The newest Professor Layton game is undeniably Laytonesque

It’s been a long time since I’ve played a Professor Layton game, and that’s probably because I’ve only ever played one before, way back in like early 2008. Professor Layton and the Curious Village was a surprise hit in my eyes, a weird mix of puzzles and top-notch animation and genuine mystery and intrigue. Heck, I even used it as evidence to get a girl I was seeing then to buy a Nintendo DS Lite. I played it more for the story than anything else, but the puzzles were varied and kept me thinking, even if the math-heavy ones were too tough for my artistic brain. If anything, this series oozes charm, which always keeps me interested, and so I eagerly sought the latest iteration, Professor Layton and the Last Specter, the fourth title overall and yet a prequel to that first adventure over uncovering the golden apple.

Plus, the newest game comes with a bonus RPG/Animal Crossing sim-like thing called Professor Layton’s London Life, which is extremely adorable and charming and shockingly deep. More on that in a bit.

Dropping back into the world of Professor Layton was a warm, welcoming experience. The music, the look of buildings and cars, the animated character designs, his trunk-space–nothing had changed, and that’s a good thing. It felt like only days had then passed between this new adventure and our last outing. Even the sounds puzzles and hint coins make when found are constant.

The story so far: Professor Layton receives a letter from an old friend; in it, Clark, the mayor of Misthallery, codes a secret message, a desperate plea for help against a giant ravaging the town and townspeople to tears. Off goes the professor, picking up an assistant, too. Her name is Emmy, and she seems to know more about the professor than is necessary. Once in Misthallery, it becomes clear that more craziness is at work, with locals whispering about an oracle and specter. Puzzle-wise, I’ve tackled seven or eight now, and the hardest one was math-based and about mops. I hate mops. Other than that, one of the three minigames in Layton’s trunk unlocked, and I’ve learned just how Layton and Luke meet for the first time. Neat-o!

In Professor Layton’s London Life, you don’t actually play as Hersel Layton. Instead, you are you…or whoever you want to be. You can design your avatar to your liking, as well as picking a defining trait too–I went with shy and, well, something I can’t remember. Good cook? Sexy swagger? Moves like Jagger? Whatever, no biggie. In fact, nothing is big in this realm, as developer Brownie Brown nails the look of an old-school RPG with tiny sprites that are still instantly recognizable as characters from other Layton games. You pick up miscellaneous tasks and focus more on clothing, items for your room, and getting a job; in this way, it’s more Animal Crossing than an RPG, but there’s stats to clothing and some other grindy elements. Right now, Little London Pauly is wearing a red beret, a blue scarf, and some kickin’ pants. He’s also a janitor.

Both games are currently trying to out-charm one another, and I’m struggling with which to play more of first. It’s actually not a problem at all.

Ridiculous door glitch in Deus Ex: Human Revolution is ridiculous

For about twenty minutes last night, I had lost all hope. I had resigned myself to believing that all my progress, all my hard work and suffering of bad boss battles and frustrating level design and tiny text in Deus Ex: Human Revolution was all for naught. The game kept freezing, seven times in total, all at the same spot, which is in front of a door on the last level called “Tipping Point.” After each freeze, I popped the game’s disc out and checked for scratches, but there were none–of course there were none, having never dropped the disc or mishandled it in any way possible. So, how was I going to get through this blasted door then?

The Internet told me not to worry, that it was a glitch. Others had come across it on the Xbox 360. I was not alone in my pain. But many were just as confused and confounded over it; some tried walking backwards to the door, which worked, but the moment they looked at it, the game froze. Others suggested turning invisible or sprinting, but nothing was working. Until…I read a post with what sounded like a totally ridiculous solution, but, at the end of my rope, decided to try. I had nothing to lose, and everything to gain. And lo and behold, the trick worked. For my fellow glitch prisoners, here’s how to get through those doors:

Before heading up the stairs leading to the double doors, crouch. Then position yourself so that you are looking at the ground below your feet, but at a forward enough angle to still move forward when pushing the controls to do so. Go forward until you hit the door; you should be able to see a sliver of it, and if you’re lucky enough, the prompt to “press X to open” should still be available. Open that door and walk through, still looking down at the ground. Keep going down the stairs until halfway. You should now be able to stand and save your progress. Do not turn around to look at that door or go anywhere near it ever again. That door and you are done.

How ridiculous is all of that?

A. Extremely
B. Incalculably
C. Unequivocally
D. Immeasurably
E. All of the above

Please show your work.

Magus and his castle of crazy

I don’t know what I expected to find in Magus’s Castle, but certainly not references to tone-deaf rock stars, traitorous loved ones, and a boss fight that required an attention to reading. But that’s Chrono Trigger for ya, always charming and never without surprises. Shame on me for waiting so long to get into this game.

Right. That castle. It’s 600 A.D., and the gang, having secured Masamune, are now ready to go after Magus and his goons. One’s first stroll through the castle’s hallways is particularly eerie, with loved ones and little children turning into monsters which you must then murder. No questions asked. Hopefully those really weren’t people we knew, but rather just illusions. After exploring for a bit, Magus’s henchmen show up, and they are named Ozzie, Slash, and Flea; yeah, this game was totally made in the mid-1990s. Flea and Slash are not too tough, each requiring a wee bit of strategy, but with Frog and Crono swiping away and Marle holding back to heal, heal, heal, they were all torn asunder in time.

However, getting to Ozzie is a laborious affair. First, there’s a gauntlet of enemies to burn through, then a room with giant blades to avoid, stairs to climb, and then another room full of trapdoors that, when you cross them, Ozzie will pull a switch and send your team falling to a room below. Oi vey. Actually, this wasn’t too terrible, as it was a good way to grind, with Crono earning Lightning II by the end of it all. The sparkly enemies in this room can’t hurt you, meaning free experience and Tech Points. After that, it’s more stairs and another gauntlet of enemies. And then we finally get to battle Ozzie, which is amazingly simple; never attack him, but instead target the switches around him.

Finally, we get to the legend himself, Magus. On my first attempt, I completely flubbed and lost within a few turns. My bad…I wasn’t reading the text below. See, I thought he was just casting spells, but he was actually announcing the type of spell he was currently weak to until he switched it up again. So, when he says, “Absorbs all but water!” you should have Frog cast Water on his magical ass. However, it took me far too long to realize that when Magus announces he will absorb all but light, he really means lightning. I think the developers couldn’t fit the full word in the text box? Silly me was searching every menu for a “light” spell.

With Magus defeated, another portal appeared, sucking Crono and team back to the past. At what point should I try to fight Lavos again? Is there a canon ending I should go after? I’m kind of confused about all that.

One-punch Pauly takes down Jaron Namir with ease

I hated the fight against Lawrence Barrett; I loathed the battle against Yelena Fedorova; and yet, to the surprise of me and all of y’all, I have no rage-inspired emotional response to the third boss battle against Jaron Namir. It was over too fast. I snuck up behind Namir as he was hopping over a wall, triggered the stealth punch button, and…punched his lights out. One hit, ten seconds…boss fight done. I have no idea if this is a glitch or if I’m a gaming god or ultimately if I was doing it wrong–whatever the case, I don’t care. The less time I spend on boss fights in Deus Ex: Human Revolution, the more I like the game.

Mmm-mmm good. I can hear Colonel Campbell screaming his name now:

The Snake (25G): You defeated Jaron Namir, Leader of Belltower’s Elite Special Operations Unit.

And here I was, all prepared and ready to spew hate upon hate upon hate over this third boss fight. Nope, not today. However, the game’s not over yet. Jensen still has one last mission to do. You know, save the world and all that. I’m excited to see the credits roll, and I think if you’ve been reading all my rants about this game lately you’ll know why. However, even on a second, shooty playthrough, I’m still going to one-punch Namir to death…unless it is a glitch and gets patched before that chance pops up again.

One-punch Pauly. He only swings once, but he makes it count. POW!

How I finally found you, Suikoden III

Yesterday, according to just about every videogames-covering website ever to be put up on the Internet, was the release date for Professor Layton and the Last Specter. This is a game I’m surprisingly stoked for, and I know why. Certainly, it’s not a love for the series, as I have only played Professor Layton and the Curious Village; granted, that’s a great game, one that packaged both cinematic story and varied gameplay nicely, but I never got around to trying the next two to come out. If anything, they all seemed to be more or less that first game again, with different tweaks here and there. So, why am I all atwitter over the fourth game, which is actually a prequel where I’m assuming we learn why a grown man likes hanging out with a young boy so much?

Well, Professor Layton’s London Life. That’s why. It’s likened more to Animal Crossing than an RPG, and there’s a promise of over a hundred hours of gameplay. Yeah, duh. I think I dropped more than that on Animal Crossing: Wild World easy. With pixelated art and a focus on clothing, filling out a house like the rich and famous, and fetch quests galore…well, where do I sign over my first-born?

However, GameStop decided that Professor Layton and the Last Specter doesn’t come out on October 17, but rather October 18. Why? Why not. They make the rules, and so I disappointingly did not get to pick it up yesterday during my lunch break. When I got home from work, I had some noodles in a cup and mustered up the strength to try again; maybe the GameStops in Pennsylvania were more sensible than those in New Jersey. Nope. The one down the road in PA had no copies on their shelves either. Annoying, but kind of expected. However, this one did have a section for used PlayStation 2 games, a section that most stores have now cut due to saving crucial shelf space for things like Kinect Sports Season Two and Puppies 3D.

In my wallet, among other things, is a list. It’s basically this, but scrawled on a scrap of paper, folded and fading. I’ve been carrying it with me for many months now, and every time Tara and I come across a bin of used PS2 games, we search for those I’d like to add to my collection before they all up and vanish without a sound. I always check the “S” titles first, in hope of finding Suikoden III, a game that I never have hope of actually finding. The Suikoden games are some of my favorite RPGs, and while IV got bad reviews, V was pretty good story-wise, but is currently far away in Arizona. And I always heard good things about III, but never got around to getting it, and by the time that I did begin to earnestly search for it, the dang thing went dark, underground. Phooey.

Imagine my surprise then to find the box for Suikoden III last night, tucked safely behind a dingy copy of The Spiderwick Chronicles. And for $12.99, too. I would’ve gladly paid up to $30.00 for it, so in my mind, this was a steal. I mean, I know how high copies of Suikoden II still go for, and this kind of felt like it had the same rarity as its predecessor. Pretty sure my heart skipped a beat, and I’m so happy that I found found my copy of the game, making its acquiring all the more rewarding. I grabbed another RPG called Ys: The Ark of Napishtim for a few bucks, and Tara slid a copy of Monster Rancher EVO into my hands before we hit the cash register.

I am very much looking forward to seeing what Suikoden III is all about, and you can expect coverage here and maybe somewhere else. Stay tuned, my fellow Stars of Destiny.

Cole Phelps is L.A.’s public menace #1

Causing a ruckus in open-world games like Grand Theft Auto III or Red Faction: Guerrilla was always  fun, but short-lived. You can only go so long destroying things and being a jerk before somebody takes notice. Heck, creeping over the speed limit in Mafia/Mafia II is enough to get the sirens singing, and then the law’s on your tail, switching your biggest concern from running down mailboxes and street-lamps to running from the cops. Usually, that scenario ends with a horrific crash and reload, wherein you lose some money and respawn at the local hospital or police station. Ah, the price one pays for spoliation.

Well, since L.A. Noire‘s Cole Phelps is the law, he can do whatever he wants, nice or not, as evident below:

Public Menace (30G): Rack up $47,000 in penalties during a single story case.

The thorn in this Achievement’s side is that there’s no way to openly track how much damage in penalties one is amassing during a case. You only get these statistics at the end of a case, but I assumed that totaling a lot of cars and driving on the sidewalk for long stretches of time would be the best way to racking up fines. After an hour of this mayhem, I went ahead and finished up the case–“The Black Caesar” for the curious, which was a bad choice as it’s a pretty lengthy affair–and waited eagerly for the statistics screen to pop up. I was confident I had done enough damages, and I was right. Way too right. Ended up going overboard: $68,000 in car penalties alone, with another $8,000 or so for messing up the sidewalks so badly.

But man, crashing cars in L.A. Noire is fun…and funny, especially when you hear the things citizens say to Cole’s constant obsession with ramming them head on. “These people!” is probably my favorite of the bunch. Another nice aspect to being reckless in the 1940s is that the cars don’t blow up and Cole doesn’t go flying through the windshield with every crash. Guess that tech hasn’t been invented yet.

Now that Cole and I’ve gotten this out of our system, we can go back to being goody two shoes, in hopes of replaying all the cases and earning five-star ratings. Well, not all of them. I did great on some, but others I totally funked up, accusing the wrong dudes of crimes they didn’t commit. My bad. Also curious about some of the DLC cases; Tara was certainly excited to learn that there were more cases yet to play, but I just don’t know if they are worth the space credits or not. We’ll see how bored I get after finishing up Deus Ex: Human Revolution and waiting for The Elder Scrolls V: Skyrim to land…

Error will always be Error

Pardon my ignorance, but I never knew about this.

Yes, this being a crazy, long-lived Internet meme stemming from a minor character in Zelda II: The Adventure of Link and a bad case of localization. Which all happened back in 1988, when I was five. Call me aloof and/or a failure to gaming trivia–I won’t argue. I guess I was slightly aware of it, having maybe seen the phrase pop up when other bad localizations, such as “all your base are belong to us,” were discussed, but I never realized where it came from, and then I guess I always assumed it must’ve been corrected at some point. Um, no. I just discovered it myself yesterday while giving my free 3DS Ambassador copy a turn; Error is still there, and he is still Error, now and forever, always and never not.

So, Error lives in the town of Ruto, which is only a hop, skip, walk away from where the game begins. On my way there, a few monsters ran into me, changing the screen from world map to traditional side-scrolling fanfare, but I just exited to the left or right without fighting anything; sidenote, I don’t understand how to play Zelda II: The Adventure of Link. Anyways, when talking to people in town, if you press the action button twice it totally skips their dialogue instead of speeding it up. I did this with Error initially, missing his infamous line. However, something about him drew me back, and this time I waited patiently for him to report that he was a coding failure. How weird.

This is probably the most shocking thing you’ve read today. Go me!

Achievements of the Week – The Calamity Hax0r1! Nut Edition

For this week, Achievements popped in only two games, but I also played a lot of Fallout: New Vegas (shocking, I know), as I’m slowly making progress on those ridiculous challenges added into the game via Gun Runners’ Arsenal, as well as aligning myself with Mr. House eventually. A part of me wants to pop in some older Xbox 360 games and go after a few Achievements, like finishing off LEGO Pirates of the Caribbean or doing that one for getting a ton of damage during a single case in L.A. Noire, but I kind of doubt that will happen. Something with my brain is working against me. Maybe though this weekend, seeing as the biggest of plans is pumpkin-picking and drawing.

Okay, here we go…

From Bastion…

Calamity Kid (30G): Complete the story in New Game Plus.

This didn’t take too long and was much easier than the first romp through. Probably because in New Game+ The Kid’s level and distillery drinks and weapon tweaks all carry over. Some levels I previously had trouble on were a breeze, even the dreamy parts of Who Knows Where. That doesn’t mean it was any less enjoyable, as it totally was. This game is constantly and consistently beautiful, sounds amazing, and it a blast to play. Also, it was nice to hear some more lines from the Narrator.

I also got another Achievement–the last one, actually, making for 12 out of 12–but it’s a hidden one and spoilery so that’s all I’ll say.

From Deus Ex: Human Revolution…

Consciousness is Over-rated (15G): Knock out 100 enemies in a single playthrough.

Hax0r1! (15G): Successfully hack 50 devices within the same playthrough.

The hacking mini-game is…interesting. I didn’t really understand it my first few attempts, and truth be told, I still don’t get it now, some 50+ hacks later, but I am better at it. You have to capture a bunch of nodes without getting noticed, and that’s made a whole lot easier with some Augmentation purchases. Hacking is a pretty important skill for getting into locked places, shutting off cameras, and reading people’s emails.

Also, this one’s definitely a contender for Achievement name of the year.

Gun Nut (20G): Fully upgrade one of your weapons.

I upgraded the tranquilizer rifle so that it reloads faster and fires better. Not that it’s doing me any good. Playing stealthy is one hill after another, and I’m just so ready to go tumbling down to the ground below. Next playthrough, I’m upgrading the shotgun fully and then taking everyone out with a single blast to the face.

—

And how did you do this week? If you don’t speak up in the comments below, I’ll never know.

Games Completed in 2011, #31 – Fallout: New Vegas, Lonesome Road DLC

Fallout: New Vegas‘s side-stories had to end somewhere, and I guess the Divide, a landscape ripped apart by frequent earthquakes, violent storms, and heavy amounts of radiation, is rather fitting, especially since it plays home to the original courier tasked to deliver the Platinum Chip, the one that put a hole in your head. All throughout the vanilla game’s adventure and earlier DLC packs, hints have been dropped about this mysterious Ulysses, forcing curiosity upon the cat, making us wonder just why he refused that infamous job. When Ulysses actually reaches out to the Courier via a Pip-Boy message, one certainly feels compelled to head after him and get some freakin’ answers. So long as you can survive the journey there, that is…

It’s easy to call Lonesome Road linear, as that’s exactly what roads are–lines from one point to another, with guardrails and medians to prevent you from getting off track. Unfortunately, the Fallout franchise is at its worst when its restrictive; compare Operation: Anchorage to Point Lookout, Dead Money to Old World Blues. Walking forward is never thrilling, but unfortunately that’s the only way to get to Ulysses. So off you go, but you better have plenty of medicine for radiation and a healthy stock of weapons as the denizens of the Divide are truly nasty. Deathclaws, marked men, and tunnelers will keep you on your toes, and there’s a lot of rads to deal with. The DLC is recommended for higher level players, and that’s definitely some astute advice to follow. Luckily, you don’t have to go alone; while you can’t actually bring your New Vegas companions with you, shortly into the Divide you do pick up a modifiable ED-E, and while he’s not stellar during combat sessions, his upbeat/downtrodden beeping at least keeps you grounded. Also, you learn that you’ve probably been pronouncing his name wrong this whole time.

My biggest complaint about the DLC is with the big man himself, Ulysses. At several checkpoints, he will use ED-E to talk to you, and these chats can seemingly go on for hours. His cryptic dialogue and odd, slow drawl are to blame; some of what he has to say is important, but only if you can read between the lines. It’s like pulling teeth, and towards the end of Lonesome Road I was so fed up with these parts that I began rushing through dialogue trees so that I could shoot him in the face. Whereas the Burned Man in Honest Hearts was a disappointment for not talking enough and living up to the legend, Ulysses digs his own grave–slowly, methodically, fatefully.

The package felt a lot like this: walk forward, shoot some dudes, listen to Ulysses, repeat. There are not many nooks to explore, and there is only one way to go. The final battle was a little unfair too, but that might be because I picked to hurt Ulysses instead of team up with him. Might try that on my next stroll through, whenever that happens.

Lonesome Road‘s best perks are the updates to ED-E, the +5 to your level cap, and that your gear is not stripped at the beginning of the add-on. Other than that, it’s certainly missable DLC, much like Dead Money, and considering most of it is story-vital and not gameplay-vital, just read what happens on a wiki and be glad you didn’t have to deal with all that laborious listening.

At some point, I’ll talk a bit about Gun Runners’ Arsenal, too, as I’m now on my fourth playthrough (go, Rhaegar!) and am trying to go after some of that DLC’s challenges. Which are freaking insane. Kill adult Mojave Wasteland Deathclaws with .22 Pistols, Switchblades, Boxing Tape, Recharger Rifles, or Dynamite? Me thinks not!

Second boss fight in Deus Ex: Human Revolution is worse than the first

I’ve not been enjoying Deus Ex: Human Revolution as much as I would like; on paper, everything sounds like golden mac and cheese, with plenty of sneaking and interrogating and unraveling and augments, but it turns out that playing it the way I like to play RPG shooters is probably not the best way to play it. Sure, it’s a way, but one easily described as elephantine difficult. I die a lot, I get spotted a lot, and I can’t read a majority of the emails thanks to tiny text syndrome, which means I only hack computers to gain XP for hacking, not for delving deeper in the world’s lore and bad grammar. It’s all a bit of a shame, but I feel this pressure to push on, to finish it, in hopes that I could play it again, this time with a run-and-gun approach, which seems simpler, but ironically safer.

The first boss fight in Deus Ex: Human Revolution nearly had me putting the game’s disc back in the box, the box back on the shelf, and the whole thing out of sight and mind. However, I pushed on, stubborn, and finally got through it. The whole thing was a disappointment, and I knew that more boss fights were to come, but a part of me assumed that maybe they got better, more varied, with some options still for pacifist players. If Yelena Fedorova is any indication, then no–they get worse.

Mute and augmented to the height of 6’7″, Fedorova is one helluva assassin. And if you want answers from Eliza, you need to take her out, which is no easy task. The boss battle takes place in a circular room, with an inner circle and outer circle. The floor is wet, not a detail to dismiss. Along the outer circle ring are four generators, which when destroyed send deadly electric zolts across the floor. If you were not playing the way I am playing, you could shoot Fedorova with guns, stunning her near the generators, and then explode them with more guns or grenades. If you have the right skin augmentation, you can take less damage from the electrified floor, otherwise you have to hop around like a noob on hot coals, praying your health holds up. Here’s the rub: I have no deadly guns and no skin augmentations. As a pacifist player, you have to hang around the generators and wait for Fedorova to charge at you, damaging the generator in the process. You receive damage from this, and then you also have to survive all the electrical damage. It’s tough. I tried numerous times, and the only solution was to switch the difficulty down to easy, which reduced the amount of damage Jensen took from the floor. Three exploded generators later and several popped painkillers, I got this:

The Mantis (25G): You defeated Yelena Fedorova, elite member of a secret mercenary hit squad.

During the first part of the game where you spend a lot of time in Detroit on the streets, I went after most of the sidequests before leaving the area and losing the chance to complete them. It’s the RPGer in me, having to finish up all those little mini tasks or at least see what they are about. Now, I skip them all and just want to finish up the main storyline as I’m so disheartened about my first playthrough (especially since I think I screwed myself over on the “don’t kill anyone” Achievement by using robots once) that I just want to see the whole story and then play it again very differently. Stay tuned for grumbling about the next boss fight, which I’m sure to hate.