2014 Game Completed Comics, #1 – Gone Home

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Every videogame that I complete in 2014 will now get its very own wee comic here on Grinding Down. It’s about time I fused my art with my unprofessional games journalism. I can’t guarantee that these comics will be funny or even attempt to be funny. Or look the same from one to another. Some might even attempt to be thoughtful. Comics are a versatile form, so expect the unexpected.

Not eliminating the memories of loss in Eternally Us

Grief is natural; we’ve all experienced the emotional suffering one feels when something or someone truly cherished is taken away, and if for some reason you haven’t, bless your lucky, cold-as-steel soul. No, really. I hope you never have to feel the lingering twist of a broken heart, but I kind of doubt you’ll avoid it in one form or another. It’s dark subject matter, sure, but worth exploring just as much as any other adventure game plot based around escapism, making a name for yourself, and standing up against persecution.

Eternally Us is about grieving. I didn’t know this immediately going into it, but by the end, all is made explicitly clear. It’s self-described as a tale of love, life, and friendship. Created for the April 2010 MAGS competition by Infinite Grace Games, this somber story from Steven Poulton (writer, programmer, scorer) and Ben Chandler (designer, artist) starts innocently enough, with two young girls sitting on a park bench. Amber and Fio, short for Fionna, are feeding the pigeons, enjoying the nice weather as friends are wont to do. Alas, just as Fio is about to hit her childhood best friend with some very bad news, a magical door appears and opens, revealing some monstrous zombie-like being. And then, just like that…Fio is gone.

Amber now has to travel across five strikingly different locations in search of her stolen friend, solving puzzles and speaking her mind to any that will listen. The scenes are diverse, with one set in a dark, marshy swamp and another in the quiet snow and the final one in the middle of some tranquil, autumnal woods. Chandler’s colorful art makes each place highly expressive and detailed, with the supernatural mixing with the natural in a fairy tale way that had me immediately thinking of The Neverending Story. It’s amazing what adding glowing eyes can do to personalizing bark and branches, but it’s extremely effective here. There’s also a weather effect on top of the painted backgrounds in every scene, with my favorites being the rain and falling leaves. Small details, but they matter. They help you–and maybe even Amber too–forget that this place is not real, that you are traveling through portals and doorways, trapped in the otherworld, looking for someone you actually lost long ago.

Sound-wise, there’s falling rain and peaceful bird-chirping, as well as some surprisingly strong voice acting. Naturally, Amber is the one voice we hear the most, and her voice actress Miranda Gauvin does a fine job of playing someone that is unable to cope, that is begging for answers, but would also rather not hear them. The more inhuman characters dance the line between creepy and ridiculous, but again, I like them talkative trees. A soft, unobtrusive melody plays on a few of the scenes, too.

It’s a point-and-click game, and fairly limited in what you can actually do. The left mouse button lets Amber use items, and the right button examines things, which is the standard we’ve all come to know these days. Yeah, I’m looking at you, Two of a Kind. Found items immediately go to her inventory, which can be accessed by moving the mouse cursor to the top of the screen. Any items you find relate to that scene only and vanish when you move on to the next area, so if you get stuck, just keep trying every possible combination/tactic. I only ran into problems with the squirrel at the end, and that was more of technical issues than not understanding what I was supposed to do. I did not see a strong connection in some of the puzzles to what was happening in Amber’s mind, but maybe others will.

Eternally Us is ultimately a downer, but a fantastic way to fall. The puzzles are not terribly difficult and contained to a single scene to make things easier, but it’s the dialogue that you want to hear and the way Amber grows over the course of the short game. There’s also some cleverness afoot, such as how Amber “sinks” through the swamp to the depression area. Basically, you should play this short adventure game to put her and her friend at peace–and maybe find some solace yourself. It’s free and can be downloaded here.

Pretty late to the Joker’s party in Batman: Arkham Asylum

Batman: Arkham Asylum came out in 2009 to nearly unanimous praise, and four years later, during a PSN summer sale, after consecutively not experiencing Rocksteady Studios’ take on the Dark Knight year after year after year after year, I bought it for a silky smooth $5.00. And then a couple months later, simply because everyone was getting back to praising the place where it all began after seeing how lackluster Batman: Arkham Origins turned out to be, I installed the game, booted it up, and saw the errors of my ways over these past few years. It’s more or less Deus Ex: The Bats Revolution.

First things first, the story setup: in Arkham Asylum, the Joker instigates an elaborate plot to seize control of Arkham Asylum and trap Batman inside with many of his incarcerated foes. Subsequently, the Joker also holds the power to detonate hidden bombs he placed around Gotham City before getting himself captured. Batman must now fight his way through the asylum’s loose inmates, save some named people, and put an end to the Joker’s plans. He’ll do this by playing detective, being sneaky, hanging from gargoyles, and punching rhythmically when the scenario says so.

Before I get into my impressions, here’s a bunch of silly comics about Bats from my recently completed 365 BAD COMICS project:

Right. Couldn’t resist the chance to shamelessly plug my art.

Anyways, I’m having a lot of fun in Arkham Asylum, and I’m only at a 14% completion rate. This is even more surprising when you realize that, as a superhero comic book character, I don’t find Batman very interesting. Definitely more so than Superman, but that’s it. Everybody else comes ahead. I’m more of an X-Men follower, but Bruce Wayne is kind of just a rich man in a costume beating up poor criminals with fancy gadgets and a throaty voice. I’m sure I just made a lot of people angry with that statement. However, all his toys do make for fantastic gameplay, which is what this game delivers on tenfold.

Batman is trapped in Arkham Asylum, which is actually called the Elizabeth Arkham Asylum for the Criminally Insane and found isolated just outside Gotham City. Has hints of Alcatraz prison. You’ll come across good guys and bad guys as you move from building to building, all while the Joker teases you from afar, promising a party you’ll never forget. It’s a mix of open-world-like areas and more linear hallways and rooms, and I think it works great. You can explore a bit and find interview audio logs and Riddler trophies or you can stick to the pretty obvious path to see the story unfold at a healthy clip. I’ve done a little bit of both, but I think I’ll just keep pushing the story forward from now on, even though those Riddler trophies sure are dang tempting and do at least reward Batman with a pinch of XP. And you need XP to unlock gadgets, combat moves, and armor upgrades.

Combat requires rhythm and reminds me of what the Assassin’s Creed series has been doing as of late, with countering attacks simply keeping the flow going so you can chain together attack after attack for bonus XP. Personally, I’ve tried getting through most scenarios as a silent pounder, loving the inverted takedowns from gargoyles. But unfortunately, you can’t play the game the whole way in that fashion, especially when boss fights pop up. Detective Mode really helps, which makes enemies appear as visible skeletal frames on the map, so you know exactly where everyone is. Reminds me warmly of the good times in Deus Ex: Human Revolution–see: not the boss fights–of sneaking through vents and using the augmentation that lets you look through walls for enemies.

So call me surprised. Call me stupid. I wish I had started playing Arkham Asylum a long time ago, but I’m pretty okay with seeing it now and enjoying a slower pace through the halls of this creepy psychiatric hospital. I might be late as frak to the party, but I’m still celebrating.

Munchkin Apocalypse to cause frenzied fun with new card types

Last week, I got to go to Barnes & Noble. Now, this used to be no big thing, as I went to the bookstore a highly frequent amount when living in Clifton, NJ, nearly every other day, especially with the given that I had two brick-and-mortar locations within five minutes of my apartment–in either direction. A beautiful thing. I’m not bragging, really; I’m saddened on reflecting this, as there are no bookstores near us in the Pennsylvanian woods. There used to be a Borders about 20 minutes down the road, but that place went under and is being replaced with a Michael’s, not a BAM. ::insert the sound of a toddler crying::

Right. All of that was to say that I was in B&N recently, and so I got to check out their stock of geeky board and card games. My eyes bulged and brightened at all of these desirable gaming experiences, such as Game of Thrones: The Card Game and Game of Thrones: The Board Game–love the originality there. Sadly, no copies of Gloom, a quirky social card game Tara and I are interested in after seeing Wil Weaton and friends play it on a recent episode of TableTop. However, I did get to see what was new and kewl with Munchkin these days, because really, it seems a new product or expansion is launched each month, and if you blink too much you’ll miss it all. I saw a copy of Munchkin Conan, which looked tempting and is so not easily confused with the 15-card booster pack called Munchkin Conan the Barbarian, but I passed for the time being. Right now, I have one Munchkin core set in mind, and one only. It comes out this fall, it’s based on the end of the world, and it’s called Munchkin Apocalypse. Let’s take a look at a few preview cards…

Here are some sample doors:

Oh man. Doesn’t everyone know that bloggers have no class? ::zing::

And some sample treasures, with a first look at the new Seal card type:

Don’t know much yet how these Seals work–I have to imagine like Portals and Dungeons from vanilla Munchkin and Munchkin Cthulhu–but I have read a rule online that says if seven Seals are currently open, the game is over. Kind of like when everybody becomes a Cultist rule. Hmm…

You can’t see them all, but these are the cards you get if you buy some Radioactive Dice for your next round of Munchkin Apocalypse:

Not satisfied yet? Want more? Wow, y’all are a demanding bunch. Okay, okay…I’ll scour the Interwebz for more previews. Just give me a sec.

And I’m back! Only found one decent image. Here, here:

So, yeah. This is looking good. I hope there’s references to the following items: A Boy and His Dog, Fallout 3, and The Walking Dead. Guess I’ll find out in a few months, and I hope I can squeeze a group game in before the Earth cracks open and we all kiss each other goodbye.

Fez, a shift in perspective

Back in January 2012, I put to e-paper the videogames I was most looking forward to in the year of our collective unmaking.

It’s an interesting list to reflect on a few months later, and here’s why. Two games have not come out yet, and I’m still super excited for them: Animal Crossing 3DS and Borderlands 2. One game has–Kingdoms of Amalur: Reckoning—but after playing the demo and discovering I couldn’t read any of the text, I’ve decided to pass on the title for the time being. Um, Suikoden: The Woven Web of a Century…yeah, still unlikely I’ll ever buy a PSP, but maybe someone will do a Let’s Play of it and I can experience it second-hand. And y’all are probably aware of my worry and disappointment about Game of Thrones: The Game.

Lastly, I named Fez. Here’s what I said about it:

A puzzle platformer with a unique style and perspective-shifting mechanic to it. The protagonist, a creature named Gomez, rocks a fez of its own and is obsessed with collecting hats, which sounds about right to me. Fez will be out on XBLA in early 2012, so maybe this month, maybe next month, or maybe the one after that. I’ll keep my eyes peeled for it nonetheless.

Okay. Not sure where I got the “obsessed with collecting hats” bit from as, far as I can tell, he’s more interested in finding cubes and cube bits to open up more doorways. But otherwise, yeah. Fez came out last Friday–April 13, 2012 to be exact–and I downloaded it as soon as I could, slipping in a cool, screen-rotating forty-five minutes during my lunchbreak. Proof is in the Achievements I unlocked. In all honesty, I could’ve played for hours on end, as it is one charming, inviting, and novel experience, cushioned nicely by a retro style, simple control scheme, and surprisingly calming soundtrack.

You are Gomez, and you earn the power to rotate your universe by acquiring a magical fez. With your new power comes great responsibility; you must find a number of cubes, which will unlock sealed doors and stop the world from being torn apart. Many of these cubes (or cube bits) are openly hidden in the levels themselves and can only be discovered by rotating the screen a certain way. This rotating can also be used to create shortcuts from one place to another, and along the way you’ll pick up keys, treasure maps, and ancient artifacts. I know how the first of those three collection items work, but not the other two…yet.

However, not all is perfect in Fez. The map function might as well be non-existent, as it’s convoluted and barely navigable. Things can sometimes get tricky spinning the screen you are playing on; one shouldn’t then also have to rotate the map this way and that. I’ve looked at it a few times, trying to find my way “back” to the hub level with the multiple locked doors, but couldn’t figure out exactly what was where and then how to get there. Navigating the world can also get a smidge confusing when you are traveling deeper into levels within levels within secret doors within other levels. There’s also some stuttering and long loads, which I can’t determine if it is part of the game’s design or just how it actually is. Either way, it hampers more than it enhances.

Ultimately, Fez is a real treat, and I’m gonna keep playing. My goal is to play as long as I can without looking anything up online. No puzzle hints, no telling me what the deal is with those owl statues, no quick deciphering of all those strange symbols that are popping up more commonly, no nudges in the right direction. Discovery is part of the gameplay; now watch me turn.

Not your typical hero in Hector: Badge of Carnage

I don’t remember when exactly, but there was a sale on Steam recently, and for the low, low price of $4.99, one could get all three episodes of Hector: Badge of Carnage, a smarmy point-and-click adventure game from Telltale Games. That price seemed absolutely right, and my curiosity had already been flicked upwards after watching Giant Bomb do a Quick Look. Unfortunately, at that point, the wife and I were knee-deep in helping ghosts move on to the afterlife with the Blackwell games–and I just couldn’t sneak away to anything else until all four of those mysteries were solved. So I bought the package, downloaded all three episodes, and promptly ignored them for the time being.

But we finished those ghosty chronicles up, and now I’m ready for my next set of adventure games. Trust me, I have plenty to choose from: Gemini Rue, Jolly Rover, Beneath a Steel Sky, basically everything from the recent AGS Bake Sale, and a number of miscellaneous projects from Ben Chandler (City, Airwave, Heed, and so on). Whew. That’s uh…a lot of adventure games–and counting. I am sure I missed a few. In fact, I know it for certain; I am just too lazy to name ’em all. But the glory of being played next goes to Hector: Badge of Carnage, mostly because the tone and vulgar humor is the polar opposite of everything I’ve been playing recently, not counting Saints Row: The Third. It’s a refreshing if inappropriate breath of fresh air.

Originally, I began this post as a means to get some early impressions out, but  I didn’t finish writing it until today, and I went ahead and beat Episode 1 – “We Negotiate With Terrorists” over the weekend. So, yeah. This is now kind of a mix of impressions and final thoughts, with a magical haiku review to follow soon.

Hector: Badge of Carnage (Episode 1, “We Negotiate With Terrorists”) is, besides a really long title, a point-and-click adventure game set in the seedy spot of Clapper’s Wreake. A terrorist with a sniper rifle has locked himself up in some building and taken hostages, and it’s up to Detective Inspector Hector to fulfill the crazy man’s demands. And they are as so:

• Fix the clock tower
• Help tourism flourish
• Close down the local porn shop

Actually, those aren’t terrible things to want from a place one might call home. I think we were all expecting something more akin to a boatload of money, a helicopter to escape on, and the promise of being set free. This terrorist is trying to make the world a better place; shame he keeps shooting cops in the face whenever they creep near. But anyways, off Hector goes to solve these many mysteries, and the answers aren’t too difficult to unravel so long as you remain open-minded and try everything. And I mean everything–giving a blind guy a doped-up homeless man as a sexual bribe is not as far-fetched as it sounds. At least, not in this game.

If you do get stuck, Hector: Badge of Carnage features two hint systems, both of which are fantastic. One is Lambert, a fellow T.W.A.T. member, who you can ask questions at; the other is an actual hint menu, which can literally tell you what to do or be as vague as you’d like, with nudges in the right direction. I used both of these, and they really help to keep the player immersed in the game without feeling like one is cheating using a blatant walkthrough guide. I had particular trouble figuring out how to demolish the porn shop until the hint system showed me that I had missed doing something specific with an item I had picked up earlier on. Thanks, hint system. You saved me from getting frustrated and never coming back.

Besides the crude and sometimes confusing humor, the other aspect of Hector: Badge of Carnage that really appealed to me is its look. There’s a sharpness to the animation and art style, and the cutscenes are nicely put together. Reminds me of Penny Arcade, with bold lines and quirky character designs. As is always the case with point-and-click games, discovering a new screen or place to click around on is always a treat, and here it is no different. Upon finding the porn shop, I literally stared at the screen for a few minutes, soaking it all in, all the nasty visuals.

The only negative I can really throw at Episode 1 – “We Negotiate With Terrorists” is that it ends on the worst of worst cliffhangers. There is literally no conflict resolution after meeting the terrorist’s demands, which works for the episodic format, but bugs the bleep out of me. But I’m in for the long haul, and have already begun Episode 2 – “Senseless Acts of Justice”, which is going well so far and keeping up the tradition of toilet humor and toilets as plot devices. I’ll let you know how it all turns out.

Munchkin 8 card previews take over the Internet

Yesterday, March 8, was deemed Munchkin 8: Half Horse, Will Travel preview day, which should be in or heading to stores right around now. I’ll let you figure out the clever connection between the two. But either way, this meant previews of the newest expansion to original Munchkin, and while I am growing tired and running out of room for more fantasy-based Munchkin antics, I am always excited to see new cards and gameplay mechanics. But before one could feast, one must find, and the preview cards went up all over the Internet: Twitpic, Facebook, Dork Tower, Wired GeekDad, and so on. It was like a little treasure hunt, and if you’re a true Munchkin then you know how fun getting treasure is.

I think I found them all and have collected them together nicely in this preview post for y’all to devour. We’ve already seen what Lizard Guy and Centaur look like, but check out some of the new cards below cut, because all the cards are super large…

Starting Shank’s story of sadistic and senseless slashing

The story of Shank: gang kills former gang member’s wife, said man kills everyone in the gang. At least that’s how I assume this will all go down. I’ve only just begun, but I mean, yeah. It’s all there. I’ve seen Kill Bill plenty of times to know what a tale of vengeance looks like. And I guess that’s fine. Really, this could be the story of a man named Shank that suffers from dementia and whittles pretty birdhouses during his flex time at Brookside Senior Citizens–so long as it looks this pretty.

As an artist, I love a game that revels in its artness. Like Prince of Persia and Bastion and Limbo and Odin Sphere and so on. If it looks hand-drawn, I’m in. If it’s colorful or has hints of cross-hatching or bold, thick outlines, I’m also in. Highly realistic graphics are uninteresting to me, and only help to make me feel more uncomfortable when shooting people that look like real, honest-to-goodness people in games like Call of Duty or Battlefield 3. No thanks. I’d prefer to blast apart something with tentacles.

But man, Shank. It’s a visual treat and like playing an episode of something—Samurai Jack, perhaps–on Cartoon Network or Adult Swim. You control Shank in 2D, moving from left to right and jumping up and from platforms; the background goes deeper than that, with details like graffiti on buildings and telephone poles and a dreary and muted skyline that look absolutely gorgeous, especially to see it all in motion. Character models pop in that they are much more colorful and animated than everything else, slick with polish and personality. And story beats are covered in dramatic cutscenes and smaller scenes that actually take place directly during gameplay, which is a fun little trick that keeps the game’s pace frantic and fun.

Playing Shank on normal allows for unlimited continues and nicely placed checkpoints, which means I can just try again after Shank gets overwhelmed by too many goons. Which happens a lot. See, I have to learn to not get locked into a crazy-cool 15x combo when baddies are also standing behind me. So it’s a learning process, seeing what weapons work best and when to grab someone and how to toss grenades and so on. There’s a surprising amount of depth here, and I can’t even begin to imagine anyone playing without a gamepad. Like, really. It has to be nigh impossible.

Hmm. Okay, it’s Steam Achievements in your face time!

Just Getting Started: Take out 20 enemies

Making a Name for Yourself: Take out 100 enemies

The Wrong Guy: Defeat El Raton

My hands cramped up during the moving train level due to too many dogs and not enough health drinks, but I’ll be hopping back into it soon. It’s fun and fluid and immensely stylized and even though I kinda know where it’s all going it sure is a blast juggling enemies with knives, guns, and a chainsaw finisher. The only complaint I have with Shank is that the developers gave names to all the dog enemies, and it is ten times more hard to chainsaw a mutt’s face off when you know he’s called Thrasher to someone. Poor, poor, mutilated Thrasher. You probably didn’t mean to be so evil.

Lizard Guy and Centaur knocking down doors in Munchkin 8

Another year, another mass of uncountable Munchkin releases. I think that should be printed on a banner and hung in the atrium that leads to the Steve Jackson Games sweatshop. The group just got done having a jam-packed 2011 with Munchkin Axe Cop and Munchkin Zombies. Just off the top of my head, for 2012, we have the following pieces coming out: Munchkin The Guild booster pack, Munchkin Skullkickers thingy, Munchkin Conan the Barbarian core set, the most anticipated number of them all Munchkin Apocalypse, and lastly Munchkin 8: Half Horse, Will Travel.

I’m sure there’s more, but speaking of that last one, I just saw the first spoilers of the new expansion set and they have magically got me excited for original Munchkin, a core set that keeps growing to numbers that are basically unplayable, making me like it less and less as time goes on. In case you don’t know, I dislike having to shuffle 1,000 cards.

Ya ready? Feast your eyes on these new Races then:

I apologize for the teeny tiny images, but that’s all that’s out there currently. Here are the cards in raw text format:

CENTAUR
Two Left Feet: You may use two footgear.
Leader of the Herd: You may have any number of steeds in play.

LIZARD GUY
Cold-Blooded: “Usable once only” Items that you play to help the monsters count double.
Drop Your Tail: You get +1 to Run Away from Level 10-15 monsters and +2 to Run Away from Level 16 and higher monsters.

In short, Centaur is surprisingly boring, but LIZARD GUY IS FREAKING SPECTACULAR. Like, if this was Magic the Gathering, I’d totally construct a deck just around him. Both his abilities are stellar, and both seem to have the potential to be game-changers, whether it is truly screwing over a fellow Munchkin-er with a +20 enhancer or getting the heck out of Dodge when Cowthulhu shows up. I don’t yet have all the expansions for vanilla Munchkin–I really do need to make a checklist at this point–but this latest one might have join in on all the fun. I totally want to be a High Lizard Guy Thief with the Dagger of Treachery and maybe the Kneepads of Allure. Mmm, yes. That’s exactly what I want to be.

Still haven’t played Suikoden III yet

You might recall reading about me finally finding a copy of Suikoden III after many years of searching through shelves of used PS2 games at every GameStop I visited. Actually, I wrote about it one month ago exactly. And yet, despite my deep and unrelenting love for the series, despite my excitement over finding a copy and having it in my collection and picking up the box now and then to confirm that, yes, it is real and, yes, it is mine…I’ve still not played it. Honestly, I’m kind of scared to.

Then again, I was also a wee bit scared to play The Elder Scrolls V: Skyrim, but for different reasons. Open-world games as massive as Bethesda makes ’em can be nothing but daunting; I love them, but sometimes struggle with staying focused, with sticking to the plan, and before you know it, I’ve lost the main thread and am now just wandering around, trying to find a place to call home. Still having fun, mind you, but feeling off, like I’m playing it wrong. I want to do everything, but to do everything means total and utter devotion. Which also means time, and time for videogames is not something I have as much for as I used to, seeing as I still plan to be either a famous writer or cartoonist–whichever happens first is fine by me.

With Suikoden III, I’m worried about being disappointed and then having to deal with the fact that I put way too much thought and care into obtaining something that ultimately did not do it for me. That’s some heavy thinking there, but it’s how my mind operates; I build my own structure of hype, and it’s very hard to get down from it safely. Supposedly Suikoden III is the best of the 3D games in the franchise, but a lot of that praise was printed back when the game came out. Y’know, in 2002. It’s hard to know how to interpret those claims some ten years later. I mean, I thought Suikoden V was fantastic, even with its slow start; in fact, that eight or nine hour intro is the reason why I admire it so.

Over the summer, for seemingly no reason at all, Tara popped Final Fantasy VII into her PlayStation. I chose not to watch, but because we were in the attic The Leaky Cauldron, I had to listen, and from what I heard, it sounded bad. Some games don’t age well, and some gaming mechanics definitely don’t age well; what might have been fast-paced battles and crazy good graphics back then certainly do not cross the mark today. Final Fantasy VII and Final Fantasy VIII are games I’m scared to go back and play, and prefer to just leave them as fond memories for as long as possible. Same reason I haven’t gone back to Suikoden or Suikoden II–though, as an uber fan, I have to believe they stand the test of time.

I don’t know. Maybe I’ll just bite the bullet, put Skyrim aside for a bit this weekend, and see how Suikoden III goes. It’s gotta be better than some other PlayStation 2 games I’ve played recently, right? Right? Keep me in your thoughts.