The instructional quest of three tutorials for four Achievements

It all began with doing half of Terraria‘s tutorial, which put me at a perfect Gamerscore of 55,555, which, to number-obsessive nerds like myself, is an amusing triumph. Loyal readers of Grinding Down should already know that I have a penchant for going after perfect scores, like 10,000, 20,000, and so on, but when I saw that I was sitting humbly at 55,550 after playing some Tom Clancy’s The Division…I just knew I needed to make it something special. I assumed it wouldn’t be tough to do, and, for once, I assumed correctly.

And so I scanned my list of games, searching for a 5-point Achievement that could slide me into the sweet spot. I found a couple, but none of them screamed easy to me, and I couldn’t risk going after something like this only to pop an Achievement for 10 or 15 points and completely blow the plan. Thus, I settled on Terraria, which I got for free back in April 2015, downloaded, and then didn’t touch. There’s also a copy on my laptop that I never got into; I’ve always viewed it as a more complex 2D Minecraft, and the thought of maneuvering its UI via a controller is beyond off-putting. Still, there’s an Achievement for 5 points for starting the tutorial, as well as one for 5 points upon completing it, which lead to me loading the event up, beginning it, and then shutting my console down. Y’know, like a boss.

Anyways, since I’ve now already leapfrogged past this 55,555 mark and am on my way to the coveted 60,000 check-box, here’s photographic proof from a few days ago for preservation’s sake:

Aw yeah to the heck yeah. Also, maybe I need to update my user pic so that it fills in that whole gray circle. Maybe.

Anyways, sticking with the tutorial theme of this post, I also then played the tutorial levels for Gears of War 2 and Supreme Commander 2, both of which have been added to the free games list for Gaming with Gold. I like that, for these two games, as well as Terraria, the tutorial sections are optional or skippable. Most games work them into the opening level, which can sometimes feel forced and too hand-holdy. The Gears of War 2 tutorial has you teaching a rookie how to be a super soldier like yourself, which at least makes sense from a narrative perspective since you already know how to actively reload from the previous game, whereas Supreme Commander 2 explains every step of how to play an RTS game on a console, in two lengthy parts. It brought back all those reasons why I don’t love this genre, unfortunately.

Hands down, my favorite tutorial level to date is the one from Deus Ex. Here’s a convenient visual walkthrough of it. Anyways, again, it’s separate from the main campaign, but does a good job of teaching you a number of important mechanics without overwhelming you. Plus, there’s room to be goofy and explore, and there’s even a secret area you can access if you search hard enough. I feel like I’ve played the tutorial more times than the actual game at this point.

In the end, here are all of my digitally sweet and easy e-peen rewards:

Terraria Student (5G): Begin the tutorial!

Terraria Expert (5G): You have completed the tutorial!

Green as Grass (10G): Train the rook (any difficulty)

Start Here (10G): Complete both parts of the tutorial

I wonder what weird side mission I’ll undergo to nail 60,000 Gamerscore on the dot, which, at this rate, is either by summer or end of 2016. Hmm. Either way, I’m sure it’ll be weirdly fun to write about. Until then, I guess.

2016 Game Review Haiku, #24 – Soul Brother

See those spikes, do it
Embrace reincarnation
Your reward is fruit

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

The Fabulous Screech will make you click and feel emotions

The Sea Will Claim Everything is a game I think about now and then, a game which I haven’t really touched in about four years. That said, I think about it like this: starting over, falling into it once more, eyes wide and absorbing, my brain ready for an overload of story and characters and rich lore. The amount of detail that Jonas Kyratzes imagined up for this world, these Lands of Dream, staggers me still, as does the inviting, storybook artwork by Verena Kyratzes. Together, these two create portals, doors that open and close, but take you far away from where you started. I don’t know if I’m ready yet to give The Sea Will Claim Everything another go–I believe I walked away from it feeling somewhat overwhelmed–but I continue to build up brain space for when that day comes.

In the meantime, there’s The Fabulous Screech, which is a smaller, more contained bit of whimsical fantasy and storytelling. No, it’s not about everyone’s less-than-loved Saved by the Bell nerd-for-brains. The jaunty plot is that your partner bought you a ticket for the season’s last performance by The Fabulous Screech and His Trained Humans. You travel to the town of Oddness Standing to see this unique show and learn how The Fabulous Screech lived its life. Interestingly, this game came to fruition as a Christmas gift for someone’s boyfriend when times were tough and funds were short, and the Kyratzes duo ended up making it more personal than originally intended. This is why you’ll click and feel emotions.

Gameplay is minimal and easy, but that’s okay. This is more of an interactive story, and there’s so much to interact with, to click on and read, that dealing with solving complicated puzzles for getting you from point A to point B would have messed up with the laid-back pacing and gentleness blanketing everything here. At most, you have to find an item for a character, and there’s only so many places you can search, so you’ll eventually find it and move ahead. All this captivating reading and visuals are backed by a soothing soundtrack that works when things are bouncy and childish at the theater’s curtains to the darker moments of dread and frailty by the end. Also, and I had this problem in The Sea Will Claim Everything so I suspect I need to learn to live with it, I’m still not a fan of the common-day references everywhere, such as to the Sierra or T.S. Eliot, but I guess that’s what helps make these lands dream-like. That blurring of fantasy and the real world.

The life–and presumably death–of The Fabulous Screech in The Fabulous Screech is anything but straightforward. There’s whimsy and silliness, but also a good amount of stark reality and sadness. Look, aging is unstoppable. That’s a hard fact. Time passes by with every second, and it’s up to us to make the best of things, to find happiness and be happy. I try not to think about my furry pets dying, but I know they will some day, and that debilitating fear makes it difficult to even write about this stuff. Sure, Timmy can be a psychopath and bully, but also a lap warmer and affectionate friend. Pixie can shed like there’s no tomorrow and get her claws stuck in everything, but she also headbutts me hello whenever she can. They are special to me.

Okay, that’s all I can do. Gonna go hug both of my kitty cats now and hope that, at least in their feline eyes, I’m a well-trained human.

Natural ability and magnetism only get you so far in Teslagrad

I’m not officially committing to anything here, as committing to tasks in the past has not worked out phenomenally, but 2016 is hopefully going to be the year that I actually make a dent in my PlayStation Plus backlog instead of simply day-dreaming about doing so. That said, my digital collections on the PC and Xbox 360/One also continue to expand daily, proving to be strong competition for my attention. Regardless of that, I’d like to think we’re off to a decent start so far, with Rain and The Unfinished Swan already getting played and put away for good. I suspect I’ll be going after the smaller indie titles first than, say, that copy of Batman: Arkham City that scares me to even start.

Y’know, like these little critters:

• Quantum Conundrum
• Closure
• Lone Survivor: The Director’s Cut
• Stealth Inc: A Clone in the Dark
• Stealth Inc 2: Clone of Thrones
• Puppeteer
• Vessel
• Unmechanical: Extended
• Chariot
• …and even more that I’m forgetting to list!

Also, looking at that list of names all together really hits home that many of these smaller titles blend together in my brain. I don’t know the difference between Vessel and Closure at this point. So we’re not starting with either of them.

Well, this is probably only amusingly strange to me, but check this out. At the beginning of 2016, as mentioned before, I played a game called Rain, which is about these little children being chased by monsters through some nameless Eastern European town as it rains like crazy. Flash-forward a month or so, and I’m giving Teslagrad a chance, which is a game from the funnily enough named studio Rain Games. It also opens in a similar fashion, with a young boy running from the king’s angry-looking guards in the Kingdom of Elektropia as the weather takes a turn for wetter pastures. Eventually, the boy ends up inside a maze-like tower, where he’ll discover special powers, as well as the rich history behind the kingdom’s many conflicts.

Let’s see. Teslagrad is a colorful, 2D puzzle-platformer. Magnetism and electromagnetic powers are the key to solving many of the game’s puzzles and finding new paths to take through the mystical tower. So far, the game features minimal combat segments, though I did fight a massively mechanical owl with a cage for a body in a boss-like fashion. Instead, it’s mostly about electric-based puzzle sections and precise platforming and teleporting. Yes, teleporting…though you can only dash forward a small distance and not through every substance in front of you. The tower can be explored in a non-linear way  though I wish there was more direction or sign-posting to confirm you are making progress and not simply wandering or revisiting areas in uncertainty.

Here’s what I’m totally into when it comes to Teslagrad. The art style betrays you, because the colorful characters and environments quickly become menacing and frustrating, all without changing their look. Honestly, I went into this game fairly blind and assumed it was an adventure game of sorts, not one that relied heavily on quick reflexes and using your noggin to move platforms to and fro. This is a good thing, as it is fun, once in a while, to be deceived. Solving a tough puzzle is satisfying, but figuring things out occasionally requires simply trial and error tactics. Ultimately, it requires timing and patience. Every now and then you’ll stumble into a cinematic cutscene, which is presented within a mini theater using cute cutouts and minimal animation.

Now for the stuff that is both driving me mad and further away from the game, to the point that I suspect I might walk away from this if things don’t improve in my next session. It’s a little too open, with next to no hints pointing you in the right direction, other than up the tower. The map is mostly useless, represented as simply large colored squares and rectangles that do not tell you much about the space or if there are any collectibles left in there to grab.

I actually think I’m nearing the end of Teslagrad, having just taken down the third boss of five total. Oleg took many, many tries, probably somewhere in the thirties. Alas, there is nothing too puzzle-tricky about the boss fights. There’s a pattern to each that’s easy to see, but it must be carried out hair-width precision three times. The repetition does not result in excitement, but rather frustration, as one tiny mistake will cost you the entire encounter. I don’t plan on getting all the scroll collectibles, despite each one being tied to a Trophy unlock, so perhaps I’ll just grit and bear it and head down as straight a path as possible to the last two bosses. If I’m successful, you’ll know it by the birth of a new haiku.

2016 Game Review Haiku, #23 – The Fabulous Screech

A magical show
Starring cat, its adventures
Life is beautiful

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Stains and the Giant does not reveal how the dog got its name

The whole time I was playing Stains and the Giant, which, I’ll grant you, was no more than maybe fifteen minutes total, I couldn’t stop thinking about how Stains the dog got its name. When push comes to shove, there’s only so many possible scenarios for a puppy to deserve such a calling, especially when it is young and innocent and unable to do cool, heroic-like feats that could potentially get him dubbed something cool like Jumps or Digs. Nope. The dog’s name is Stains, and it is left up to your imagination as to why.

Instead, what one should be focusing on in Stains and the Giant from Esklavos is fixing the magical portal, which will help teleport Stains…um, to somewhere else. I don’t know how the dog arrived here or where Stains is off to next, but it is not too vital to getting things done. To fix this portal, the dog will need to travel from one island to another (there’s four in total) using his airship, gathering items, solving puzzles for a fisherman, a bird, and a giant, and memorizing a bunch of clue codes–or do as I did, and take a picture on your cell phone of things you might need to reference later when the time is right. Saves on the backtracking and mind-scrunching.

The point and click mechanics are of the usual sort, and you can combine a few items in your inventory to create new ones. The puzzles are more geared towards patterns and memorization. For example, on the first island, you might spot a sign of strange symbols. On the next island, you’ll find those symbols again and must click on them in the same order as previously observed. Stuff like that. In terms of audio, the few short songs are jauntily enough, almost something you’d hear at a carnival, but they don’t last very long, leaving you with just ambient noises, like birds chirping and the sound of the ocean. That’s fine, but when you are stuck on a single screen for some time, a longer song is more desirable. Strangely, there are no sound effects for items interacting with another, not even a sound to let you know that using a pick-axe on a cloud is beyond ineffective.

I really dig the cartoonish, colorful look in Stains and the Giant. Both items you can interact with and the background art live on equal ground, which makes it sometimes difficult to know what you can or can’t click on, but it also helps to keep everything meshing together realistically, even when we’re discussing fantasy elements like magic skulls and a talking bird. There’s little to no animation, which resulted in me getting stuck in one spot where I hadn’t realized I had solved a puzzle and a crystal had appeared on the screen since there was no action indicating something like that was happening. Also, Stains is really cute looking and reminds me fondly of Frasier‘s Eddie.

Also, as far as I can tell, Stains has a few more adventures in his future, with Stains and the Yeti and Stains and the Guru already up and ready to go. I’ll have to give these a try at some point, though I’ll continue to hold out hope for Stains and the Person that Named Him That.

2016 Game Review Haiku, #22 – I’ve Been Late

Despite all the ghosts
This was a relaxing time
Under the moonlight

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

2016 Game Review Haiku, #21 – Stains and the Giant

Island to island
To find scepter, fix portal
Stains is sad dog name

–

Here we go again. Another year of me attempting to produce quality Japanese poetry about the videogames I complete in three syllable-based phases of 5, 7, and 5. I hope you never tire of this because, as far as I can see into the murky darkness–and leap year–that is 2016, I’ll never tire of it either. Perhaps this’ll be the year I finally cross the one hundred mark. Buckle up–it’s sure to be a bumpy ride. Yoi ryokō o.

Covert Front will test your endurance with its traps and trickery

You might have noticed an influx of haikus as of late about Covert Front, an episodic point-and-click adventure series from Mateusz Skutnik and Karol Konwerski that began back in July 2007, and that’s because I’ve been playing a lot of Covert Front. See, that first puzzle was easy, almost to the point of idiotic. It’s possibly done on purpose, to ease you into things and make you believe that you can do this. That you are a super sleuth of steel. However, eventually things ramp up both in difficulty and red herrings, and you will concede to not knowing what to do next. I won’t hide the fact that I looked up a lot of answers online, but only to help put me a few steps ahead. Y’know, until I got stuck again.

Covert Front takes place in 1904, but an alternate history 1904. The sort where where a technological revolution in the previous century resulted in a premature World War I. During this conflict, a bunch of specialists from varying fields held a secretive conference in Berlin called “Knowledge for Victory,” and, shockingly, almost a hundred of these specialists vanished afterwards. You play as a spy agent code-named Kara who is investigating the disappearance of General Karl von Toten, and this adventure will see you traveling from shady location to shadier location, unearthing clues and tracking your target down.

As a point-and-click adventure series, you’ll do a lot of pointing and clicking. That’s obvious. You won’t do too much combining of items from your inventory, and using items on in-game environment items requires precision. If you want to unscrew those screws, you need to use the item directly on them, not just in the general vicinity. A lot of the puzzles require thinking and memorization, like entering passwords or knowing exactly what labeled drawer to search in the library. One might be able to brute force these puzzles, but not all of them, which is where a lot of roadblocks lay, especially for the far more obtuse sections, like that dream-esque sequence involving Toten’s magic typewriter.

There’s definitely a lot of pixel hunting too at work here, not just for items, but for additional scenes, as sometimes clicking in just the right spot will reveal a whole new area to explore. Yeah, I’m looking at you, pipe along the side of the house by the airplane. I do wish these weren’t as difficult to discover as it feels a little too unfair, something I also ran into in Skutnik’s Where is 2016? game. Also, red herrings galore. You’ll walk into a scene and immediately see a handful of common day items that are typically picked up in other adventure games and used to open doors and such, but they aren’t interactive here, no matter how many times you click or concoct some reason X item in your inventory should work with it. By the fourth episode, I got used to this and simply ignored a lot of stuff, but it was difficult to do so in the beginning.

One of the nicer aspects of playing a game series that took several years to complete back to back is that I can really see how it improved, both technically and visually, from episode to episode, of which there are four. Covert Front‘s graphics don’t really change all that much, but do become more detailed and stylish, and the cutscenes ramp up the camera angles and action. On occasion, Kara’s model looks strangely odd, with lengthy arms and a neck that stretches a little too far to the sky, and this changes from game to game. Voice acting gets added to give Kara more depth, but never to the point that I actually knew her or felt anything for her. She’s just a vehicle to get things done, and yes, she gets things done, but I’d have been okay with her failing too.

Still, I came away from the Covert Front series enjoying the ride, but feeling pretty dumb. Maybe the brain-teasers in it are just not for me and my simpler solving skills…or maybe the games themselves are unnecessarily difficult. I did find Episode 4 “The Spark of Life” to be the easiest of the bunch, with me resorting to looking nothing up online, so maybe Skutnik took some similar criticism to heart by then and tweaked the puzzles accordingly. There are a couple of series from him that I want to try out, like Submachine and Mr. Mothball, but not just yet. My mind needs a nap.

Stardew Valley is undoubtedly a more fun Harvest Moon

I don’t have the longest or most memory-filled history with the Harvest Moon series, only entering the franchise a few years back with titles like Rune Factory: A Fantasy Harvest Moon and Harvest Moon: Grand Bazaar. I wasn’t very impressed, though I wished to be. On paper, these sound fantastic and easy to lose hours of time to, but they both began so slow and challenging that they turned into non-starters. I even came back to the well for a third time with Harvest Moon: Back to Nature, but that didn’t last long as I quickly realized making progress was still going to be a painstakingly lengthy task. Sure, you could make the comparison to real life, that managing and seeing an actual farm profit is no cake walk, but I’m not interested in a one-to-one simulator. It really shouldn’t take months to acquire a single cow, and then more months for the cow to like me enough to provide milk.

Still, being a massive fan of Animal Crossing and a few farming simulators that will remain nameless, I continued to scan the gaming horizon almost daily for something of this farming/dating sim ilk that will satisfy my curiosity. Which brings us to Stardew Valley, the talk of the Internet town over the last week. Amazingly, it’s developed by one person, Eric Barone under the handle ConcernedApe, and published by Chucklefish, and is receiving a lot of praise and press. I asked Greg Noe to sell me on the game as I know he’s a big fan of Harvest Moon, and he straight up gifted me a copy. Bless you, Internet neighbor. But if your farm is to be a raging success, you can’t give away the goods all time.

The story is one we’ve heard before: you’ve inherited your grandfather’s old farm plot in the titular Stardew Valley. After slumming around in a corporate workspace and feeling a severe disconnect with the world, you grab a few essential tools, a handful of coins, and make your way to the farm, which I named Perdido Farm after China Miéville‘s New Weird novel just because, to begin your new life. However, it’s not going to be easy, especially under the shadow of the Joja Corporation. Plus, a large part of the nearby Pelican Town is in disrepair, so not only do you have to make this plot of land of yours a success, but also rebuild the town from the ground up.

Graphically, it’s pixel art, but it’s sweet, delicious pixel art. Really colorful and fun, and more detailed than you might assume, especially once you get inside some of the shops and homes. It’s a sharper SNES title, with a slicker interface. I got to make my avatar in my own likeness (see above), and the menus are easy to navigate through. Call me silly and maybe this has more to do with me playing a lot of open-world games as of late, but I wish there was a way to mark a location on the map and follow directions to it. Like I said, silly.

Well, I’ve put about two hours in Stardew Valley so far, which is equivalent to five or six days in-game, and I can safely say that this gets things going much faster than other Harvest Moon titles. Again, there’s a lot one can do during the day, and a part of me wishes time moved slower or the character had a faster walking speed, because it can take a decent chunk of his day simply going from place to place. You’ll want to clean up debris on your farm, plant crops, sell materials, meet people, take on quests, and so on. When I say there’s a lot to do, there’s a lot to do, and I don’t have the space here to list everything out.

Instead, I’ll focus on a couple of big aspects. First, I really like the there’s a quest log. That might seem like a small detail or even just the norm these days, but previous Harvest Moon games didn’t have it, which often lead to me not knowing what to do next or give me a goal to focus on while waiting for those parsnips to grow. Items and tools and everything else contain detailed information, which is handy, and the map is intimidatingly large. I’ve not yet met all the citizens of Pelican Town–how do you greet the wizard?–so I’m not ready to pick a potential love interest or discuss how the dating sim elements work. Lastly, the idea of rebuilding this town and doing side quests from the bullet board by Pierre’s shop is hitting the nail on two different heads: my fondness for quest boards, as well as watching castle headquarters grow in Suikoden and Suikoden II.

I don’t understand the fishing minigame. Wait. Let me rephrase that. I understand the mechanics behind it, but I don’t understand it as a whole. It seems both challenging and random, and at the same time I’m not desiring an easy button press like in Animal Crossing: New Leaf, and everyone should already know my feelings on really bad fishing minigames. I just worry that fishing can be too much of a risk or time waster despite obviously containing some great rewards.

Anyway, I’m eager to get back to Stardew Valley tonight and continue making progress, especially with those parsnips. It’s definitely one of those “one more day” kind of games, where one more day actually results in you playing for several more hours. If you don’t hear from me after a bit, check the farm.