need two strong party members that can at least take a few hits before having to heal up one another–otherwise, you might as well as be swinging a sword against the base of a tall building that hits back. I have to wonder if I’d be at all successful if the other duos actually asked you to command their actions in their respective Elemental Shrine fights; certainly Steiner and Vivi are a deadly combination not to be messed with.

Unfortunately, I already saved the game on my one save slot right before entering the Earth Guardian’s shrine, with some 34 hours logged in total. Thankfully, you can retreat and either get back on the airship or wander around the area, but even grinding random battles with a party of two is a slower affair because you can’t dish out as much damage each turn, which means every fight takes longer than with a strong party of four. Alas, this is my only solution–Quina needs to be a much higher level to survive this fight and help Zidane deal out the big damage.

Knowing this fact is keeping me at bay because, at this stage of Final Fantasy IX, grinding is not as enjoyable as it was when I was permanently learning abilities for multiple characters. There are no more Active Time Events to witness either until I hit the next series of story beats. I am stuck in this one spot, with the only way out being burning several hours and items/MP-restoring items on fighting monster after monster after monster in hopes of getting one character to a decent starting place. So far, I’ve gotten Quina up to LV 36 now and taught him/her/it permanently Auto-Float and Auto-Haste, which is still not good enough. Grr.

Trust me, I’m not giving up. Final Fantasy IX‘s credits will roll, eventually. Strangely, in 2016, it’s also coming to PC and phones, but that’s not where I want to see this adventure end. Ideally, it would’ve ended where it started, on the bedroom floor of the house I grew up in, some 15 years back, on an original PlayStation 1, which featured a PSM smiley face sticker on its tray lid. At least I’m still using my PSM sticker-adorned memory card to save my slowly increasing progress. I’ll let you know when I’ve crossed this hump.

Sorry, there are no more skulls left in Motocross Madness

Motocross Madness is a game I played for a bit after getting it as a freebie back in August 2014, but then drifted away from for a good chunk of time. Many months, in fact. Truthfully, I really only enjoyed the heck out of the game’s Exploration mode, which plopped you down in the world where the game’s race tracks exist, but gives you freedom to explore off the tracks as you please to collect gold coins and skulls. These feed into the medals you get, as well as provide money and XP, so they are more than just shiny trinkets to grab. The standard races and trick sessions are fine enough, but a bit too perfunctory and easy to perfect. My heart can’t resist collecting things; for further proof, see games like LEGO Marvel Super Heroes, Disney Magical World, and Kung Fu Rabbit.

Right. So, over the last few months, I’ve been noodling away at Motocross Madness, playing for a bit and collecting a skull or two. Incrementally edging my way up to a 100% completion rate. It became a thing I did to fill in the gaps between other games or if I had fifteen to twenty minutes to kill before I had to make dinner. However, it became more of a hassle–in my mind than in reality–to turn on my Xbox 360 now that I had a shiny Xbox One to slobber over, and so Motocross Madness got visited less and less. That is until a few weeks back, when it was announced to now be backwards-compatible on the new console. I’m probably the only person in the world that saw that news and genuinely felt warmth in my heart, but whatever.

I recently had some time off of work over the holidays, and I used some of it to, besides draw and go see the ultra cute and sing-songy Elf the Musical in New York City, well…play more Motocross Madness. I’m totally fine with this. Never let anyone tell you what to do on your days off. Along the way, I also sat down and figured out how to use the streaming programs on the Xbox One, which lead to me recording about four hours of me getting the last flaming skulls and Achievements for all the Internet to see. If you’ve got time to kill, feel free to watch the archived videos over at my YouTube. Please understand before going into these vids that I’m still relatively new to this and am figuring out microphone/gameplay audio settings, but I’m thinking 2016 will be the year I put more effort into this venue.

Collecting skulls was fun despite a few frustrations. It’s multi-part; first, you have to find the skull in the environment, and then you have to figure out how to get it. Sometimes they are on the ground, and you just ride your bike up to it, but the majority are high in the sky, requiring a sick jump to grab. It’s only when you get down to having a single skull left in a large environment that it becomes maddening as you search every nook and cranny, desperate to catch the flicker of orange flames. Eventually, I caved and looked up a walkthrough online, quickly scribbling down locations on a hand-drawn map so that I’d, at least, still not know exactly where these skulls were and have some involvement in their capture.

When examined without the Exploration mode, Motocross Madness is actually a substandard racing game with bikes. The races themselves aren’t all that challenging, especially once you upgrade your hog, and the trick system is not in-depth, allowing you to only do a few moves in the air…unless you’re into crashing. Once you are on “fire,” which happens after building a meter for successfully doing tricks, you can do another set for more points. I highly recommend performing the Rodeo Cowboy each and every time. It probably gets a pass overall because it uses your avatar, which makes the costumes and tricks more fun to see than some generic-looking dude or dudette. Still, once I got all the skulls, I didn’t really know what to do; online racing was no more exciting than the single-player stuff, unfortunately.

Oh, if you were curious what my crudely drawn maps actually looked like, they looked like this:

Yup–my art skills are wildly good. Now to figure out what I can stream next. I like the idea of having a goal for streaming, not just playing through the game’s main campaign, though I understand a lot of people do that. Perhaps I can capture getting the remainder of Fallout 4‘s Bobbleheads or causing some random chaos to happen in Just Cause 2. Must think on this. One thing I know for certain is that, just like when I finished up LEGO Marvel Super Heroes, an invisible weight has been lifted off my shoulders (and mind), and I don’t have to return to this digital world ever again. Unless I want to.

RIDICULOUS MARATHON HAS CANDY, TOFFEE, SWEETS, AND CONFETTI

If you have an eye for detail or are anal about words being in all capital letters when perhaps they have no reason to be, you might be wondering why this blog post about Ridiculous Marathon has such style elements enforced in its title. I assure you this is not a clickbait attempt or new thing for Grinding Down in 2016. I assure you. This stems from looking up further details about the game on Microsoft’s website and discovering that the only text provided before the “read more” link is as follows:

GET READY TO RUN A CRAZY MARATHON FILLED WITH CANDY, TOFFEE, SWEETS AND CONFETTI

Er, yeah. Settle down, copy writer. Also, even after playing Ridiculous Marathon for a bit, I can’t agree that the game is filled with these items. You’ll see a piece of candy every few feet, but only until you complete the Daily Challenge, and then you’ll never see another sliver of candy again until the next day. As for the toffee and sweets–no idea where they are. Confetti appears from time to time as you morph into a powered-up piñata, but this isn’t a game about hitting the crap out of a stuffed container often made of papier-mâché. It’s an endless runner, through and through.

I’ll say with certainty that Ridiculous Marathon is an easier and more forgiving endless runner than Temple Run 2 and Lara Croft: Relic Run–put together. There are fewer turns and obstacles to avoid, with a larger focus on jumping over construction signs and avoiding trucks carrying long wooden logs. Your move set includes jumping, moving left to right, and sliding–that’s kind of it. There’s no turning corners or running along walls to not fall in pits, but you can double tap the screen to turn into an invincible piñata that will, I believe, save you from one crash. I’ve gotten pretty far without much outside help, hitting around 150,000 points in score. With the help of some revive diamonds, I expect to hit 500,000 points rather easily.

Naturally, with this being a free-to-play endless runner, there’s microtransactions available that could help each of your runs be more successful, but only if you plop down some cash. So far, I’ve ignored all of those options and am doing just fine. You can buy single use power-ups with the gold you collect as you move through the Amazon rainforest, as well as upgrade power-ups or purchase costumes for your characters, though those are simply cosmetic in nature. There are ads, but they are easy to dismiss, though I don’t understand why I have to sign in with my Microsoft account every single time I load it up to play; other mobile games don’t ask me to do this.

There are two systems at work to keep one coming back to Ridiculous Marathon, and they are the Daily and Weekly Challenges. The Daily Challenge tasks you with collecting a number of candy as you run, which is easy enough because, just like with all the game’s power-ups, you can spot them from a distance as a beam of light shoots up and out of them. Do this for five days in a row, and you’ll unlock a mystery box, which gave me some free piñata power-ups. The Weekly Challenge wants you to collect golden palm trees, and the one I’m on is for finding 21, of which I’ve gotten nine. They show up a whole lot less, so we’ll see if I get any reward by the end of the countdown, which stands at 34 hours left. Hmm.

In the end, Ridiculous Marathon is fine. It’s not as ridiculous as one might think, nor as tiring as running an actual marathon. Well, I actually can’t speak officially on that last part. Perhaps this is a runner better suited for younger gamers or those just getting into the genre. Anyways, I expect to play it for another week or two until I’ve wrung every ounce of fun from it, and by fun I naturally mean Achievements.

2016 Game Review Haiku, #2 – Motocross Madness

Vroom, vroom all around
Egypt, Australia, Iceland
For coins, fire skulls

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Rain’s filled with rain, but also monsters and unsettling experiences

The afternoon after 2015 became 2016, and the world was completely different/the same, something inside me stirred and demanded that I at least complete one game on this very first day of the new year. Like a ceremonial ship launching, of setting out to sea and beginning an unfamiliar voyage. I can’t really explain compulsions like this; surely you don’t want to have convince me why you grabbed that Snickers bar while in the check-out line at the market when you weren’t even hungry.

Anyways, I felt like I had been ignoring my PlayStation 3 these last few months since Fallout 4 came out and I got an Xbox One, so I powered it on and began to scroll down my lengthy list of games. A handful of which I purchased, with the majority being downloaded “freebies” for being a PlayStation Plus subscriber. It’s a hodgepodge of big and small games, and I stopped on Rain, an atmospheric platforming adventure game based around precipitation. I only wish it had been raining in real life as I played, in one single session, but it was a cold, quiet winter afternoon outside. A digital rain soundtrack had to suffice, plus the purring of two cats on my couch.

Rain is set in a nameless Western European-inspired city, in an invisible world revealed only by never-ending falling rain. You play as a little boy who finds himself lost amongst the rain-slicked cobblestone streets and chasing after a young girl. She herself is being pursued, for reasons not immediately known, by ethereal monstrous beasts hidden in the rain. For half of the game, you are simply trying to make contact with this girl, always ending up a few steps behind her with some roadblock in the way; the second half of the game sees the two kids working in tandem to defeat these monsters and the Unknown–a leader amongst all the baddies–and make their way home. The story itself is minimal and actually hard to decipher by the end, told only in blatant text on the screen. It kind of becomes a tale of literal light versus dark, health versus sickness, familiarity versus foreign, but I’m sure there are other ways to interpret things.

The twist to Rain‘s mechanics of hiding from monsters and using the environment to solve platform puzzles is that the little boy becomes visible to the monsters when standing in the open rain. If he finds shelter under a roof, he is invisible. This creates some stealth sequences, which are honestly full of tension as you creep past the monster, only able to see the light splashes in a puddle or wet footprints the little boy leaves behind on the ground as a clue to where he is. Yup, when you are invisible, you are invisible. It can be daunting at first, but you’ll get used to it over time and learn how to control somebody you can’t see. Other than that, you’ll do some running away, you’ll push and pull items to make new platforms, and you’ll work with the little girl to lift her to unreachable ledges.

One aspect of Rain that I actively disliked and even began rolling my eyes and muttering under my breath at is that the Unknown, that stalking, leader of the rain baddies that chases after you from chapter one, just kept coming back from the dead. Every time you think you’ve stopped it and can safely resume your journey, it rises from the grave with an ominous soundtrack in tow. This happens even two or three times during the game’s ending, which is already far too long as is and not very clear on what these little ghost kids were up to. Lastly, and this might be a minor complaint or a major complaint depending on your feelings towards collecting things as you play, but Rain‘s collectibles are only available after you complete the game. I went back via chapter select and got a few, but they really aren’t even worth collecting unless you want the three Trophies associated with nabbing them all.

From a concept perspective, Rain is really cool. It has style, a gorgeous soundtrack peppered with piano and accordion, and a lot of potential, but it doesn’t really deliver. The puzzles are at first neat and interesting, but they repeat in every chapter and often don’t do much with other elements, like the muddy water that makes you visible even when out of the rain. The game itself is fairly short, around three to four hours to finish, but poorly paced. I did enjoy staring at the imaginative, spindly monsters one could possibly picture emerging from the mist in…well, Stephen King’s The Mist. When compared with the likes of other short, narrative-centric experiences like Journey, Brothers: A Tale of Two Sons, and Botanicula, this could have been so much more.

2016 Game Review Haiku, #1 – Rain

Puzzles in the rain
Hide from the Unknown, seek light
Ending is too long

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

My five favorite games in 2015

While I love listening to “Game of the Year” podcasts and sifting through dozens and dozens of lists featuring, in descending order, ten videogame titles, I myself don’t really participate in this tradition. Instead, I like to muse about the games I didn’t get to play in 2015, as well as list what I consider to be my five favorite games. Yup, five–not ten. I’m truly an outlier.

Chances are a few of these are smaller games or experiences no one else is talking about in big, bold tones, and that’s fine. Take for instance, my five from last year, which highlighted Disney Magical World as the shining star. It’s my list, and these are favorites for a reason, which I’ll go into more later with each game. Also, enjoy some artwork I whipped up for every numbered item.

::insert sound of drumroll here::

::okay, here as well::

::almost there::

::eee::

5. Lost Constellation

Look, technically Lost Constellation came out two days after Christmas in 2014, but I didn’t get around to playing it until February, after a Quick Look from Giant Bomb brought it to my attention. I’m counting it for this year because it has continued to stick with me since then, and I’m bummed that Night in the Woods still hasn’t come out yet. Here’s me going out on a limb and saying that you’ll see that game somewhere in my top five next year, so long as it hits all the same marks as the supplemental demo did.

Anyways, Lost Constellation is a tantalizing appetizer of things yet to come, but stands strongly on its own as a cute, somewhat dark bedtime story perfectly set in the winter. I played it in the winter, but I’m looking forward to going through it again when the summer heat kicks in as it can easily transport you from one season to another. There’s not much replayability to it, other than creating different looking snowmen, but the succinctness of the story–and mesmerizing soundtrack–are worth revisiting. Plus, there’s a rather sardonic cat to converse with, which I’ll never turn down.

4. Time Clickers

Here’s the scary thing. I’ve not actually played that much Time Clickers, but Steam says I’ve logged 199 hours on it, and that’s mostly because I enjoy leaving it open while I’m drawing or listening to a podcast. That’s still an insane number of hours, rubbing shoulders with other giants from my past, like Dragon Quest IX and Fallout 3. The difference here though is that those games are more based around actions while Time Clickers is a game of choices. Do I level up this element of my gun or something else? Do I hit the space bar now to use all my power-ups at once or wait until there are only a few cubes left? Do I reset and use Time Cubes to grow stronger, but start over? That last one is easy to answer: no. Never start over. Not when it took around 199 hours to get to the level 500s.

3. Pokémon Shuffle

I always hit a wall in Pokémon Shuffle, and, so far, I always break past it. Might take me a few nights, might take me a week or even a month, and it might take me a number of coins to purchase special power-ups to get the job done. But I persevere. For those that don’t know, it’s a match-three puzzle game where you match cartoon heads of Pokémon to damage the level’s enemy. You get five chances to play before having to wait some silly amount of time to recharge your hearts, but that aspect never bothered me because this was my before-bed experience, burning five hearts. Sometimes making progress, sometimes not–though you are always leveling up your team.

Currently, I’m at level 219 (Spewpa) and plan to keep going. I have no idea how many more levels there are, if there is in fact one for every Pokémon out there. Seems like it keeps getting updated. Pokémon Shuffle is also the third most played game on my Nintendo 3DS according to the stats library, at nearly 65 hours, behind Animal Crossing: New Leaf and Disney Magical World. I expect to be playing this a bunch in 2016, which is the opposite of that other free-to-play Pokémon game that came out this year.

2. Super Mario Maker

As it turns out, I was not able to finish writing about Super Mario Maker before firmly placing this title as my numero two for 2015. The blog post for that is still in the works, so this might seem a little out of nowhere considering I’ve not really talked about it a whole bunch…on Grinding Down.

It’s fantastic, and I’m terrible at half of it. Namely, the half where you construct your own levels. It’s probably the most I’ve ever messed with a create-your-own-level mode other than Super Scribblenauts, and it works just fine, but I think I enjoy playing–and watching others play–Mario levels more than creating them. I constantly check back in to see what new levels will give me cutesy 8-bit costumes, as well as try my hand at a random assortment of levels. Truthfully, I love watching people stream demonically-designed stages and struggle, like with Patrick Klepek and Dan Ryckert’s ongoing feud. There’s a growing community around this game, one I’m finding myself actively participating in.

1. Fallout 4

I finished Fallout 4 the other night out of fear of being spoiled, rushing through the end of the main storyline. If I could go back in time, I’d give a hug at a very specific time in my life, as well as not rush through Fallout 4 like that. It’s not great. In fact, I’d say that it is a better game to play and live in, but not complete. I’ll have some more thoughts on the various lackluster endings at a later date, but despite that, I can’t get enough of this world. It’s open, brimming with items and enemies and places to discover, and while I struggle with a lot of the settlement stuff and house decorating, it’s still something I think about whenever I find a certain item or resource out in the wild. I’m already thinking about other characters to craft and new ways to build up Sanctuary. I’m already planning a run where I’m friends with every faction in the Commonwealth and stop playing main questlines once those are locked in.

As someone who ate up every ounce (or nearly ounce) of Bethesda’s previous open-world games, Fallout 4 did not surprise me or the industry. It’s exactly what you expect it to be. It’s like going home.

—

There you go.

As many should now know, I did not get to play many newly released games in 2015, and so it was actually slim pickings when it came to my top five for the year. Regardless, I’m happy with them, and wonder what will grip my head and heart next year. Here’s hoping for a few surprises.

2015 Game Review Haiku, #61 – Fallout 4

Sided with my son
For a better Boston, not
Knowing ’twas over

–

From 2012 all through 2013, I wrote little haikus here at Grinding Down about every game I beat or completed, totaling 104 in the end. I took a break from this format last year in an attempt to get more artsy, only to realize that I missed doing it dearly. So, we’re back. Or rather, I am. Hope you enjoy my continued take on videogame-inspired Japanese poetry in three phases of 5, 7, and 5, respectively.