Pretty late to the Joker’s party in Batman: Arkham Asylum

Batman: Arkham Asylum came out in 2009 to nearly unanimous praise, and four years later, during a PSN summer sale, after consecutively not experiencing Rocksteady Studios’ take on the Dark Knight year after year after year after year, I bought it for a silky smooth $5.00. And then a couple months later, simply because everyone was getting back to praising the place where it all began after seeing how lackluster Batman: Arkham Origins turned out to be, I installed the game, booted it up, and saw the errors of my ways over these past few years. It’s more or less Deus Ex: The Bats Revolution.

First things first, the story setup: in Arkham Asylum, the Joker instigates an elaborate plot to seize control of Arkham Asylum and trap Batman inside with many of his incarcerated foes. Subsequently, the Joker also holds the power to detonate hidden bombs he placed around Gotham City before getting himself captured. Batman must now fight his way through the asylum’s loose inmates, save some named people, and put an end to the Joker’s plans. He’ll do this by playing detective, being sneaky, hanging from gargoyles, and punching rhythmically when the scenario says so.

Before I get into my impressions, here’s a bunch of silly comics about Bats from my recently completed 365 BAD COMICS project:

Right. Couldn’t resist the chance to shamelessly plug my art.

Anyways, I’m having a lot of fun in Arkham Asylum, and I’m only at a 14% completion rate. This is even more surprising when you realize that, as a superhero comic book character, I don’t find Batman very interesting. Definitely more so than Superman, but that’s it. Everybody else comes ahead. I’m more of an X-Men follower, but Bruce Wayne is kind of just a rich man in a costume beating up poor criminals with fancy gadgets and a throaty voice. I’m sure I just made a lot of people angry with that statement. However, all his toys do make for fantastic gameplay, which is what this game delivers on tenfold.

Batman is trapped in Arkham Asylum, which is actually called the Elizabeth Arkham Asylum for the Criminally Insane and found isolated just outside Gotham City. Has hints of Alcatraz prison. You’ll come across good guys and bad guys as you move from building to building, all while the Joker teases you from afar, promising a party you’ll never forget. It’s a mix of open-world-like areas and more linear hallways and rooms, and I think it works great. You can explore a bit and find interview audio logs and Riddler trophies or you can stick to the pretty obvious path to see the story unfold at a healthy clip. I’ve done a little bit of both, but I think I’ll just keep pushing the story forward from now on, even though those Riddler trophies sure are dang tempting and do at least reward Batman with a pinch of XP. And you need XP to unlock gadgets, combat moves, and armor upgrades.

Combat requires rhythm and reminds me of what the Assassin’s Creed series has been doing as of late, with countering attacks simply keeping the flow going so you can chain together attack after attack for bonus XP. Personally, I’ve tried getting through most scenarios as a silent pounder, loving the inverted takedowns from gargoyles. But unfortunately, you can’t play the game the whole way in that fashion, especially when boss fights pop up. Detective Mode really helps, which makes enemies appear as visible skeletal frames on the map, so you know exactly where everyone is. Reminds me warmly of the good times in Deus Ex: Human Revolution–see: not the boss fights–of sneaking through vents and using the augmentation that lets you look through walls for enemies.

So call me surprised. Call me stupid. I wish I had started playing Arkham Asylum a long time ago, but I’m pretty okay with seeing it now and enjoying a slower pace through the halls of this creepy psychiatric hospital. I might be late as frak to the party, but I’m still celebrating.

My first “Paul Plays…” video, covering Deep Sleep

Okay, so here’s the thing. I played a bit of Deep Sleep, which I recently wrote about, and talked as I pointed and clicked. I’m tentatively calling these things “Paul Plays…” with the intention of naturally doing more. My audio is relatively low compared to the game’s audio, and it’s been an ongoing process, learning how to do this on my own. I will try tinkering with my microphone settings some more before the next go. If any of y’all have tips or suggestions, by all means–share with me. Otherwise, give it a click.

Thanks for checking it out!

Wake up or just keep dreaming in Deep Sleep

I apologize for being late to the party–though I’m always late to the party or never invited to begin with, cue the industry standard wah wah waaaaah sound effect–but I’ve just discovered this Game Jolt website, which is full of free-to-play Flash and downloadable games, spanning all the genre categories we’ve come to embrace over the decades, such as action, adventure, platformer, and so on. Basically, it is stuffed with stuff, and I’m sure not everything is the height of excellence, but one will never know until they look. I already examined my fear of lakes with Lakeview Cabin, which I found to be really engaging despite the lack of a clear goal, and now I’m here to share with y’all the point-and-click spookiness that is Deep Sleep.

No surprise here, but the game is about lucid dreaming. That’s the rare phenomenon when a person becomes aware that they are dreaming, existing in a peculiar place between consciousness and not. I can’t really say I’ve experienced it myself, though I do occasionally have dreams where a bell or phone is making noise only to snap immediately out of it and realize my alarm clock is going off. Don’t think that’s the same thing, but the queer feeling taking over my body a second after all that goes down is still hard to shake. It’s not explicitly clear who you are playing as in scriptwelder’s adventure-horror game, but you have somehow gained consciousness within a nightmare and must find a way to wake up.

As a point-and-click adventure game, Deep Sleep works just fine. You move across various static screens and click on items to pick them up or receive a description. Some puzzles block your progress forward, but they’re designed logically, so you basically just have to think about how you would, in real life, open a very hot crank handle to a boiler. Oh, and there’s a wee bit of pixel hunting, as some screens are very dark before you get the flashlight, and even then you might miss some key detail nestled in the corner. I did finish the game without using all the items, so I’m not sure if I just missed the spot to use the piece of coal, golden statue, and hook or if they were superfluous to begin with.

As a horror game, Deep Sleep is pretty effective, though I found it more unnerving the entire way through than downright scary. The “you have to wake up” recording is exceptionally creepy, as is the monster design and unsafe feeling you get as it follows you from room to room. There’s some fantastic sound design, with locked doors still shaking me on the inside thanks to my recent journey through Silent 2‘s apartment complex hallways. The game has a grainy look to it, which actually works better than you might initially suspect. And like a dream, it is piecemeal and littered with gaps in its storytelling, as well as a dab of uncertain world-building, but that’s okay–that’s ultimately the point. It is meant to keep you guessing, a mix of the real and unreal.

It’s clear why Deep Sleep earned first place for the Casual Gameplay Design Competition #10. If the stars ever align, I hope to be able to show you, too. Evidently there’s already a sequel ready for me to play, called Deeper Sleep. I’ll probably check it out soon, or maybe I should hold out for Even More Deeper Sleep. Thank you, thank you–try the fish.

Not bluffing over Poker Night 2’s poor performance

Last month, I dipped my big toe into the videogaming poker pool with World Series of Poker: Full House Pro, which is basically a poker game captained by Avatars with some cosmetic-only items to earn to pretty up your table while you wait for other players to make their moves. It’s all right, though the camera is wonky and I found it quite easy to lose all my money in a single gulp, but maybe that latter part is my fault and not directly the game’s. I haven’t gone back since I first touched it because, well…poker. But also because it just wasn’t very exciting and actually a bit of a technical mess, freezing up on me a handful of times, enough to birth an audible groan.

Anyways, for October, PlayStation Plus was offering Poker Night 2 for free for subscribers, and I will literally snatch up anything on the DownloadStation 3 so long as the price on the store is crossed off and replaced by the word free and isn’t 145 GB big (sorry, Uncharted 3, not gonna happen–ever). I never touched the original Poker Night at the Inventory and–wait a second. Hold up, everybody. I just noticed something. Is the second game called Poker Night 2 or Poker Night at the Inventory 2? I am finding it written both ways rather consistently across the board on this strange, uncontrollable mass of data we call the Internet. Whatever, I’ll stick with the shorter title for posting purposes. Sometimes it really sucks being a copyeditor because you can’t unsee some things.

Poker Night 2 is both your standard poker game and not. Yes, you play a tournament of Texas Hold ‘Em (or Omaha) until you eliminate the other players or see yourself turning out empty pockets, and the rules remain the same. There are small blinds and betting and checking and folding and all that jazz. It’s who you play with that is strange and beautiful; these are not randomly created Avatars or even real players via online multiplayer. No, you are going head to head with Sam from the Sam & Max franchise, Brock Samson from The Venture Bros., Ash Williams from The Evil Dead franchise, and Claptrap from the Borderlands series. Oh, and Portal‘s GLaDOS takes a supporting role as the dealer and player insulter. It’s a bizarre group of guys (well, not counting Mad Moxxi as the bartender and GLaDOS), but that’s where the game gets interesting, watching them interact with each other. That feeling of just hanging out, shooting the shit, and playing some poker is nailed expertly here, and any time I got eliminated from a tournament, I selected to watch the rest play out instead of skipping to the next round, as I cannot get enough of Brock’s dry humor and Claptrap’s overzealous attitude.

But here’s a question: why is every product Telltale Games puts out glitchy as frak? Jurassic Park: The Game and The Walking Dead suffer from constant hitching and weird transitions from gameplay to loading screens. It doesn’t make sense to me, and you’d think a company like them, at this point down the line, would’ve figured it out. I mean, I’m no programmer, but from the outside looking in, Poker Night 2‘s engine does not look very taxing, and yet the game would constantly freeze for ten to fifteen seconds before a new conversation would start, which is long enough for me to consider powering down the PlayStation 3. This became a regular aspect of playing Telltale’s poker and now I’ve learned to live with it, but what a shame.

As you play and win, you can earn tokens, which can be spent on cosmetic items, like themed decks and table felts. I’ve unlocked all the Borderlands items so far, which not only change how things look, but also prompt some new dialogue from our gaggle of goofy guests. You can also buy drinks for everyone, which will loosen them up and help reveal their tells; I tried this, but I’m no better at telling when digital characters are lying–thanks, L.A. Noire–than I am at with real-life people. It’s definitely skill, one I will always lack.

But otherwise, Poker Night 2 is at least a more original poker game, standing heads above its competition, and I give Telltale credit for selecting zany as its main attribute and turning it up to 11. I’d certainly rather listen to these characters chit and chat than simply hear nothing at all or, perhaps worst, some generic, uninteresting music looping. I’ll probably play a few more rounds in hopes of unlocking some other themed items, but after that, there’s not much else to do here. I’ll walk away poorer than ever before, but rich with great stories.

2013 Game Review Haiku, #35 – Deep Sleep

Lucid dreaming can
Distort reality from
Horror, must wake up

–

These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

The gloomiest night in Lakeview Cabin will wear on to a morning

In Lakeview Cabin, as a burly, orange mustached manly man, you can drink beer, get naked, and use an outhouse. You can also mow the lawn, chop some firewood, or hunt a deer for food. Docks on either side of a small, summer island let you take in the lake’s tranquility and contemplate skinny-dipping, which you ultimately can’t actually do, as hopping in the water just spits you right back out onto land. Boo to that. Birds and bugs provide a calm, predictable soundtrack one might expect to hear at such a place. Really, a faultless postcard-esque vacation spot–that is until the sun sets.

Controls are straightforward, mostly because this is a Flash game. You move around left to right with the arrow keys. Z picks up and drops items, while X uses an item or throws it if possible. From what I played and saw after about twenty or thirty minutes, there’s no story text or narration. You just do things until you can no longer do things, and sometimes you’ll die from walking into a bear trap twice, and other times a nightmarish monster–who I suspect is maybe our leading lumberjack’s dead wife or girlfriend–will hop out of the lake and finish the job. Then you press R to retry…or O to “summon her,” whatever that means. I was able to accomplish various tasks, like killing the deer after perfectly setting the bear trap down and then chasing the animal into it, but never defeating the monster. Oh well.

Lakeview Cabin begins more like a puzzle game than anything else. I spent my first day/night cycle just interacting with everything I could, seeing how I could use items I interacted worked with other items. Such as filling up a bucket with water or using the axe to cut a wire in half, exposing electric danger. I also frustratingly stared at items I couldn’t get, like a key and shotgun. Nothing is immediately clear, and only through experimentation and retrying will you progress, but that’s kind of the name of the genre. Do what you must to survive; do anything.

I find lake-based horror to be very effective. Maybe there was a moment from my childhood that I’m just not ready to deal with personally and publicly, but I find the isolation and restriction to be the most crippling aspect of the ordeal, the most traumatizing. Truth be told, I’d rather run from a monster in the woods or even a building, but on a small island you have nowhere to go but underwater. Over the years, I’ve read a good number of Stephen King books and short stories, but Bag of Bones has stuck with me the most, as it is based around an author with writer’s block sequestering himself at his vacation house on Dark Score Lake. The movie What Lies Beneath, which I saw in Las Vegas all by my lonesome as a young lad, has some very effective scenes set around a lakeside home. Also, you can see me writing about this fear of mine in “The Feet Eaters”, a short story  published back in…oh, January 2007. The page seems gone from the Aberrant Dreams website, so maybe I should get around to reprinting it on my own sooner than later. But yeah: horror and lakes. Much as I don’t want them to, they go together like peanut butter and jelly.

I think developer Roope Tamminen has made something special here and could totally see Lakeview Cabin being expanded a bit–perhaps add an inventory to allow for multiple items and maybe some text-based guidance here and there–and put on Steam in the future. That’d be cool, even if I probably never survive past the first night. It’s a funny horror for sure, and one that doesn’t say everything it’s doing, which makes it simultaneously unnerving. Laugh while you die, I guess.

Mining again with the perennial Minesweeper

I’m going to go out on a limb and say that everyone, most likely, has played Minesweeper at one point in their lifetime. It’s been around for a long time, with its concept dating back to the 1960s and 1970s. Since then, its been written for a good number of system platforms, generally free to find, free to play. You name it, it’s there–basically, pretty unavoidable. And if I’m wrong and everyone hasn’t experienced what it’s like to be a mine-remover, they are at least familiar enough with the title to know what it is. Which is to say, a game of math.

I’m still enjoying my Windows 8 phone and not feeling guilty at all over picking it against an iPhone or Android thingy. But just like with other phones, there are a ton of free games to download, and Microsoft even offers a handful of Xbox Live ones that are tied to your Gamertag, which means Achievements, leaderboards, and so on. I’ve downloaded a bunch–Flowerz, Sudoku, Tetris Blitz, and so on–but the one I’ve actually spent the most time with is, perhaps strangely, Minesweeper, our topic du jour.

As always, Minesweeper for Windows 8 phone offers multiple grid sizes to play on: 7×7, 9×9, 12×12, and 16×16. There are also two types of play; Classic is your standard game mode of yore, and Speed has you racing against the clock to clear a minefield before time runs out. Each grid is secretly filled with randomly positioned mines. When you touch a square, either a number is revealed or a mine, which causes you to lose. The number indicates how many mines are next to each square, turning everything into a logic game of working out where mines might or might not be. Deduction is your best friend, but if you need a little more, there’s also power-ups. These include Verify, which verifies all flags are placed on mines, XP Bonus, granting a 25% bonus for completed minefields, and EMP, which reveals a large amount of squares, automatically flagging any mines detected, among others. Ultimately, you can equip up to three power-ups, but each one costs a specific amount of tokens to use, which regenerate over time.

It’s not a very hard game, even on its largest grid, and the really surprising thing is that I like Minesweeper. By that I mean to say that I hate math. I’ve never been good with it all my human life; in fact, just over the weekend, I saw my high school math teacher/tutor at my sister’s wedding, reminding me of how bad I am at figuring out averages and solving X for Y in place of Z and showing your work. Really, the other side of my brain gets more me-time, thanks to the day job of copyediting and everything else being artistically-driven. But for some reason, I love figuring out how many mines are touching a square, clearing out empty squares with confidence; I guess we could all see this coming with my quality time with Picross 3D. I don’t know; there’s certainly a satisfying feeling after clearing a minefield, even if the sound design is left wanting more. I’ve reached the highest rank and unlocked all the Achievements, so there’s nothing really left for me to do, save for solving more fields faster. Think I’m good.

Much like with zombie films, my favorite part of Minesweeper is the very beginning. The calm before the storm, you might say. An untouched abstract minefield brimming with badness, waiting to be unearthed. You click a square, and hopefully watch it open up the playing field. Sometimes it does this in a big way, sometimes a small–it’s never predictable. The worst is when your first unguided reveal is a mine. If you’re wondering, I’m a big corner guy, going for those first before seeing what I can open up in the middle of the grid.

Now to figure out what I’ll play next on my phone when I got ten minutes to kill. Or maybe I’ll just sit in silence, contemplating the meaning of life. Or the meaning of phone games. Yeah, one of those.

2013 Game Review Haiku, #34 – Minesweeper (Windows 8 Phone)

Better mark those flags
Or explode, find your Polish
Mine detector stat

–

These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

2013 Game Review Haiku, #33 – VVVVVV

You flip up, flip down
Find crew members in tough spots
Die oodles of times

–

These little haikus proved to be quite popular in 2012, so I’m gonna keep them going for another year. Or until I get bored with them. Whatever comes first. If you want to read more words about these games that I’m beating, just search around on Grinding Down. I’m sure I’ve talked about them here or there at some point. Anyways, enjoy my videogamey take on Japanese poetry.

Flipping and flopping in VVVVVV

I had to double-check, but I don’t think I’ve written about playing VVVVVV on the Nintendo 3DS yet. Sure, I excitedly put down some words when it was announced that it was coming to the little-handheld-that-could, but that doesn’t really do the thing justice, as that was more about me moving from playing a control-heavy puzzle platformer on my lackluster Mac’s mouse and keyboard to on something a bit more viable, like the Nintendo 3DS. Yes, I like jumping by pushing a button, not clicking a mouse; don’t sue me. Though, in VVVVVV‘s case, it’s more like flipping than jumping.

I’ll do y’all a solid and re-summarize the short, but sturdy story: Captain Viridian has to both save a dimension on the brink of collapse and find his spaceship’s missing crew members–all of whose names begin with the letter V. There’s six of ’em. See the connection to the game’s title yet? No? Well, just keep trying, and remember that it’s always good to have goals. Anyways, you save friends and the dimension by having Captain Viridian traverse around a somewhat Metroidvania-like map, flipping to the ceiling and across moving platforms and avoiding deadly spikes and getting lost. A retro-inspired chiptune soundtrack fuels the wind beneath Viridian’s feet as you explore space and the weird rooms and buildings filling in the gaps.

I’ve definitely gotten farther playing VVVVVV on the 3DS than the computer, and that’s to say that I’ve rescued a total of four out of the six lost crew members, as well as found three trinkets (out of twenty), which I’m not actively hunting down. Flipping gravity on its head is a simple button press, but there have been a few tough spots that have taken time and practice to nail perfectly, especially when the levels move and you can’t see what is ahead of you before you jump; thankfully, just like in Super Meat Boy, death is quick, and the music never stops, so you always feel like you’re progressing, even if you’re technically not. It definitely helps to keep you in the game, as a long death and reload animation would have been both cumbersome and off-putting. Instead, you just get up and try again.

However, I’ve reached my “stuck” point, and that is the levels called “Do As I Say” and “Not As I Do”, which involve Captain Viridian leading a found crew member to, hopefully, a teleporter that will bring them back to the ship’s control room. Unfortunately, any time Captain Viridian is standing on the ground, the crew member will walk over to him, and you have to lead them across moving platforms and over spikes–and it is no easy thang. I watched someone on YouTube do it in about 45 seconds, but I spent about ten minutes alone going at it, only to frustratingly give up and turn the 3DS off before I threw it in a blender and went to Smoothie Town.

As with my recent roadblock in Mutant Mudds, I’ll just put the game aside for a bit and come back to it later with a clean aura. Only two more crew members to save, and one is currently following me around. That has to mean I’m close to the end, right? Well, time will tell, unless I can’t get past this part, in which case I’ll just have to track down that person on YouTube, invite them over for dinner,  beg them to do it for me, and the shove them in a special barrel and dissolve them into goo so no one will ever know….oh, sorry about that last part. Been catching up on Breaking Bad, you see. I would never do that. But the problem is that I can’t go back and explore more of the map until this part is complete, so it really is this or never seeing any more of VVVVVV, which would be a bummer.