Meet The Sink’s numerous personality modules from Fallout: New Vegas

Without a doubt, Old World Blues is the best DLC add-on for Fallout: New Vegas so far. It has stellar writing, wonderful voice acting, memorable characters, and a decently sized map to explore as you please. It stands a fraction taller than Point Lookout for delivering a great, bite-sized Fallout experience, even if at times it could be a little too chatty, a little too difficult, and a little too reliant on energy weapons for success. Thankfully, my current character Kapture was already a 100 in the Energy Weapons skill before heading over to Big Mountain to be swarmed by Roboscorpions and frenzied Securitrons. One might also want to consider a character high in Speech, as there are a lot of, um, things to speak with, and yes, I said things, not people. Let’s get into that.

All My Friends Have Off Switches is a faux main story quest in Old World Blues; it doesn’t necessarily have to be completed, but I feel like many gamers will go after it, and it mostly runs parallel with the true main story quest, making it easier to pick up some–not all–of the personality modules as they go mucking about the Big Empty. You are basically tasked with finding holotapes that contain personalities for specific items in The Sink, which is your home-away-from-home for now. Installing these personalities will bring the items to life, and after much talking, you’ll learn what benefits they can offer. There are 10 personalities to unearth, as you’ll soon see below:

#1 – The Sink Central Intelligence Unit is a human-accessible computer responsible for Big MT’s data storage. It can repair your weapons and armor up to 100, switch off/on the other personalities in The Sink, and act as a traveling merchant, with a decent stock of items. It has a thin British accent.

#2 – The Sink’s Sink is a nice, if a bit OCD sink. Obsessed with cleanliness, the Sink is also upgradable, allowing the Courier to bottle his or her own water if they happen to have empty bottles. I never took advantage of this, but I bet it’s great for players on Hardcore difficulty.

#3 – This Auto-Doc is actually a prototype built by Dr. Mobius many moons ago. It seems to have a military-like personality, and it can provide the Courier with the following benefits: a haircut, facial reconstruction, implants of varying price, switch out brains, spines, and hearts, and change the player’s traits (only once).

#4 – This personality is a little creepy. Or should I say…seedy? The Biological Research Station is a computer mainframe that is capable of cloning and planting dried seeds that will harvest after three days. It also refers to the Courier as “baby” and makes way too many sexual references. Tara was especially perturbed.

#5 – Blind Diode Jefferson is The Sink’s talking jukebox, but don’t expect much music outta it. You might even say it’s got the blues…the old world blues. By finding special holotapes, Blind Diode Jefferson can update the Sonic Emitter with new traits and bonuses.

#6 – The Book Chute likes to eradicate sedition. What does that mean? Well, bring it lots of pre-war books, and the chute will wipe them clean, readying them for…um, that I didn’t get to discover. Checking online tells me that you’ll be able to make your own skill books with the right amount of blank books and specific items. That’s neat!

#7 – Light Switch 01 is a very seductive light switch that, while appearing to be sentient, is actually not. There seems to be some conflict between it and the light switch in the other room.

 

#8 – Not much different from Light Switch 01, but a few special dialogue options come up with Light Switch 02 if you’ve got the right perks on ya.

 

#9 – Oh, Muggy! You make yourself so hard to love, and yet you are so lovable. It is a neurotic, miniature Securitron that is obsessed with collecting coffee mugs. I get that. I suffer from the very same diseases. Basically, Muggy can turn coffee mugs, tin plates, and coffee pots into miscellaneous items perfect for using at the crafting bench. It also loves to curse. Swoon.

#10 – Last, but certainly not least, is The Sink’s evil-minded Toaster. This thing wants to burn more than just sliced bread, and it’s not afraid to tell you that. It’s special perk is that it can heat up any weapons composed of space-age Saturnite material, as well as help make extra small energy cells and microfusion cells. This very same toaster was originally cut from Fallout 2.

—

Whew. That’s a lot of ‘bots. I whole-heartedly recommend you speak with them often and deeply, exhausting as much of their dialogue options as you can. They are all very unique, and given that each (save for the light switches, I guess) offer some kind of benefit or bonus, it’s worth the effort. I found The Sink to be a wonderful, personified hub for my time spent in the Big Empty, and maybe now even for a main playthrough, as it features plenty of storage space, reloading and crafting benches, and helpful robots at arms’ length. For playthrough #4, I’m definitely going to try to do Old World Blues as early as possible (though the game itself warns the Courier that it is meant only for players level 15 and higher, and I struggled at times even at level 28 through 30, so, uh, eep) just to get such a kick-ass base. It definitely trumps Lucky 38 or Victor’s shack.

But there ya go. Hope you liked this little rundown of the ten robotic personality modules you’ll install in The Sink. Good luck finding all their holotapes!

Games Completed in 2011, #25 – Yard Sale Hidden Treasures: Sunnyville

It might not look like it, but this is going to be a sad Grinding Down post.

Yard Sale Hidden Treasures: Sunnyville, from what I can tell, is one of the last games my mother got to play on her Nintendo DS before she passed away this past December. I remember the day Tara, my sister Bitsy, and I went out searching for Sunnyville at Momma Dukes’ request; we had to even ask the GameStop employee if he had any clue of its existence as I couldn’t find it among the thousands on the shelves. Somehow, he did though, and we got it for her, knowing that it, at the bare least, was a bit of light and distraction during chemotherapy. It’s not a great, amazing game, but it is of the ilk that she loved: finding hidden objects. Her collection has several others from this breed, and she always devoured them within a few days, and then I’d play them after her, and we’d make fun of the lame attempt to add a story to these things and just agree that finding random objects on a random photo brimming with randomness would be more than enough.

And that all basically applies with Sunnyville, too. It’s attempt at a story is modest, but still hilariously unnecessary: you’ve just moved into the neighborhood, into a very empty house, and you decide to scour your neighbors’ yard sales for key items to spruce up your house and possibly win the Superstar Homes magazine contest. And that’s what you do. Go to a neighbor’s house, find items on a list, eventually whittling it down to one or two pivotal ones, find those, and move on. Once you’ve got enough room dressing to complete a section of your house, you’ll see a “before and after” shot of the room, rest up for the night, and start all over again the next day. You need to complete eight rooms, which takes eight days, which really takes…I don’t know. I played this game with little drive, here and there, finding a few items during my lunch break and so forth. My Nintendo 3DS says I logged just under 3 hours in the game; that sounds about right.

My mother played Sunnyville twice, completing it fully both times. I know this because of the three save slots available, two are in her name. I’m not sure if a second playthrough is any more different than the first. I’m glad she got a lot out of it though. Once she was finished with Sunnyille, she passed it along to my wife, Tara, with a short, hand-written note:

Sigh.

Naturally, I miss my mom. Playing this game didn’t do anything to lessen the hurting in my heart; it only allowed me to follow in her proverbial touchscreen taps, relax with a game that helped her relax, escape elsewhere momentarily. Again, not a great game, but one I’m emotionally connected with, hung up on. Would sure love to know what Momma Dukes thought about all the punny names for the neighbors as they got me to even groan every now and then. I can’t wait to see her again.

30 Days of Gaming, #24 – Favorite classic game

I hate coining anything as classic. Such a term is relative, and considering how wide the gaming generation gap is nowadays, many might not even know what game you’re talking about–or only know it, having never played it and more or less missed the chance to. You might think everyone and their mother’s mother has played Pac-Man and that it is irrefutably a “classic,” but that actually might not be the case.

First, some light history: Pac-Man, developed by Namco and licensed for distribution in the United States by Midway, was first released in Japan on May 22, 1980. It made it over to the United States a few months later in October. Three years later, on a warm, summer Sunday afternoon, I would be born. I can’t even begin to fathom when I actually played Pac-Man for the very first time, but this image of me at a friend’s roller-skating birthday party comes to mind; I was never a good roller-skater, and so when the other kids went zipping around the rink, doing the “Funky Chicken” or whatever the DJ was blasting, I was wandering around on my own, often finding my way to the arcade room. This was more like a shadowy closet with two to three arcade machines up and running, one of which was definitely Pac-Man. The other two? Who knows. Probably a space shooter and maybe the Claw Machine.

But I don’t have as many fond memories of playing Pac-Man in dark, seedy arcades as I do enjoying it online via Flash remakes or when Google had it as part of their logo image for a day. Sure, it’s a little bizarre to be excited over playing a thirty-year-old game on the latest and greatest technology, but it’s not that bad when you consider how great of a game it is. You are Pac-Man, a little yellow fellow, and you are trying to do two things: eat as many pac-dots as you can and not get eaten by ghosts floating around the map. Sounds simple, but the gameplay works, and can be quite addicting, especially when you only have one or two pac-dots left to devour and an army of ghosts to slip past; there is no tension like the tension of seeing three ghosts begin to surround Pac-Man, and the relief upon eating a power pellet is orgasmically god-like.

It’s an easy game to pick up and play for a bit, and to step away from when you gotta doing something else. Pac-Man himself became quite iconic in the 1980s, and the game is easily recognizable by its colors and minimalist design. It seems to be considered the first game to feature both power-ups and cutscenes; kudos to them. It’s an age-old game that I still enjoy playing today, no matter where I end up playing it: on my computer, on my cell phone, on my Nintendo 3DS. The gameplay remains golden, and I’m glad I was–and still am–a bad roller-skater, getting to actually experience the game as it was meant to be played: in a dark room, engulfed in stark, colorful light, sweaty hands making stupid mistakes, drowning in a wash of never-ending beeps and boops, immersed, caring for the little yellow dot, trying to keep him alive as long as possible.

BONUS QUESTION TIME: Can you name the four ghost enemies in Pac-Man? (Reward: 1,000 XP.)

Hense, the Goddess of Pain and Pleasure, loves this blog post about Bastion’s difficulty

Suddenly, the Kid died three times in a row, unable to stop the swarm of Squirts and Gasfellas from overwhelming him with their lethal attacks. Up until that point, the Kid had never fallen in battle; sure, he’d come close, exiting the battlefield just barely, chugging his last bottle of health potion, wiping the sweat from his brow, quietly ignoring the narrator’s snide commentary. So, what had changed? Did the Bastion developers decide to ramp up the game’s difficulty without rhyme or reason?

Nope. What happened was that I built a shrine at the Bastion and turned on all of the god-like idols, thinking they were there to help and bestow great benefits on the Kid. Actually, they do the opposite of that. They make the game a whole heap-load harder, rewarding the Kid with more XP, but chances are that XP won’t be gained due to the fact that these enemies are now faster, stronger, and more deadly. Some even drop exploding bombs upon death, one last eff you before the darkness takes them. Because Bastion suffers from the tiny text disease, I couldn’t read the flavor text that went with turning on each idol and decided that surely they existed to help us on our journey to rebuild the Bastion. The idols also stack, meaning you could turn on a dozen and really wish your thumbs never existed. I believe I had turned on Acobi, Pyth, and one other idol before heading out to find Shards. Eep.

So, to help me and my bad eyesight out in future adventuring, here’s a table of all the idols you can unlock at the Bastion’s shrine, as well as what they do to ramp up the game’s difficulty:

Idol	Description
Hense (Goddess of Pain and Pleasure)	Foes are more ferocious
Acobi (Goddess of Oath and Abandon)	Foes drop a live grenade when defeated
Lemaign (God of Hope and Despair)	Foes’ attacks slow down the player
Pyth (God of Commotion and Order)	Foes are quicker, both with movement and attacks
Jevel (God of Health and Atrophy)	Foes are more resilient
Yudrig (God of Impulse and Bravery)	Foes cause damage on contact
Roathus (God of Thirst and Plenty)	Foes never drop Health Tonics or Black Tonics
Micia (Goddess of Loss and Longing)	Foes have regenerating health
Olak (God of Chance and Whim)	Foes occasionally turn to air, making them invulnerable to attacks for a short period of time
Garmuth (God of Purpose and Folly)	Foes are more capable of deflecting attacks

Yeah, imagine all of those idols turned on at the same time. Can’t even stomach it. Thank goodness there’s no Achievement tied to utilizing these idols or anything; they are just there if you, the player, really want a different experience. I think I’m content with the default difficulty for now and will not be going back to the shrine any time soon.

Hard to say how far along in Bastion I am, but I’d wager either halfway done or a little more than halfway done. I’ve been using the machete and the scrap musket religiously, and haven’t really done much with secret skills. I constantly forget that I have a third attack. Oh well. Here’s to remembering things and reading important text then!

I can’t beat the second mission in Grand Theft Auto: San Andreas

I’m pretty sure no one likes admitting they suck, but here I am, all guts and no glory, telling the world (well, really just the select few that read Grinding Down) that I can’t even beat the second mission of Grand Theft Auto: San Andreas. Trust me, I tried. I tried oh so hard. In fact, I attempted to complete “Big Smoke” roughly four or five times, but found that controlling Carl Johnson on a bicycle and avoiding a car filled with gangsters and guns is beyond tricky. From what I understand, that’s the whole mission, too: put CJ on a bicycle and pedal your way to safety.

The first few times I was focusing more on staying up to speed with my gangsta buddies, so as not to get lost in the sprawling cityscape of San Andreas, but that often led to CJ crashing into something, falling behind, and failing the mission. Other attempts ended with CJ pinned against a wall or another car, a hundred and seven bullets flaying his skin, pelting him with ire, turning him into a slice of Swiss cheese. There was no chance at fighting back, only avoiding the car, but here’s a little fact that many people might not know: cars are faster than bicycles. No matter how hard I tapped the X button, I could not pedal ahead of the car, which pulled up right next to me and opened fire.

So after my sixth failed attempt, I muttered a cuss and took to highjacking some random automobile and causing as much chaos as I could. At one point, Tara came home and was talking to me, and we were having a full discussion, face to face, as I held down the gas button; amazingly, without even looking at the screen, my car was still on the move, hitting people and benches alike, as well as avoiding cops with an insane amount of luck. My car refused to get stuck, refused to explode. Maybe that’s the secret to doing well at a Grand Theft Auto game–not looking at the TV screen. Might have to try that trick if I ever attempt “Big Smoke” again. Or maybe not. I’ve no heart left in me, and I’m spoiled from L.A. Noire‘s easier action missions (and the ability to skip ’em entirely if they prove too hard or not fun).

Anyone want to come over to the Leaky Cauldron and finish this mission for me? I’ll pay you in praise and pretzels.

The Paul gives his impressions on the first hour or so of Bastion

Like most gaming entertainment, Bastion begins with some narration. This is to set the scene, tell a little backstory, get the proverbial ball rolling. However, with Supergiant Games’ first release, there’s a hook; the narration never stops. Voiced by Logan Cunningham, the game’s narrator is ever watchful and never a bit shy to comment on the fact that you’re slashing everything in your path apart or that you need to leave that adopted pet in your stronghold alone for now or that you went left instead of right first. It’s interesting and a little creepy, but it certainly gives one a sense of their own experience, something true to only them, and that their version of the Kid is being role-played as they deem.

Bastion is about rebuilding. An event known as the Calamity has split the world into a series of floating islands, and the Kid, our silent protagonist, heads to the Bastion, a safe haven of sorts that his people created to live at protected during these hard times. Unfortunately, upon arrival, it is clear that there is a lot of work yet to be done, and so the Kid sets off across the floating map to find new resources. So far, I’ve been able to upgrade the Bastion with two new buildings: a distillery and a forge. The former is a place of potions and magical unctions, and the latter lets you tweak your current weapons with passive abilities, such as improving the speed of your bow or your chance to land a critical hit with that mighty hammer. Standard RPG flair, but the stat personalizing and slight customization is welcomed.

The game is highly stylized, with gorgeous artwork, vibrant colors, and a playing field that forms all around the Kid as he moves forward. It’s amazing to see the path constructing right before your feet for the first time, and it’s still equally amazing the fortieth time it happens. Kudos to the developers for that neat trick. The monster designs are adorable, like something from a Hayao Miyazaki film. At times, the camera zooms in for a closer look at the action, which I greatly appreciated. Every place is a place of import, nabbing a cool name that any fan of epic fantasy fiction will love. My personal favorites: The Rippling Walls and Breaker Barracks.

If there’s one complaint I could toss onto the field it’s that the dynamic narrator is sometimes talking right as a swarm of Squirts appear out of nowhere and attack the Kid. Unfortunately, at that point I am more concerned with staying alive and swiping my enemies to bits to really listen, meaning I’ve missed out on whatever he said. Granted, it might have been something minor, but it might not have been. A narration log would be nice, or some kind of codex to keep track of everything. Also, at least for me and my television from 2005, Bastion is another example of a tiny text game.

But so it starts:

The Stranger (10G): Complete the Wharf District.

Looking forward to building more of the Bastion tonight after work.

Old World Blues is all talk, no action so far, and that’s fine

I promptly downloaded Old World Blues for Fallout: New Vegas last night when I got home from work. Once MasterChef was finished and poor, lovable Giuseppe was out the door, I loaded up my most recent character Kapture, a dude that loves Energy Weapons and that looks like he’d be right at home watching children playing at a local park from inside his dark, seedy van, and headed to the specific map marker to get things rolling. To start Old World Blues, the Courier must make his way to a drive-in movie theatre, wherein a broken robot satellite will show them a movie. Then it’s lights out, and waking up elsewhere, with strange surgical cuts all over your body.

You’ll make your way inside a large science research building called the Sink (or is it the Think Tank?) at the Big Empty, eventually finding a bunch of whacky robots. The leader, Dr. Klein, will then explain the situation, with colorful commentary from the other local bots peppered throughout. You’re brainless. And have no heart or spine. That’s why you feel so weird, so calm and uncaring. These robots cut those organs out of you, and it’s not entirely clear how you’re, uh, still alive, but whatever, it’s a videogame, and that’s certainly some strong motivation there for completing this newest DLC: recover your brain, heart, and spine. Also, steal some technology from their nemesis Dr. Mobius.

What’s most notable about this DLC is that the first 30 to 45 minutes are spent talking. With crazy robots. Since I don’t ever skip dialogue, a good chunk of my playtime last night was spent with the controller resting gently on my lap, only picking it up occasionally to make a speech selection. Even after the main chunk of talking is dead and done, and the Courier has his main mission, he/she can still explore the Sink and Think Tank to talk further with these deranged robots. I exhausted every dialogue option, gaining three to four more additional sidequests from this. Doctor Dala is extremely creepy, and I was pleasantly surprised–as was Tara–to discover that Doctor O is voiced by a true cartoon doctor…Dr. Venture‘s James Urbaniak!

So far, Old World Blues has some of the strangest and funniest writing to date for the series, with the word penis popping more than you’d ever expect, and drowning in it–the dialogue, not the penises–first and foremost for the DLC is not the worst thing ever. Though I am looking forward to exploring outside the Sink/Think Tank and maybe shooting something. Maybe.

Sadly, Mega Man Legends 3 has been cancelled

As I was inching closer and closer to completing George R.R. Martin’s A Dance With Dragons last night, I took a small break between powerful chapters to see how the Internet was holding up. Maybe I shouldn’t have as I already knew that the night was gonna get sad and frustrating once I closed the latest ASoIaF tome for good, but the Internet exists for checking, and checked it I certainly did. Scrolling through my Google Reader feeds, a headline popped out at me, and I read on, grimacing, trying to fathom the what and why: Capcom had announced that they were canceling Mega Man Legends 3, citing that certain criteria had not been met to push the project forward into full production. See Capcom community liaison Greg Moore’s words right here:

“Part of [the game development] process includes an assessment of whether the title will go into full production, and is based on a number of criteria with input from different sectors of the company. Unfortunately it was not felt that the Mega Man Legends 3 Project met the required criteria.”

Sigh. That hurts.

There’s not much on the horizon that has looked appealing enough to warrant more use of my Nintendo 3DS, but Mega Man Legends 3 (and its Prototype Version demo thingy) were definite contenders for my gaming hands and eyes. I still swear I have a copy of the original PlayStation Mega Man Legends somewhere around my apartment, but have not gone looking for it yet; it’s a game that was different enough to be a Mega Man title and more. I liked it for how hard it tried to not be the same ol’ same ol’, and while I never got to play any more titles in the series after that I knew that I’d pick up MML3 and its demo on day one. A portable MML is enough to get me smiling. I was definitely bummed to learn that the Prototype Version wasn’t going to be available when the eShop opened, and I should’ve seen through that thin veil, that Capcom was out for revenge against Keiji Inafune, that they’d rather push less exciting franchises forward than give a series that, without a doubt, has its fans, has personality, has a thousand and five stories yet to be told.

I have to wonder what criteria wasn’t met. More than likely, we’ll never know. Farewell, Mega Man Legends 3. May your health gauge refill sooner than later.

There’s no “i” in Team Fortress 2, but there is a “me”

Over the weekend, I picked up two games thanks to some coercing coupons from GameStop, but really I picked up six games, as one game is actually five games bundled nicely on a single Xbox 360 disc. It’s called The Orange Box, and it’s one helluva package, especially as a used copy; for just over $20.00, I now have access to Half-Life 2, Half-Life 2: Episode One, Half-Life 2: Episode Two, Portal, and Team Fortress 2. Man, that’s a lot of 2s in there. I’m sure I’ll be musing about those first four games at some point, but let’s use today to dive into Team Fortress 2, a game I didn’t think I would like, but am having fun with, as well as a game that is sadly not the be-all, end-all version of itself.

Team Fortress 2 is an online, team-based, first-person shooting multiplayer bonanza. You pick a class, a map, and a type of game (capture the flag, capture/defend control points, arena, and so on), and you’re off to shoot non-team members, capture sections of the map, and wait patiently for your character to respawn. On the Xbox 360 version, there’s six maps available, and I’ve gotten to try ’em all once, which should be obvious to all y’all Achievements stalkers:

World Traveler (5G): Play a complete game on every map.

The six maps are all about the same size, a medium build, with a few spots of elevation, but otherwise there’s a lot of staircases and tight corridors to contend with. Each team has a home base where they can restock on health and items. No real direct interaction with anything on the map though, and there’s no destruction a la Red Faction tech. My favorite playground is whatever the snowy one is called. Snowscape? Snow City? Las Frozen Vegas? I can’t remember, and I’m definitely too lazy to look it up.

As y’all know, I’m pretty terrible at competitive shooting games, and that fact has not changed one bit since giving Team Fortress 2 an hour or two of my gaming life. I get sniped from afar, set aflame all the time, and knifed in the back the moment I step into enemy territory. But regardless, I’m having fun. I think it has something to do with the wonderful art style, a loose, cartoony feel that evokes Pixar’s The Incredibles and gives me a sense that everyone else is just here to have fun and not take it so seriously like a lot of Call of Duty fanatics. The controls and simplicity of the gameplay also help; most classes only get two gun-type weapons to use and one melee weapon, and there’s no rain showers of endless grenades. I think I actually did my best with the Medic class, as I kept away from the firefights and healed teammates as they needed.

Do you play Team Fortress 2? What’s your favorite class? And if you’d like to shoot me in the (cartoony) face or help take down others with me, please add me on Xbox Live; my gamertag is PaulyAulyWog.

Half-hour review of the horrible Harry Potter and the Deathly Hallows DS game

Firstly, while on vacation, I played Harry Potter and the Deathly Hallows, Part One for the Nintendo DS for thirty Crucio-worthy minutes, as well as took notes on the rotten thing. You can read them by clicking this very sentence or the image above. You’re choice, and you’re also very welcome. So far, LEGO Harry Potter, Years 1-4 has been the finest and grandest treatment of the source material, and that’s a fact both amazing and sad.

Secondly, I’m sorry for the lack of content here at Grinding Down this past week, and the lack of content is certainly not due to…a lack of content. I have plenty of videogame thingies to talk about, such as the four most recent games I’ve completed (#25 – Yard Sale Hidden Treasures: Sunnyville, #26 – Super Mario Land , #27 – Harry Potter and the Deathly Hallows, Part One, #28 – L.A. Noire), as well as more topics from that 30 Days of Gaming meme. And, uh, Netflix on the 3DS. So what’s the hold-up then?

Me. Crippling depression and bouts of meh. Overall exhaustion. George R.R. Martin’s A Dance with Dragons. Moving from a tiny attic apartment into an awesome house. And the day jobbery. July is without a doubt our busiest month, and I’m up to my neck in work, which gives me little time to ponder about the silly and frustrating aspects of gaming and its industry, much as I want to. As always, the moment Grinding Down begins to feel like work is the moment I abandon it completely; just stay tuned, dear readers, and I promise some more content soonish. Until then, please do head over to The First Hour for great videogame coverage!